Emergence at Pacific Northwest Ballet Encore Arts Seattle
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Robert GADEN: Slim GAILLARD
This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Robert GADEN: Robert Gaden -v,ldr; H.O. McFarlane, Karl Emmerling, Karl Nierenz -tp; Eduard Krause, Paul Hartmann -tb; Kurt Arlt, Joe Alex, Wolf Gradies -ts,as,bs; Hans Becker, Alex Beregowsky, Adalbert Luczkowski -v; Horst Kudritzki -p; Harold M. Kirchstein -g; Karl Grassnick -tu,b; Waldi Luczkowski - d; recorded September 1933 in Berlin 65485 ORIENT EXPRESS 2.47 EOD1717-2 Elec EG2859 Robert Gaden und sein Orchester; recorded September 16, 1933 in Berlin 108044 ORIENTEXPRESS 2.45 OD1717-2 --- Robert Gaden mit seinem Orchester; recorded December 1936 in Berlin 105298 MEIN ENTZÜCKENDES FRÄULEIN 2.21 ORA 1653-1 HMV EG3821 Robert Gaden mit seinem Orchester; recorded October 1938 in Berlin 106900 ICH HAB DAS GLÜCK GESEHEN 2.12 ORA3296-2 Elec EG6519 Robert Gaden mit seinem Orchester; recorded November 1938 in Berlin 106902 SIGNORINA 2.40 ORA3571-2 Elec EG6567 106962 SPANISCHER ZIGEUNERTANZ 2.45 ORA 3370-1 --- Robert Gaden mit seinem Orchester; Refraingesang: Rudi Schuricke; recorded September 1939 in Berlin 106907 TAUSEND SCHÖNE MÄRCHEN 2.56 ORA4169-1 Elec EG7098 ------------------------------------------ Slim GAILLARD: "Swing Street" Slim Gaillard -g,vib,vo; Slam Stewart -b; Sam Allen -p; Pompey 'Guts' Dobson -d; recorded February 17, 1938 in New York 9079 FLAT FOOT FLOOGIE 2.51 22318-4 Voc 4021 Some sources say that Lionel Hampton plays vibraphone. 98874 CHINATOWN MY CHINATOWN -
BEYOND BALLET a Town Hall on the State of Ballet and Diversity
FOR IMMEDIATE RELEASE MEDIA CONTACT: April 17, 2017 Gary Tucker 206.441.2426 [email protected] PACIFIC NORTHWEST BALLET Presents BEYOND BALLET A Town Hall on the State of Ballet and Diversity 7:00 pm, Wednesday, May 3, 2017 The Phelps Center 301 Mercer Street at Seattle Center Seattle, WA 98109 SEATTLE, WA – On Wednesday, May 3, 2017, Pacific Northwest Ballet (PNB) will host BEYOND BALLET, a Town Hall-style conversation which will investigate aesthetics, diversity, equity, and the efforts to redesign arts institutions. PNB, Spectrum Dance Theater, and Memoirs of Blacks in Ballet (MOBB) invite attendees to share their thoughts, feelings and experiences in a Town Hall format. Ballet—its aesthetics, lack of diversity and equity—is the springboard from which we begin to examine these issues in the theater and arts at large. This forum will be an open study group for organizations participating in the Seattle Office of Arts & Culture Racial Equity Learning Cohorts, part of the Race and Social Justice Initiative (RSJI), the City’s commitment to eliminate racial disparities and achieve racial equity in Seattle. BEYOND BALLET will take place at 7:00 pm on Wednesday, May 3, 2017 at PNB’s Phelps Center, 301 Mercer Street at Seattle Center. This is a free event, however space is limited and registration is required at PNB.org/BeyondBallet. Panelists for BEYOND BALLET include Peter Boal, Artistic Director of PNB; Donald Byrd, Artistic Director of Spectrum Dance Theater; Erica Edwards, Director of Community Engagement at The Joffrey Ballet; Kiyon Gaines, former PNB soloist and PNB School faculty member; and Andrea Long-Naidu, ballet instructor for Dance Theatre of Harlem and CityDance Conservatory. -
Alvin Ailey American Dance Theater
Cal Performances Presents Program A Wednesday, March , , pm Wednesday, March , , pm Th ursday, March , , pm Friday, March , , pm Friday, March , , pm Zellerbach Hall Saturday, March , , pm & pm Sunday, March , , pm PROGRAM A Zellerbach Hall Alvin Ailey American Dance Th eater Firebird Alvin Ailey, Founder intermission Th e Groove To Nobody’s Business JUDITH JAMISON, Artistic Director pause Masazumi Chaya, Assistant Artistic Director Treading intermission Company Members Guillermo Asca, Olivia Bowman, Kirven J. Boyd, Hope Boykin, Clifton Brown, Revelations Courtney Brené Corbin, Rosalyn Deshauteurs, Khilea Douglass, Antonio Douthit, Vernard J. Gilmore, Alicia