DOCSLIB.ORG

PDF of This Issue

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
PDF of This Issue MlT's The Weather Oldest and Largest Today: Cloudy, showers, 60°F (16°C) Tonight: Cloudy, cool, 45°F (70C) Newspaper Tomorrow: Partly cloudy, 56°F (13°C) Details, Page 2 Volume 115, Number 21 Cambridge, Massachusetts 02139 Friday, April 28, 1995 Mayor Convenes Committee to Save Lowell School By Sarah Y. Kelghtley announced in January that MIT will The subcommittee will try to "At this point, I don't see that to the City Council independently NEWS EDITOR close the Lowell Institute School work toward a resolution of the there's any reversal in the decision by a group of [Lowell] alumni and Cambridge Mayor Kenneth effective July 1, 1996. About 1,000 issue, although there is no specific by the provost." students." eeves convened a subcommittee students a year register for classes timeline, according to Jubi Headley, About 15 people approached the '1 10 to convince the Institute to through-the program, including executive assistant to the mayor. council at its April I0 meeting, say- City benefits from Lowell reverse its decision to close the around 100 Institute employees. The committee has held informal ing they had benefited from Lowell, "The City Council has some Lowell Institute School, an MIT "This decision comes as the meetings, but Headley said he is Parravano said. This brought the legitimate interest [in the issue -program that has offered evening result of a set of considerations "not aware of specific strategies" matter to the council's attention, since] the Lowell Institute School technical courses on campus since related to a number of factors that it will use to change the MIT then the mayor decided to form the has been an activity which benefits 1903. including space, direct financial administration's position. subcommittee. citizens of Cambridge," Wedlock The subcommittee is composed support, use of Athena [Computing "It's hard to predict exactly what Bruce D. Wedlock, director of said. of several councillors and the Environment] facilities, and other the City Council will do," said Paul the school, emphaSIzed that he did One of the subcommittee's main mayor. resources," Wrighton said in Janu- Parravano, assistant for community not "instigate" the presentation Provost Mark S. Wrighton ary. relations in the President's Office. before the council. "It was brought lowell, Page 19 the four non-winners and alternate Jonathan D. Albert '97, a quarter-finalist, to participate in the international Hyo eok Vanl '97 with hi machine Alleluia competition. emerged as the 'nner of this year's Introduction to The international competition will also include par- Design (2.70) contest on Wednesday nipt. .from Brazil, England, Gennany, Japan, and After two nights of competition in ftont of packed Korea. crowds in 26--100, Yang's machine eaptured the top spot in a field of about 160 mach' c "There were ma , r .vly I Yang was preljlentl;cl 'rway. Four c '~ngl0~ifta~~~t~atic~. ball were located at v . white pellets used in the con Atop the box . sand. k of ping-pong balls sitting on a miniature plate. The aim of this year's contest fOT remote- en the trophy is cd into aD outlet, the ping- controlled machines to collect the ping-pong balls ~g balls light up, fly around,'" Vang from the four clumps and deposit them into the bins on contestant's side of the table. The machine that Yang., along with finalist Kristen L. Pierson '97, deposited the most balls on its side won the contest. INDRANATH NY-TIlE TECH semifinalist Rachel Cunningham '98, quarter-finalist Machines were required to fit in a box of 16 cubic Hyoseok Yang '97, the winner, proudly holds up his trophy at the David W. Lewinnek '97, and i-finalist Matthe E. inches, but there as no weight limit. end.of the Introduction to Design (2.70) competition Wednesday strom '95 will travel an ~tion evening. He wi go on with three other competitors to compete in Cambridge, England this summer. Judges selected 2. 70, Page 14 In cambridge, England. -SigmaNu Summer Renovations' Becomes Will Close Senior House By David D. Hsu able by mid-August" in time for Chapter, to ASSOCIATE NEWS EDITOR Residence and Orientation Week, As the beginning of summer Patel said. approaches, planning continues for Senior House residents recently BuyHonse renovations at Senior House. chose Shawmut as the general Recently student chose a general design contractor, and Ondras Asso- By Daniel C. Stevenson - contractor, but they have not decid- ciates Architects Inc., headed by EDITOR IN CHIEF ed on any designs. Martha E. Ondras '74, as the archi- 0' After a 20-year absence, Sigma In a meeting yesterday, residents tectural firm, Patel said. Nu fraternity has returned to MIT. discussed the size and design of The firm has