Broadcasters and the Broadcasters and the Internet

Total Page:16

File Type:pdf, Size:1020Kb

Broadcasters and the Broadcasters and the Internet Broadcasters and the Broadcasters and the Internet Internet EBU Members’ Internet Presence Distribution Strategies Online Consumption Trends Social Networking and Video Sharing Communities November 2007 European Broadcasting Union Strategic Information Service (SIS) L’Ancienne-Route 17A CH-1218 Grand-Saconnex Switzerland Phone +41 (0) 22 717 21 11 Fax +41 (0)22 747 40 00 www.ebu.ch/sis European Broadcasting Union l Strategic Information Service Broadcasters and the Internet EBU Members' Internet Presence Distribution Strategies Online Consumption Trends Social Networking and Video Sharing Communities November 2007 The Report Staff This report was produced by the Strategic Information Service of the EBU. Editor: Alexander Shulzycki Production Editor: Anna-Sara Stalvik Principal Researcher: Anna-Sara Stalvik Special appreciation to: Danish Radio and Television (DR) Swedish Television (SVT) Swedish Radio (SR) Cover Design: Philippe Juttens European Broadcasting Union Telephone: +41 22 717 2111 Address: L'Ancienne-Route 17A, 1218 Geneva, Switzerland SIS web-site: www.ebu.ch/director_general/sis.php SIS contact e-mail: [email protected] BROADCASTERS AND THE INTERNET TABLE OF CONTENTS INTRODUCTION.............................................................................................................. 1 OVERVIEW .............................................................................................................................1 1. The general Internet landscape: usage, websites, advertising ............................................. 3 2. Social networking and user-generated content have driven the online video market........... 7 3. Online video consumers crave professional content but do not want to pay ........................ 8 4. Broadcaster online video strategies ...................................................................................... 9 5. Emerging peer-to-peer platforms .......................................................................................... 9 6. Capacity problems may be a future obstacle ...................................................................... 10 GENERAL INTERNET DEVELOPMENT AND EVOLUTION...................................................... 13 GLOBAL OVERVIEW..............................................................................................................13 1. Concentration of ownership for popular and emerging properties ...................................... 15 2. Online category development: participation and networking on the rise............................. 17 PUBLIC SERVICE BROADCASTERS ONLINE .................................................................... 19 EBU MEMBERS' INTERNET REACH........................................................................................19 CASE STUDIES - PUBLIC SERVICE BROADCASTERS...............................................................20 Danish Radio and Television (DR)................................................................................20 Swedish Television (SVT).............................................................................................31 Swedish Radio (SR)......................................................................................................46 British Broadcasting Corporation (BBC)........................................................................59 Nederlandse Omroep Stichting (NPO)..........................................................................72 LARGE COMMERCIAL MEDIA GROUPS AND BROADCASTER STRATEGIES ........................... 79 1. Large media groups extending influence ............................................................................ 79 2. Broadcaster online video strategies .................................................................................... 82 SOCIAL NETWORKING AND ONLINE VIDEO SHARING ........................................................ 93 ONLINE COMMUNITIES AND SOCIAL NETWORKING..................................................................93 VIDEO SHARING SITES ..........................................................................................................96 1. The YouTube phenomenon................................................................................................. 98 2. YouTube collaboration with EBU Members......................................................................... 98 TV SERVICES ONLINE: PROGRAMMING, ADVERTISING AND CONSUMPTION ............................102 1. Increasing online availability of personal TV services....................................................... 102 2. Web video's impact on conventional TV consumption...................................................... 106 3. Expanding or chasing audience? ...................................................................................... 109 4. Worldwide streaming activities .......................................................................................... 111 5. Real TV online - Joost and Babelgum............................................................................... 114 6. Online video advertising expenditure ................................................................................ 115 7. The problem of monetisation............................................................................................. 116 8. Web effects: new styles, genres, aesthetics ..................................................................... 117 9. Non-UGC web specific programming:............................................................................... 118 CONCLUSIONS .......................................................................................................... 