DOCSLIB.ORG

Rap/Dance Music Top 30Dance Singles Cash Box* January 23,1993

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Rap/Dance Music Top 30Dance Singles Cash Box* January 23,1993 rock and roll MAGAZINE hall of fame CASH TRADE 1993 COIN-OP THE inductees January 23, 1993 Newspaper $3.50 inah Washington ruth brown 1 VOL LVI, NO. 20, JANUARY 23, 1993 STAFF BOX GEORGE ALBERT President and Publisher FRED L. GOODMAN Editor In Chief CASH CAMILLE COMPASIO Director, Coin Machine Operations RANDY CLARK Los Angeles Editor MARKETING THE MUSIC TRADE MAGAZINE MARK WAGNER Director, Nashville MILTPEm(LA) JONATHAN PLAHfLA) STAN LEWIS (NY) EDITORIAL INSIDE THE BOX MICHAEL MARTINEZ, Assoc. Ed. (LA) JOHN GOFF, Assoc. Ed. (LA) CORY CHESHIRE, Nashville Editor CX)VER STORY STEVE GlUFFRIDA (Nashville) BRAD HOGUE (Nashville) GREGORY S. COOPER-Gospel (Nashville) NEILALUMKAL, Assoc. Ed. (NY) Hall of Fame Inducts 1 CHART RESEARCH RAYMOND BALLARD, Chad Coordinator (LA) JOHN GILLEN (LA) Eleven inductees were added to the Rock & Roll Hall of Fame honor roll this week JOHN COSSIBOOM (Nash) ROBIN HESS (Nash) in Los Angeles—the first time in the Hall's eight-year history that the gala was thrown PRODUCTION in the City of Angels. Cash Box L.A. editor Randy Clark reports on the festivities in SAM DURHAM his West Coast column. CIRCULATION NINATREGUB, Manager PASHA SANTOSO —see page 6 PUBLICATION OFFICES NEW YORK 345 W. 58th Street Suite 1 5W New York, NY 10019 Phone: (212) 245-4224 Fax; (21 2) 245-4226 HOLLYWOOD And the Winner Is... 6464 Sunset Blvd. (Suite 605) Hollywood, CA 90028 Phone: (213) 464-8241 Fax: (213) 464-3235 'Tis the season for handing out awards. In addition to the recent Grammy nomina- NASHVILLE tions, NARAS has also named Natalie Cole as MusiCares Person of the Year. In 50 Music Square West (Suite 804) Nashville, TN 37203-3212 329-2898 addition, NARM has announced its Best Sellers for the past year. Phone: (615) Fax: (615) 320-5120 CHICAGO —see page 3 1442S. 61 St. Ave. Cicero, IL 60650 Phone: (708) 863-7440 BRAZIL CHRISTOPHER PICKARD Est. da Gavea, 611/BL.2/304 Rio de Janeiro - RJ 22.610 - Brazil Phone/Fax: (55-21) 322-2290 ITALY POP ALBUM CONTENTS MARIO DE LUIGI NUMBER “Music e Dischi’’ The Bodyguard COLUMNS Via De Amicis 47 201233 ONES Soundtrack Country Music 17 Milan, Italy (ARISTA) East/West Coast 6 Phone: (902) 839-18-37/832-79-37 Rhyme/Rap 11 JAPAN POP SINGLE R&B ALBUM Rhythm 9 SACHIO SAITO IniiieNews 7 2-F Fujishiro-Bldg. I Will Always Love You The Bodyguard Film/Vidoo/TV 12 4-ChorT)e, 30-4, Shinbashi Whitney Houston Soundtrack Minato-ku CHARTS (ARISTA) (ARISTA) Tokyo, Japan 105 Top 30 Rap LPs & Singles 11 Phone: 03 (5401)2065 Top75R&BLPs 9 Fax: 03 (5401) 2067 R&B SINGLE COUNTRY ALBUM Top 100 R&B Singles 10 Top 200 LPs 14 UNITED KINGDOM I Will Always Love You Chase 1 The MCK GREEN Top 100 Pop Singles 4 Whitney Houston Garth Brooks 18 8 Pebble View Walk Top 100 Country Singles (ARISTA) (LIBERTY) 19 Hopton-on-Sea, Norfolk, NR31 9SG Top A Country LPs England Top 40 Gospel LPs 23 30 Black Gospel Singles 24 Phone and Fax: 0502-732040 COUNTRY SINGLE GOSPEL ALBUM Top Top 10 Soundtrack Albums 13 Faith CASH BOX (ISSN 0008-7289) is published