already set up an At a Saturday evening ceremony, bathrooms and kitchens. Some were office in the dormitory's ba ement, the colony formed last'March concerned with the privacy and con- said Senior House President Samuel became an official chapter of the venience available in the prelimi- national group. nary designs. Renovations, Page 17 The group i also expecting to Senior House will be do ed thi move into a new house near Ken- summer to make way for renova- more Square this fall. Sigma u tions, which will include asbe t05 plans to sign a title transfer on June tile removal, electrical work, and INSIDE 1, according to Sigma u Comman- plumbing work, according to Jagruti der Andrew . Plumb '97. S. Patel '97, who is on the commit- Becoming a chapter is "some- tee di cu ing the changes. Donns, ILGs offer thing that we've been looking for- The e renovations are part of a of r ward to for two years," Plumb said. '9-] 2 million project announced '''It's the first time a national frater- la t fall. Residents, administrator, PagelS nity has come to campus in at least and contractors have been meeting 15 years," he said. "It's a pretty weekly to plan the renovation . • m amazing feat just to be chartered by "We've decided nobody will live 2.70 Contest. Page 11 a nationaL" here this summer," said Rebecca F. The colony was tarted by mem- Richkus '97, another committee bers of the short-lived Delta Pi frater- member. The contractors are "trying • Les MiJIerables pr0- SHARON N. YOUNG PONG-THE TECH to get some work done." dUCtion returns to nity, formed by members ejected Mac Murray G, Ivt Acuna '96, and Anthoy Ku admire the baby from Alpha Epsilon Pi following a princesS In MIT Drarnashops's performance of Shakespeare's Page 6 1991 reorganization of that fraterni- Tale. opened Wlnte,'s The production last night In Kresge Ut- Mu t be ready for RIO ty. tie Theater and hows tonight and tomorrow at 8 pm and next One constraint is that the dormi- 10 weekend. Sigma Nu, Page 17 tory must be "presentable and liv- _P...ag;.,.e_2_T_H_E_T_E_C_H -.:.. __ ----: ..;;.... A..;p_ri_12~ WORLD & NATION Beijing Communist Chief Quits McVeigh Held inConjunction Amid Corrnption Scandal LOS ANGELES TIMES DEUI G With Oklahoma City Bombing The powerful Communist farty chief of Beijing quit Thursday amid a growing scandal and was replaced by the party' top anti-cor- ruption official, according to a reliable government source. By Paul Duggan mix tored in the barrels ignited, said. He discounted new report The re ignation of Chen Xitong, a Politburo member and former and Pierre Thomas sources said. In addition, to increase the FBI believ~s the man spoke tth Beijing mayor infamous for declaring martial law during the 1989 THE WASHI GTON P057 the fireball and burning power asso- a foreign accent. demon trations in Tiananmen Square, wa the mo t dramatic devel- A federal magistrate in Okla- ciated with' the blast, the bombers "We urge citizens to consider opment yet in the battle to replace Deng Xiaoping, China' ailing homa Thursday aid there was "an placed metal cylinders full of hydro- only that sketch and not any other senior leader. indelible trail of evidence" linking gen or possibly acetylene within the descriptive information," he said. Chen wa replaced by Wei Jianxing, 64, secretary of the Central Timothy Jame McVeigh to last explosive package. "We can't verify any additional Di cipline In pection Commi sion, which is re pon ible for investi- week's bombing of the Oklahoma Experts believe the package like- description at this time." He also gating corruption in the Communist Party. City federal building as inve tiga- ly was detonated by a simple safety said investigators were searching for Thursday's power hume wa so notable becau e of the political tors developed a more complete pic- fuse, portions of which have been an Arizona license plate-LZC 646 strength and tie of Chen and Wei. ture of the bomb McVeigh is recovered in the rubble. The Ryder - that apparently fell. off or was Chen is linked to Deng but was believed to be at odd with a front- accu ed of planting. rental truck that is believed to have removed from the yellow, 1977 runner to replace the paramount leader. Wei was not only a protege of The magi trate, Ronald L. How- been used to transport the bomb was Mercury Marquis that McVeigh was Hu Yaobang, the late party reformer whose death sparked the 1989 land, ordered McVeigh to be held parked outside the Alfred P. Murrah driving when stopped by a state protest , but also i an ally of yet another po sible Deng successor. without bail after listening to four building in downtown Oklahoma highway patrol officer in Per , hours of te timony from FBI special City for only about four minutes about 70 miles north of Okla agent John Hersley in which he before it exploded.
