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State Systemic Improvement Plan – FFY 2018
New Jersey Early Intervention System SPP/APR FFY 2018 (SFY 2019) Indicator 11-Attachment State Systemic Improvement Plan Submitted: April 1, 2020 THE STATE SYSTEMIC IMPROVEMENT PLAN PHASE III INTRODUCTION The New Jersey Department of Health (DOH) is the designated State Lead Agency for the Early Intervention System (NJEIS) established under Part C of the Individuals with Disabilities Education Act (IDEA). As such, the DOH is ultimately responsible for using its supervisory authority to ensure the availability of appropriate early intervention services for eligible infants, toddlers and their families. New Jersey is divided into three geographic regions that are North Jersey, Central Jersey and South Jersey. The state has a twenty-one (21) county governmental structure and NJEIS operates in all 21 counties of New Jersey through contracts with 50 Early Intervention Agencies (EIPs), 13 Service Coordination Units (SCUs) and four Regional Early Intervention Collaboratives (REICs). Phases I & II of the State Systemic Improvement Plan (SSIP) in 2015 and 2016 were completed through the efforts of the DOH and stakeholders through multiple meetings; the formation of small, task-oriented workgroups; data collection and analysis that all support the State- Identified Measurable Result (SIMR). The NJEIS defined the SIMR as: “Infants and toddlers with disabilities will substantially increase their rate of growth and development of positive social emotional skills by the time they exit the program as measured by Indicator 3A, summary statement 1” The execution of Phase III Years 1 through 4 followed the Actions Steps outlined in each of the four (4) Implementation Plans along with the Methods and Measures of the Evaluation Plan developed and submitted in Phase II. -
Blacks Reveal TV Loyalty
Page 1 1 of 1 DOCUMENT Advertising Age November 18, 1991 Blacks reveal TV loyalty SECTION: MEDIA; Media Works; Tracking Shares; Pg. 28 LENGTH: 537 words While overall ratings for the Big 3 networks continue to decline, a BBDO Worldwide analysis of data from Nielsen Media Research shows that blacks in the U.S. are watching network TV in record numbers. "Television Viewing Among Blacks" shows that TV viewing within black households is 48% higher than all other households. In 1990, black households viewed an average 69.8 hours of TV a week. Non-black households watched an average 47.1 hours. The three highest-rated prime-time series among black audiences are "A Different World," "The Cosby Show" and "Fresh Prince of Bel Air," Nielsen said. All are on NBC and all feature blacks. "Advertisers and marketers are mainly concerned with age and income, and not race," said Doug Alligood, VP-special markets at BBDO, New York. "Advertisers and marketers target shows that have a broader appeal and can generate a large viewing audience." Mr. Alligood said this can have significant implications for general-market advertisers that also need to reach blacks. "If you are running a general ad campaign, you will underdeliver black consumers," he said. "If you can offset that delivery with those shows that they watch heavily, you will get a small composition vs. the overall audience." Hit shows -- such as ABC's "Roseanne" and CBS' "Murphy Brown" and "Designing Women" -- had lower ratings with black audiences than with the general population because "there is very little recognition that blacks exist" in those shows. -
By Jennifer M. Fogel a Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy
A MODERN FAMILY: THE PERFORMANCE OF “FAMILY” AND FAMILIALISM IN CONTEMPORARY TELEVISION SERIES by Jennifer M. Fogel A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Associate Professor Amanda D. Lotz, Chair Professor Susan J. Douglas Professor Regina Morantz-Sanchez Associate Professor Bambi L. Haggins, Arizona State University © Jennifer M. Fogel 2012 ACKNOWLEDGEMENTS I owe my deepest gratitude to the members of my dissertation committee – Dr. Susan J. Douglas, Dr. Bambi L. Haggins, and Dr. Regina Morantz-Sanchez, who each contributed their time, expertise, encouragement, and comments throughout this entire process. These women who have mentored and guided me for a number of years have my utmost respect for the work they continue to contribute to our field. I owe my deepest gratitude to my advisor Dr. Amanda D. Lotz, who patiently refused to accept anything but my best work, motivated me to be a better teacher and academic, praised my successes, and will forever remain a friend and mentor. Without her constructive criticism, brainstorming sessions, and matching appreciation for good television, I would have been lost to the wolves of academia. One does not make a journey like this alone, and it would be remiss of me not to express my humble thanks to my parents and sister, without whom seven long and lonely years would not have passed by so quickly. They were both my inspiration and staunchest supporters. Without their tireless encouragement, laughter, and nurturing this dissertation would not have been possible. -
Happy Birthdaybirthday
HappyHappy BirthdayBirthday Sunday, December 19, 1999 Specially Created For: b17 Your Birthstone -Turquoise Your Birth Sign - Sagittarius Events of the Month The Year's Sports Russian President Boris Yeltsin surprises the world on Dec. 31, resigning his post Highlights and turning power over to Prime Minister Vladimir Putin. Yeltsin, 68, tells a stunned Russia: "I am resigning ahead of time." The New Year also brings an end The world's best basketball player -- to the comic strip "Peanuts" as creator Charles Shultz retires after almost 50 years. Michael Jordan -- retires from the Israel and Syria resume peace talks over the Golan Heights. The U.S. on Dec. 14 Chicago Bulls at age 35. The San cedes control of the Panama Canal. Antonio Spurs beat the New York Knicks to win the NBA title. In baseball, the New York Yankees defeat the Atlanta Braves to once more win the World Series while Popular Then vs. Now football's Denver Broncos beat the Cost of Living Atlanta Falcons, 34-19, in Super Music Bowl XXXIII. In hockey, the Dallas Comparisons Stars defeat the Buffalo Sabres for Back in 1999, the popular songs the Stanley Cup. American Lance were: "Livin' la Vida Loca" Armstrong overcomes cancer to win performed by Ricky Martin; "Last 1999 2015 bicycle racing's prestigious Tour de Kiss" performed by Pearl Jam; Gallon of Milk $2.87 $3.76 France. In golf, Scottish golfer Paul "Believe" sung by Cher; and "To Loaf of Bread $.89 $1.41 Lawrie wins the 128th British Open. Scrubs" by TLC. Also topping the New Auto $17,995.00 $26,790.00 Kenny Brack wins the Indianapolis charts: "Every Morning" by Sugar Gallon of Gas $1.09 $2.77 Ray; "Where My Girls At?" by New Home $168,300.00 $208,300.00 Famous People 702 (Motown); "If You Had My Average Income $28,951.28 $39,659.00 BornDow Joneson this Date Love" by Jennifer Lopez; and the Dow Jones 10,139.00 17,727.16 Actress Cicely Tyson - 1939 popular "What's It Gonna Be?" by Actor Robert Urich - 1947 Busta Rhymes. -
Tom Hanks Halle Berry Martin Sheen Brad Pitt Robert Deniro Jodie Foster Will Smith Jay Leno Jared Leto Eli Roth Tom Cruise Steven Spielberg
TOM HANKS HALLE BERRY MARTIN SHEEN BRAD PITT ROBERT DENIRO JODIE FOSTER WILL SMITH JAY LENO JARED LETO ELI ROTH TOM CRUISE STEVEN SPIELBERG MICHAEL CAINE JENNIFER ANISTON MORGAN FREEMAN SAMUEL L. JACKSON KATE BECKINSALE JAMES FRANCO LARRY KING LEONARDO DICAPRIO JOHN HURT FLEA DEMI MOORE OLIVER STONE CARY GRANT JUDE LAW SANDRA BULLOCK KEANU REEVES OPRAH WINFREY MATTHEW MCCONAUGHEY CARRIE FISHER ADAM WEST MELISSA LEO JOHN WAYNE ROSE BYRNE BETTY WHITE WOODY ALLEN HARRISON FORD KIEFER SUTHERLAND MARION COTILLARD KIRSTEN DUNST STEVE BUSCEMI ELIJAH WOOD RESSE WITHERSPOON MICKEY ROURKE AUDREY HEPBURN STEVE CARELL AL PACINO JIM CARREY SHARON STONE MEL GIBSON 2017-18 CATALOG SAM NEILL CHRIS HEMSWORTH MICHAEL SHANNON KIRK DOUGLAS ICE-T RENEE ZELLWEGER ARNOLD SCHWARZENEGGER TOM