DOCSLIB.ORG

F E B R U a R Y / M a R C H 1 9 9 3 C O M P L I M E N T a R Y V O L U M E 7 . I S S U

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

FEBRUARY/MARCH 1993 Complimentary VOLUME 7 . ISSUE 3 **»% ^vrnninivrnn re at or eg rtfacf>if(<j> tvftk Do de 73 •illilllPlPllS Michele Oka Doner, "Doll, 1968," porcelain, 18 in. x 6V2 in. x 14 in. (tttefiMeui: ui^f. (Jones 22 Haggerty Museum of Art By Bebra Brehmer Marquette University Dolls in Contemporary Art: Metaphors of Personal Identity March 18 through June 16, 1993 Opening Lecture: Curtis Carter, exhibition curator and director of Haggerty Museum of Art, March 18, 6 p.m. Straz Hall, adjacent to the Museum. Opening Reception: from 7 - 9 p.m. following the lecture in the Museum. Performance/Lecture: "The Art of Sandplay: Mirroring the Soul," James Stewart, artist and play therapist, March 19, 7 p.m. in the Museum. 5 All events are free and open to the public. Aft? Hours: Mori-Sat 10 a.m.-4:30 p.m.; Th 10 a.m. - 8 p.m.; Sun noon 5 p.m. 13th and Clyboum tatters 9 Post Facto 70 Caoe>n<tatc 26 Madison Calendar 32 C/t>icao>o Catena/0 33 Cathms 35 LETTER FROM THE EDITOR Here's the thing: every other month you get this magazine. It looks good, and it's terribly useful. It has all kinds of interesting reviews, articles about artists and collectors and works by artists. It also has comprehensive listings of opportunities and grants information for artists, performing artists, writers and composers, and a complete calendar of events. It's Wisconsin's only fine arts magazine. And the amazing part about it is that it's free. If you're like most people, you probably don't pay a thing for it. Now, we don't want to start sounding like public radio—we like giving this all away free—but if it should suddenly occur to you that you'd like to support it somehow... and if you'd like your name to appear on our masthead... and #you think you think you'd enjoy your own personal copy of Art Muscle delivered to your doorstep every other month... and if you'd enjoy a free gift besides... then just become a Friend of Art Muscle for $50, and we'll be your friend forever. Or at least the next two years. —Judy Woodburn On the cover: "The Enlightenment of the Experienced "Virgin'' by Julie Jiannacopolous. Photograph by Richard Beauchamp. Back cover: Adapted from the book GJOAODD FORTUNE: A Bitter Little Book by Matthew Groshek. © 1991, Original: Offset and electrostatic printing. 2 Art Muscle Everyone will agree on the frame, Featuring: CHARLOTTE PETER Recent Paintings MICHAEL JUDY Recent Paintings Continuing Exhibition and Gallery Artists SMALL PRECIOUS BOOKS... POETRY 8C PROSE For Children Large & Small. HELEN ANDREN • RON CORLYN ELIZABETH JISCHKE FRANCISCO X. MORA • DON NEDOBECK REZOUND AUDIO CHILDRENS TAPES MICHAEL TARACHOW'S PENTAGRAM PRESS ALAN GASS 8c CELESTE SPRANSY ^OChile no two people can agree on how to look at modern art, CONTINUING. everyone knows a cool frame when they see one. THE GALLERY, LTD. • J 03O .£-. JUNEAU AVE Picture Perfect ; ^.^.