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Valodas Lietojums Latvijas Elektroniskajos Medijos: Likumdošanas Un Prakse
UDK 811.174:004(094) Ma 714 Pétîjums sagatavots Sabiedriskås politikas centra PROVIDUS Sabiedriskås politikas analîzes stipendiåtu programmas ietvaros, ko finansé Sorosa fonds – Latvija, Atvértås sabiedrîbas institüta Juridiskås Iniciatîvas programma (Open Society Institute Justice Initiative Program; JI) un Paßvaldîbu un valsts pårvaldes reformu iniciatîvu programma (Local Government and Public Service Reform Initiative; LGI). Par faktu precizitåti atbild autore. Izdevums latvießu un ang¬u valodå pieejams internetå: www.politika.lv Måksliniece SOLVITA OZOLA Redaktore IEVA JANAITE Konsultants: Prof. STÈVENS HEINEMANS, Vanderbilta universitåte, ASV ¢ Signe Martißüne, Sabiedriskås politikas centrs PROVIDUS, teksts, 2004 ¢ Izdevniecîba “Nordik”, måkslinieciskais iekårtojums, 2004 ISBN 9984–751–45–7 5 KOPSAVILKUMS Kad Latvija atguva neatkarîbu, viens no svarîgåkajiem uzdevumiem bija latvießu valo- das kå vienîgås oficiålås valsts valodas pozîciju nostiprinåßana. Radio un televîzijas jomå tas tika veikts, ievießot sveßvalodu lietoßanas ierobeΩojumus gan komerciålo, gan sabied- risko raidorganizåciju darbîbå. Radio un televîzijas likums strikti ierobeΩoja raidlaika apjomu sveßvalodås komerciålo radio un televîzijas organizåciju programmås, nosakot, ka raidlaika apjoms sveßvalodås nedrîkst pårsniegt 25%.1 Tas nozîmé, ka lîdz ßim nebija iespéjams izveidot krievu, uk- raiñu, po¬u, lietuvießu, çigånu vai ang¬u valodå raidoßu radiostaciju vai televîzijas kanålu, kas informétu par Latvijas norisém un izklaidétu müsu valstî dzîvojoßo citu tautîbu pårståvjus -
Press Release Potsdam Declaration
Press Release Potsdam 19.10.2018 Potsdam Declaration signed by 21 public broadcasters from Europe “In times such as ours, with increased polarization, populism and fixed positions, public broadcasters have a vital role to play across Europe.” A joint statement, emphasizing the inclusive rather than divisive mission of public broadcasting, will be signed on Friday 19th October 2018 in Potsdam. Cilla Benkö, Director General of Sveriges Radio and President of PRIX EUROPA, and representatives from 20 other European broadcasters are making their appeal: “The time to stand up for media freedom and strong public service media is now. Our countries need good quality journalism and the audiences need strong collective platforms”. The act of signing is taking place just before the Awards Ceremony of this year’s PRIX EUROPA, hosted by rbb in Berlin and Potsdam from 13-19 October under the slogan “Reflecting all voices”. The joint declaration was initiated by the Steering Committee of PRIX EUROPA, which unites the 21 broadcasters. Potsdam Declaration, 19 October 2018 (full wording) by the 21 broadcasters from the PRIX EUROPA Steering Committee: In times such as ours, with increased polarization, populism and fixed positions, public broadcasters have a vital role to play across Europe. It has never been more important to carry on offering audiences a wide variety of voices and opinions and to look at complex processes from different angles. Impartial news and information that everyone can trust, content that reaches all audiences, that offers all views and brings communities together. Equally important: Public broadcasters make the joys of culture and learning available to everyone, regardless of income or background. -
4-Student-Notes-Media-Industries U2
Media Studies - TV Student Notes Media Industries You will need to consider: • how processes of production, distribution and circulation by organisations, groups and individuals in a global context • the specialised and institutionalised nature of media production, distribution and circulation • the significance of patterns of ownership and control, including conglomerate ownership, vertical integration and diversification • the significance of economic factors, including commercial and not-for-profit public funding, to media industries and their products • how media organisations maintain, including through marketing, varieties of audiences nationally and globally • the regulatory framework of contemporary media in the UK • how processes of production, distribution and circulation