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Peter Gijsbertsen Tenor Sings Franz Schubert Jozef De Beenhouwer Piano Phædra Classics Phædra PETER GIJSBERTSEN, TENOR

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Peter Gijsbertsen Tenor Sings Franz Schubert Jozef De Beenhouwer Piano Phædra Classics Phædra PETER GIJSBERTSEN, TENOR 292032 ddd | Peter Gijsbertsen tenor sings Franz Schubert Jozef de Beenhouwer piano Phædra Classics Phædra PETER GIJSBERTSEN, TENOR 2 3 Franz Schubert (1797-1828) NACHT UND TRÄUME 1 Im Frühling (Ernst Schulze), D. 882 (1826) 04:11 2 Geheimes (Aus dem westöstlichen Divan von Goethe), D. 719 (1821) 01:55 3 Frühlingsglaube (Ludwig Uhland), D. 686 (1820) 03:15 4 Du bist die Ruh (Friedrich Rückert), D. 776 (1823) 04:02 5 Auf dem See ( Johann Wolfgang von Goethe), D. 543 (1817) 03:16 6 Die Forelle (Christian Friedrich Daniel Schubart), D. 550 (1817) 02:07 7 Auf dem Wasser zu singen (Friedrich Leopold zu Stolberg), D. 774 (1823) 03:36 8 Lied eines Schifers an die Dioskuren ( Johann Baptist Mayrhofer), D. 360 (1816) 02:42 9 Auf der Bruck (Ernst Schulze), D. 853 (1825) 03:26 10 An die Musik (Franz von Schober), D. 547 (1817) 02:29 11 Der Musensohn ( Johann Wolfgang von Goethe), D. 764 (1822) 02:07 12 Der Wanderer an den Mond ( Johann Gabriel Seidl), D. 870 (1826) 02:20 13 Ständchen (aus “Schwanengesang”) (Ludwig Rellstab), D. 957 (1828) 03:25 14 Nacht und Träume (Matthäus von Collin), D. 827 (1825?) 03:33 15 An den Mond (Ludwig Hölty), D. 193 (1815) 03:02 16 Nachtstück ( Johann Baptist Mayrhofer), D. 672 (1819) 05:04 17 Litaney auf das Fest Aller Seelen ( Johann Georg Jacobi), D. 343 (1816) 04:50 18 Wanderers Nachtlied II ( Johann Wolfgang von Goethe), D. 768 (1823) 01:55 19 Nachthymne (Novalis [Friedrich von Hardenberg]), D. 687 (1820) 05:38 TT: 64:27 Peter Gijsbertsen, tenor Jozef de Beenhouwer, piano 2 3 Peter Gijsbertsen, tenor Tenor Peter Gijsbertsen studeerde cum laude af aan het conservatorium van Utrecht. Hij zet zijn studie voort bij zangleraar Gary Coward en vocal coach Gilbert den Broeder. Daarnaast volgde hij lessen bij Cristina Deutekom en Roberta Alexander. Peter ontving in Glyndebourne de John Christie Award. In 2012 was hij tevens drievoudig winnaar op het Internationaal Vocalisten Concours Den Bosch, o.a. van de hoofdprijs voor Lied waarna hij met solo recitals optrad in Het Concertgebouw te Amsterdam en De Doelen te Rotterdam. Tot zijn reeds uitgevoerde opera repertoire behoren o.a. Secrecy en Chinese Man in Te Fairy Queen van Purcell, Lucano en Liberto in L’incoronazione di Poppea van Monteverdi, der Junge Seemann in Tristan und Isolde en Te Novice in Billy Budd van Britten (Glyndebourne Festival Opera), Tamino in Die Zauberföte van Mozart (Opera Oviedo), Gernando in L’isola disabitata van Haydn (Nationale Reisopera) en Eurimaco/Giove in Il ritorno d’Ulisse in patria van Monteverdi (Opera Keulen). Tot het uitgevoerde concert- en oratoriumrepertoire behoren onder meer de tenorsolo’s in de Matthäus Passion van Bach (Koninklijk Concertgebouw Orkest), Kammermusik 1958 van H.W. Henze (NDR Sinfonieorchester Hamburg), Pulcinella van Stravinsky (Rotterdams Philharmonisch Orkest) en de Vigilia van Rautavaara (Groot Omroepkoor). Op de agenda staan o.a. recitals in België, Nederland en Duitsland, een opname met Strauss liederen voor PhaedraCD, Adrasto in Traetta’s Antigona (Opera Trionfo), Ferrando in Mozart’s Così fan tutte (Ministry of Operatic Afairs) en Acis in Händel’s Acis and Galatea (Opéra de Fribourg). In het najaar volgt bij PhaedraCD de release