121 CONCLUSION: FUTURE MEDIA CULTURE AND CONVERGENCE...............................................121 1. Divided audience ............................................................................................................... 122 2. Cultural shift....................................................................................................................... 122 3. Finance as motor............................................................................................................... 123 4. Quality product remains key.............................................................................................. 123 5. Convergence of media and interweaving of services........................................................ 125 6. Pirates become emperors ................................................................................................. 127 7. Long term viability: the venture capitalist view .................................................................. 130 8. The future of Public Service hangs in the balance............................................................ 131 EBU - Strategic Information Service APPENDICES ............................................................................................................ 135 APPENDIX A ......................................................................................................................137 1. comScore definitions ......................................................................................................... 137 2. comScore database methodology..................................................................................... 138 APPENDIX B ......................................................................................................................140 1. Streaming .......................................................................................................................... 140 2. Swedish Radio (SR) .......................................................................................................... 141 3. Social networking .............................................................................................................. 142 APPENDIX C ......................................................................................................................143 1. Internet acquisitions (<$1 billion)....................................................................................... 143 APPENDIX D ......................................................................................................................146 1. File Sharing P2Ps.............................................................................................................. 146 BROADCASTERS AND THE INTERNET | INTRODUCTION | 1 INTRODUCTION Overview As the Internet increasingly becomes an important source of information and entertainment to more and more people, established broadcasters will face new challenges and opportunities. Time spent on the Internet is approaching levels of television consumption, with user-generated content and networking sites becoming more popular. Broadcasters have been adjusting their business strategies as new sources of audiovisual content become available and consumers behaviours shift. Meanwhile, broadcasters' hold on mass audiences is being challenged by new companies and new business models. Unique monthly1 visitors to BBC and YouTube - 15-24 year olds (UK) 5,000 4,000 3,000 BBC.CO.UK Y OUTUBE.COM 2,000 Total Unique Visitors (000) Visitors Unique Total 1,000 0 Jul'06 Jul'07 Oct'06 Jan'07 Jun'07 Feb'07 Mar'07 Apr'07 Sep'06 Nov'06 Dec'06 Sep'07 Aug'06 May'07 Aug'07 Source: EBU based on Comscore This year Google UK will earn higher advertising revenue than terrestrial Channel 4. Channel 4's CEO commented: "People need to wake up and realise
Recommended publications
  • Relatório E Contas ‘04
    RELATÓRIO E CONTAS ‘04 RELATÓRIO E CONTAS ‘04 01. Carta do Conselho de Administração 02. Relatório de Actividade 03. Síntese de Indicadores 04. Demonstrações Financeiras 05. Anexo às Demonstrações Financeiras 06. Relatório e Parecer do Fiscal Único 07. Certificação Legal das Contas 08. Relatório do Revisor Oficial de Contas 09. Relatório de Auditoria Externa 01. CARTA DO CONSELHO DE ADMINISTRAÇÃO 01. CARTA DO CONSELHO DE ADMINISTRAÇÃO O exercício de 2004 deve ser considerado como o ano da consolidação e aprofundamento do processo de Mudança que consubstancia a reestruturação do sector público do audiovisual português. Neste contexto, o acontecimento com maior visibilidade foi decerto a inauguração do complexo das novas instalações de Lisboa, na Avenida Marechal Gomes da Costa. Desde 31 de Março de 2004 que a RTP e a RDP estão a operar em novas e modernas instalações, dotadas de excelentes condições de trabalho e dos mais modernos dispositivos tecnológicos da era digital. Nas mesmas instalações funcionam também os serviços da Rádio e Televisão de Portugal SGPS, que integram as áreas de gestão partilhadas pelas empresas do Grupo – RTP Serviço Público de Televisão e RDP – Radiodifusão Portuguesa. Quanto à RTP – Meios de Produção, ainda instalada no Lumiar, a sua inclusão no perímetro da Marechal Gomes da Costa deu os primeiros e decisivos passos com a preparação da construção da Fase II das novas instalações, as quais deverão completar-se até finais de 2006. Vertente fundamental do exercício e missão essencial da empresa, foi a extensa renovação e readequação dos con- teúdos dos canais à missão de Serviço Público que está cometida à empresa e que é desempenhada pela RTP e RDP.
    [Show full text]
  • An Analysis of Hegemonic Social Structures in "Friends"
    "I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season.