Somewhere Other Than The Night We Walk By Top 10 Music Video Sales 12 weekly (except Chfislitias hofidays) by Cash Garth Brooks John P. Kee Top 30 Video Rentals 12 Box, 345 W. MSi Skeet Suite 1 5W, New York, (LIBERTY) (TYSCOT) NY 1 001 9 for $1 80 first dass. Copyright 1 992 DEPARTMENTS by George Albert. All rights reserved. News 3 Copyright under Universal Copyright RAP SINGLE DANCE SINGLE Convenlion. POSTMASTER: Send address Country 17 changes to CASH BOX, 345 W. 58lh Si Suite Wicked It's Gonna Be A Lovely Day Gospei 22 15W, New York, NY 10019 Machine 25 Ice Cube S.O.U.L. S.Y.S.T.E.M. Coin Qassifieds 27 (PRIORITY) (ARISTA) —— — — CASH BOX JANUARY 23, 1993 3 MCA Records ON has appointed Ron THE Oberman to the posi- MOVE tion of senior vice president, A&R. He comes to MCA from Columbia Records where he served as vice presi- Oberman dent, A&R, West Coast. Bob Burkett has been named president of the Geffen Foundation and executive vice president of public affairs of The Pictured at the recent press conference at the Universal Hilton in Los Geffen Company. For the past seven years, he Angeles announcing the 35th Annual Grammy Award nominations are (l-r): Lindsey Buckingham; Natalie Cole; Garry Shandling, host of the Grammy was the senior vice president of corporate affairs Feb. 24 telecast; Melissa Etheridge; and Michael Greene, NARAS presi- for Interscope Inc. Meanwhile, at Geffen dent. Records, independent producer Tony Berg be- PLUGS INTO HEAVEN: Reprise artist comes director of A&R. For the past six years he CLAPTON GRAMMY Burkett and rock legend Eric Clapton garnered nine Grammy nominations has produced albums for Edie Brickell & the New Bohemians, Michael Penn, Wendy & Lisa, to cap the most successful year of his illustrious career. With his Squeeze, and many others. Reprise Records Unplugged Ip leading the field for Album of the Year, and single, has upped Michael Linehan to the post of vice "Tears In Heaven," a tribute to his late son, moving grabbing president of album promotion. Prior to his Record of the Year and Song of the Year nods, Clapton is favored promotion, he was national album promotion to take home multiple awards. Other leading contenders are Irish director, a position he held since the label's reac- Chieftains Victor), with five tivation in 1987. EastWest Records America band. The (RCA nominations; com- Berg poser Alan Menken, also with five; Menken's late collaborator, has announced a couple of appointments. Derek Oliver has been promoted to senior director of Howard Ashman with four; and Peter Gabriel (Geffen) and k.d. A&R. He had been director of A&R for Atco lang (Warner Bros. /Sire) with four each. since 1990. Also at the company, Peter One of the closest contests will be for Best New Artist which Rosenblum has been appointed manager of col- includes Chrysalis act Arrested Development, Mercury's Billy Ray lege promotion. He comes to EastWest from Cyrus, Columbia's Sophie B. Hawkins, rap act Kris Kross (Ruf- Elektra Entertainment where he worked in alter- fhouse/Columbia), and Secada (SBK). Bros, all native promotion. Lisa Frank has been Jon Warner leads Linehan labels with 47 nominations. promoted to senior