Load more

Recommended publications
  • Robert GADEN: Slim GAILLARD
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Robert GADEN: Robert Gaden -v,ldr; H.O. McFarlane, Karl Emmerling, Karl Nierenz -tp; Eduard Krause, Paul Hartmann -tb; Kurt Arlt, Joe Alex, Wolf Gradies -ts,as,bs; Hans Becker, Alex Beregowsky, Adalbert Luczkowski -v; Horst Kudritzki -p; Harold M. Kirchstein -g; Karl Grassnick -tu,b; Waldi Luczkowski - d; recorded September 1933 in Berlin 65485 ORIENT EXPRESS 2.47 EOD1717-2 Elec EG2859 Robert Gaden und sein Orchester; recorded September 16, 1933 in Berlin 108044 ORIENTEXPRESS 2.45 OD1717-2 --- Robert Gaden mit seinem Orchester; recorded December 1936 in Berlin 105298 MEIN ENTZÜCKENDES FRÄULEIN 2.21 ORA 1653-1 HMV EG3821 Robert Gaden mit seinem Orchester; recorded October 1938 in Berlin 106900 ICH HAB DAS GLÜCK GESEHEN 2.12 ORA3296-2 Elec EG6519 Robert Gaden mit seinem Orchester; recorded November 1938 in Berlin 106902 SIGNORINA 2.40 ORA3571-2 Elec EG6567 106962 SPANISCHER ZIGEUNERTANZ 2.45 ORA 3370-1 --- Robert Gaden mit seinem Orchester; Refraingesang: Rudi Schuricke; recorded September 1939 in Berlin 106907 TAUSEND SCHÖNE MÄRCHEN 2.56 ORA4169-1 Elec EG7098 ------------------------------------------ Slim GAILLARD: "Swing Street" Slim Gaillard -g,vib,vo; Slam Stewart -b; Sam Allen -p; Pompey 'Guts' Dobson -d; recorded February 17, 1938 in New York 9079 FLAT FOOT FLOOGIE 2.51 22318-4 Voc 4021 Some sources say that Lionel Hampton plays vibraphone. 98874 CHINATOWN MY CHINATOWN
    [Show full text]
  • Alvin Ailey American Dance Theater
    Cal Performances Presents Program A Wednesday, March , , pm Wednesday, March , , pm Th ursday, March , , pm Friday, March , , pm Friday, March , , pm Zellerbach Hall Saturday, March , , pm & pm Sunday, March , , pm PROGRAM A Zellerbach Hall Alvin Ailey American Dance Th eater Firebird Alvin Ailey, Founder intermission Th e Groove To Nobody’s Business JUDITH JAMISON, Artistic Director pause Masazumi Chaya, Assistant Artistic Director Treading intermission Company Members Guillermo Asca, Olivia Bowman, Kirven J. Boyd, Hope Boykin, Clifton Brown, Revelations Courtney Brené Corbin, Rosalyn Deshauteurs, Khilea Douglass, Antonio Douthit, Vernard J. Gilmore, Alicia J. Graf, Ebony Haswell, Zach Law Ingram, Firebird Abdur-Rahim Jackson, Chris Jackson, Gwynenn Taylor Jones, Willy Laury, () Malik Le Nost, Roxanne Lyst, Amos J. Machanic, Jr., Adam McKinney, (West Coast Company Premiere) Briana Reed, Jamar Roberts, Renee Robinson, Matthew Rushing, Choreography Maurice Béjart Glenn Allen Sims, Linda Celeste Sims, Yusha-Marie Sorzano, Restaging Shonach Mirk Robles Constance Stamatiou, Tina Monica Williams Music Igor Stravinsky, Th e Firebird Suite* Costumes Joëlle Roustan, Roger Bernard casting — wednesday evening Sharon Gersten Luckman, Executive Director Clifton Brown, Jamar Roberts, Linda Celeste Sims, Alicia J. Graf, Ebony Haswell, Kirven J. Boyd, Glenn Allen Sims, Amos J. Machanic, Jr., Major funding is provided by the New York State Council on the Arts, a State agency, the New York Vernard J. Gilmore, Malik Le Nost City Department of Cultural Aff airs, the National Endowment for the Arts, Altria Group, Inc., American Express, and Prudential Financial, Inc. casting — friday evening Matthew Rushing, Adam McKinney, Offi cial Airline Gwynenn Taylor Jones, Courtney Brené Corbin, Rosalyn Deshauteurs, Guillermo Asca, Abdur-Rahim Jackson, Zach Law Ingram, Chris Jackson, Willy Laury Major support for Alvin Ailey American Dance Th eater’s production of Firebird has been provided by Movado Group.