    [Show full text]
  • Rádio Em Portugal: Tendências E Grupos De Comunicação Na Actualidade Rogério Santos*
    137 Comunicação e Sociedade, vol. 7, 2005, pp. 137-152. Rádio em Portugal: tendências e grupos de comunicação na actualidade Rogério Santos* Resumo O texto trabalha elementos que ilustram a situação actual da rádio em Portugal. Para além de uma curta história do meio no nosso país, dá informação sobre os grupos de rádio, mercado publicitário, públicos e audiências e políticas de incentivos. No conjunto de tendências e conclusões, o texto destaca o aumento da liberalização, com a consequente formação de grupos de comunicação mais fortes e inovadores, a asso- ciação de partilha de recursos nas estações mais pequenas e os desafios da rádio na Internet. Ao mesmo tempo, salienta as deficiências de serviço público e a precariedade laboral em muitas estações de proximidade. Palavras-chave: rádio, grupos de comunicação, mercado publicitário, audiências, pro- gramas Introdução Este texto trabalha elementos que ilustram a situação actual da rádio em Portugal, situando-a no conjunto dos media. Com ele, começando por traçar uma curta história do meio no nosso país, pretende-se dar informação sobre os grupos de rádio, mercado publicitário, públicos e audiências, políticas de incentivos e novas tendências. E res- ponder a perguntas como: quem ouve a rádio? Que serviço público? Qual o papel das tecnologias? Pequeno percurso pela história antiga e recente da rádio em Portugal A bibliografia existente sobre a rádio portuguesa ainda não é muito volumosa, salien- tando-se a obra pioneira de Matos Maia (1995), que traça o panorama geral da his- * Professor de Públicos e Audiências na Universidade Católica Portuguesa (rogerio. [email protected]) comunicação e sociedade 7.indd 137 02-08-2005, 17:36 138 Comunicação e Sociedade l Vol.
    [Show full text]
  • Qos: NBAR Protocol Library, Cisco IOS XE Release 3.8S
    QoS: NBAR Protocol Library, Cisco IOS XE Release 3.8S Americas Headquarters Cisco Systems, Inc. 170 West Tasman Drive San Jose, CA 95134-1706 USA http://www.cisco.com Tel: 408 526-4000 800 553-NETS (6387) Fax: 408 527-0883 C O N T E N T S 3COM-AMP3 through AYIYA-IPV6-TUNNELED 34 3COM-AMP3 35 3COM-TSMUX 36 3PC 37 9PFS 38 914C G 39 ACAP 40 ACAS 40 ACCESSBUILDER 41 ACCESSNETWORK 42 ACP 43 ACR-NEMA 44 ACTIVE-DIRECTORY 45 ACTIVESYNC 45 ADOBE-CONNECT 46 AED-512 47 AFPOVERTCP 48 AGENTX 49 ALPES 50 AMINET 50 AN 51 ANET 52 ANSANOTIFY 53 ANSATRADER 54 ANY-HOST-INTERNAL 54 AODV 55 AOL-MESSENGER 56 AOL-MESSENGER-AUDIO 57 AOL-MESSENGER-FT 58 QoS: NBAR Protocol Library, Cisco IOS XE Release 3.8S ii Contents AOL-MESSENGER-VIDEO 58 AOL-PROTOCOL 59 APC-POWERCHUTE 60 APERTUS-LDP 61 APPLEJUICE 62 APPLEQTC 63 APPLEQTCSRVR 63 APPLIX 64 ARCISDMS 65 ARGUS 66 ARIEL1 67 ARIEL2 67 ARIEL3 68 ARIS 69 ARNS 70 ARUBA-PAPI 71 ASA 71 ASA-APPL-PROTO 72 ASIPREGISTRY 73 ASIP-WEBADMIN 74 AS-SERVERMAP 75 AT-3 76 AT-5 76 AT-7 77 AT-8 78 AT-ECHO 79 AT-NBP 80 AT-RTMP 80 AT-ZIS 81 AUDIO-OVER-HTTP 82 AUDIT 83 AUDITD 84 AURORA-CMGR 85 AURP 85 AUTH 86 QoS: NBAR Protocol Library, Cisco IOS XE Release 3.8S iii Contents AVIAN 87 AVOCENT 88 AX25 89 AYIYA-IPV6-TUNNELED 89 BABELGUM through BR-SAT-MON 92 BABELGUM 93 BACNET 93 BAIDU-MOVIE 94 BANYAN-RPC 95 BANYAN-VIP 96 BB 97 BBNRCCMON 98 BDP 98 BFTP 99 BGMP 100 BGP 101 BGS-NSI 102 BHEVENT 103 BHFHS 103 BHMDS 104 BINARY-OVER-HTTP 105 BITTORRENT 106 BL-IDM 107 BLIZWOW 107 BLOGGER 108 BMPP 109 BNA 110 BNET 111 BORLAND-DSJ 112 BR-SAT-MON 112