^ILW;- WI 53202 • (41.4)^272-f 61 1 1123 JMorth Water 271-3712 Milwaukee Ballet I0MT BAUIT L^atch three great ballets... February 18-21 at the PAC. Lisa de Ribere's Harvest Moon Popular dancing of 1940s and ballet to the orchestrated Artistic Director: Dane LaFontsee music of Glenn Miller. Music Director: Daniel Forlano & The Milwaukee Ballet Orchestra Gerard Charles' Maestro Tickets $8.00 - $46.00 Music for the eyes available at the PAC Box Office as well as the ears. or phone charge 273-7206 or TicketMaster outlets or phone charge 276-4545. Dane LaFontsee's TICKETS AT: L'Ardeur TtCKi W!Z^LAST(=t=l A highly emotional dance Boston Stores, Mainstream Records & Rose Records for two to Coriglianos piano concerto. BUCYRUS-ERIE JUDITH WOODBURN editor THERESE GANTZ associate editor FRANCIS FORD photo editor THOMAS FORD art director CHRIS BLEILER m ANGEL FRENCH advertising & circulation director GEORGE MELCHIOR sales & circulation BOBBY DUPAH associate editor emeritus Columbia Hospital Performing Arts Medicine Program. Whether professional or amateur, our multi-disciplinary program THERESE GANTZ is designed to identify, treat and research performance-related DEBRA BREHMER acute and chronic medical problems. publishers Rheumatology Rehabilitation • Orthopaedic and Sports Medicine Nutrition Hand Surgery Printing by Port Publications Neurology Performing Arts • Alexander Massage Psychiatry Technique FRIENDS OF ART MUSCLE Perry & Bobbie Dinkin Ellen Checota 961 -6881 Barbara & Jack Recht Barbara Kohl-Spiro Jim Newhouse Thelma & Sheldon Friedman Columbia Musculoskeletal Institute-Glendale Peter Goldberg Mary & Mark Timpany 575 West Deluxe Parkway (1-43 & Hampton) Theo Kitsch Dr. Clarence E. Kusik Gerald Pelrine Glendale, Wisconsin 53212 Tina Peterman Jay Brown Babcock Mechanical Christine Prevetti Katie Minahan Richard & Marilyn Radke Richard Cler Dennis Hajewsky Patti Davis Harvey & Lynn Goldstein Robert A. Holzhauer Robert Johnston Judith Kuhn Polly & Giles Daeger Joel & Mary Pfeiffer Claude Debussy's Gary T. Black Nicholas Topping Dorothy Brehmer C. Garrett Morriss Karen Johnson Boyd Tim Holte/Debra Vest Roger Hyman William James Taylor Jack & Ellen Weller Dean Weller elleas Arthur & Flora Cohen m Remy Sandra Butler David & Madeleine Lubar Jimmy G. Scharnek Sidney & Elaine Friedman Mike & Joyce Winter Carolyn & Leon Travanti elisande Mary Joe Donovan James B. Chase Jerome J. Luy Cynthia Kahn January 27-February 21 Nate Holman Chris Baugniet Tickets $19-$30 Patrick Farrell Riveredge Galleries Group & senior/student Albert & Ann Deshur Bob Brue discounts available Pam Jacobs Jewelry Burt & Enid Dinkin Ginny & Gerry Bobbins Elio & Guido Brink This production made possible Taglin Enterprises/Access Milw James & Marie Seder by a generous grant from the Harry W. Schwartz Bookshops Randi & John Clark Edward U. Demmer Foundation. Robert E. Klavetter Keith M. Collis Linda Richman Jewelry Mary Paul Richard Warzynski Joan Krause Janet Treacy Morton & Joyce Phillips Monica Cannon Haskell Delphine & John Cannon Jim & Julie Ansfield Daniel S. Weinberg Sharon L. Winderl Mary Streich Dori & Sam Chortek Carole & Adam Glass Janet & Marvin Fishman Diane & David Buck Steve & Amy Palec Christopher Ahmuty Kathy & Neal Pollack Julie & Richard Staniszewski Blue Dolphin Gallery Jamie Ross Brookfield East H.S. Arts Club Toby & Sam Recht Thomas A. Fulrath Kathryn M. Finerty Konrad Baumeister L'Atelier, Inc. Narada Productions, Inc. Wolfgang & Mary Schmidt Margaret Rozga Cardi Toellner To become a FRIEND OF ART MUSCLE, send a check Music and Lyrics by Stephen Sondheim for $50 which entitles you to receive Art Muscle for Book by James Lapine two years and gets your name on the masthead! Originally directed on Broadway by James Lapine Art Muscle