How Welfare Recipients Succeed at CUNY

Total Page:16

File Type:pdf, Size:1020Kb

How Welfare Recipients Succeed at CUNY A Newsletter for The City University of New York • Summer 1996 How Welfare Recipients Bipartisan Workfare Bills Offered enator John J. Marchi (R-Staten Island) tances from campus or home. In May 1996 a Sand Assemblyman Roberto Ramirez (D- similar workfare program was instituted that Succeed at CUNY Bronx) have introduced legislation that would will negatively impact student recipients of oblige social service officials in New York to Aid to Families with Dependent Children. By Dr. Marilyn Gittell, 27,000 students were on welfare or in fami- allow CUNY and SUNY students receiving Co-sponsors of the Senate bill include public assistance to meet their "workfare" Senators Catharine M. Abate; Pedro Espada, Director of the Howard Samuels State lies that receive welfare. obligations on or near their own campuses. Jr.; Efrain Gonzalez, Jr.; Seymour Lachman; Management and Policy Center, GSUC The notion of extending the college oppor- "This bipartisan ef- Serphin R. Maltese; Marty Markwitz; David tunity to welfare recipients as a reliable fort is especially heart- Paterson; Ada L. Smith; Leonard P. Stavisky; ince its founding, The City Univer- route to financial independence is supported ening, because it will Guy Velella; and Dale M. Volker. sity has been a major provider of encourage thousands of Two SUNY campuses are already desig- by social research into the development of students to persevere nated as worksites, noted Sen. Marchi. "We S post-secondary education for the human capital. Even short spells at college need such designations across the state," he metropolitan area’s low- and middle-income and complete their col- make a difference in earning potential. In a lege education, enter added. "It makes sense from the taxpayer residents. CUNY addressed the needs of new national study of community college students the work force, and and the welfare student points of view." mmigrant populations at the turn of the cen- that appeared last year, “Labor Market Re- leave the welfare rolls As Assemblyman Ramirez pointed out, permanently," said "This legislation recog- tury, and through the Depression it educated turns to Two- and Four-Year College,” Tho- poor and working-class students. After Senator Marchi Chancellor W. Ann nizes that students on mas Kane and Cecilia Rouse reported that Reynolds. "We are very public assistance are World War II, it lowered its admission stan- earning college credits had a positive impact grateful to both legislators for introducing working hard to gain the dards to meet the needs of large numbers of on income, even without graduation and re- bills on behalf of these aspiring and deserv- skills they need for gainful ing students." employment and are will- veterans eligible for the G.I. Bill of Rights, gardless of the quality of the institution. which sustained their college education. Since Fall 1995, recipients of Home Relief ing to work for their ben- Education is particularly important for efits. We must have The tradition continues. Following the have been obliged to perform workfare for 20 women, because the wage gap between gen- hours a week under the city's Work Experi- workfare programs that passage of the Family Support Act in 1988, ders is most extreme among those with the ence Program. These assignments have been are not additional impedi- which officially made higher education an least education. Women with masters de- in conflict with CUNY students' class sched- ments to getting people option for welfare recipients, CUNY and New ules and often require traveling long dis- off welfare." grees earn 69% of the average male salary Assemblyman Ramirez York City and State officials developed a ($2,614 compared to $3,748 a month), number of special programs to assist welfare whereas those with only high school or less recipients in their pursuit of a college de- earn about half as much as men in similar FACES AND PROGRAMS BEHIND gree. There was a clear need for such pro- positions ($579 compared to $1,116). grams at CUNY, where by 1993 a total of GSUC’S HIGH NATIONAL RANKINGS Continued on next page CUNY’s Doctoral Consortium Scholars Reunite regorian chant is very big these College, an ethnomusicologist who ranges days, its haunting, ethereal sim- in his research from the popular music of G plicity being for many new India to the highly various musical cultures for Symposium devotées the ideal antidote for fin de siècle of the Caribbean. Atlas himself has just fretfulness. Explosive CD sales have made published a comparative essay on the La ourteen years after graduating summa chant the undisputed crossover phenom- Bohèmes of Leoncavallo and Puccini. Fcum laude from Queens College and enon of the 1990s in the classical recording The Program’s composition faculty in- heading off to Oxford, Rhodes Scholarship industry. Less well known: the fact that cludes John Corigliano (Lehman), David Del n hand, Raymond Paretzky recently re- CUNY is a