shape media products • the role of regulation in global production, distribution and circulation This should be linked where relevant to • social, • cultural, • economic, • political, • historical contexts. • the significance of different ownership and/or funding models in the television industry (i.e. whether media companies are privately or publicly owned, whether they are publicly or commercially funded etc.) • the growing importance of co-productions (including international co-productions) in the television industry today the way in which production values are shaped by economic factors • the impact of risk aversion on television production (e.g. in terms of the commissioning and financing of programmes) • the different sources of funding available to producers working in the television industry today Media Studies - TV 1 Media Studies - TV Student Notes The Bridge (iii/1) • ‘Bron/Broen/ The Bridge’: a Swedish/Danish co-production • Series 3, Episode 1 • Sat 21 Nov 2015 9pm BBC Four • Written by Hans Rosenfeldt • Original Network : SVT1 Sweden • DR1 Denmark • UK Broadcasters: BBC 4 • 3 seasons, 30 episodes • Production of series four has begun, with broadcasting scheduled for the spring of 2018. -
European Public Service Broadcasting Online
UNIVERSITY OF HELSINKI, COMMUNICATIONS RESEARCH CENTRE (CRC) European Public Service Broadcasting Online Services and Regulation JockumHildén,M.Soc.Sci. 30November2013 ThisstudyiscommissionedbytheFinnishBroadcastingCompanyǡYle.Theresearch wascarriedoutfromAugusttoNovember2013. Table of Contents PublicServiceBroadcasters.......................................................................................1 ListofAbbreviations.....................................................................................................3 Foreword..........................................................................................................................4 Executivesummary.......................................................................................................5 ͳIntroduction...............................................................................................................11 ʹPre-evaluationofnewservices.............................................................................15 2.1TheCommission’sexantetest...................................................................................16 2.2Legalbasisofthepublicvaluetest...........................................................................18 2.3Institutionalresponsibility.........................................................................................24 2.4Themarketimpactassessment.................................................................................31 2.5Thequestionofnewservices.....................................................................................36 -
The Autonomy of Scandinavian Public Service Broadcasters During Election Campaign Periods Principles and Practices
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Göteborgs universitets publikationer - e-publicering och e-arkiv 10.2478/nor-2013-0043 Nordicom Review 34 (2013) 1, pp. 63-76 The Autonomy of Scandinavian Public Service Broadcasters During Election Campaign Periods Principles and Practices Kjersti Thorbjørnsrud Abstract This comparative case study explores the formal and informal principles governing election formats produced by the public service broadcasters in Sweden, Denmark and Norway. The focus is on external regulation vs. journalistic autonomy and on principles of balance and access. The conclusion is that the Scandinavian broadcasters, to a larger extent than broadcasters in other Western countries, independently control the form and content of their election formats. This journalistic autonomy, however, has brought about election formats governed by different principles of access. The Danish and Swedish formats are based on a moderate stopwatch logic, whereas the election formats in Norway center on criteria of audience appeal, resulting in a model of access disproportionately favoring certain political parties. The high degree of journalistic control of election formats in Scandinavia, paired with the low control of political parties encourage a discussion of some of the central premises in the Democratic Corporatist Model. Keywords: election coverage, regulation, journalistic autonomy, broadcasters, models of media and politics Introduction Debates between incumbents and their rivals and the journalistic interrogation of party leaders on TV during election campaign periods usually attract large audiences (Cole- man 2000). For broadcasters, these media events are attractive to organize, produce and transmit. For political leaders, the stakes are high when taking part in such formats, and they share an interest in influencing their form and content. -