    [Show full text]
  • Kanaloversigt - Digital Tv Gældende for Eniig, Nord Energi Og RAH Fibernet
    Kanaloversigt - Digital tv Gældende for Eniig, Nord Energi og RAH fibernet Plads Navn Tv-Pakke Plads Navn Tv-Pakke Lille Mellem Stor Lille Mellem Stor 1 DR 1 X 39 Folketinget X TV 2 | Danmark ID Investigation 2 X 40 X HD Discovery TV2 Regional TV3 3 X 41 Viasat Explore HD X HD Danmark 4 TV3+ HD X 42 Viasat History HD X 5 Kanal 5 X 43 Viasat Nature HD X 6 6’eren HD X 44 V Sport Golf X 7 Kanal 4 X 45 CNN X 8 TV3 Puls HD X 46 TV 2 Sport X X 9 TV 2 Charlie X 47 Boomerang X 10 TV 2 Zulu X 48 Cartoon Network X 11 TV 2 News X 50 Disney Junior X 12 TV 2 Sport X 51 Nick Jr X 13 TV 2 Fri X 54 V Sport Ultra HD X 14 TV3 SPORT X 55 NatGeo Wild HD X 15 TV3 MAX X 62 TV2 | Østjylland X 16 DK4 X 63 TV/Midtvest X Tv Midtvest 17 Ekstrakanalen X 64 TV2/Nord Salto X Tv2 Nord Salto Discovery 18 X 65 TV SYD+ X Channel HD Tv Syd National 70 Østjylland X 19 X Geographic Kanal Østjylland 71 Midt/vest X 20 Animal Planet HD X Kanal Midtvest 72 Kanal Nord X 21 TLC HD X Kanal Nord 73 Syd X 22 Nickelodeon HD X Kanal Syd 78 VH1 X 23 Disney Channel X VH1 85 SVT1 HD X Paramount 24 X SVT 1 Network 87 TV4 Sverige HD X 25 CANAL9 HD X TV4 Sverige 88 DR1Syn X 26 Eurosport HD X DR 1Synstolkning 89 DR2Syn X 27 Eurosport 2 HD X DR 2 Synstolkning 91 NRK 1 HD X 28 MTV HD X NRK 1 93 TV 2 Norge HD X 29 Xee X TV2 Norge 100 Das Erste HD X TV 2 | Danmark Das Erste 30 X HD (Nord) 101 ZDF HD X TV 2 | Danmark ZDF 31 X HD (Østjylland) 103 Sat1 X Sat 1 TV 2 | Danmark 32 X HD (Syd) 104 RTL HD X RTL 33 DR 2 X 153 Stofa Kanalen X Stofa Kanalen 36 DR Ramasjang X Kanaloversigt - Digital radio
    [Show full text]
  • A Estratégia Digital Da Rádio Pública Portuguesa / from DAB Failure To
    Observatorio (OBS*) Journal, vol.7 - nº2 (2013), 161-181 1646-5954/ERC123483/2013 161 Do insucesso do DAB à expansão online: a estratégia digital da rádio pública portuguesa From DAB failure to internet expansion: the Portuguese public service radio's digital strategy Sílvio Correia Santos* *Universidade de Coimbra, Portugal Resumo Na década de 90, poucas dúvidas pareciam existir acerca do futuro da rádio na Europa. O Digital Audio Broadcasting (DAB) era apresentado como o standard que iria definir o futuro digital da rádio. Porém, em Portugal, tal como noutros países europeus, o DAB foi incapaz de cumprir as expectativas que se geraram à sua volta e acabou por ser preterido. A estratégia digital de muitas estações virou- se para a internet. Este artigo analisa o caso particular da rádio de Serviço Público (SP) em Portugal, para explicar o insucesso do DAB e a aposta na expansão online. Neste contexto, são explorados os principais argumentos em torno do mais provável cenário futuro da rádio: a convivência de plataformas, incluindo a transmissão analógica. No âmbito específico do SP, são ainda abordados os desafios particulares da transição para a era digital, particularmente, a legitimidade do desenvolvimento online e a inexistência de formas de avaliação do impacto dessa expansão no mercado. No domínio da produção, este artigo destaca uma mudança de paradigma que consiste na valorização atual do conteúdo radiofónico separado do fluxo tradicional da rádio. Palavras-chave: rádio, DAB, internet, serviço público, Portugal Abstract There were no doubts about the success of Digital Audio Broadcasting (DAB) in the 90's. DAB seemed to be the obvious choice to replace the analogue broadcast in Europe.