is published bi-monthly by Art Muscle-Milwaukee, Inc., 901 W. National Ave., P.O. Box 93219, Milwaukee, WI 53203, (414) 672- March 17-April 11 8485. Third Class postage paid at Milwaukee, WI 53202 and additional Tickets $19-$30 mailing offices. Postmaster: Send address changes to Art Muscle, P.O. Group & senior/student Box 93219, Milwaukee, WI 53203. discounts available Cfof) Entire contents copyright © Art Muscle-Milwaukee, Inc. All rights reserved, except in reviews. Reproduction in whole or in part without Sponsored By permission is prohibited. Art Muscle is a trademark of Art Muscle- Sit This production made possible in Milwaukee, Inc. part by Biltmore Investors Bank Compcare. Subscription rates in continental U.S.:$12 one year; elsewhere, $16 one year. 4 Art Muscle r GETTING A FEEL PERSONNEL NEWS NEW ADVOCATES FOR THE ARTS Leslie Fedorchuk, book artist, is the new Responding to the beating the National Endowment for the FOR THEATER curator of the Alverno College Arts and Visually impaired ticket holders can Cultures Gallery. She will be bringing a Arts has taken over the past few years, a group of Wisconsin obtain an enriched theater experi­ major national artists' book exhibit to artists and arts administrators has joined together to found the gallery next fall. t ence for eight plays remaining in the Arts Wisconsin, a new state-wide arts advocacy group. "We're '92-93 season through Artreach Marietta Hedges is the new marketing in an economic time that is not good for the arts,'' says Milwaukee's new Audio Description director of the Skylight Opera Theatre. Milwaukee arts consultant Gretchen Thomson, a founding The former New Yorker has a back­ member of the group. "Funding is hard to find, and there's Service. Trained describers, located ground in both commercial advertising offstage, offer concise descriptions of and not-for-profit arts administration. intense competition for what few dollars are available. There s sets, lighting, costumes and move­ is a vacuum of advocacy efforts on the state level.'' The The Milwaukee Foundation has signed mission of the group, she says, is to advocate for policies that ment via small earphones. All de­ on Karen Spahn, late of the late Mil­ scriptions are slipped in between dia­ waukee Artists Foundation, as a con­ strengthen the NEA, and for legislation and other forms of logue or song. Most theaters offer­ sultant to work with funders, arts groups support for the Wisconsin Arts Board, among other organi­ and individual artists on arts planning, zations. A more specific set of goals will be determined by the ing the service will also offer a "sen­ coordination and information distribu­ sory seminar" prior to the show in tion. She will also assists the Milwaukee group's board of directors, which had not been established at Foundation in staffing CAMPAC, the which patrons may walk on stage to press time. The group invites participation by artists, arts Milwaukee County Arts Advisory Council. touch costumes, props and obtain a administrators and others. For information, write: Arts Wis­ feel for the set. Sarah Ann Ford, a program officer with consin, P.O. Box 5156., Madison, WI 53705. the Milwaukee Foundation, has been appointed to the Board of Directors of Wisconsin is one of fewer than 15 Arts Midwest.
Recommended publications
  • Oral History Interview with Ann Wilson, 2009 April 19-2010 July 12