HANKS HALLE BERRY MARTIN SHEEN BRAD PITT ROBERT DENIRO JODIE FOSTER WILL SMITH JAY LENO JARED LETO ELI ROTH TOM CRUISE STEVEN SPIELBERG CONTENTS 2 INDEPENDENT | FOREIGN | ARTHOUSE 23 HORROR | SLASHER | THRILLER 38 FACTUAL | HISTORICAL 44 NATURE | SUPERNATURAL MICHAEL CAINE JENNIFER ANISTON MORGAN FREEMAN 45 WESTERNS SAMUEL L. JACKSON KATE BECKINSALE JAMES FRANCO 48 20TH CENTURY TELEVISION LARRY KING LEONARDO DICAPRIO JOHN HURT FLEA 54 SCI-FI | FANTASY | SPACE DEMI MOORE OLIVER STONE CARY GRANT JUDE LAW 57 POLITICS | ESPIONAGE | WAR SANDRA BULLOCK KEANU REEVES OPRAH WINFREY MATTHEW MCCONAUGHEY CARRIE FISHER ADAM WEST 60 ART | CULTURE | CELEBRITY MELISSA LEO JOHN WAYNE ROSE BYRNE BETTY WHITE 64 ANIMATION | FAMILY WOODY ALLEN HARRISON FORD KIEFER SUTHERLAND 78 CRIME | DETECTIVE -
CHICAGO to Tour Australia in 2009 with a Stellar Cast
MEDIA RELEASE Embargoed until 6pm November 12, 2008 We had it coming…CHICAGO to tour Australia in 2009 with a stellar cast Australia, prepare yourself for the razzle-dazzle of the hit musical Chicago, set to tour nationally throughout 2009 following a Gala Opening at Brisbane‟s Lyric Theatre, QPAC. Winner of six Tony Awards®, two Olivier Awards, a Grammy® and thousands of standing ovations, Chicago is Broadway‟s longest-running Musical Revival and the longest running American Musical every to play the West End. It is nearly a decade since the “story of murder, greed, corruption, violence, exploitation, adultery and treachery” played in Australia. Known for its sizzling score and sensational choreography, Chicago is the story of a nightclub dancer, a smooth talking lawyer and a cell block of sin and merry murderesses. Producer John Frost today announced his stellar cast: Caroline O’Connor as Velma Kelly, Sharon Millerchip as Roxie Hart, Craig McLachlan as Billy Flynn, and Gina Riley as Matron “Mama” Morton. “I‟m thrilled to bring back to the Australian stage this wonderful musical, especially with the extraordinary cast we have assembled. Velma Kelly is the role which took Caroline O‟Connor to Broadway for the first time, and her legion of fans will, I‟m sure, be overjoyed to see her perform it once again. Sharon Millerchip has previously played Velma in Chicago ten years ago, and since has won awards for her many musical theatre roles. She will be an astonishing Roxie. Craig McLachlan blew us all away with his incredible audition, and he‟s going to astound people with his talent as a musical theatre performer. -
Rebooting Roseanne: Feminist Voice Across Decades
Home > Vol 21, No 5 (2018) > Ford Rebooting Roseanne: Feminist Voice across Decades Jessica Ford In recent years, the US television landscape has been flooded with reboots, remakes, and revivals of “classic” nineties television series, such as Full/er House (1987-1995, 2016- present), Will & Grace (1998-2006, 2017-present), Roseanne (1988-1977, 2018), and Charmed (1998-2006, 2018-present). The term “reboot” is often used as a catchall for different kinds of revivals and remakes. “Remakes” are derivations or reimaginings of known properties with new characters, cast, and stories (Loock; Lavigne). “Revivals” bring back an existing property in the form of a continuation with the same cast and/or setting. “Revivals” and “remakes” both seek to capitalise on nostalgia for a specific notion of the past and access the (presumed) existing audience of the earlier series (Mittell; Rebecca Williams; Johnson). Reboots operate around two key pleasures. First, there is the pleasure of revisiting and/or reimagining characters that are “known” to audiences. Whether continuations or remakes, reboots are invested in the audience’s desire to see familiar characters. Second, there is the desire to “fix” and/or recuperate an earlier series. Some reboots, such as the Charmed remake attempt to recuperate the whiteness of the original series, whereas others such as Gilmore Girls: A Life in the Year (2017) set out to fix the ending of the original series by giving audiences a new “official” conclusion. The Roseanne reboot is invested in both these pleasures. It reunites the original cast for a short-lived, but impactful nine-episode tenth season. -
