Robert G. Lee a Stand-Up Kind of Guy
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February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
On Our Short List
et al.: On Our Short List ~~~ ~ - - ~ ·. ij ·~ .l.tist AARON SORKIN ' 83 Broadway Brat rticles about the Broadway courtroom drama, A Few Good Men, tend to focus on its playwright, newcomer Aaron Sor Akin. But he's only half the story. Ina year when producers are playing it safe by mounting revivals like Gypsy, the eagerness to produce Sorkin's 21-character piece and the speed with which Hollywood snapped up the story were, well, dramatic. Broadway patrons flocked to Sorkin's 63- scene play. No less than six powerful produc ers brought Sorkin's show to Broadway for a price tag of more than three-quarters of a mil lion dollars. Among them are film producer David Brown (Jaws) and members of the Shubert Organization. Critics have showered the show with praise. "The greatest courtroom drama since The Caine Mutiny Court Martial," said one. Another pronounced it the best American play of the year. Masterful performances by Tom Hulce, Stephen Lang, and an ensemble cast guarantee recognition when the Tony Awards are announced this spring. Sorkin makes his job sound simple. He told James Servin of the New York weekly Seven Days, explaining his blueprint for the ideal script: "Somebody wants something. Something stands in their way of getting it, and somehow the obstacle must be over come. It's the Aristotelian principle." Sorkin's own Aristotelian ascent was by no means instantaneous. He came to New York in 1983, fresh from Syracuse with an under graduate degree in drama. At first he was a runner for the TKTS booth on Times Square, then a theater bartender. -
As Writers of Film and Television and Members of the Writers Guild Of
July 20, 2021 As writers of film and television and members of the Writers Guild of America, East and Writers Guild of America West, we understand the critical importance of a union contract. We are proud to stand in support of the editorial staff at MSNBC who have chosen to organize with the Writers Guild of America, East. We welcome you to the Guild and the labor movement. We encourage everyone to vote YES in the upcoming election so you can get to the bargaining table to have a say in your future. We work in scripted television and film, including many projects produced by NBC Universal. Through our union membership we have been able to negotiate fair compensation, excellent benefits, and basic fairness at work—all of which are enshrined in our union contract. We are ready to support you in your effort to do the same. We’re all in this together. Vote Union YES! In solidarity and support, Megan Abbott (THE DEUCE) John Aboud (HOME ECONOMICS) Daniel Abraham (THE EXPANSE) David Abramowitz (CAGNEY AND LACEY; HIGHLANDER; DAUGHTER OF THE STREETS) Jay Abramowitz (FULL HOUSE; MR. BELVEDERE; THE PARKERS) Gayle Abrams (FASIER; GILMORE GIRLS; 8 SIMPLE RULES) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEEPER) Peter Ackerman (THINGS YOU SHOULDN'T SAY PAST MIDNIGHT; ICE AGE; THE AMERICANS) Joan Ackermann (ARLISS) 1 Ilunga Adell (SANFORD & SON; WATCH YOUR MOUTH; MY BROTHER & ME) Dayo Adesokan (SUPERSTORE; YOUNG & HUNGRY; DOWNWARD DOG) Jonathan Adler (THE TONIGHT SHOW STARRING JIMMY FALLON) Erik Agard (THE CHASE) Zaike Airey (SWEET TOOTH) Rory Albanese (THE DAILY SHOW WITH JON STEWART; THE NIGHTLY SHOW WITH LARRY WILMORE) Chris Albers (LATE NIGHT WITH CONAN O'BRIEN; BORGIA) Lisa Albert (MAD MEN; HALT AND CATCH FIRE; UNREAL) Jerome Albrecht (THE LOVE BOAT) Georgianna Aldaco (MIRACLE WORKERS) Robert Alden (STREETWALKIN') Richard Alfieri (SIX DANCE LESSONS IN SIX WEEKS) Stephanie Allain (DEAR WHITE PEOPLE) A.C. -
PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2. -
Vol 1, Issue 2 2016 | 2017 Vol 1, Issue 2 2016 | 2017