van een album met liederen van Jef van Hoof (1886-1959), waaraan eveneens meewerken de mezzo Wilke te Brummelstroete, pianist Jozef de Beenhouwer en het Kamerorkest ‘Antverpia’ onder leiding van Ivo Venkov. (juli 2015) 4 5 Peter Gijsbertsen, tenor Peter Gijsbertsen graduated from the Utrecht conservatory summa cum laude. He is continuing his studies with singing teacher Gary Coward and vocal coach Gilbert den Broeder. He has also taken lessons with Cristina Deutekom and Roberta Alexander. In Glyndebourne Peter received the John Christie Award. In the 2012 edition of the International Vocal Competition ’s-Hertogenbosch he won in three categories, including the main prize in the Lied category. Tis led to solo recitals at the Amsterdam Concertgebouw and at the Doelen theater in Rotterdam. Opera parts he has already performed include Secrecy and the Chinese Man in Purcells “Te Fairy Queen”, Lucano and Liberto in Monteverdi’s “L’incoronazione di Poppea”, the Young Sailor in “Tristan und Isolde”, the Novice in Britten’s “Billy Budd” (Glyndebourne Festival Opera), Tamino in Mozart’s “Te Magic Flute” (Oviedo Opera), Gernando in Haydn’s “L’isola disabitata” (Dutch Nationale Reisopera) and Eurimaco/Giove in Monteverdi’s “Il ritorno d’Ulisse in patria” (Cologne Opera). Among the concert and oratorio repertoire he has already sung are the tenor solos in Bach’s “St Matthew Passion” (with the Royal Concertgebouw Orchestra Amsterdam), H.W. Henze’s “Kammermusik 1958” (with the NDR Symphony Orchestra Hamburg), Stravinsky’s “Pulcinella” (with the Rotterdam Philharmonic Orchestra) and Rautavaara’s “Vigilia” (with the Dutch Radio Choir). Peter Gijsbertsen is planning recitals in Belgium, Te Netherlands and Germany and a CD with songs by Richard Strauss for Phaedra. He is also preparing the roles of Adrasto in Traetta’s “Antigona” (Opera Trionfo), Ferrando in Mozart’s “Così fan tutte” (Ministry of Operatic Afairs) en Acis in Handel’s “Acis and Galatea” (Opéra de Fribourg). In the fall Phaedra will release a CD of art songs by Jef van Hoof (1886–1959), which will feature, besides Peter Gijsbertsen, mezzo Wilke te Brummelstroete, pianist Jozef De Beenhouwer and the ‘Antverpia’ Chamber Orchestra conducted by Ivo Venkov. ( June 2015) 4 5 Peter Gijsbertsen, ténor Le ténor Peter Gijsbertsen obtint son diplôme avec distinction au conservatoire d’Utrecht. Il continua ses études chez le professeur de chant Gary Coward et le coach vocal Gilbert den Broeder. En outre, il suivit des leçons chez Cristina Deutekom en Roberta Alexander. Peter reçut à Glyndebourne le John Christie Award. En 2012, il fut également triple vainqueur du Internationaal Vocalisten Concours Den Bosch. Il remporta entre autres, le prix principal pour Lied, grâce auquel il put se produire lors de récitals solo au Concertgebouw d’Amsterdam et De Doelen à Rotterdam. Son répertoire d’oeuvres d’opéra déjà jouées, comporte entre autres Secrecy et Chinese man dans Te Fairy Queen de Purcell, Lucano et Liberto dans L’incoronaione di Poppea de Monteverdi, Der junge Seemann dans Tristan und Isolde et Te Novice dans Billy Budd de Britten (Glyndebourne Festival Opera), Tamino dans La Flûte Enchantée de Mozart (Opera Oviedo), Gernando dans L’isola disabitata de Haydn (Nationale Reisopera) et Eurimaco/Giove dans Il Ritorno d’Ulisse in patria de Monteverdi (Opéra Cologne). Son répertoire d’oeuvres de concerts et d’oratorios déjà jouées, comporte entre autres les solos de ténor dans la Passion selon Saint-Mathieu de Bach (Koninklijk Concergebouw Orkest), Kammermusik 1958 