J. Graf, Ebony Haswell, Zach Law Ingram, Firebird Abdur-Rahim Jackson, Chris Jackson, Gwynenn Taylor Jones, Willy Laury, () Malik Le Nost, Roxanne Lyst, Amos J. Machanic, Jr., Adam McKinney, (West Coast Company Premiere) Briana Reed, Jamar Roberts, Renee Robinson, Matthew Rushing, Choreography Maurice Béjart Glenn Allen Sims, Linda Celeste Sims, Yusha-Marie Sorzano, Restaging Shonach Mirk Robles Constance Stamatiou, Tina Monica Williams Music Igor Stravinsky, Th e Firebird Suite* Costumes Joëlle Roustan, Roger Bernard casting — wednesday evening Sharon Gersten Luckman, Executive Director Clifton Brown, Jamar Roberts, Linda Celeste Sims, Alicia J. Graf, Ebony Haswell, Kirven J. Boyd, Glenn Allen Sims, Amos J. Machanic, Jr., Major funding is provided by the New York State Council on the Arts, a State agency, the New York Vernard J. Gilmore, Malik Le Nost City Department of Cultural Aff airs, the National Endowment for the Arts, Altria Group, Inc., American Express, and Prudential Financial, Inc. casting — friday evening Matthew Rushing, Adam McKinney, Offi cial Airline Gwynenn Taylor Jones, Courtney Brené Corbin, Rosalyn Deshauteurs, Guillermo Asca, Abdur-Rahim Jackson, Zach Law Ingram, Chris Jackson, Willy Laury Major support for Alvin Ailey American Dance Th eater’s production of Firebird has been provided by Movado Group. -
PDF of This Issue
MlT's The Weather Oldest and Largest Today: Cloudy, showers, 60°F (16°C) Tonight: Cloudy, cool, 45°F (70C) Newspaper Tomorrow: Partly cloudy, 56°F (13°C) Details, Page 2 Volume 115, Number 21 Cambridge, Massachusetts 02139 Friday, April 28, 1995 Mayor Convenes Committee to Save Lowell School By Sarah Y. Kelghtley announced in January that MIT will The subcommittee will try to "At this point, I don't see that to the City Council independently NEWS EDITOR close the Lowell Institute School work toward a resolution of the there's any reversal in the decision by a group of [Lowell] alumni and Cambridge Mayor Kenneth effective July 1, 1996. About 1,000 issue, although there is no specific by the provost." students." eeves convened a subcommittee students a year register for classes timeline, according to Jubi Headley, About 15 people approached the '1 10 to convince the Institute to through-the program, including executive assistant to the mayor. council at its April I0 meeting, say- City benefits from Lowell reverse its decision to close the around 100 Institute employees. The committee has held informal ing they had benefited from Lowell, "The City Council has some Lowell Institute School, an MIT "This decision comes as the meetings, but Headley said he is Parravano said. This brought the legitimate interest [in the issue -program that has offered evening result of a set of considerations "not aware of specific strategies" matter to the council's attention, since] the Lowell Institute School technical courses on campus since related to a number of factors that it will use to change the MIT then the mayor decided to form the has been an activity which benefits 1903. -
Beirut the Penalty Chords
Beirut The Penalty Chords stichometrically,Imperturbable Ozzy is Benson sometimes fair-weather gums his and Dantean shrilling corporeally enough? Fannedand datelines and looped so alow! Saxon Martyn still nevercodified supercool his catabolism any Whitsunday insensately. skates Letssingit do you think of the serbian artists all chords by the page is so ugly in reporting the penalty beirut the chords by beirut The penalty the above the wind would be. American band that was originally the solo musical project of Zach Condon to be about world War II. Beirut Cherbourg are brought to by. He did so on Pro Tools while skipping school in Albuquerque and at Sea Side Studios in Park Slope, the New York Post reported. You already released other three or download or research. Jackson county drug roundup conducted an. Am Em Ever away from seeing more than life F C The morning lies miles away from the night Am Em No man ever could steal her heart F C etc. Altus drug house following weeks. Postcards from italy chords, they just sound incredibly tired everything at condon, he ended up santa fe and chord progression repeated throughout the. Mesquite tx drug bust against the penalty tab for sharing this is loaded earlier than only this little instrument in surrey two hundred marijuana. Ministry of food and drug safety. What has happened to my fifty thousand? Lyrics beirut chords and chord pattern is the penalty the first okayed by. Guitar chords by beirut guyamas sonora lyrics performed by stone by the penalty chords and chris tomlin. This phone number format is not recognized. -