major force in research on Tredici (City), and Thea Musgrave (Queens). turned to CUNY. Flanked by a stellar panel Gregorian chant, largely due to the pres- Among teachers of performance are pianist of other CUNY winners of major fellow- ence of Distinguished Professor Leo Treitler Abbey Simon at Hunter and renowned jazz ships—the Mellon, Ford, NSF, Fulbright, in the doctoral Music Program at City bassist Ron Carter at City, to name just two. and Truman—Paretzky, CUNY’s first Rhodes Martine Amerson, left, City College history major, University’s Graduate School and University “We draw on the entire CUNY system,” Atlas Scholar and now an international trade at- and Joanna Redding, Hunter College Italian Studies Center (GSUC). points out, “and so we have at least one torney in Washington, led a discussion on major, right, were coached by Chancellor W. Ann Treitler has established a towering pres- leading specialist in every area.” May 13 that opened the third CUNY Schol- Reynolds at the third Scholars Symposium. ence in the field with his studies of early This spectrum of intradisciplinary offer- ars Symposium. The Symposium is the cen- chant notation. His exploration of how ings and faculty depth typifies the CUNY terpiece of a University-wide initiative to time off from studies at Columbia and Yale, chant may have been transmitted orally doctoral programs and results from a con- dentify and prepare CUNY’s top students where they are completing doctoral work, before written manuscripts became com- sortium that is unique among the country’s or the rigors of high-stakes fellowship to share their experiences and support as- monplace has opened up a new field of mu- institutions of higher learning. The foun- competition. piring CUNY undergraduates. sical historiography. Though medieval mu- dation for this consortium lies in its distin- Two of the six panelists were student After a lively session, students were sic is Treitler’s domain, he has also shaped guished core faculty, which is comprised of participants in the 1994 Symposium who joined by Chancellor Reynolds and eight the entire field of American musicology. slightly more than 100 GSUC-based ap- went on to win major awards. Leota Lone CUNY faculty who are involved in honors Praised as “a giant in the field” and “an pointments. But a very large majority of Dog just graduated from Hunter College in programs in small group discussions focus- intellectual ambassador between music and GSUC’s 1,500-strong doctoral faculty— art history and women’s studies and will ing on various aspects of the process of the other humanities” by his colleagues, about 93%—also teach at CUNY’s senior assume a 1996 Ford Foundation applying for national graduate awards. In Treitler is one of the reasons the faculty of and community colleges. Predoctoral Minority Fellowship to pursue mock-interview sessions, the Chancellor the CUNY Doctoral Program in Music is, study on New York City’s Native American interviewed several high-ranking students. according to the National Research Council, his consortium has produced impres- history. Rosemarie Roberts, who graduated The students also heard from those who among the very best in the nation. Tsive results. Last September, the Na- summa cum laude in 1995 from Hunter in serve on the selection committees: Will- But there are 50 other reasons, most of tional Research Council ranked the Gradu- psychology, has garnered no fewer than iam Holland for the Rhodes, Prof. Abraham them drawn from across the CUNY cam- ate School’s doctoral Music Program fourth three awards: the Ford Pre-doctoral, NSF, Ascher for the Mellon, Dr. Ray Raymond for puses. Among them is Queens College’s nationally among 65 colleges and universi- and American Psychiatric Association fel- the Marshall, and Chris Coons for the Harry Carl Schachter, according to the Program’s ties surveyed. But Music was hardly alone owships. S. Truman Scholarships. Executive Officer, Allan Atlas, “the planet’s One-third of CUNY’s rated doctoral pro- Two Andrew W. Mellon scholars—Carlyle –Virginia Slaughter, Director, reigning exponent of Schenkerian musical grams were in the top 20 in their fields na- Thompson and Patrice Paul Rankine—took Scholarship Enhancement Program analysis,” and Peter Manuel of John Jay tionwide for scholarly excellence. Continued on page 3 1 Welfare, continued from previous page helped her enroll in the pre-med program at A PASSIONATE ADVOCATE AND TEACHER For welfare recipients raising a family NYCTC. Another cousin wants to study so- alone, a college degree can make the differ- cial work and I helped her enroll in a pro- ence between financial security and continu- gram too.” REMEMBERING DEAN BURNS ng poverty. Only women with a bachelors earn enough ($19,404 a year) to raise them ince 1988 CUNY has established a range well above the Federal poverty threshold for Sof programs designed to help welfare By Kristin Booth Glen a family of three, which in 1993 was recipients acquire skills that prepare them Dean of the CUNY Law School at Queens College $11,890.