director, artist rela- tions/promotion for Elektra Entertainment. Winners in all 80 categories will be announced during The Gram- Since 1989, she has been director, national CHR my Awards Show at the Shrine Auditorium on Wednesday, Feb. 24. promotion. RCA Records has named two to The show will be telecast on CBS from 8-1 p.m. (ET). Comic Garry 1 its A&R staffs. Peter Robinson has been ap- Shandling will emcee the proceedings. pointed manager, A&R, East Coast. Prior to join- MUSICARES THINKS NATALIE’S UNFORGETTABLE: ing RCA, he was an A&R rep with Giant The Foundation has six-time Records. Also, Melissa Komorsky has been NARAS named Grammy Award- Oliver winning singer Natalie Cole as the MusiCares 1993 Person of the slotted to be talent scout. West Coast. She was Year. She will receive the honor at the annual fundraising dinner most recently manager for Paul Raven and John Bechdel. ^ny Music has made several staff at the Beverly Hilton Hotel on Saturday, Fob. 20—one of the events changes. Christopher Austopchuk has been surrounding Grammy Awards week. appointed vice president, design. East Coast, Ms. Cole (Elektra) was named for her numerous philanthropic creative services. Since 1989, he has served as efforts ranging from the Natalie Cole Scholarship Award (which design director in the same department. Nancy trains and educates teachers who work with homeless children) to Frank Donald has become vice president, design. West her Apollo Theater benefit performance during last year's Grammy Coast, creative services. Since 1988, she's been week. executive art director. West Coast. Mark appointed director, business NARM’S BEST SELLERS: Liberty recording artist Garth Schwartz has been affairs at Sony. Most recently he served as busi- Brooks leads all comers with seven nominations for NARM's 1992 ness affairs manager. Epic Records LIK. Tod Best Seller Awards. The winners will be announced at the Elmore has been upped to the post of director of organization's 35th Annual Convention in Orlando, FL from alternative promotion for Atlantic Records. He March 6-9. Donald was national promotion manager in the same Some of the major awards up for grabs are: Best Selling Single department. MTV has promoted Linda Cor- "Achy Breaky Heart," by Billy Ray Cyrus; "Baby Got Back," by Sir radina to the post of senior vice president, news president the Mix-A-Lot; "End Of The Road," by Boyz II Men; "I Will Always and specials. She was vice of same department. Spencer Proffer has joined Love You," by Whitney Houston; and "Jump," by Kris Kross. Best Cherry Lane Music Publishing as executive Selling Recording (Albums) Blood Sugar Sex Majik by Red Hot vice president. He will be setting up a Los An- Chili Peppers; The Bodyguard soundtrack; Ropin' The Wind by Garth geles office and run the West Coast operations. Brooks; Some Gave All by Billy Ray Cyrus; Ten by Pearl Jam; and Proffer He comes to the company with over 20 years of Unplugged by Eric Clapton. experience in the record industry including Best Selling Music Video Achtung Baby-\J2; A Year And A Half stints at CBS Records and United Artists In The Life 0/-Metallica; Garth Brooks-Carth Brooks; Live At El Records.