    [Show full text]
  • Simulacijski Alati I Njihova Ograničenja Pri Analizi I Unapređenju Rada Mreža Istovrsnih Entiteta
    SVEUČILIŠTE U ZAGREBU FAKULTET ORGANIZACIJE I INFORMATIKE VARAŽDIN Tedo Vrbanec SIMULACIJSKI ALATI I NJIHOVA OGRANIČENJA PRI ANALIZI I UNAPREĐENJU RADA MREŽA ISTOVRSNIH ENTITETA MAGISTARSKI RAD Varaždin, 2010. PODACI O MAGISTARSKOM RADU I. AUTOR Ime i prezime Tedo Vrbanec Datum i mjesto rođenja 7. travanj 1969., Čakovec Naziv fakulteta i datum diplomiranja Fakultet organizacije i informatike, 10. listopad 2001. Sadašnje zaposlenje Učiteljski fakultet Zagreb – Odsjek u Čakovcu II. MAGISTARSKI RAD Simulacijski alati i njihova ograničenja pri analizi i Naslov unapređenju rada mreža istovrsnih entiteta Broj stranica, slika, tablica, priloga, XIV + 181 + XXXVIII stranica, 53 slike, 18 tablica, 3 bibliografskih podataka priloga, 288 bibliografskih podataka Znanstveno područje, smjer i disciplina iz koje Područje: Informacijske znanosti je postignut akademski stupanj Smjer: Informacijski sustavi Mentor Prof. dr. sc. Željko Hutinski Sumentor Prof. dr. sc. Vesna Dušak Fakultet na kojem je rad obranjen Fakultet organizacije i informatike Varaždin Oznaka i redni broj rada III. OCJENA I OBRANA Datum prihvaćanja teme od Znanstveno- 17. lipanj 2008. nastavnog vijeća Datum predaje rada 9. travanj 2010. Datum sjednice ZNV-a na kojoj je prihvaćena 18. svibanj 2010. pozitivna ocjena rada Prof. dr. sc. Neven Vrček, predsjednik Sastav Povjerenstva koje je rad ocijenilo Prof. dr. sc. Željko Hutinski, mentor Prof. dr. sc. Vesna Dušak, sumentor Datum obrane rada 1. lipanj 2010. Prof. dr. sc. Neven Vrček, predsjednik Sastav Povjerenstva pred kojim je rad obranjen Prof. dr. sc. Željko Hutinski, mentor Prof. dr. sc. Vesna Dušak, sumentor Datum promocije SVEUČILIŠTE U ZAGREBU FAKULTET ORGANIZACIJE I INFORMATIKE VARAŽDIN POSLIJEDIPLOMSKI ZNANSTVENI STUDIJ INFORMACIJSKIH ZNANOSTI SMJER STUDIJA: INFORMACIJSKI SUSTAVI Tedo Vrbanec Broj indeksa: P-802/2001 SIMULACIJSKI ALATI I NJIHOVA OGRANIČENJA PRI ANALIZI I UNAPREĐENJU RADA MREŽA ISTOVRSNIH ENTITETA MAGISTARSKI RAD Mentor: Prof.