This Is the Published Version of a Chapter
http://www.diva-portal.org This is the published version of a chapter published in Diversity in theory and practice: news journalists in Sweden and Germany. Citation for the original published chapter: Hultén, G., Graf, H. (2011) Exploring media and ethnic diversity in Sweden and Germany. In: Heike Graf (ed.), Diversity in theory and practice: news journalists in Sweden and Germany (pp. 23-46). Göteborg: Nordicom N.B. When citing this work, cite the original published chapter. CC BY-NC-ND 3.0 Permanent link to this version: http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-7916 Exploring Media and Ethnic Diversity in Sweden and Germany Gunilla Hultén & Heike Graf The way media are organized in both Sweden and Germany falls under the category of democratic corporatist, according to Hallin and Mancini (2004). The publishing sector is an important part of the democratic corporatist model, and both countries have high levels of newspaper readership with Sweden’s being one of the highest in the world. There is a competitive market for print media, but despite this the market is – especially in Sweden – regulated by different measures such as press subsidies. The Swedish and the German media systems are also ‘duopolies’, where public service broadcasters coexist alongside commercially funded companies, with the public service broadcasters still remaining comparatively strong. Both countries also have a high level of journalistic professionalization, including the sharing of professional standards and a tradition of public-sector involvement in the media landscape (Hallin & Mancini 2004: 145). Since the beginning of the 21st century the media companies in both countries face economic constraints due to several media crises, including a structural crisis (new possibilities within Internet communication), a cyclical crisis, that is, a downturn in advertising revenue (Weischenberg et al. -
Public Service Broadcasting – a Fragile, Yet Durable Construction
PUBLIC SERVICE BROADCASTING – A FRAGILE, YET DURABLE CONSTRUCTION Public Service Broadcasting – A Fragile, Yet Durable Construction OLLE FINDAHL ” veriges Radio is a vulnerable and fragile construction”, wrote Olof Rydbeck, SDirector-General of Sveriges Radio or the Swedish Broadcasting Corpora- tion 1955—1970, in his memoirs (Rydbeck 1990). That was his conclusion after fif- teen years’ experience of defending the integrity of the organization as an inde- pendent public service broadcasting institution. Crucial to the success and viabil- ity of such an organization is the establishment of a recognized position and an ability to stand free of the powers that be. But how is this possible when the or- ganization is ever dependent on concessions that come up for renewal within a year or so, and when one’s strength is dependent on the support of influential or- ganizations, public and private? It is, above all, this shortness of term, this lack of a longer perspective, which has effectively wing-clipped public service broad- casting organizations in Sweden and made them the ”vulnerable and fragile” constructions that they are. Subject to the whims of leading politicians and made to walk a slack rope be- tween conflicting demands, the organizations are ever in the position of having to prove their value: • Although dependent on the Government and Parliament, the radio and television strive to be free, independent and critical. • Although the companies wish to be free and independent and to be able to offer a rich array of programmes, they face chronic shortages of resources and are enticed by the prospect of advertising revenue, which means de- pendence on commercial interests. -