Load more

Recommended publications
  • Excesss Karaoke Master by Artist
    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
    [Show full text]
  • Adult Contemporary Radio at the End of the Twentieth Century
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century Saesha Senger University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2020.011 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Senger, Saesha, "Gender, Politics, Market Segmentation, and Taste: Adult Contemporary Radio at the End of the Twentieth Century" (2019). Theses and Dissertations--Music. 150. https://uknowledge.uky.edu/music_etds/150 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • Robert GADEN: Slim GAILLARD
    This discography is automatically generated by The JazzOmat Database System written by Thomas Wagner For private use only! ------------------------------------------ Robert GADEN: Robert Gaden -v,ldr; H.O. McFarlane, Karl Emmerling, Karl Nierenz -tp; Eduard Krause, Paul Hartmann -tb; Kurt Arlt, Joe Alex, Wolf Gradies -ts,as,bs; Hans Becker, Alex Beregowsky, Adalbert Luczkowski -v; Horst Kudritzki -p; Harold M. Kirchstein -g; Karl Grassnick -tu,b; Waldi Luczkowski - d; recorded September 1933 in Berlin 65485 ORIENT EXPRESS 2.47 EOD1717-2 Elec EG2859 Robert Gaden und sein Orchester; recorded September 16, 1933 in Berlin 108044 ORIENTEXPRESS 2.45 OD1717-2 --- Robert Gaden mit seinem Orchester; recorded December 1936 in Berlin 105298 MEIN ENTZÜCKENDES FRÄULEIN 2.21 ORA 1653-1 HMV EG3821 Robert Gaden mit seinem Orchester; recorded October 1938 in Berlin 106900 ICH HAB DAS GLÜCK GESEHEN 2.12 ORA3296-2 Elec EG6519 Robert Gaden mit seinem Orchester; recorded November 1938 in Berlin 106902 SIGNORINA 2.40 ORA3571-2 Elec EG6567 106962 SPANISCHER ZIGEUNERTANZ 2.45 ORA 3370-1 --- Robert Gaden mit seinem Orchester; Refraingesang: Rudi Schuricke; recorded September 1939 in Berlin 106907 TAUSEND SCHÖNE MÄRCHEN 2.56 ORA4169-1 Elec EG7098 ------------------------------------------ Slim GAILLARD: "Swing Street" Slim Gaillard -g,vib,vo; Slam Stewart -b; Sam Allen -p; Pompey 'Guts' Dobson -d; recorded February 17, 1938 in New York 9079 FLAT FOOT FLOOGIE 2.51 22318-4 Voc 4021 Some sources say that Lionel Hampton plays vibraphone. 98874 CHINATOWN MY CHINATOWN
    [Show full text]
  • MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
    MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division
    [Show full text]
  • July 23, 2021 the Musicrow Weekly Friday, July 23, 2021
    July 23, 2021 The MusicRow Weekly Friday, July 23, 2021 Taylor Swift’s Fearless (Taylor’s Version) SIGN UP HERE (FREE!) Will Not Be Submitted For Grammy, CMA Award Consideration If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES Fearless (Taylor’s Version) Will Not Be Submitted For Grammy, CMA Awards NSAI Sets Nashville Songwriter Awards For September Big Loud Records Ups 5, Adds 2 To Promotion Team Dylan Schneider Signs With BBR Music Group Taylor Swift will not be submitting Fearless (Taylor’s Version), the re- recorded version of her 2008 studio album that released earlier this year, Dan + Shay Have Good for Grammy or CMA Awards consideration. Things In Store For August “After careful consideration, Taylor Swift will not be submitting Fearless (Taylor’s Version) in any category at this year’s upcoming Grammy and Scotty McCreery Shares CMA Awards,” says a statement provided to MusicRow from a Republic Details Of New Album Records spokesperson. “Fearless has already won four Grammys including album of the year, as well as the CMA Award for album of the Chris DeStefano Renews year in 2009/2010 and remains the most awarded country album of all With Sony Music Publishing time.” Natalie Hemby Announces The statement goes on to share that Swift’s ninth studio album, Evermore, New Album released in December of 2020, will be submitted to the Grammys for consideration in all eligible categories. Niko Moon’s Good Time Slated For August Release Evermore arrived only five months after the surprise release of Folklore, Swift’s groundbreaking eighth studio album.