Recommended publications
  • Washington Division of Geology and Earth Resources Open File Report
    l 122 EARTHQUAKES AND SEISMOLOGY - LEGAL ASPECTS OPEN FILE REPORT 92-2 EARTHQUAKES AND Ludwin, R. S.; Malone, S. D.; Crosson, R. EARTHQUAKES AND SEISMOLOGY - LEGAL S.; Qamar, A. I., 1991, Washington SEISMOLOGY - 1946 EVENT ASPECTS eanhquak:es, 1985. Clague, J. J., 1989, Research on eanh- Ludwin, R. S.; Qamar, A. I., 1991, Reeval­ Perkins, J. B.; Moy, Kenneth, 1989, Llabil­ quak:e-induced ground failures in south­ uation of the 19th century Washington ity of local government for earthquake western British Columbia [abstract). and Oregon eanhquake catalog using hazards and losses-A guide to the law Evans, S. G., 1989, The 1946 Mount Colo­ original accounts-The moderate sized and its impacts in the States of Califor­ nel Foster rock avalanches and auoci­ earthquake of May l, 1882 [abstract). nia, Alaska, Utah, and Washington; ated displacement wave, Vancouver Is­ Final repon. Maley, Richard, 1986, Strong motion accel­ land, British Columbia. erograph stations in Oregon and Wash­ Hasegawa, H. S.; Rogers, G. C., 1978, EARTHQUAKES AND ington (April 1986). Appendix C Quantification of the magnitude 7.3, SEISMOLOGY - NETWORKS Malone, S. D., 1991, The HAWK seismic British Columbia earthquake of June 23, AND CATALOGS data acquisition and analysis system 1946. [abstract). Berg, J. W., Jr.; Baker, C. D., 1963, Oregon Hodgson, E. A., 1946, British Columbia eanhquak:es, 1841 through 1958 [ab­ Milne, W. G., 1953, Seismological investi­ earthquake, June 23, 1946. gations in British Columbia (abstract). stract). Hodgson, J. H.; Milne, W. G., 1951, Direc­ Chan, W.W., 1988, Network and array anal­ Munro, P. S.; Halliday, R. J.; Shannon, W.