PERFECTION, WRETCHED, NORMAL, and NOWHERE: a REGIONAL GEOGRAPHY of AMERICAN TELEVISION SETTINGS by G. Scott Campbell Submitted T
PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS BY G. Scott Campbell Submitted to the graduate degree program in Geography and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ______________________________ Chairperson Committee members* _____________________________* _____________________________* _____________________________* _____________________________* Date defended ___________________ The Dissertation Committee for G. Scott Campbell certifies that this is the approved version of the following dissertation: PERFECTION, WRETCHED, NORMAL, AND NOWHERE: A REGIONAL GEOGRAPHY OF AMERICAN TELEVISION SETTINGS Committee: Chairperson* Date approved: ii ABSTRACT Drawing inspiration from numerous place image studies in geography and other social sciences, this dissertation examines the senses of place and regional identity shaped by more than seven hundred American television series that aired from 1947 to 2007. Each state‘s relative share of these programs is described. The geographic themes, patterns, and images from these programs are analyzed, with an emphasis on identity in five American regions: the Mid-Atlantic, New England, the Midwest, the South, and the West. The dissertation concludes with a comparison of television‘s senses of place to those described in previous studies of regional identity. iii For Sue iv CONTENTS List of Tables vi Acknowledgments vii 1. Introduction 1 2. The Mid-Atlantic 28 3. New England 137 4. The Midwest, Part 1: The Great Lakes States 226 5. The Midwest, Part 2: The Trans-Mississippi Midwest 378 6. The South 450 7. The West 527 8. Conclusion 629 Bibliography 664 v LIST OF TABLES 1. Television and Population Shares 25 2. -
Sex and Difference in the Jewish American Family: Incest Narratives in 1990S Literary and Pop Culture
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations Dissertations and Theses March 2018 Sex and Difference in the Jewish American Family: Incest Narratives in 1990s Literary and Pop Culture Eli W. Bromberg University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_2 Part of the American Studies Commons Recommended Citation Bromberg, Eli W., "Sex and Difference in the Jewish American Family: Incest Narratives in 1990s Literary and Pop Culture" (2018). Doctoral Dissertations. 1156. https://doi.org/10.7275/11176350.0 https://scholarworks.umass.edu/dissertations_2/1156 This Open Access Dissertation is brought to you for free and open access by the Dissertations and Theses at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. SEX AND DIFFERENCE IN THE JEWISH AMERICAN FAMILY: INCEST NARRATIVES IN 1990S LITERARY AND POP CULTURE A Dissertation Presented by ELI WOLF BROMBERG Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY February 2018 Department of English Concentration: American Studies © Copyright by Eli Bromberg 2018 All Rights Reserved SEX AND DIFFERENCE IN THE JEWISH AMERICAN FAMILY: INCEST NARRATIVES IN 1990S LITERARY AND POP CULTURE A Dissertation Presented By ELI W. BROMBERG -
Bergen Beats: Inside BCC's Music Studio
“Truth, No Matter The Cost” VOL. 27... NO. 2 TORCHBCC.COM OCTOBER 2018 Read The Torch Bergen Beats: Inside BCC’s Music Studio From Your Phone: Featured Articles: Hurricane Florence Damages U.S. Mid- Atlantic Region Page 2 Gian Paul Gonzalez Kicks Off Hispanic Heritage Month Page 3 Brian “B” DeGroff using one of the labs many MIDI controllers to produce a new track // Francisco Camacho IAN ARDELLE a multitude of microphones. helped me hone in my craft… be the key to taking the talents One for All and All LAYOUT EDITOR Many students use this it taught me a lot.” around BCC and connecting for One: The Case of & space to exercise their music Within BCC’s music them through active networks, FRANCISCO