The Eurovision Song Contest and the Changing Europe
The Eurovision Song Contest and the Changing Europe The European Broadcasting Union (EBU) and Sveriges Television (SVT) are delighted to welcome you to the Stockholm School of Economics today. This conference explores the Eurovision Song Contest’s relationship to European unity and belonging at this particular historical moment, in which the idea and ideals of Europe are being challenged by the ongoing refugee crisis and the terror attacks on Paris and Brussels. It is intended to interrogate – and celebrate – the work that the Song Contest does in creating a felt sense of Europeanness amongst viewers and participants. AGENDA TIME SESSION 9.00 - 9.30 Registration 9.30 - 10.00 Welcome/Opening Remarks 10.00 - 11.15 Panel 1 11.15 - 11.30 Break 11:30 - 12.45 Panel 2 12.45 - 13.00 Closing/Wrap-Up Remarks Welcome and Opening Remarks Jon Ola Sand, Executive Supervisor, Eurovision Song Contest, EBU Emma Stenström, Director of the Research Centre for Arts, Business, and Culture, Stockholm School of Economics, and by a representative of the EBU. PANEL 1 - Transforming Europe, one city at a time How does the Eurovision Song Contest work to promote an idea of European belonging? How does it affect the cities that host it? Panelists: • Andreas Önnerfors is Associate Professor in the History of Sciences and Ideas at the University of Gothenburg, Sweden. His research covers the cultural history of Europe from the eighteenth century to today. In 2013 he organised a conference on the ESC in Malmö. • Peter Rehberg is DAAD Associate Professor in the Department of Germanic Studies at the University of Texas at Austin. -
A Toxic Waste Scandal
A FILM BY LARS EDMAN & WILLIAM JOHANSSON KALÉN A TOXIC WASTE SCANDAL SCRIPT AND DIRECTION LARS EDMAN AND WILLIAM JOHANSSON KALÉN PRODUCED BY ANDREAS ROCKSÉN AND WILLIAM JOHANSSON KALÉN CO-PRODUCED BY HANNE PHLYPO, ANDY JONES, ELLIE SMITH, KARL EMIL RIKARDSEN, JOSÉ MIGUEL GARRIDO DOP WILLIAM JOHANSSON KALÉN SOUND ENGINEER LARS EDMAN EDITING GÖRAN GESTER, WILLIAM JOHANSSON KALÉN ANIMATION JOHAN LINDSTRÖM MUSIC COMPOSED AND PERFORMED BY PER-HENRIK MÄENPÄÄ PRODUCTION LAIKA FILM & TELEVISION IN CO-PRODUCTION WITH CLIN D’OEIL FILMS, RADIO FILM, RELATION04 MEDIA, ARICADOC, SVT, RTBF AND FILMPOOL NORD WITH THE SUPPORT OF THE SWEDISH FILM INSTITUTE, FILM I VÄSTERBOTTEN, THE SWEDISH ARTS GRANTS COMMITTEE, FILM STOCKHOLM/FILMBASEN, NORDNORSK FILMSENTER, THE BERTHA FOUNDATION, THE SOLBERGA FOUNDATION, IUCN, NORDIC FILM & TV FUND AND CREATIVE EUROPE PROGRAMME OF THE EUROPEAN UNION INTERNATIONAL DISTRIBUTION LIGHTDOX WWW.ARICAFILM.COM AARICA FILM BY LARS EDMAN AND WILLIAM JOHANSSON KALÉN World Premiere at IDFA Frontlight 2020 Sweden, Chile, Belgium, Norway, United Kingdom | 2020 | 95’ www.aricafilm.com ARICA © 2020 Laika Film & Television AB, Clin d’Oeil Films, Radio Film, Relation04 Media AS, AricaDoc, Sveriges Television AB, Filmpool Nord AB, RTBF Press Kit 1 “The good fight is brilliantly told and the film sheds light on a shameful case of modern colonialism.” “Very powerful” CINEUROPA “The film is a story of strength, loyalty and perseverance (...) But is also a tale of human frailty.” BUSINESS DOC EUROPE “Will make you squeeze the arms of your sofa out of anger” IN DE BIOSCOOP (NL) “A David and Goliath story with a multinational corporation as the culprit.” DOWN TO EARTH One of “the most interesting takes on the critical discourse against capitalism” at IDFA POINT OF VIEW MAGAZINE ✶✶✶✶ FILMUFORIA ARICA Press Kit 2 Toxic Colonialism - the export of waste material from rich to poor countries - is on trial. -
Television Across Europe