    [Show full text]
  • Section 5.4.3: Risk Assessment – Flood
    SECTION 5.4.3: RISK ASSESSMENT – FLOOD 5.4.3 FLOOD This section provides a profile and vulnerability assessment for the flood hazard. HAZARD PROFILE This section provides hazard profile information including description, extent, location, previous occurrences and losses and the probability of future occurrences. Description Floods are one of the most common natural hazards in the U.S. They can develop slowly over a period of days or develop quickly, with disastrous effects that can be local (impacting a neighborhood or community) or regional (affecting entire river basins, coastlines and multiple counties or states) (Federal Emergency Management Agency [FEMA], 2006). Most communities in the U.S. have experienced some kind of flooding, after spring rains, heavy thunderstorms, coastal storms, or winter snow thaws (George Washington University, 2001). Floods are the most frequent and costly natural hazards in New York State in terms of human hardship and economic loss, particularly to communities that lie within flood prone areas or flood plains of a major water source. The FEMA definition for flooding is “a general and temporary condition of partial or complete inundation of two or more acres of normally dry land area or of two or more properties from the overflow of inland or tidal waters or the rapid accumulation of runoff of surface waters from any source (FEMA, Date Unknown).” The New York State Disaster Preparedness Commission (NYSDPC) and the National Flood Insurance Program (NFIP) indicates that flooding could originate from one
    [Show full text]
  • Night Passages the Tunnel Visions of Urban Explorer Steve Duncan
    SPRING 2010 COLUMBIA MAGAZINE Night Passages The tunnel visions of urban explorer Steve Duncan C1_FrontCover.indd C1 3/9/10 1:04 PM Process CyanProcess MagentaProcess YellowProcess BlackPANTONE 877 C CONTENTS Spring 2010 12 18 24 DEPARTMENTS FEATURES 2 Letters 12 The Night Hunter By Paul Hond 6 College Walk Urban explorer and photographer Steve Duncan Preview From the Bridge . approaches history from a different perspective. Aftershocks . Aliments of Style . Two Poems by Rachel Wetzsteon 18 Defending the University Former provost Jonathan R. Cole, author of 36 In the City of New York The Great American University, discusses the If grace can be attained through repetition, need to protect a vital national resource. WKCR’s Phil Schaap is a bodhisattva of bop. After 40 years, he’s still enlightening us. 24 X-Ray Specs By David J. Craig 40 News Some celestial bodies are so hot they’re invisible. Scientists have invented a telescope that will bring 48 Newsmakers them to light. 50 Explorations 28 Dateline: Iran By Caleb Daniloff 52 Reviews Kelly Niknejad launched Tehran Bureau to change the way we read and think about Iran. 62 Classifi eds 32 Seven Years: A Short Story 64 Finals By Herbert Gold What happens when the girl next door decides to move away? Cover: Self-portrait of Steve Duncan, Old Croton Aqueduct, Upper Manhattan, 2006 1 ToC_r1.indd 1 3/8/10 5:21 PM letters THE BIG HURT celiac disease (“Against the Grain,” Win- I was about 10 when I visited the pool I enjoyed the feature about Kathryn Bigelow ter 2009–10).
    [Show full text]
  • Download the Fall 2020 Virtual Commencement Program
    FALL 2020 VIRTUAL COMMENCEMENT DECEMBER 18 Contents About the SIU System .............................................................................................................................................. 3 About Southern Illinois University Edwardsville ................................................................................................. 4 SIUE’s Mission, Vision, Values and Statement on Diversity .............................................................................. 5 Academics at SIUE ................................................................................................................................................... 6 History of Academic Regalia ................................................................................................................................. 8 Commencement at SIUE ......................................................................................................................................... 9 Academic and Other Recognitions .................................................................................................................... 10 Honorary Degree ................................................................................................................................................... 12 Distinguished Service Award ............................................................................................................................... 13 College of Arts and Sciences: Undergraduate Ceremony .............................................................................