Atheneum Nantucket Dance Festival
NANTUCKET ATHENEUM DANCE FESTIVAL 2011 Featuring stars of New York City Ballet & Paris Opera Ballet Benjamin Millepied Artistic Director Dorothée Gilbert Teresa Reichlen Amar Ramasar Sterling Hyltin Tyler Angle Daniel Ulbricht Maria Kowroski Alessio Carbone Ana Sofia Scheller Sean Suozzi Chase Finlay Georgina Pazcoguin Ashley Laracey Justin Peck Troy Schumacher Musicians Cenovia Cummins Katy Luo Gillian Gallagher Naho Tsutsui Parrini Maria Bella Jeffers Brooke Quiggins Saulnier Cover: Photo of Benjamin Millepied by Paul Kolnik 1 Welcometo the Nantucket Atheneum Dance Festival! For 177 years the Nantucket Atheneum has enriched our island community through top quality library services and programs. This year the library served more than 200,000 adults, teens and children year round with free access to over 1.4 million books, CDs, and DVDs, reference and information services and a wide range of cultural and educational programs. In keeping with its long-standing tradition of educational and cultural programming, the Nantucket Atheneum is very excited to present a multifaceted dance experience on Nantucket for the fourth straight summer. This year’s performances feature the world’s best dancers from New York City Ballet and Paris Opera Ballet under the brilliant artistic direction of Benjamin Millepied. In addition to live music for two of the pieces in the program, this year’s program includes an exciting world premier by Justin Peck of the New York City Ballet. The festival this week has offered a sparkling array of free community events including two dance-related book author/illustrator talks, Frederick Wiseman’s film La Danse, Children’s Workshop, Lecture Demonstration and two youth master dance classes. -
The History of Rock Music - the 2000S
The History of Rock Music - The 2000s The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Bards and Dreamers (These are excerpts from my book "A History of Rock and Dance Music") Bards of the old world order TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. Traditionally, the purposefulness and relevance of a singer-songwriter were defined by something unique in their lyrical acumen, vocal skills and/or guitar or piano accompaniment. In the 1990s this paradigm was tested by the trend towards larger orchestrastion and towards electronic orchestration. In the 2000s it became harder and harder to give purpose and meaning to a body of work mostly relying on the message. Many singer-songwriters of the 2000s belonged to "Generation X" but sang and wrote for members of "Generation Y". Since "Generation Y" was inherently different from all the generations that had preceeded it, it was no surprise that the audience for these singer-songwriters declined. Since the members of "Generation X" were generally desperate to talk about themselves, it was not surprising that the number of such singer- songwriters increased. The net result was an odd disconnect between the musician and her or his target audience. The singer-songwriters of the 2000s generally sounded more "adult" because... they were. -
Alvin Ailey American Dance Theater