    [Show full text]
  • Alvin Ailey American Dance Theater
    Tuesday through Friday, March 14 –17, 2017, 8pm Saturday, March 18, 2017, 2pm and 8pm Sunday, March 19, 2017, 3pm Zellerbach Hall Alvin Ailey American Dance Theater Alvin Ailey, Founder Judith Jamison, Artistic Director Emerita Robert Battle , Artistic Director Masazumi Chaya, Associate Artistic Director COMPANY MEMBERS Hope Boykin Jacquelin Harris Akua Noni Parker Jeroboam Bozeman Collin Heyward Danica Paulos Sean Aaron Carmon Michael Jackson, Jr. Belen Pereyra Elisa Clark Megan Jakel Jamar Roberts Sarah Daley Yannick Lebrun Samuel Lee Roberts Ghrai DeVore Renaldo Maurice Kanji Segawa Solomon Dumas Ashley Mayeux Glenn Allen Sims Samantha Figgins Michael Francis McBride Linda Celeste Sims Vernard J. Gilmore Rachael McLaren Constance Stamatiou Jacqueline Green Chalvar Monteiro Jermaine Terry Daniel Harder Fana Tesfagiorgis Matthew Rushing, Rehearsal Director and Guest Artist Bennett Rink, Executive Director Major funding for Alvin Ailey American Dance Theater is provided by the National Endowment for the Arts; the New York State Council on the Arts; the New York City Department of Cultural Affairs; American Express; Bank of America; BET Networks; Bloomberg Philanthropies; BNY Mellon; Delta Air Lines; Diageo, North America; Doris Duke Charitable Foundation; FedEx; Ford Foundation; Howard Gilman Foundation; The William R. Kenan, Jr. Charitable Trust; The Prudential Foundation; The SHS Foundation; The Shubert Foundation; Southern Company; Target; The Wallace Foundation; and Wells Fargo. These performances are made possible, in part, by Corporate
    [Show full text]
  • African American and Hispanic American Dialogue Through Music
    Diálogo Volume 8 Number 1 Article 11 2004 African American and Hispanic American Dialogue Through Music Caleb Dube Follow this and additional works at: https://via.library.depaul.edu/dialogo Part of the Latin American Languages and Societies Commons Recommended Citation Dube, Caleb (2004) "African American and Hispanic American Dialogue Through Music," Diálogo: Vol. 8 : No. 1 , Article 11. Available at: https://via.library.depaul.edu/dialogo/vol8/iss1/11 This Article is brought to you for free and open access by the Center for Latino Research at Via Sapientiae. It has been accepted for inclusion in Diálogo by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. African American and Hispanic American Dialogue Through Music Cover Page Footnote This article is from an earlier iteration of Diálogo which had the subtitle "A Bilingual Journal." The publication is now titled "Diálogo: An Interdisciplinary Studies Journal." This article is available in Diálogo: https://via.library.depaul.edu/dialogo/vol8/iss1/11 A frican A m erican and H ispanic A m erican D ialogue T hrough M usic C a le b D u b e DePaul University My nephew is part Puerto Rican and part African A m erican jazz cam e as a result of the W orld's Industrial A m erican. To m e, he sym bolizes the dialogue betw een and Cotton Centennial Exposition of 1885 in New H ispanic A m ericans and A frican A m ericans. This reality O rleans. M exico sent a band to the fair "that w as the w as the source of inspiration behind this paper.