    [Show full text]
  • General Vertical Files Anderson Reading Room Center for Southwest Research Zimmerman Library
    “A” – biographical Abiquiu, NM GUIDE TO THE GENERAL VERTICAL FILES ANDERSON READING ROOM CENTER FOR SOUTHWEST RESEARCH ZIMMERMAN LIBRARY (See UNM Archives Vertical Files http://rmoa.unm.edu/docviewer.php?docId=nmuunmverticalfiles.xml) FOLDER HEADINGS “A” – biographical Alpha folders contain clippings about various misc. individuals, artists, writers, etc, whose names begin with “A.” Alpha folders exist for most letters of the alphabet. Abbey, Edward – author Abeita, Jim – artist – Navajo Abell, Bertha M. – first Anglo born near Albuquerque Abeyta / Abeita – biographical information of people with this surname Abeyta, Tony – painter - Navajo Abiquiu, NM – General – Catholic – Christ in the Desert Monastery – Dam and Reservoir Abo Pass - history. See also Salinas National Monument Abousleman – biographical information of people with this surname Afghanistan War – NM – See also Iraq War Abousleman – biographical information of people with this surname Abrams, Jonathan – art collector Abreu, Margaret Silva – author: Hispanic, folklore, foods Abruzzo, Ben – balloonist. See also Ballooning, Albuquerque Balloon Fiesta Acequias – ditches (canoas, ground wáter, surface wáter, puming, water rights (See also Land Grants; Rio Grande Valley; Water; and Santa Fe - Acequia Madre) Acequias – Albuquerque, map 2005-2006 – ditch system in city Acequias – Colorado (San Luis) Ackerman, Mae N. – Masonic leader Acoma Pueblo - Sky City. See also Indian gaming. See also Pueblos – General; and Onate, Juan de Acuff, Mark – newspaper editor – NM Independent and
    [Show full text]
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • Imagining Outer Space Also by Alexander C
    Imagining Outer Space Also by Alexander C. T. Geppert FLEETING CITIES Imperial Expositions in Fin-de-Siècle Europe Co-Edited EUROPEAN EGO-HISTORIES Historiography and the Self, 1970–2000 ORTE DES OKKULTEN ESPOSIZIONI IN EUROPA TRA OTTO E NOVECENTO Spazi, organizzazione, rappresentazioni ORTSGESPRÄCHE Raum und Kommunikation im 19. und 20. Jahrhundert NEW DANGEROUS LIAISONS Discourses on Europe and Love in the Twentieth Century WUNDER Poetik und Politik des Staunens im 20. Jahrhundert Imagining Outer Space European Astroculture in the Twentieth Century Edited by Alexander C. T. Geppert Emmy Noether Research Group Director Freie Universität Berlin Editorial matter, selection and introduction © Alexander C. T. Geppert 2012 Chapter 6 (by Michael J. Neufeld) © the Smithsonian Institution 2012 All remaining chapters © their respective authors 2012 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2012 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS.
    [Show full text]
  • Strauss Elektra Solti SC
    Richard Strauss Elektra Elektra: Birgit Nilsson; Klytemnestra: Regina Resnik; Chrysothemis: Marie Collier; Oreste: Tom Krause; Aegistheus: Gerhard Stolze Vienna State Opera Chorus and Vienna Philharmonic Orchestra Georg Solti Recorded June, September and November 1966 at the Sofiensaal, Vienna Recording Engineers: Gordon Parry and James Brown Producers: John Culshaw and Christopher Raeburn Remastered at Air Studios London by Tony Hawkins and Ray Staff Speakers Corner 2LPs Decca SET 354/5 Performance: 5 Strauss's Elektra was premièred in 1909 and marks the highpoint of the composers operatic career. Never again would he compose such searingly dramatic, concise music, replete with startlingly vivid orchestration, and a wealth of highly chromatic (and often atonal) thematic material, centred around decidedly Wagnerian sounding leitmotifs. It is isn't easy to cast. The title role needs a true dramatic soprano who is happy above the stave, and that of Klytemnestra a big-voiced mezzo- soprano. Chrysothemis is written for a lyric soprano, and Oreste for an heroic baritone. Elektra's don't come any better than Birgit Nilsson. She was 48 when the recording was made, and even the most exposed leaps and murderously high tessitura don't bother her. As the greatest Wagnerian soprano since Frieda Leider, she can effortlessly ride the orchestra, while still using a wide dynamic range in quieter passages. There are occasions when her intonation falters in the Recognition Scene, but this is a classic, thrillingly savage performance. Regina Resnik scales the same dramatic heights as Nilsson in her confrontation with Elektra, and her laughter at the end of the scene is gloriously OTT.