media-incovers-0902.qxp 9/3/2005 12:44 PM Page 4 OPEN SOCIETY INSTITUTE EU MONITORING AND ADVOCACY PROGRAM NETWORK MEDIA PROGRAM ALBANIA BOSNIA AND HERZEGOVINA BULGARIA Television CROATIA across Europe: CZECH REPUBLIC ESTONIA FRANCE regulation, policy GERMANY HUNGARY and independence ITALY LATVIA LITHUANIA Summary POLAND REPUBLIC OF MACEDONIA ROMANIA SERBIA SLOVAKIA SLOVENIA TURKEY UNITED KINGDOM Monitoring Reports 2005 Published by OPEN SOCIETY INSTITUTE Október 6. u. 12. H-1051 Budapest Hungary 400 West 59th Street New York, NY 10019 USA © OSI/EU Monitoring and Advocacy Program, 2005 All rights reserved. TM and Copyright © 2005 Open Society Institute EU MONITORING AND ADVOCACY PROGRAM Október 6. u. 12. H-1051 Budapest Hungary Website <www.eumap.org> ISBN: 1-891385-35-6 Library of Congress Cataloging-in-Publication Data. A CIP catalog record for this book is available upon request. Copies of the book can be ordered from the EU Monitoring and Advocacy Program <[email protected]> Printed in Gyoma, Hungary, 2005 Design & Layout by Q.E.D. Publishing TABLE OF CONTENTS Table of Contents Acknowledgements ........................................................ 5 Preface ........................................................................... 9 Foreword ..................................................................... 11 Overview ..................................................................... 13 Albania ............................................................... 185 Bosnia and Herzegovina ...................................... 193 -
Top 25 Nordic Media Companies by Revenue
FACTSHEET 2021:1 Top 25 Nordic media companies by revenue The list of the 25 largest media companies headquartered in the Nordic region include a diverse collection of enterprises. The Nordicom is a centre diversity is reflected in aspects such as domicile, age, and for Nordic media ownership structure, as well as profile of operations and profit research at the University of levels. Whereas some companies are multinational – or even global Gothenburg, – in their scope, others are exclusively national. supported by the Nordic Council of The top of the list of the largest Nordic media companies – in terms of 2019 revenue Ministers. – is dominated by companies from the telecommunications industry, which in the More fact sheets Nordic context means companies involved in providing mobile and fixed-line about media and telephony, Internet, and terrestrial and online television. In 2019, four of the five media use can be biggest media companies in terms of revenue were so-called telcos. The single largest found on our website: company – with a total revenue of EUR 11,540 million in 2019 – is Norwegian www.nordicom.gu.se telecommunications giant Telenor. Its Swedish equivalent – and competitor – Telia Company, holds position number two on the list. Even though both Telenor and Telia Company are publicly listed, the Norwegian and Swedish states maintain the position as the largest shareholder in the respective company. Indeed, the presence of state ownership remains an important feature of the Nordic media system. Of the 25 largest media companies in the region, eight are under direct or indirect state control. Apart from Telenor and Telia Company, this group comprises six public service broadcasters (PSBs). -
Human Rights Day: Max Richter's Voices
Joint event in partnership with BBC Radio 3 HUMAN RIGHTS DAY: MAX RICHTER’S VOICES 10 DECEMBER 2020 | 37 PARTICIPATING BROADCASTERS AUSTRALIA BELGIUM BULGARIA CANADA CANADA ABC Classic RTBF Musiq’3 BNR Hristo Botev CBC Music SRC ICI Musique Local Date: 10.12.2020 Local Date: 10.12.2020 Local Date: 10.12.2020 Local Date: 10.12.2020 Local Date: 10.12.2020 Local Time slot: 13:00 Local Time slot: 20:00 Local Time slot: 20:45 Local Time slot: 09:00 Local Time slot: 15:30 UTC Time: 02:00 UTC Time: 19:00 UTC Time: 18:45 UTC Time: 14:00 UTC Time: 20:30 Access the link Access the link Access the link Access the link Access the link CROATIA CYPRUS DENMARK ESTONIA FINLAND HRT HR-3 CBC RIK Classic DR P2 ERR Klassika Raadio Yle Radio 1 Local Date: 16.12.2020 Local Date: 10.12.2020 Local Date: 10.12.2020 Local Date: 10.12.2020 Local Date: 10.12.2020 Local Time slot: 20:00 Local Time slot: 21:30 Local Time slot: 19:30 Local Time slot: 22:00 Local Time slot: 20:00 UTC Time: 19:00 UTC Time: 19:30 UTC Time: 18:30 UTC Time: 20:00 UTC Time: 18:00 Access the link Access the link Access the link Access the link Access the link FRANCE GERMANY GERMANY GERMANY GREECE SRF France Musique BR Klassik WDR 3 SWR 2 Baden-Baden ERT Trito programma Local Date: 10.12.2020 Local Date: 14.12.2020 Local Date: 10.12.2020 Local Date: 10.12.2020 Local Date: 10.12.2020 Local Time slot: 20:00 Local Time slot: 21:05 Local Time slot: 22:04 Local Time slot: 20:03 Local Time slot: 21:00 UTC Time: 19:00 UTC Time: 20:05 UTC Time: 21:04 UTC Time: 19:03 UTC Time: 19:00 Access the link