Vol 1, Issue 2 2016 | 2017 Vol 1, Issue 2 2016 | 2017 SAVE the DATE HEARTBEAT GALA Saturday, February 25, 2017 | 5:30 – 11:00 pm DoubleTree Hotel, Ontario healthcares TABLE OF CONTENTS is published by Pomona Valley WINE TASTING EVENT Stead Heart & Vacular Center | 30 Years Strong in Our Community 2 Friday, May 12, 2017 | 6:00 – 10:00 pm Hospital Medical Center Foundation Blazing New Trails After Heart Surgery 6 Fairplex Conference Center, Pomona Valley Hospital Medical Center Chairperson’s Message 8 .............. PVHMC Foundation Welcomes New Board Member Peter Rogers 9 Richard E. Yochum, FACHE Pioneer in Cardiothoracic Surgery 10 President/CEO Recognized for Excellence in Stroke and Heart Failure 12 Tamara Barto It Takes a Team 13 Managing Editor, healthcares The 22nd Annual Heartbeat Gala 14 Manager, Marketing & The Amazing Power of Red 16 Communications Making an Impact on Stroke 18 .............. Defying the Odds 20 FOUNDATION STAFF: Around Stead Heart & Vascular Center 21 23 James McL. Dale PVHMC Celebrates Life with Cancer Survivors Vice President of Development When Should YOU Get Your First Mammogram? 24 LPGO Tournament Proceeds Assists in Funding Glenda Ferguson Full-Time Breast Health Navigator! 26 Director of Development Around The Robert and Beverly Lewis Family Cancer Care Center 28 Susan McGrath New Tax Planning Opportunity for Donors Aged 70.5+ 30 Database and Prospect 12th Annual Wine Tasting Event for Infants and Children 32 Research Specialist Big Hearts for Tiny Babies 34 Haidi Carrillo Nursing Scholarship Fund Pays It Forward 36 Development Assistant Honoring Doctors for All They Do 38 .............. Do You Have a Guardian Angel? 42 46 If you would like to be added or $$$ For Physicals Program Raises Thousands for Local Schools deleted from this mailing list, PVHMC Lab Adopts Most Advanced Technology on the West Coast 47 please call 909.865.9139 PVHMC Earns the Joint Commission’s Distinction or email: Certification for Diabetes Care 48 [email protected] A Celebration of Saved Lives & Medical Miracles 49 ......... -
Page 1 Sitcoms
Sitcoms - Free Printable Wordsearch LASTMANSTANDING AMERICANWOMANS GH COUGARTOWNE IEBUR NNOTICEFLIPPER IN LA ATTHEJEFFERSONST EB LD RMBEWITCHED YMR SICOU ELOUIE LFO AGHFOB RCZOEYI LSO MAICT OIO MARK CNTCH JCRA HEL ASHO EAAFNF ATDY TIG ACCNA EDSNN SYIL NLKMDMNR NAN LONAMREDDA HAAIGUL SI AUIVH TSOORDLMAS LTN ENNLEO HFSMWRTEYISR HE MDGOKBRT EATASHIYAI EN PSVAENI MTMTESNFGYR I THETTMEN AHAAMEFL EN YELET ASCNETSA KRAYDE NLUAE DHLNRFON ADIG EDCMLR AIEHAKRACN RRF SOYELO BRVFABNIMI SEU TNLSIF OLEPOMI NEL SIUEF HOUELPKWLO NL ERSPT SITYAYR STYSH IHSEEOB CYNODLB HO NOARMDJP YOMDAAE OU FDJSOEA BUWYS WS EAOTMK IES TE LEOA LH DYRR TL ED TWO AND A HALF MEN BETTER OFF TED NIGHT COURT BEWITCHED THE RED GREEN SHOW AMERICAN WOMAN I LOVE LUCY SEINFELD BROOKLYN NINE NINE FANTASY ISLAND COUGAR TOWN SAM CAT CHICO AND THE MAN MAMA S FAMILY THE WALTONS FLIPPER GILLIGAN S ISLAND FAMILY AFFAIR HAPPY DAYS A P BIO HEAD OF THE CLASS MAD ABOUT YOU DRAKE JOSH CYBILL FATHER KNOWS BEST YOUNG SHELDON KATE ALLIE MARTIN LAST MAN STANDING MELISSA JOEY CORNER GAS ICARLY HOT IN CLEVELAND THE MUNSTERS FULL HOUSE RHODA BOJACK HORSEMAN AMERICAN DAD MORK MINDY LOUIE LAVERNE SHIRLEY FAMILY TIES EMPTY NEST MR ED THE JEFFERSONS BROKE GIRLS SUPERSTORE ZOEY BURN NOTICE MOM Free Printable Wordsearch from LogicLovely.com. Use freely for any use, please give a link or credit if you do. Sitcoms - Free Printable Wordsearch WHATSHAPPENING PUNKYBREWSTER THEFLINTSTONES STBOSOMBUDDIESACCO RDINGTOJIM MH NNECH EERS AEELLENE OCKATHKIM RLMMIRANDAMIA THEGOLDBERGS ALOAO TLSMYNAMEI SEARL IWNLW CPKMODERN -
Richard Butsch a HALF CENTURY of CLASS and GENDER In