Tuesday through Friday, March 14 –17, 2017, 8pm Saturday, March 18, 2017, 2pm and 8pm Sunday, March 19, 2017, 3pm Zellerbach Hall Alvin Ailey American Dance Theater Alvin Ailey, Founder Judith Jamison, Artistic Director Emerita Robert Battle , Artistic Director Masazumi Chaya, Associate Artistic Director COMPANY MEMBERS Hope Boykin Jacquelin Harris Akua Noni Parker Jeroboam Bozeman Collin Heyward Danica Paulos Sean Aaron Carmon Michael Jackson, Jr. Belen Pereyra Elisa Clark Megan Jakel Jamar Roberts Sarah Daley Yannick Lebrun Samuel Lee Roberts Ghrai DeVore Renaldo Maurice Kanji Segawa Solomon Dumas Ashley Mayeux Glenn Allen Sims Samantha Figgins Michael Francis McBride Linda Celeste Sims Vernard J. Gilmore Rachael McLaren Constance Stamatiou Jacqueline Green Chalvar Monteiro Jermaine Terry Daniel Harder Fana Tesfagiorgis Matthew Rushing, Rehearsal Director and Guest Artist Bennett Rink, Executive Director Major funding for Alvin Ailey American Dance Theater is provided by the National Endowment for the Arts; the New York State Council on the Arts; the New York City Department of Cultural Affairs; American Express; Bank of America; BET Networks; Bloomberg Philanthropies; BNY Mellon; Delta Air Lines; Diageo, North America; Doris Duke Charitable Foundation; FedEx; Ford Foundation; Howard Gilman Foundation; The William R. Kenan, Jr. Charitable Trust; The Prudential Foundation; The SHS Foundation; The Shubert Foundation; Southern Company; Target; The Wallace Foundation; and Wells Fargo. These performances are made possible, in part, by Corporate -
News from the Jerome Robbins Foundation Vol
NEWS FROM THE JEROME ROBBINS FOUNDATION VOL. 6, NO. 1 (2019) The Jerome Robbins Dance Division: 75 Years of Innovation and Advocacy for Dance by Arlene Yu, Collections Manager, Jerome Robbins Dance Division Scenario for Salvatore Taglioni's Atlanta ed Ippomene in Balli di Salvatore Taglioni, 1814–65. Isadora Duncan, 1915–18. Photo by Arnold Genthe. Black Fiddler: Prejudice and the Negro, aired on ABC-TV on August 7, 1969. New York Public Library for the Performing Arts, Jerome Robbins Dance Division, “backstage.” With this issue, we celebrate the 75th anniversary of the Jerome Robbins History Dance Division of the New York Public Library for the Performing Arts. In 1944, an enterprising young librarian at The New York Public Library named One of New York City’s great cultural treasures, it is the largest and Genevieve Oswald was asked to manage a small collection of dance materials most diverse dance archive in the world. It offers the public free access in the Music Division. By 1947, her title had officially changed to Curator and the to dance history through its letters, manuscripts, books, periodicals, Jerome Robbins Dance Division, known simply as the Dance Collection for many prints, photographs, videos, films, oral history recordings, programs and years, has since grown to include tens of thousands of books; tens of thousands clippings. It offers a wide variety of programs and exhibitions through- of reels of moving image materials, original performance documentations, audio, out the year. Additionally, through its Dance Education Coordinator, it and oral histories; hundreds of thousands of loose photographs and negatives; reaches many in public and private schools and the branch libraries. -
George Balanchine August Bournonville Sasha Janes Jerome Robbins
George Balanchine August Bournonville Sasha Janes THTHEAEATETERR 1716/1/187 Jerome Robbins FOR YOUR INFORMATION Do you want more information about upcoming events at the Jacobs School of Music? There are several ways to learn more about our recitals, concerts, lectures, and more! Events Online Visit our online events calendar at music.indiana.edu/events: an up-to-date and comprehensive listing of Jacobs School of Music performances and other events. Events to Your Inbox Subscribe to our weekly Upcoming Events email and several other electronic communications through music.indiana.edu/publicity. Stay “in the know” about the hundreds of events the Jacobs School of Music offers each year, most of which are free! In the News Visit our website for news releases, links to recent reviews, and articles about the Jacobs School of Music: music.indiana.edu/news. Musical Arts Center The Musical Arts Center (MAC) Box Office is open Monday – Friday, 11:30 a.m. – 5:30 p.m. Call 812-855-7433 for information and ticket sales. Tickets are also available at the box office three hours before any ticketed performance. In addition, tickets can be ordered online at music.indiana.edu/boxoffice. Entrance: The MAC lobby opens for all events one hour before the performance. The MAC auditorium opens one half hour before each performance. Late Seating: Patrons arriving late will be seated at the discretion of the management. Parking Valid IU Permit Holders access to IU Garages EM-P Permit: Free access to garages at all times. Other permit holders: Free access if entering after 5 p.m. -