    [Show full text]
  • New Tribal America
    SENTIREASCODIGITALLTA MAGAZINE FEBBRRAIOE N. 40 WHITE HINTERLAND MAGNETIC FIELDS ATLAS SOUND FIRE ON FIRE SETOLA DI MAIALE MICHAEL roTHER GLENN GOULD THE FRENCH COWBOYS NO KIDS THAO NEW TRIBAL AMERICA DIRETTORE Edoardo Bridda 4 NEWS COOR D IN A MENTO Teresa Greco CON S ULENTI A LL A RE da ZIONE 6 TURN ON Daniele Follero WHITE INTERLAND, THE CALORIFER IS VERY HOT, THAO NGUYEN... Stefano Solventi ST A FF Gaspare Caliri Nicolas Campagnari Antonello Comunale Antonio Puglia 16 TUNE IN DEAD MEADOW HA NNO C OLL A BOR A TO Gianni Avella, Davide Brace, Marco Braggion, Gaspare Caliri, Marco Canepari, Manfredi Lamartina, Paolo Grava, Massimo Padalino, Giulio Pasquali, 20 DroP OUT Stefano Pifferi, Andrea Provinciali, Italo Rizzo, Costanza Salvi, Vincenzo Santarcangelo, Giancarlo MAGNETIC FIELDS, SETOLA DI MAIALE, NEW TRIBAL AMERICA Turra, Fabrizio Zampighi, Giuseppe Zucco GUI da S PIRITU A LE 46 RECENSIONI Adriano Trauber (1966-2004) BLACK LIPS, CASS MCCOMBS, VAMPIRE WEEKEND, BEACH HOUSE... GR A FI ca Edoardo Bridda 90 WE ARE DEMO IN C OPERTIN A Aa (Daniel Arnold) 92 REARVIEW MIrror SentireAscoltare online music magazine Registrazione Trib.BO N° 7590 del 28/10/05 MICHAEL ROTHER, DISCO NOT DISCO, CARL CRAIG, COMMON... Editore Edoardo Bridda Direttore responsabile Antonello Comunale Provider NGI S.p.A. Copyright © 2008 Edoardo Bridda. Tutti i diritti riservati.La ripro- 108 LA SERA DELLA PRIMA duzione totale o parziale, in qualsiasi forma, su qualsiasi supporto e con qualsiasi mezzo, è proibita senza autorizzazione scritta di AMERICAN GANGSTER, COUS
    [Show full text]
  • An Incredible New Sound for Engineers
    An Incredible New Sound for Engineers Bruce Swedien comments on the recording techniques and production HIStory of Michael Jackson's latest album by Daniel Sweeney "HIStory" In The Making Increasingly, the launch of a new Michael Jackson collection has taken on the dimensions of a world event. Lest this be doubted, the videos promoting the King of Pop's latest effort, "HIStory", depict him with patently obvious symbolism as a commander of armies presiding over monster rallies of impassioned followers. But whatever one makes of hoopla surrounding the album, one can scarcely ignore its amazing production values and the skill with which truly vast musical resources have been brought to bear upon the project. Where most popular music makes do with the sparse instrumentation of a working band fleshed out with a bit of synth, "HIStory" brings together such renowned studio musicians and production talents as Slash, Steve Porcaro, Jimmy Jam, Nile Rodgers, plus a full sixty piece symphony orchestra, several choirs including the Andrae Crouch Singers, star vocalists such as sister Janet Jackson and Boys II Men, and the arrangements of Quincy Jones and Jeremy Lubbock. Indeed, the sheer richness of the instrumental and vocal scoring is probably unprecedented in the entire realm of popular recording. But the richness extends beyond the mere density of the mix to the overall spatial perspective of the recording. Just as Phil Spector's classic popular recordings of thirty years ago featured a signature "wall of sound" suggesting a large, perhaps overly reverberant recording space, so the recent recordings of Michael Jackson convey a no less distinctive though different sense of deep space-what for want of other words one might deem a "hall of sound".