    Oral History Interview with Ann Wilson, 2009 April 19-2010 July 12

    Oral history interview with Ann Wilson, 2009 April 19-2010 July 12 Funding for this interview was provided by the Terra Foundation for American Art. Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Ann Wilson on 2009 April 19-2010 July 12. The interview took place at Wilson's home in Valatie, New York, and was conducted by Jonathan Katz for the Archives of American Art, Smithsonian Institution. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview ANN WILSON: [In progress] "—happened as if it didn't come out of himself and his fixation but merged. It came to itself and is for this moment without him or her, not brought about by him or her but is itself and in this sudden seeing of itself, we make the final choice. What if it has come to be without external to us and what we read it to be then and heighten it toward that reading? If we were to leave it alone at this point of itself, our eyes aging would no longer be able to see it. External and forget the internal ordering that brought it about and without the final decision of what that ordering was about and our emphasis of it, other eyes would miss the chosen point and feel the lack of emphasis.
  • Logging Songs of the Pacific Northwest: a Study of Three Contemporary Artists Leslie A

    Logging Songs of the Pacific Northwest: a Study of Three Contemporary Artists Leslie A

    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Logging Songs of the Pacific Northwest: A Study of Three Contemporary Artists Leslie A. Johnson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC LOGGING SONGS OF THE PACIFIC NORTHWEST: A STUDY OF THREE CONTEMPORARY ARTISTS By LESLIE A. JOHNSON A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2007 The members of the Committee approve the Thesis of Leslie A. Johnson defended on March 28, 2007. _____________________________ Charles E. Brewer Professor Directing Thesis _____________________________ Denise Von Glahn Committee Member ` _____________________________ Karyl Louwenaar-Lueck Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS I would like to thank those who have helped me with this manuscript and my academic career: my parents, grandparents, other family members and friends for their support; a handful of really good teachers from every educational and professional venture thus far, including my committee members at The Florida State University; a variety of resources for the project, including Dr. Jens Lund from Olympia, Washington; and the subjects themselves and their associates. iii TABLE OF CONTENTS ABSTRACT .................................................................................................................
  • Q U F S T1' UST F R S™

    Q U F S T1' UST F R S™

    Q Uf S T1' UST f RS™ The Adventurer's Newsletter Vol.111,#6 June,1986 problem with this version. using the correct objects. Most of the problems revolve You've got alien machinery to 00-TOPOS around the "greed factor" as you figure out, but nothing attempt to obtain objects (a good overwhelming or more Oo-topos was the first regular or hi-res graphics, and adventurer can never have too complicated than a microwave adventure of science fiction the program uses any extra many objects, you know). One oven. The maze is not as hard novelist Michael Berlyn, who RAM to load in most of them might be guarded by a robot, as it looks and can be mapped in went on to Infocom where he so there's less disk access.) another by deadly radiation, a under an hour; just take at least created games such as There's no music or sound third by a bizarre alien. There's three objects and drop them in Suspended, Cutthroats and effects. no character interaction in terms different rooms. Last issue we Infidel. He and Muffy Berlyn Until you escape the complex of talking to creatures or robots, wrote the story line, he and find your ship, the game but you do interact with them by Continued on page 2 programmed it, and Oo-topos doesn't seem to add up. But if was released in 1981 by Sentient you say "status" to the ship's Software in Colorado. Now computer, it tells you which Penguin has illustrated it, parts have to be found and making this the only all-text installed before you can take off, adventure to be adapted into a and everything falls into place.
  • SCPL Book Discussion Kits

    SCPL Book Discussion Kits

    Santa Cruz Public Libraries - Readers' Advisory Book Discussion Kits (All) Above All Things by Tanis Rideout A tale inspired by the life and mysterious fate of George Mallory traces the experiences of his wife, Ruth, who in 1924 maintains a hopeful vigil in war-ravaged England during Mallory's fateful third expedition to reach the summit of Mount Everest. The Absolutely True Diary of a Part-time Indian by Sherman Alexie Budding cartoonist Junior leaves his troubled school on the Spokane Indian Reservation to attend an all-white farm town school where the only other Indian is the school mascot. The Adventures of the Blue Avenger by Norma Howe On his sixteenth birthday, still trying to cope with the unexpected death of his father, David Schumacher decides--or does he--to change his name to Blue Avenger, hoping to find a way to make a difference in his Oakland neighborhood and in the world. Al Capone Does My Shirts by Gennifer Choldenko A twelve-year-old boy named Moose moves to Alcatraz Island in 1935 when guards' families were housed there, and has to contend with his extraordinary new environment in addition to life with his autistic sister. The Alchemist by Paulo Coelho An Andalusian shepherd boy named Santiago travels from his homeland in Spain to the Egyptian desert in search of treasure buried in the pyramids. Along the way he meets a Gypsy woman, a man who calls himself king, and an alchemist, all of whom point Santiago in the direction of his quest. What starts out as a journey to find worldly goods turns into a meditation on the treasures found within.
  • Sousa Comes Marching Home the a Window for Freemasonry