    [Show full text]
  • Nordic Drama
    NORDIC DRAMA PUBLIC SERVICE ORIGINALS A stronger Nordic public service drama collaboration The Nordic public service media companies DR, NRK, RUV, SVT and Yle have in recent years been renowned for outstanding Nordic drama productions. High quality drama with a clear local anchoring and strong public service ambitions has become one of our distinguishing trademarks. To ensure that strong, local drama remains a trademark of the Nordic public service broadcasters in a digital world, the Nordvision partners have decided to build a stronger public service drama portfolio. A strengthening that will increase both the volume of Nordic drama that each company have available on their “players” as well as the quality of the publishing right the partners secure for each other. A clear focus on drama that reflects a Nordic culture, reality and identity fits naturally with the public service mission, and it provides a genuine and recognizable promise to the users that sets Nordic public service apart from other content providers. The initiative is called “Nordic Twelve” (N12). What is N12? N12 – is a yearly package of 12 Nordic drama series with 12 month of rights in the Nordic region. In the following you can find all the N12 drama series: N12 - 2018, N12 - 2019, and some drama series from N12 - 2020. The Nordic partners also co-produce between 8 and 10 young adult drama series a year. For more information see www.nordvision.org 4 N12 2018 8 LIBERTY / DR 10 RIDE UPON THE STORM 2 / DR 12 HOME GROUND 1 / NRK 14 MANNERS / RUV 16 SISTERS 1968 / SVT 18 THE DAYS THE FLOWERS BLOOM / SVT 20 BONUS FAMILY 3 / SVT 22 BLIND DONNA / YLE 24 HOOKED 1 + 2 / YLE N12 2019 26 FOLLOW THE MONEY 3 / DR 28 DELIVER US / DR 30 TWIN / NRK 32 HOME GROUND 2 / NRK 34 EVERYTHING I DON´T REMEMBER / SVT 36 SWIPE RIGHT / SVT 38 INVISIBLE HEROES / YLE 40 THE PARADISE / YLE N12 2020 42 A FAMILY MATTER / DR 44 22.
    [Show full text]
  • DR Og De Regionale TV 2-Stationer I Konkurrence Med De Private Medier INDHOLD
    September 2016 Rapport om DR og de regionale TV 2-stationer i konkurrence med de private medier INDHOLD 3 Debatten om public service og privat medievirksomhed 5 Danske Mediers synspunkter og forslag 9 DRs nationale, digitale nyhedsaktivitet 12 TV 2 regionernes digitale nyhedsaktivitet 13 DRs regionale digitale nyhedsaktivitet 14 Danske Mediers anbefaling om DRs digitale nyhedsaktivitet 16 DR og de regionale TV 2-stationer på Facebook 19 DR og de regionale TV 2-stationers trafikudvikling 23 Bilag: DRs tilbud i dag RAPPORT OM DR OG REGIONALE TV 2-STATIONER SEPTEMBER 2016 2 DEBATTEN OM PUBLIC SERVICE OG PRIVAT MEDIEVIRKSOMHED I forlængelse af de seneste måneders debat om balancen mellem statens medier og de frie, private medier har Danske Medier udarbejdet nærværende notat, der udover at opridse Danske Mediers synspunkter samler dokumentation for statsmediernes digi- tale tilstedeværelse og betydningen heraf. Dokumentationen fokuserer på realiserede tal og er dermed ikke en spekulativ analyse af statsmediernes fremtidige skadevirkninger på de private medier. Tallene taler deres klare sprog. Igennem de seneste år er statens medier blevet sta- dig mere dominerende, når det gælder økonomisk størrelse og antallet af journalister. Notatet dokumenterer samtidig, at DRs digitale avisaktiviteter er massive og i meget stor udstrækning efterligner avisernes digitale udgivelser med helt samme typer af indhold og samme artikellængder. Tilmed publicerer dr.dk flere artikler end de fleste private udgivere. Alene i april 2016 blev der på dr.dk publiceret 3.702 skrevne artikler, svarende til 120 daglige indlæg. I notatet indgår også en opgørelse af DRs omfattende og stadig voksende aktiviteter på Facebook. DR har pt.