CAMACHO abilities for their classes while program, students are actively greatly benefiting local artists. Dr. Christine Blasey STAFF WRITER others even use it to record for creating connections with Lee commented, “First you Ford’s Sexual Assault professional purposes. others in order to create large- will meet everyone in the BCC Many fantastic musicians The number of genres scale projects. community with which you fly under the radar every day music students play are Sean Lee and Seung can get recognition if you have and do not get the recognition innumerable and unique in Hyun ‘Clubby’ Yoo, music the talent.” they deserve. In fact, Bergen their own ways. Even among production majors who also Abraham Breton, the Community College itself is just a handful of these students, produce R&B and rap, have a music studio’s lab monitor, home to dozens of talented one can find punk, hip-hop, plan to connect many students described some of the benefits musicians who are constantly and R&B. -
Department of English and American Studies Queer
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Katerina Hasalova Queer American Television: The Development of Lesbian Characters Master’s Diploma Thesis Supervisor: Jeffrey Alan Vanderziel, B.A. 2013 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature Acknowledgement I would like to thank the thesis supervisor Jeffrey Alan Vanderziel, B.A., for his support and inspiration Table of Contents Introduction ................................................................................................... 1 Historical Overview ......................................................................................... 4 The Early Years: Pre-Stonewall to the 1970s .................................................. 4 The 1980s ................................................................................................... 5 The 1990s ................................................................................................... 8 The 2000s ................................................................................................. 12 The 2010s ................................................................................................. 17 Meet the Creators, Shows and Characters ....................................................... 21 Criteria ...................................................................................................... 21 -
Craig Schoenfeld Resume
CRAIG SCHOENFELD certificate #STC8557 home/fax: (818) 907-8703 cell phone: (818) 422-9097 ---------------------------------------------- CALIFORNIA CERTIFIED STUDIO TEACHER Educational Background: Bachelor of Arts Degree in Anthropology, magna cum laude Masters of Arts Degree in Special Education Five teaching credentials in Elementary and Secondary Education: Multiple Subjects K through 12; Single Subject Credentials in Math, Science and Social Science (Social Studies); Special Education Credential with a specialization in Deaf Education Special Skills: Advanced Placement (AP) English, (AP) Calculus, (AP) Chemistry, (AP) Biology, (AP) World History and (AP) U.S. History English: Composition and Literature Math: elementary through Algebra, Geometry, Trigonometry, Math Analysis, Pre-Calculus, Calculus Science: Chemistry, Physics, Biology, Astronomy, Earth Science, Anatomy/Physiology Social Science: extensive background in American, European and World History, Anthropology and Archaeology, Political Science, Psychology, Sociology, Geography, Economics Languages: Spanish, American Sign Language Instruments: Piano, Keyboard Professional Background: over 25 years experience working on feature films, television series and commercials locally and on distant locations Only Long-Term Projects Listed: “The Fosters” ABC Family TV series (teacher of Hayden Byerly) “Austin & Ally” It’s a Laugh Productions (teacher of Ross Lynch and Laura Marano) (3 seasons) “Switched at Birth” ABC Family TV series (teacher of Sean Berdy) “Pack of Wolves” pilot It’s