    [Show full text]
  • My Story, My Dance: Robert Battle's Journey to Alvin Ailey by Lesa Cline-Ransome
    . Photo by Paul Kolnik Paul by . Photo Revelations The Company in Alvin Ailey’s in Alvin Company The For further information, visit pressroom.alvinailey.org On March 30, 1958, Alvin Ailey led a group of young African-American as his successor, and over the next 21 years, she brought the Company modern dancers in a now-fabled performance at the 92nd Street Y in to unprecedented success. Ms. Jamison, in turn, personally selected New York City that forever changed the perception of American dance. Robert Battle to succeed her in 2011. In announcing his appointment, she Mr. Ailey was a pioneer in establishing a multi-racial repertory company stated, “Combining an intimate knowledge of the Ailey company with an that presented important works by both dance masters and emerging independent perspective, Robert Battle is without question the creative choreographers. Regarded as one of the world’s premiere dance force of the future.” Through the remarkable artistry of 32 extraordinary companies, Alvin Ailey American Dance Theater is a recipient of the National dancers, Alvin Ailey American Dance Theater continues to celebrate the Medal of Arts and is recognized by a U.S. Congressional resolution as a African-American cultural experience and to preserve and enrich the vital American “Cultural Ambassador to the World.” Having performed in 71 American modern dance tradition. With a repertory of over 200 works by countries on 6 continents for an estimated 25 million people worldwide—as more than 70 choreographers and a permanent home at The Joan Weill well as millions more through television broadcasts, film screenings, and Center for Dance in New York City—the largest building dedicated to dance online platforms—Alvin Ailey American Dance Theater continues to inspire in New York City, the dance capital of the world—the Ailey legacy flourishes, and unite people of all backgrounds around the globe.
    [Show full text]
  • CAL PERFORMANCES PRESENTS JUDITH JAMISON, Artistic Director
    CAL PERFORMANCES PRESENTS March 9–14, 2004 Zellerbach Hall Alvin Ailey, founder JUDITH JAMISON, artistic director Masazumi Chaya, associate artistic director Company Members Clyde Archer, Guillermo Asca, Olivia Bowman, Hope Boykin, Clifton Brown, Samuel Deshauteurs, Antonio Douthit, Linda-Denise Fisher-Harrell, Jeffrey Gerodias, Vernard J. Gilmore, Venus Hall, Abdur-Rahim Jackson, Amos J. Machanic, Jr., Benoit-Swan Pouffer, Briana Reed, Jamar Roberts, Renee Robinson, Laura Rossini, Cheryl Rowley-Gaskins, Matthew Rushing, Rosalyn Sanders, Wendy White Sasser, Bahiyah Sayyed-Gaines, Glenn A. Sims, Linda Celeste Sims, Dwana Adiaha Smallwood, Asha Thomas, Tina Monica Williams, Dion Wilson, and Dudley Williams Sharon Gersten Luckman, executive director Major funding is provided by the New York State Council on the Arts, the New York City Department of Cultural Affairs, the National Endowment for the Arts, Altria Group, Inc., MasterCard International, and The Shubert Foundation. American Airlines is the official airline of the Alvin Ailey American Dance Theater. National Sponsor of the Alvin Ailey American Dance Theater These performances by Alvin Ailey American Dance Theater are sponsored, in part, by Wells Fargo. Additional support for Cal Performances’ presentation of Alvin Ailey American Dance Theater is provided by the National Endowment for the Arts and the Friends of Cal Performances. Cal Performances thanks the Zellerbach Family Foundation, ChevronTexaco, Citigroup, Macy’s West, McKesson Foundation, and Pacific Union Real Estate for
    [Show full text]
  • Ilgihletter 93024-0240 July 1991 Vol
    P.O. BOX 240 Ojai, Calif. ilgihletter 93024-0240 July 1991 Vol. 10 N0. 7 haunches, back against the wall. He stayed in that position so Re Tom Harrell long I thought his legs must hurt. I can’t remember the context, but Kirchner said, "Did you ever get cut?" I must confess that I was reluctant to meet Tom Harrell. Yet "Well," Tom said, "only by other musicians." he has emerged as so important a player that I felt he really John got our pictures, making the discovery that when Tom belonged in the book of photos of jazz people that I am relaxes and his face goes into repose, its expression is almost preparing with photographer John Reeves. angelic. And make no mistake about his intelligence. It is By now you have surely heard about Harrell, and I hope you acute. When we left, I was perhaps even more baffled than have heard him. He is a spectacularly creative trumpeter, with when we arrived. a big tone -- he can get low notes that in ensemble passages Nobody, I suppose, knows Tom Harrell better than Phil sound like trombone -- wonderfully compositional thinking, and Woods. And so I present you with Phil’s essay on Tom. ‘uent technique that is, however, always held in restraint and Other than letters, this is Phil’s first appearance in the to the service of a very lyrical style. Since leaving Phil Jazzletter. He promises me that it won’t be the last. Woods, he has been traveling in various ensembles, sometimes Meantime, if you haven’t heard Tom Harrell, you’re in for with the excellent Swiss-born alto saxophonist George Robert.