Butsch, Richard. « A Half Century of Class and Gender in American TV Domestic Sitcoms », Cercles 8 (2003) : 16-34 <www.cercles.com>. ©Cercles 2003. Toute reproduction, même partielle, par quelque procédé que ce soit, est interdite sans autorisation préalable (loi du 11 mars 1957, al. 1 de l’art. 40). ISSN : 1292-8968. Richard Butsch Rider University, Lawrenceville A HALF CENTURY OF CLASS AND GENDER in American TV Domestic Sitcoms Over a half-century of television, domestic situation comedies have reinforced images of the middle class as better than the working class. Similar inequalities have been portrayed for men versus women, black versus white, old versus young, and for other status hierarchies. Already embedded in the larger culture, these stereotypes are used to signify character types that advance dramatic goals. Nevertheless, the pervasiveness of network tele- vision and the persistence over five decades have contributed immeasurably to reproducing these same stereotypes. Women, for example, have been cast as main characters only where the subjects of romance or family are salient; they have been absent from rational discussions in scripts [Gerbner, 1972]. Women’s presence thus signals certain themes. Similarly, traits culturally associated with a lower status, applied to a person of higher status devalues that person. Men are devalued by characte- rizing them as feminine. Such status inversion can then effectively confirm other lower statuses held by the person. Female, black and lower-class adults have been devalued by characterizing them as child-like. Child-like attribu- tions undercut their adult status, confirming their lower status as female, black or lower-class. -
Nickel and Dimed by Barbara Ehrenreich
1 NICKEL AND DIMED 2 NICKEL AND DIMED Praise for Nickel and Dimed "A brilliant on-the-job report from the dark side of the boom. No one since H. L. Mencken has assailed the smug rhetoric of prosperity with such scalpel-like precision and ferocious wit." - Mike Davis, author of Ecology of Fear "Eloquent ... This book illuminates the invisible army that scrubs floors, waits tables, and straightens the racks at discount stores." - Sandy Block, USA Today "Courageous ... Nickel and Dimed is a superb and frightening look into the lives of hard- working Americans ... policy makers should be forced to read." - Tamara Straus, San Francisco Chronicle "I was absolutely knocked out by Barbara Ehrenreich's remarkable odyssey. She has accomplished what no contemporary writer has even attempted-to be that `nobody' who barely subsists on her essential labors. Not only is it must reading but it's mesmeric. Bravo!" - Studs Terkel, author of Working "Nickel and Dimed opens a window into the daily lives of the invisible workforce that fuels the service economy, and endows the men and women who populate it with the honor that is often lacking on the job. And it forces the reader to realize that all the good- news talk about welfare reform masks a harsher reality." - Katherine Newman, The Washington Post "With grace and wit, Ehrenreich discovers the irony of being `nickel and dimed' during unprecedented prosperity ... Living wages, she elegantly shows, might erase the shame that comes from our dependence `on the underpaid labor of others.'" - Eileen Boris, The Boston Globe "It is not difficult to endorse Nickel and Dimed as a book that everyone who reads-yes, everyone - ought to read, for enjoyment, for consciousness-raising and as a call to action." - Steve Weinberg, Chicago Tribune "Unflinching, superb .. -
Generations of Service
Generations of Service Laura E. Yardley Generations of Service Laura E. Yardley 2008 COVER PHOTO: CMSgt. Ralph “Bucky” Dent (left) and son TSgt. Jason Dent at an undisclosed location. Foreword If imitation is the sincerest form of flattery, then certainly any parent, broth- er, sister or cousin, aunt or uncle is honored to see a loved family member follow in his or her footsteps to military service. In old Europe it was traditionally the second son, since only the eldest could inherit the land. But in America the oppor- tunity is there for any fledgling to dream, “I want to serve in the Air Force, just like my Uncle/Brother/ Grandfather Bob.” Few are more aware of the demands of military service than those who serve, so to have a loved one make the com- mitment can be bittersweet—on the one hand a joy and honor; on the other the knowledge that it can be too frequently a tough way to make a living. In this short study you will meet several such families, and you will learn about their relationships and the reasons some have seen a clear path that has been forged by the generations ahead of them. Myriad reasons motivate these multiple generations of Airmen, some of which are clearly expressed, while others are just felt: honor, pride, responsibility, patriotism, courage. The author herself is expe- riencing the family tie of common service: she served as an active duty, now reserve, officer; her husband served as an active duty enlisted man and officer and is now an Air Force civilian. -