    [Show full text]
  • Oil Sketches and Paintings 1660 - 1930 Recent Acquisitions
    Oil Sketches and Paintings 1660 - 1930 Recent Acquisitions 2013 Kunsthandel Barer Strasse 44 - D-80799 Munich - Germany Tel. +49 89 28 06 40 - Fax +49 89 28 17 57 - Mobile +49 172 890 86 40 [email protected] - www.daxermarschall.com My special thanks go to Sabine Ratzenberger, Simone Brenner and Diek Groenewald, for their research and their work on the text. I am also grateful to them for so expertly supervising the production of the catalogue. We are much indebted to all those whose scholarship and expertise have helped in the preparation of this catalogue. In particular, our thanks go to: Sandrine Balan, Alexandra Bouillot-Chartier, Corinne Chorier, Sue Cubitt, Roland Dorn, Jürgen Ecker, Jean-Jacques Fernier, Matthias Fischer, Silke Francksen-Mansfeld, Claus Grimm, Jean- François Heim, Sigmar Holsten, Saskia Hüneke, Mathias Ary Jan, Gerhard Kehlenbeck, Michael Koch, Wolfgang Krug, Marit Lange, Thomas le Claire, Angelika and Bruce Livie, Mechthild Lucke, Verena Marschall, Wolfram Morath-Vogel, Claudia Nordhoff, Elisabeth Nüdling, Johan Olssen, Max Pinnau, Herbert Rott, John Schlichte Bergen, Eva Schmidbauer, Gerd Spitzer, Andreas Stolzenburg, Jesper Svenningsen, Rudolf Theilmann, Wolf Zech. his catalogue, Oil Sketches and Paintings nser diesjähriger Katalog 'Oil Sketches and Paintings 2013' erreicht T2013, will be with you in time for TEFAF, USie pünktlich zur TEFAF, the European Fine Art Fair in Maastricht, the European Fine Art Fair in Maastricht. 14. - 24. März 2013. TEFAF runs from 14-24 March 2013. Die in dem Katalog veröffentlichten Gemälde geben Ihnen einen The selection of paintings in this catalogue is Einblick in das aktuelle Angebot der Galerie. Ohne ein reiches Netzwerk an designed to provide insights into the current Beziehungen zu Sammlern, Wissenschaftlern, Museen, Kollegen, Käufern und focus of the gallery’s activities.
    [Show full text]
  • AMNH Digital Library
    ^^<e?& THERE ARE THOSE WHO DO. AND THOSE WHO WOULDACOULDASHOULDA. Which one are you? If you're the kind of person who's willing to put it all on the line to pursue your goal, there's AIG. The organization with more ways to manage risk and more financial solutions than anyone else. Everything from business insurance for growing companies to travel-accident coverage to retirement savings plans. All to help you act boldly in business and in life. So the next time you're facing an uphill challenge, contact AIG. THE GREATEST RISK IS NOT TAKING ONE: AIG INSURANCE, FINANCIAL SERVICES AND THE FREEDOM TO DARE. Insurance and services provided by members of American International Group, Inc.. 70 Pine Street, Dept. A, New York, NY 10270. vww.aig.com TODAY TOMORROW TOYOTA Each year Toyota builds more than one million vehicles in North America. This means that we use a lot of resources — steel, aluminum, and plastics, for instance. But at Toyota, large scale manufacturing doesn't mean large scale waste. In 1992 we introduced our Global Earth Charter to promote environmental responsibility throughout our operations. And in North America it is already reaping significant benefits. We recycle 376 million pounds of steel annually, and aggressive recycling programs keep 18 million pounds of other scrap materials from landfills. Of course, no one ever said that looking after the Earth's resources is easy. But as we continue to strive for greener ways to do business, there's one thing we're definitely not wasting. And that's time. www.toyota.com/tomorrow ©2001 JUNE 2002 VOLUME 111 NUMBER 5 FEATURES AVIAN QUICK-CHANGE ARTISTS How do house finches thrive in so many environments? By reshaping themselves.