Love and Ballet at Pacific Northwest Ballet Encore Arts Seattle
June 2018 June 2018 Volume 31, No. 7 Paul Heppner Publisher Susan Peterson Design & Production Director Ana Alvira, Robin Kessler, Stevie VanBronkhorst Production Artists and Graphic Design Mike Hathaway Sales Director Brieanna Bright, Joey Chapman, Ann Manning Seattle Area Account Executives Amelia Heppner, Marilyn Kallins, Terri Reed San Francisco/Bay Area Account Executives Carol Yip Sales Coordinator Leah Baltus Editor-in-Chief Andy Fife Publisher Dan Paulus Art Director Gemma Wilson, Jonathan Zwickel Senior Editors Amanda Manitach Visual Arts Editor Paul Heppner President Mike Hathaway Vice President Kajsa Puckett Vice President, Marketing & Business Development Genay Genereux Accounting & Office Manager Shaun Swick Senior Designer & Digital Lead Barry Johnson Digital Engagement Specialist Ciara Caya Customer Service Representative & Administrative Assistant Corporate Office 425 North 85th Street Seattle, WA 98103 p 206.443.0445 f 206.443.1246 [email protected] 800.308.2898 x105 www.encoremediagroup.com Encore Arts Programs is published monthly by Encore Media Group to serve musical and theatrical events in the Puget Sound and San Francisco Bay Areas. All rights reserved. ©2018 Encore Media Group. Reproduction without written permission is prohibited. 2 PACIFIC NORTHWEST BALLET PACIFIC NORTHWEST BALLET Kent Stowell and Peter Boal June 1–10, 2018 Francia Russell Artistic Director Marion Oliver McCaw Hall Founding Artistic Directors PRINCIPALS Karel Cruz Lindsi Dec Rachel Foster Benjamin Griffiths William Lin-Yee James Moore -
GAYLE TUFTS „AMERICAN WOMAN“ » Do
GAYLE TUFTS „AMERICAN WOMAN“ » Do. 21.02. Frankfurter Hof LET’S BURLESQUE » Sa. 29.12.18 / Sa. 01.02.19 Foto: © Frank Widmann Frankfurter Hof COMEDY/KABARETT: Django Asül › Florian Schroeder und Volkmar Staub › Frank Markus Barwasser › Caveman mit Felix Theissen › Martin Sonneborn › Martina Schwarzmann › LALELU a-cappella-comedy › Georg Ringsgwandl KLASSIK: SWR2 Internationale Pianisten:Tamara Stefanovic › ClassicClash II: Taykh WELTMUSIK: Eleftheria Arvanitaki › Juan José Mosalini VARIETÈ: Die Magier JAZZ: Holly Cole Quintet › Andreas Hertel Quintett › Tingvall Trio INFOTAINMENT: Stephan Lucas › Minkorrekt! Foto: © Robert Recker Robert © Foto: FASTNACHT: 55. Grosse Kinderfastnacht › Fred Kellner & die famose Soulsister › Altweiberball www.frankfurter-hof-mainz.de ENTEGA BRINGT KULTUR INS LEBEN. GUTE UNTERHALTUNG IM FRANKFURTER HOF. Ob Kulturvereine, Sportvereine oder Soziales. Wir unter stützen unsere lebenswerte Region bei un zähligen Festen und Veranstaltungen – auch im Frankfurter Hof. EXKLUSIVSPONSOR DES EINFACH KLIMAFREUNDLICH FÜR ALLE. FRANKFURTER HOFS EN262421_Anz_FrankfurterHof_185x270_39L.indd 1 19.10.17 17:09 › SEITE 3 Heft Nr. 144 / 2019 VOR WORT Liebe Besucherinnen und Besucher des Frankfurter Hofes, mit viel Schwung gehts ins neue Jahr. [ übersicht] Mit Eleftheria Arvanitaki, der Vertreterin 4/5 des Neo-Rembetiko, einer Art griechischen [ personality] Blues, und dem legendären Bandoneonist 6/7 Juan José Mosalini (& su Gran Orquesta de Tango), der in diesem Jahr seinen 75. Geburtstag [ jazz] 8/9 und sein 25-jähriges Bühnenjubiläum feiert, werden zwei herausragende Superstars der Weltmusik in der Altstadt auftreten. [ comedy/kabarett] 10–12 Der Jazz spielt im Januar-Februar-Programm wieder eine große Rolle. Mit der neuen [ klassik] CD „Holly“ gibt es ein Wiederhören mit der famosen kanadischen Jazzsängerin 13 Holly Cole.