de H.W. Henze (NDR Sinfonieorchester Hamburg), Pulcinella de Stravinsky (Rotterdams Philharmonisch Orkest) et Vigilia de Rautavaara (Groot Omroepkoor). Les prochains évènements notés dans son agenda sont entre autres des récitals en Belgique, aux Pays-Bas et en Allemagne, un enregistrement des lieder de Strauss pour les CD Phaedra, Adrasto dans Antigone de Traetta (Opera Trionfo), Ferrando dans Così fan Tutte de Mozart (Ministry of Operatic Afairs) et Acis dans Acis and Galatea de Händel (Opéra de Fribourg). En automne Phaedra publiera un CD avec des mélodies de Jef van Hoof (1886–1959), interprétées par Peter Gijsbertsen et par la mezzo Wilke te Brummelstroete, le pianiste Jozef de Beenhouwer et l’Orchestre de chambre ‘Antverpia’ sous la direction d’Ivo Venkov. ( Juin 2015) 6 7 Peter Gijsbertsen, Tenor Der Tenor Peter Gijsbertsen beendete sein Studium “cum laude”am Conservatorium von Utrecht. Er setzte sein Studium beim Gesangspädagogen Gary Coward und Stimmbildner Gilbert den Broeder fort und nahm nebenbei Unterricht bei Christina Deutekom und Roberta Alexander. In Glyndebourne wurde ihm der John Christie Award zuerkannt. Im Jahre 2012 wurde er ausserdem dreifacher Laureat beim Internationaal Vocalisten Concours Den Bosch, worunter der Hauptpreis Liedgesang mit Liederabenden im Concertgebouw Amsterdam und in De Doelen, Rotterdam. Er hat schon an mehreren Opernauführungen teilgenommen mit Rollen wie Secrecy und Chinese Man in Te Fairy Queen von Purcell, Lucano und Liberto in L’Incoronazione di Poppea von Monteverdi, Der junge Seemann in Tristan und Isolde und Te Novice in Billy Budd von Britten (Glyndebourne Festival Opera), Tamino in Die Zauberföte von Mozart (Opera Oviedo), Gernando in L’isola disabitata von Haydn (Nationale Reisopera) und Eurimaco/Giove in Il ritorno d’Ulisse in patria von Monteverdi (Kölner Oper). Zu seinem Konzert,- und Oratoriumrepertoire gehören u.a. die Tenorpartien in der Matthäuspassion von Bach (Koninklijk Concertgebouw Orkest), Kammermusik 1958 von H.W. Henze (NDR Sinfonieorchester Hamburg), Pulcinella von Strawinsky (Rotterdams Philharmonisch Orket) und die Vigilia von Rauttavaara (Groot Omroepkoor). Ferner stehen ua. Liederabende in Belgien, den Niederlanden und Deutschland auf dem Programm, sowie eine Aufnahme von Strauss-Liedern für PhaedraCD, die Rollen des Adrasto in Traettas Antigona (Opera Trionfo), Ferrando in Mozarts Cosi fan tutte (Ministry of Operatic Afairs) und Acis in Händels Acis and Galatea (Opéra de Fribourg). Im Herbst wird Phaedra eine CD mit Liedern von Jef van Hoof (1886–1959) veröfentlichen, interpretiert von Peter Gijsbertsen und von Wilke te Brummelstroete, Mezzosopranistin, Jozef de Beenhouwer, Klavier, und dem ‘Antverpia’ Kammerorchester unter der Leitung von Ivo Venkov. ( Juni 2015) 6 7 JOZEF DE BEENHOUWER, PIANO 8 9 Jozef de Beenhouwer, piano Na voltooien van farmaciestudies (1970) aan de KUL wijdde Jozef de Beenhouwer zich volledig aan de muziek. Hij studeerde aan de Muziekkapel Koningin Elisabeth in Argenteuil (1971-74) en aan het Koninklijk Vlaams Conservatorium te Antwerpen bij Lode Backx . In 1975 behaalde hij er het Hoger Diploma voor piano met de grootste onderscheiding. In de negentiger jaren vervolmaakte hij zich in Firenze bij David Kimball. Jozef de Beenhouwer is opgetreden in solo-recitals en in concerti in de meeste Europese landen, in Zuid-Korea en in de Verenigde Staten van Amerika; hij heeft zich ook vaak laten horen als kamermusicus en als liedbegeleider, met o.m.
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