    Sousa Comes Marching Home the a Window for Freemasonry

    THE A Window for Freemasonry Vol. 38 No. 3 AUGUST 2007 Sousa comes marching home THE A Window for Freemasonry AUGUST 2007 Volume 38 No. 3 Features 4 Driving Force 4 by Alan E. Foulds, 32° One man’s quest to honor John Philip Sousa. 8 What Makes A Mason by Robert M. Wolfarth, 32° Examples of Masonic acts that make a man a Mason. 8 16 The Ripple Effect 10 By the Way by Gina Cooke Reflections of a first year. by Aimee E. Newell Encountering Masonic signs along the road. Columns 10 3 Sovereign Grand Commander 18 Notes from the Scottish Rite Journal 19 Brothers on the Net 20 Scottish Rite Charities 21 The Stamp Act 22 Also: Book Nook 24 HealthWise 26 5 7 13 Views from the Past Bro. Force and His Band • The March King • Builder’s Council: New 14 14 28 Members – 2007 • How Are We Doing? • Walks for Children with Today’s Family 14 15 17 Dyslexia • Learning Centers in Operation • The Heritage Shop • 30 25 27 30 Readers Respond Masonic Word Math • Masonic Compact • Quick Quotes • Hiram 30 32 31 • On the Lighter Side • Scottish Rite Charities Et cetera, et cetera, etc. SUPREME COUNCIL, 33° EDITOR Ancient Accepted Scottish Rite Mailing Address: Alan E. Foulds, 32° Northern Masonic Jurisdiction, U.S.A. PO Box 519, Lexington, MA 02420-0519 SOVEREIGN GRAND COMMANDER PRODUCTION ASSISTANTS John Wm. McNaughton, 33° Sonja B. Faiola Editorial Office: Beth E. McSweeney THE NORTHERN LIGHT (ISSN 1088-4416) is published quarterly in February, May, 33 Marrett Road (Route 2A) MEDIA ADVISORY COMMITTEE August, and November by the Supreme Council, 33°, Ancient Accepted Scottish Rite, Lexington, Massachusetts 02421 Stephen E.
  • VERBAL BEHAVIOR by B. F. Skinner William James Lectures Harvard

    VERBAL BEHAVIOR by B. F. Skinner William James Lectures Harvard

    VERBAL BEHAVIOR by B. F. Skinner William James Lectures Harvard University 1948 To be published by Harvard University Press. Reproduced by permission of B. F. Skinner† Preface In 1930, the Harvard departments of psychology and philosophy began sponsoring an endowed lecture series in honor of William James and continued to do so at irregular intervals for nearly 60 years. By the time Skinner was invited to give the lectures in 1947, the prestige of the engagement had been established by such illustrious speakers as John Dewey, Wolfgang Köhler, Edward Thorndike, and Bertrand Russell, and there can be no doubt that Skinner was aware that his reputation would rest upon his performance. His lectures were evidently effective, for he was soon invited to join the faculty at Harvard, where he was to remain for the rest of his career. The text of those lectures, possibly somewhat edited and modified by Skinner after their delivery, was preserved as an unpublished manuscript, dated 1948, and is reproduced here. Skinner worked on his analysis of verbal behavior for 23 years, from 1934, when Alfred North Whitehead announced his doubt that behaviorism could account for verbal behavior, to 1957, when the book Verbal Behavior was finally published, but there are two extant documents that reveal intermediate stages of his analysis. In the first decade of this period, Skinner taught several courses on language, literature, and behavior at Clark University, the University of Minnesota, and elsewhere. According to his autobiography, he used notes from these classes as the foundation for a class he taught on verbal behavior in the summer of 1947 at Columbia University.
  • Robert GADEN: Slim GAILLARD

    Robert GADEN: Slim GAILLARD

    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Robert GADEN: Robert Gaden -v,ldr; H.O. McFarlane, Karl Emmerling, Karl Nierenz -tp; Eduard Krause, Paul Hartmann -tb; Kurt Arlt, Joe Alex, Wolf Gradies -ts,as,bs; Hans Becker, Alex Beregowsky, Adalbert Luczkowski -v; Horst Kudritzki -p; Harold M. Kirchstein -g; Karl Grassnick -tu,b; Waldi Luczkowski - d; recorded September 1933 in Berlin 65485 ORIENT EXPRESS 2.47 EOD1717-2 Elec EG2859 Robert Gaden und sein Orchester; recorded September 16, 1933 in Berlin 108044 ORIENTEXPRESS 2.45 OD1717-2 --- Robert Gaden mit seinem Orchester; recorded December 1936 in Berlin 105298 MEIN ENTZÜCKENDES FRÄULEIN 2.21 ORA 1653-1 HMV EG3821 Robert Gaden mit seinem Orchester; recorded October 1938 in Berlin 106900 ICH HAB DAS GLÜCK GESEHEN 2.12 ORA3296-2 Elec EG6519 Robert Gaden mit seinem Orchester; recorded November 1938 in Berlin 106902 SIGNORINA 2.40 ORA3571-2 Elec EG6567 106962 SPANISCHER ZIGEUNERTANZ 2.45 ORA 3370-1 --- Robert Gaden mit seinem Orchester; Refraingesang: Rudi Schuricke; recorded September 1939 in Berlin 106907 TAUSEND SCHÖNE MÄRCHEN 2.56 ORA4169-1 Elec EG7098 ------------------------------------------ Slim GAILLARD: "Swing Street" Slim Gaillard -g,vib,vo; Slam Stewart -b; Sam Allen -p; Pompey 'Guts' Dobson -d; recorded February 17, 1938 in New York 9079 FLAT FOOT FLOOGIE 2.51 22318-4 Voc 4021 Some sources say that Lionel Hampton plays vibraphone. 98874 CHINATOWN MY CHINATOWN
  • The Physical Basis of the Direction of Time (The Frontiers Collection), 5Th