February 26, 2021 Amazon Warehouse Workers in Bessemer
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; BLACKISH) -
Thank You CONTENTS Village South, 331 Wethersfield Avenue in Hartford
FY19-20 ANNUAL REPORT Thank You CONTENTS Village South, 331 Wethersfield Avenue in Hartford. 2 FY19-20 Highlights 16 Outcomes 18 Client Satisfaction 19 Financial Report 20 Village Auxiliaries 21 Leadership Giving 33 About The Village OUR MISSION: To build a community of strong, healthy families who protect and nurture children. Dear friends, In The Village’s 200-year history, we have endured two world wars and the Great Depression but we never experienced a year like 2020. COVID-19 has increased stress, trauma and uncertainty for everyone — children and families we serve, along with our staff, supporters and volunteers. At the same time, our nation’s ongoing dialogue about racial inequality — which impacts our clients and mission — has greatly intensified. The Village stands at the intersection, uniquely positioned to provide healing and hope for those who need it most. Winston Churchill once said, “Never waste a crisis.” We agree. In order to ensure that our services continued uninterrupted, we At the same time, we committed to playing an even larger role had to discover new ways to meet our mission. In the spring of in the fight for racial equity. We organized both internal and 2020 we launched a telehealth program to maintain critical mental external virtual “community conversations” — engaging hundreds health services, distributed supplies to Hartford students, began of employees and thousands of members of the public. We will construction on a massive new adult services treatment wing at continue our work to encourage people to turn empathy into action. Village South, and dramatically expanded internal communications We are keenly aware of the challenges that lie ahead but we’ve to keep employees connected. -
ED366867.Pdf
DOCUMENT RESUME ED 366 867 CG 025 213 TITLE Talking with TV: A Guide to Starting Dialogue with Youth, 1993-1994 Edition. INSTITUTION Center for Population Options, Washington, DC. SPONS AGENCY Carnegie Corp. of New York, N.Y. PUB DATE [94] NOTE 29p. PUB TYPE Guides Non-Classroom Use (055) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS Adolescents; Children; Cultural Influences; Drug Use; Ethnicity; *Interpersonal Communication; Interpersonal Relationship; *Mass Media Effects; *Parent Child Relationship; *Preadolescents; *Programming (Broadcast); Responsibility; Sexuality; Television Research; *Television Viewing; Values ABSTRACT This booklet shows parents and other adults how to use entertainment television to sparkdiscussions with children and adolescents about sexuality, values, responsibility,communication, and other sensitive subjects (personalrelationships, race and culture, drug use). First published in 1989, thisbooklet has been updated annually. Discussion questions and activitiesin the guide focus primarily on preadolescents--children betweenthe ages of 9 and 12 years--but are of use with both younger and olderaudiences as well. This guide from 1)93-1994 features plotsummaries of returning shows popular with preadolescents and adolescents and newshows which, most likely, will attract a young audience. Theguide does not endorse or rate shows; it chooses those mostlikely to raise important issues. Most of the shows highlighted in theguide are broadcast in primetime. Included in the guide are namesand addresses of production companies,