    [Show full text]
  • Saturday, March 14, 7:30Pm, Sunday, March 15, 3Pm, Friday, March 20, 7:30Pm & Saturday, March 21, 3Pm
    Starring the future, today! Book by Music & Lyrics by JOHN CAIRD STEPHEN SCHWARTZ Based on a concept by CHARLES LISANBY Orchestrations by BRUCE COUGHLIN & MARTIN ERSKINE Saturday, March 14, 7:30pm, Sunday, March 15, 3pm, Friday, March 20, 7:30pm & Saturday, March 21, 3pm Children of Eden TMTO sponsored by Season sponsored by from CRATERIAN PERFORMANCES presents the the EXECUTIVE DIRECTOR ur story begins in the beginning, with God’s creative nature and desire to be in relationship with his children. OPerhaps you don’t believe in the Biblical narrative (with which Stephen Schwartz, as composer and storyteller, takes consider- production of able liberties), but you might have children and find “Father’s” hopes and desires for his children relatable. Or perhaps you have siblings. You certainly have parents. And so, one way or another, you’re included in this story. It’s about you. It’s about all of us. It’s about our frailties and foibles, our struggles and failures, and it’s about our curiosity, ambitions and determination to live life the way we choose. It is also, like the Bible itself, ultimately a story about hope, love and redemption. When we don’t measure up, it takes someone else’s love us to lift us up. The meaning and message in all of this is timeless, and so director Cailey McCandless cast a vision for the show that unmoors it from ancient settings. And you might notice there are very few parallel lines in the show’s design... mostly intersecting angles, because life and our relationships tend to work that way.
    [Show full text]
  • Anza-Borrego Desert State Park Bibliography Compiled and Edited by Jim Dice
    Steele/Burnand Anza-Borrego Desert Research Center University of California, Irvine UCI – NATURE and UC Natural Reserve System California State Parks – Colorado Desert District Anza-Borrego Desert State Park & Anza-Borrego Foundation Anza-Borrego Desert State Park Bibliography Compiled and Edited by Jim Dice (revised 1/31/2019) A gaggle of geneticists in Borrego Palm Canyon – 1975. (L-R, Dr. Theodosius Dobzhansky, Dr. Steve Bryant, Dr. Richard Lewontin, Dr. Steve Jones, Dr. TimEDITOR’S Prout. Photo NOTE by Dr. John Moore, courtesy of Steve Jones) Editor’s Note The publications cited in this volume specifically mention and/or discuss Anza-Borrego Desert State Park, locations and/or features known to occur within the present-day boundaries of Anza-Borrego Desert State Park, biological, geological, paleontological or anthropological specimens collected from localities within the present-day boundaries of Anza-Borrego Desert State Park, or events that have occurred within those same boundaries. This compendium is not now, nor will it ever be complete (barring, of course, the end of the Earth or the Park). Many, many people have helped to corral the references contained herein (see below). Any errors of omission and comission are the fault of the editor – who would be grateful to have such errors and omissions pointed out! [[email protected]] ACKNOWLEDGEMENTS As mentioned above, many many people have contributed to building this database of knowledge about Anza-Borrego Desert State Park. A quantum leap was taken somewhere in 2016-17 when Kevin Browne introduced me to Google Scholar – and we were off to the races. Elaine Tulving deserves a special mention for her assistance in dealing with formatting issues, keeping printers working, filing hard copies, ignoring occasional foul language – occasionally falling prey to it herself, and occasionally livening things up with an exclamation of “oh come on now, you just made that word up!” Bob Theriault assisted in many ways and now has a lifetime job, if he wants it, entering these references into Zotero.
    [Show full text]