    [Show full text]
  • 4-Student-Notes-Media-Industries U2
    Media Studies - TV Student Notes Media Industries You will need to consider: • how processes of production, distribution and circulation by organisations, groups and individuals in a global context • the specialised and institutionalised nature of media production, distribution and circulation • the significance of patterns of ownership and control, including conglomerate ownership, vertical integration and diversification • the significance of economic factors, including commercial and not-for-profit public funding, to media industries and their products • how media organisations maintain, including through marketing, varieties of audiences nationally and globally • the regulatory framework of contemporary media in the UK • how processes of production, distribution and circulation shape media products • the role of regulation in global production, distribution and circulation This should be linked where relevant to • social, • cultural, • economic, • political, • historical contexts. • the significance of different ownership and/or funding models in the television industry (i.e. whether media companies are privately or publicly owned, whether they are publicly or commercially funded etc.) • the growing importance of co-productions (including international co-productions) in the television industry today the way in which production values are shaped by economic factors • the impact of risk aversion on television production (e.g. in terms of the commissioning and financing of programmes) • the different sources of funding available to producers working in the television industry today Media Studies - TV 1 Media Studies - TV Student Notes The Bridge (iii/1) • ‘Bron/Broen/ The Bridge’: a Swedish/Danish co-production • Series 3, Episode 1 • Sat 21 Nov 2015 9pm BBC Four • Written by Hans Rosenfeldt • Original Network : SVT1 Sweden • DR1 Denmark • UK Broadcasters: BBC 4 • 3 seasons, 30 episodes • Production of series four has begun, with broadcasting scheduled for the spring of 2018.
    [Show full text]
  • The Application Usage and Risk Report an Analysis of End User Application Trends in the Enterprise
    The Application Usage and Risk Report An Analysis of End User Application Trends in the Enterprise 8th Edition, December 2011 Palo Alto Networks 3300 Olcott Street Santa Clara, CA 94089 www.paloaltonetworks.com Table of Contents Executive Summary ........................................................................................................ 3 Demographics ............................................................................................................................................. 4 Social Networking Use Becomes More Active ................................................................ 5 Facebook Applications Bandwidth Consumption Triples .......................................................................... 5 Twitter Bandwidth Consumption Increases 7-Fold ................................................................................... 6 Some Perspective On Bandwidth Consumption .................................................................................... 7 Managing the Risks .................................................................................................................................... 7 Browser-based Filesharing: Work vs. Entertainment .................................................... 8 Infrastructure- or Productivity-Oriented Browser-based Filesharing ..................................................... 9 Entertainment Oriented Browser-based Filesharing .............................................................................. 10 Comparing Frequency and Volume of Use
    [Show full text]
  • Dreamworlds 3: Desire, Sex & Power in Music Video
    MEDIA EDUCATION F O U N D A T I O N STUDY GUIDE DREAMWORLDS 3: DESIRE, SEX & POWER IN MUSIC VIDEO STUDY GUIDE WRITTEN BY BILL YOUSMAN, JEREMY EARP & JAKE GEISSMAN CONTENTS NOTE TO TEACHERS 3 OVERVIEW 4 PRE-VIEWING DISCUSSION QUESTIONS 4 INTRODUCTION 5 Key Points 5 Discussion Questions 5 Assignments 6 TECHNIQUES OF STORYTELLING 7 Key Points 7 Discussion Questions 8 Assignments 8 CONSTRUCTING FEMININITY 9 Key Points 9 Discussion Questions 10 Assignments 11 THE PORNOGRAPHIC IMAGINATION 12 Key Points 12 Discussion Questions 13 Assignments 14 WAYS OF LOOKING 15 Key Points 15 Discussion Questions 17 Assignments 17 FEMALE ARTISTS: TRAPPED IN THE PORNOGRAPHIC GAZE 18 Key Points 18 Discussion Questions 19 Assignments 19 MASCULINITY AND CONTROL 20 Key Points 20 Discussion Questions 22 Assignments 23 ADDITIONAL RESCOURCES 24 Recommended Reading 24 Other MEF Films on Related Issues 26 MEDIA EDUCATION FOUNDATION | www.MEDIAED.org 2 This study guide may be reproduced for educational, non-profit uses only. © 2007 NOTE TO TEACHERS This study guide is designed to help you and your students engage and manage the information presented in this video. Given that it can be difficult to teach visual content—and difficult for students to recall detailed information from videos after viewing them—the intention here is to give you a tool to help your students slow down and deepen their thinking about the specific issues this video addresses. With this in mind, we’ve structured the guide so that you have the option of focusing in depth on one section of the video at a time.
    [Show full text]