    The Physical Basis of the Direction of Time (The Frontiers Collection), 5Th

    the frontiers collection the frontiers collection Series Editors: A.C. Elitzur M.P. Silverman J. Tuszynski R. Vaas H.D. Zeh The books in this collection are devoted to challenging and open problems at the forefront of modern science, including related philosophical debates. In contrast to typical research monographs, however, they strive to present their topics in a manner accessible also to scientifically literate non-specialists wishing to gain insight into the deeper implications and fascinating questions involved. Taken as a whole, the series reflects the need for a fundamental and interdisciplinary approach to modern science. Furthermore, it is intended to encourage active scientists in all areas to ponder over important and perhaps controversial issues beyond their own speciality. Extending from quantum physics and relativity to entropy, consciousness and complex systems – the Frontiers Collection will inspire readers to push back the frontiers of their own knowledge. InformationandItsRoleinNature The Thermodynamic By J. G. Roederer Machinery of Life By M. Kurzynski Relativity and the Nature of Spacetime By V. Petkov The Emerging Physics of Consciousness Quo Vadis Quantum Mechanics? Edited by J. A. Tuszynski Edited by A. C. Elitzur, S. Dolev, N. Kolenda Weak Links Life – As a Matter of Fat Stabilizers of Complex Systems The Emerging Science of Lipidomics from Proteins to Social Networks By O. G. Mouritsen By P. Csermely Quantum–Classical Analogies Mind, Matter and the Implicate Order By D. Dragoman and M. Dragoman By P.T.I. Pylkkänen Knowledge and the World Quantum Mechanics at the Crossroads Challenges Beyond the Science Wars New Perspectives from History, Edited by M.
  • NATIONAL FILM BOARD of CANADA FEATURED at Moma

    NATIONAL FILM BOARD of CANADA FEATURED at Moma

    The Museum off Modern Art 50th Anniversary NO. 16 ID FOR IMMEDIATE RELEASE March 3, 1981 DOCUMENTARY FILMS FROM THE NATIONAL FILM BOARD OF CANADA FEATURED AT MoMA NATIONAL FILM BOARD OF CANADA: A RETROSPECTIVE is a three-part tribute presented by The Museum of Modern Art in recog­ nition of NFBC's 41 years Of exceptional filmmaking. PART TWO: DOCUMENTARY FILMS, running from March 26 through May 12 in the Museum's Roy and Niuta Titus Auditorium, will trace the develop­ ment of the documentary form at NFBC, and will be highlighted by a selection of some of the finest films directed by Donald Brittain, whose work has won wide acclaim and numerous awards. PART TWO: DOCUMENTARY will get off to an auspicious start with twelve of Donald Brittain's powerful and unconventional portraits of exceptional individuals. Best known in this country for "Volcano: An Inquiry Into The Life and Death of Malcolm Lowry" (1976), Brittain brings his personal stamp of creative interpretation to such subjects as America's love affair with the automobile in "Henry Ford's America" (1976) ; the flamboyant Lord Thompson of Fleet Street (the newspaper baron who just sold the cornerstone of his empire, The London Times) in "Never A Backward Step" (1966); Norman Bethune, the Canadian poet/ doctor/revolutionary who became a great hero in China when he marched with Mao ("Bethune" 1964); and the phenomenal media hysteria sur­ rounding the famous quintuplets in "The Diorme Years" (1979) . "Memo­ randum" (1965) accompanies a Jewish glazier from Tcronto when he takes his son back to the concentration camp where he was interned, an emotion­ al and historical pilgrimage of strong impact and sensitivity.
  • Cinematic Urban Geographies Thursday 3 - Friday 4 October 2013 at CRASSH · Alison Richard Building · 7 West Road · Cambridge