    [Show full text]
  • Alvin Ailey American Dance Theater
    Cal Performances Presents Program A Wednesday, March , , pm Wednesday, March , , pm Th ursday, March , , pm Friday, March , , pm Friday, March , , pm Zellerbach Hall Saturday, March , , pm & pm Sunday, March , , pm PROGRAM A Zellerbach Hall Alvin Ailey American Dance Th eater Firebird Alvin Ailey, Founder intermission Th e Groove To Nobody’s Business JUDITH JAMISON, Artistic Director pause Masazumi Chaya, Assistant Artistic Director Treading intermission Company Members Guillermo Asca, Olivia Bowman, Kirven J. Boyd, Hope Boykin, Clifton Brown, Revelations Courtney Brené Corbin, Rosalyn Deshauteurs, Khilea Douglass, Antonio Douthit, Vernard J. Gilmore, Alicia J. Graf, Ebony Haswell, Zach Law Ingram, Firebird Abdur-Rahim Jackson, Chris Jackson, Gwynenn Taylor Jones, Willy Laury, () Malik Le Nost, Roxanne Lyst, Amos J. Machanic, Jr., Adam McKinney, (West Coast Company Premiere) Briana Reed, Jamar Roberts, Renee Robinson, Matthew Rushing, Choreography Maurice Béjart Glenn Allen Sims, Linda Celeste Sims, Yusha-Marie Sorzano, Restaging Shonach Mirk Robles Constance Stamatiou, Tina Monica Williams Music Igor Stravinsky, Th e Firebird Suite* Costumes Joëlle Roustan, Roger Bernard casting — wednesday evening Sharon Gersten Luckman, Executive Director Clifton Brown, Jamar Roberts, Linda Celeste Sims, Alicia J. Graf, Ebony Haswell, Kirven J. Boyd, Glenn Allen Sims, Amos J. Machanic, Jr., Major funding is provided by the New York State Council on the Arts, a State agency, the New York Vernard J. Gilmore, Malik Le Nost City Department of Cultural Aff airs, the National Endowment for the Arts, Altria Group, Inc., American Express, and Prudential Financial, Inc. casting — friday evening Matthew Rushing, Adam McKinney, Offi cial Airline Gwynenn Taylor Jones, Courtney Brené Corbin, Rosalyn Deshauteurs, Guillermo Asca, Abdur-Rahim Jackson, Zach Law Ingram, Chris Jackson, Willy Laury Major support for Alvin Ailey American Dance Th eater’s production of Firebird has been provided by Movado Group.
    [Show full text]
  • Country Update
    Country Update BILLBOARD.COM/NEWSLETTERS APRIL 12, 2021 | PAGE 1 OF 20 BILLBOARD COUNTRY UPDATE [email protected] INSIDE Tenille Arts Overcomes Multiple Challenges En Route To An Unlikely First Top 10 Stapleton, Tenille Arts won’t be taking home any trophies from the 2019, it entered the chart dated Feb. 15, 2020, at No. 59, just Barrett 56th annual Academy of Country Music (ACM) Awards on weeks before COVID-19 threw businesses around the world Rule Charts April 18 — competitor Gabby Barrett received the new female into chaos. Shortly afterward, Reviver was out of the picture. >page 4 artist honor in advance — but Arts has already won big by Effective with the chart dated May 2, 19th & Grand — headed overcoming an extraordinary hurdle to claim a precedent- by CEO Hal Oven — was officially listed as the lone associated setting top 10 single with her first bona label. Reviver executive vp/GM Gator Mi- fide hit. chaels left to form a consultancy in April Clint Black Arts, who was named a finalist for new 2020 and tagged Arts and 19th & Grand ‘Circles’ TV female when nominations were unveiled as his initial clients. Former Reviver vp Feb. 26, moves to No. 9 on the Country Air- promotion Jim Malito likewise shifted to >page 11 play chart dated April 17 in her 61st week 19th & Grand, using the same title. Four on the list. Co-written with producer Alex of the five current 19th & Grand regionals Kline (Terri Clark, Erin Enderlin) and Alli- are also working the same territory they son Veltz Cruz (“Prayed for You”), “Some- worked at Reviver.
    [Show full text]
  • Billboard 1976-05-22
    08120 NEWSPAPER SOUTH *J09 1331 JUL79 52 +.. 312 318270141214 SOUTHERN MUSIC PUB CO BB 6922 HOLLYWOOD BLVD LCS ANGELES CA 90028 The International Music -Record -Tape Newsweekly May 22, 1976 $1.50 A Billboard Publication v N.Y. Looms As Cut -Rate Mecca; BACK ON ANNUAL BASIS Shelf & Special Prices Plunge Amsterdam Picked By IS HOROWITZ, JIM MELANSON & STEPHEN TRAIMAN holding He characterizes them as IMIC-7 chain has been conditions. For 1977 NEW YORK -Records aren't yet Korvette ® By BOB KIRSCH being given away gratis here. but sales on huge segments of their stock "not too different" from what the thrusts and counter- thrusts by some at $3.64 for $6.98 product. chain has done in the past, but LOS ANGELES -Billboard's In- IMIC that saw a greater injection fig- of the largest area dealers continue Of perhaps even greater signifi- agrees that the extent of the $3.64 ternational Music Industry Confer- than ever before of non -industry to force prices down. cance is the drop by local Korvettes (Continued on page 16) ence (IMIC) returns to an annual ures into the panels and discussions, For two weeks running the giant stores of non -sale shelf prices to a basis next year following several figures from such industries as new standard of $4.99, a level being years of biannual conferences, with (Continued on page 12) matched by some of the Sam Goody Joyce Out With IMIC -7 set for Amsterdam, Hol- TV Time Tight stores and by the string of Alex- land. May 9 -12, 1977.
    [Show full text]
  • Country Update
    Country Update BILLBOARD.COM/NEWSLETTERS NOVEMBER 9, 2020 | PAGE 1 OF 17 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Russell Dickerson ASCAP, BMI, SESAC Country Extends Streak >page 4 Winners Reflect On Their Jobs’ Value CMA Battles COVID-19 Successful country songwriters know how to embed their songs song of the year victor for co-writing the Luke Combs hit “Even >page 9 with just the right amount of repetition. Though I’m Leaving.” Old Dominion’s “One Man Band” took The performing rights organizations set the top of their 2020 the ASCAP country song trophy for three of the group’s mem- winners’ lists to repeat as the ASCAP, BMI and SESAC country bers — Trevor Rosen, Brad Tursi and Matthew Ramsey, who songwriter and publisher of the year awards all went to enti- previously earned the ASCAP songwriter-artist trophy in 2017 Christmas With ties who have pre- — plus songwriter The Oaks, LeVox, viously taken top Josh Osborne, Dan + Shay honors. A shley who adds the title >page 10 Gorley (“Catch,” to two song of the “Living”) hooked year winners he ASCAP’s song- co-wrote with Sam writer medallion Hunt: 2018 cham- Trebek Leaves Some for the eighth time, pion “Body Like a Trivia In His Wake and for the sev- Back Road” and >page 10 enth year in a row, 2015 victor “Leave when victors were the Night On.” unveiled Nov. 9. Even Ben Bur- Makin’ Tracks: Ross Copperman gess, who won Michael Ray’s (“What She Wants his first-ever BMI Tonight,” “Love award with “Whis- ‘Whiskey And Rain’ COPPERMAN GORLEY McGINN >page 14 Someone”) swiped key Glasses,” BMI’s songwriter cruised to the PRO’s title for the fourth time on Nov.
    [Show full text]
  • Down to Business: Herman Lubinsky and the Postwar Music Industry
    Journal of Jazz Studies vol. 10, no. 1, pp. 1-24 (Summer 2014) Down to Business: Herman Lubinsky and the Postwar Music Industry Robert Cherry and Jennifer Griffith The historical record has emphasized how black performers were treated unfairly by the men who dominated the postwar music industry. Managers and venue operators, we are told, fell into dubious practices and the most contentious figures were the Jewish owners of independent record companies that sprang up in the 1940s. Accounts suggest that for several decades most artists relied on any owner who was willing to record them. In addition, the ubiquity of artists’ drug addiction between the 1940s and 1970s has influenced studies of artist-owner relationships. It has prompted a deserved historical sympathy for the artists and, unfortunately, negative views of owners who were often perceived to take advantage of their vulnerability. Consequently, record company owners were in a position to exploit artists and only a few Jewish owners have escaped claims of unfair practices towards the black artists they recorded.1 In this article, we explore testimonies and written accounts of critics and biographers to show how contradictory and inconclusive evidence has led to simplistic notions of exploitive business practices. In particular, we explore the harsh negative assessment of Herman Lubinsky, owner of Savoy Records. Most importantly, we demonstrate that record owner practices were substantially affected by changes in conditions of the jazz market between 1930 and 1960. Judging the level
    [Show full text]