    [Show full text]
  • PDF of This Issue
    MIT's The Weather Oldest and Largest Today: Cloudy, rain, 54°F (12°C) Tonight: Rain, 44°F (6°C) ewspaper Tomorrow: Drizzle, 52°F () )0c) Details, Page 2 Volume 115, umber 19 Cambridge, Massachusetts 02139 Friday, April 21, 1995 ,onner UChicago Head Will Speak At Commencement By Shang-Un Chuang someone who will be be able to give ASSOCIATE NEWS EDITOR a good, thought-provoking speech Hanna H. Gray, president emeri- that will play a tremendous role in us of the University of Chicago, influencing the emotions of students s been chosen as the the Com- on that very special day," Islam mencement speaker for the June 9 said. ceremonies. "The speaker should have the Gray, a distinguished history students think about what they have scholar, is a former provost at Yale. gained in the four years of college University and a former dean at and what they are moving forward Northwestern University. to," Islam said. A Commencement Committee The announcement comes Ie s was created in October to recom- than eight weeks before Commence- mend speaker choices to President ment, one of the latest announce- harles M. Vest, according to Class ments in the last several years. The of 1995 PresIdent Mehran Islam last two announcements came '95, a member of the committee. before mid-February. The committee also included aduate Student Council President Former Yale provost Roger G. Kermode G and adminis- Gray was president of the Uni- trators in the president's Office, versity of Chicago from 1978 to Islam said. 1993. Vest may choose from the list of She taught history at the Univer- candidates prepared by the commit- sity of Chicago from 1961 to 1972 tee, or make his own independent focusing on the history of human- choice, Islam said.
    [Show full text]
  • The Alvin Ailey American Dance Theater
    The Alvin Ailey American Dance Theater Wednesday, March 15 & Thursday, March 16, 11am Zellerbach Hall, University of California, Berkeley Table of Contents How to use this Engagement Guide .................................................................................................... 2 Your Starring Role in the Theater (theater etiquette for students) ...................................................... 3 Alvin Ailey and the Alvin Ailey American Dance Theater...................................................................... 4 Dance Context: Revelations & The Winter in Lisbon ............................................................................ 5 About Modern Dance ......................................................................................................................... 8 About Spirituals ................................................................................................................................. 9 Artistic Concept: Dance and Music Working Together ....................................................................... 10 What to Look for in the Dance .......................................................................................................... 11 Eleven Things to Look for in Revelations ........................................................................................... 12 Resources ........................................................................................................................................ 13 Engagement Activities ....................................................................................................................
    [Show full text]
  • Alvin Ailey American Dance Theater Returns to New York City Center November 30 – December 31, 2016
    Press Contacts: Christopher Zunner: [email protected] / 212-405-9028 Lauren Morrow: [email protected] / 212-405-9079 ALVIN AILEY AMERICAN DANCE THEATER RETURNS TO NEW YORK CITY CENTER NOVEMBER 30 – DECEMBER 31, 2016 Artistic Director Robert Battle Leads the Company in Five-Week Holiday Engagement Featuring Over Two Dozen Diverse Works and a Variety of Special Programs “An Evening of Ailey and Jazz” Opening Night Gala Benefit on Wednesday, November 30th World Premieres of Ailey Dancer Hope Boykin’s r-Evolution, Dream. & MacArthur “Genius” Kyle Abraham’s Completed Three-Part Untitled America Series Company Premiere of Johan Inger’s Walking Mad and New Productions of Billy Wilson’s The Winter in Lisbon & Alvin Ailey’s Masekela Langage to Showcase the Artistry of 32 Exceptional Dancers Tickets starting at $25 are on sale! NEW YORK – UPDATED September 6, 2016 — Alvin Ailey American Dance Theater, New York City Center’s Principal Dance Company, returns to the New York City Center stage from November 30th – December 31st, 2016. In his sixth season as Artistic Director, Robert Battle leads Ailey’s 32 renowned dancers during this annual five-week engagement, which has become a joyous holiday tradition. An expansive repertory of over two dozen works by some of the world’s most celebrated dance-makers will feature world premieres by Kyle Abraham and Ailey dancer Hope Boykin, a Company premiere by Johan Inger, and new productions by Billy Wilson and Alvin Ailey. The season will launch on November 30th with an Opening Night Gala Benefit performance at New York City Center and party at the New York Hilton Midtown Grand Ballroom to raise support for Ailey’s extensive educational and training programs for young people.
    [Show full text]
  • MARCH 2017 2016/2017 Note from the BOARD of DIRECTORS PRESIDENT OFFICERS Lisa Specht Karen Kay Platt & CEO Board Chair Secretary Robert J
    Robert Battle, Artistic Director Masazumi Chaya, Associate Artistic Director Alvin Ailey American Dance Theater’s Yannick Lebrun. Photo by Andrew Eccles. MARCH 2017 2016/2017 Note from the BOARD OF DIRECTORS PRESIDENT OFFICERS Lisa Specht Karen Kay Platt & CEO Board Chair Secretary Robert J. Abernethy Susan M. Wegleitner Michael J. Pagano Treasurer Vice Chairs Lisa Whitney Rachel S. Moore Assistant Treasurer and s the world appears to grow more chaotic every day, I hear from so many President and Chief Chief Financial Officer people who are in search of an outlet to express what they are thinking Executive Officer and feeling. That’s among the many reasons why I am so pleased we can come together to experience Alvin Ailey American Dance Theater as part of Glorya MEMBERS AT LARGE ^ Leave of Absence Kaufman Presents Dance at The Music Center. Now more than ever, we need William H. Mattie McFadden- to hear from all voices and provide a platform for dialogue. Ailey offers that Ahmanson Lawson^ opportunity and so much more. Wallis Annenberg Diane G. Medina Jill Baldauf Elizabeth Michelson It will be 59 years ago this month that Alvin Ailey and a group of young, Darrell Brown Darrell D. Miller black modern dancers performed for the first time as members of Alvin Ailey Kimaada M. Brown Cindy Miscikowski Dannielle Campos Shelby Notkin American Dance Theater at New York’s 92nd Street Y. That performance Greg T. Geyer Rory Pullens forever impacted both modern dance and American culture. Fast forward Lisa Gilford Max Ramberg to today, and the company, which has been recognized by U.S.
    [Show full text]
  • The Winter in Lisbon (1992 / New Production – 2016)
    The Winter in Lisbon (1992 / New Production – 2016) This work is dedicated to the memory of Gary Deloatch. Choreography: Billy Wilson Restaged by: Masazumi Chaya Music: Charles Fishman and Dizzy Gillespie Costumes: Barbara Forbes Lighting: Chenault Spence The Winter in Lisbon is a sizzling, sensuous ballet celebrating four decades of Dizzy Gillespie’s brilliant music. Choreographed in 1992 by Billy Wilson, and restaged for the 2017 centennial of Dizzy Gillespie’s birth, the work pays tribute to Mr. Gillespie, the consummate jazz musician, creating an atmosphere in which the dancers challenge, tease and romance against a backdrop of rhythm and color. Wilson’s exuberant, playful ballet was conceived in celebration of Gillespie’s birthday after Artistic Director Emerita Judith Jamison was approached by the musician’s management to create a dance for his music. Confident in Wilson’s ability to blend his eclectic ballet and modern dance training with the boisterous sound of Gillespie’s music, Jamison commissioned him to bring the project to life. “It’s a AAADT' in Billy Wilson’s The Winter in Lisbon. celebration of life,” explains Masazumi Chaya, who last restaged the Photo by Paul Kolnik. work in 2010 for Ms. Jamison’s final City Center Season. “It’s fun, it’s full of energy, it’s about life going on.” Praising the original production in 1992, the Associated Press characterized it as “a joyful dance that gives an emotional lift,” and critics and audiences across the country agreed. Wilson’s dreamscape gives the full company of Ailey dancers a chance to dazzle in a glamorous suite of dances that range from a sultry love duet to a rowdy challenge to the thrilling Latin-inspired finale.
    [Show full text]