    Cinematic Urban Geographies Thursday 3 - Friday 4 October 2013 at CRASSH · Alison Richard Building · 7 West Road · Cambridge

    Centre for Research in the Arts, Social Sciences and Humanities Cinematic Urban Geographies Thursday 3 - Friday 4 October 2013 at CRASSH · Alison Richard Building · 7 West Road · Cambridge Invited speakers CHARLOTTE BRUNSDON (Film Studies, University of Warwick) TERESA CASTRO (Universite Sorbonne Nouvelle - Paris 3) RICHARD COYNE (Architectural Computing, Edinburgh College of Art), ROLAND-FRANÇOIS LACK and (French Studies, UCL) STEVE PILE (Human Geography, The Open University) ANDREW PRESCOTT (Digital Humanities, King’s College London) MARK SHIEL (Film Studies, King’s College London) PETER VON BAGH (Film Historian and Director, Helsinki) Conveners FRANÇOIS PENZ (University of Cambridge) RICHARD KOECK (University of Liverpool) ANDREW SAINT (English Heritage) CHRIS SPEED (Edinburgh College of Art) www.crassh.cam.ac.uk/events/2473 Battersea Power Station and Nine Elms, 1966, Aerofilms Collection, English Heritatge 1966, Aerofilms and Nine Station Elms, Power Battersea Centre for Research in the Arts, Social Sciences and Humanities (CRASSH) Acknowledgements Supported by the Centre for Research in the Arts, Humanities and Social Sciences (CRASSH), the Architecture Department, both at the University of Cambridge and the Arts and Humanities Research Council (AHRC). Centre for Research in the Arts, Social Sciences and Humanities (CRASSH) | Alison Richard Building | 7 West Road Cambridge CB3 9DT | UK | www.crassh.cam.ac.uk Cinematic Urban Geographies Cinematic Urban Geographies 3 & 4 October 2013 at CRASSH (SG1&2) Conveners François Penz (Architecture Department, University of Cambridge) Co-Conveners Richard Koeck (School of Architecture, University of Liverpool) Chris Speed (Edinburgh College of Art) Andrew Saint (English Heritage) Summary The Cinematic Urban Geographies conference aims to explore the di!erent facets by which cinema and the moving image contribute to our understanding of cities and their topographies.
  • The Ukrainian Weekly 1986

    The Ukrainian Weekly 1986

    Іі$Ье(і by the Ukrainian National Association Inc., a fraternal non-profit association! ШrainianWeekl v ; Vol. LIV No. 34 THE UKRAINIAN WEEKLY SUNDAY, AUGUST 24, 1986 25 cents Clandestine sources dispute Israel indirectly approaches USSR official Chornobyl information for help in Demjanjuk prosecution ELLICOTT CITY, Md. — The first For unexplained reasons, foreign JERSEY CITY, N.J. — Israeli offi- The card, which was used in the samvydav information has reached the radio broadcasts were difficult to pick cials have reportedly indirectly ap- United States by the Office of Special West about the accident at the Chor- up and understand within a 30-kilo- proached the Soviet Union for assis- Investigations in its proceedings against nobyl nuclear power plant in Ukraine in meter radius of the Chornobyl plant. tance in their case against John Dem- Mr. Demjanjuk, has been the subject of late April. This information disputes Thus, many listeners could not take ad- janjuk, the former Cleveland auto- much controversy. The Demjanjuk many pronouncements by the Soviet vantage of the news and advice broad- worker suspected of being "Ivan the defense contends it is a fraud and that government, reported Smoloskyp, a cast from abroad. Terrible," a guard at the Treblinka there is evidence the card was altered. quarterly published here. Although tens of thousands of death camp known for his brutality. In fact, Mark O'Connor, Mr. Dem- Following is Smoloskyp's story on school-age children were sent from Kiev The Jerusalem Post reported on janjuk's lawyer, had told The Weekly the new samvydav information. to camps on the Black Sea early, pre- August 18 that State Attorney Yona earlier this year that the original ID card According to these underground school children — who are most threat- Blattman had reportedly asked an was never examined by forensic experts.
  • Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels

    Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels

    A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas.