Night Passages the Tunnel Visions of Urban Explorer Steve Duncan
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General Vertical Files Anderson Reading Room Center for Southwest Research Zimmerman Library
“A” – biographical Abiquiu, NM GUIDE TO THE GENERAL VERTICAL FILES ANDERSON READING ROOM CENTER FOR SOUTHWEST RESEARCH ZIMMERMAN LIBRARY (See UNM Archives Vertical Files http://rmoa.unm.edu/docviewer.php?docId=nmuunmverticalfiles.xml) FOLDER HEADINGS “A” – biographical Alpha folders contain clippings about various misc. individuals, artists, writers, etc, whose names begin with “A.” Alpha folders exist for most letters of the alphabet. Abbey, Edward – author Abeita, Jim – artist – Navajo Abell, Bertha M. – first Anglo born near Albuquerque Abeyta / Abeita – biographical information of people with this surname Abeyta, Tony – painter - Navajo Abiquiu, NM – General – Catholic – Christ in the Desert Monastery – Dam and Reservoir Abo Pass - history. See also Salinas National Monument Abousleman – biographical information of people with this surname Afghanistan War – NM – See also Iraq War Abousleman – biographical information of people with this surname Abrams, Jonathan – art collector Abreu, Margaret Silva – author: Hispanic, folklore, foods Abruzzo, Ben – balloonist. See also Ballooning, Albuquerque Balloon Fiesta Acequias – ditches (canoas, ground wáter, surface wáter, puming, water rights (See also Land Grants; Rio Grande Valley; Water; and Santa Fe - Acequia Madre) Acequias – Albuquerque, map 2005-2006 – ditch system in city Acequias – Colorado (San Luis) Ackerman, Mae N. – Masonic leader Acoma Pueblo - Sky City. See also Indian gaming. See also Pueblos – General; and Onate, Juan de Acuff, Mark – newspaper editor – NM Independent and -
Selected Observations from the Harlem Jazz Scene By
SELECTED OBSERVATIONS FROM THE HARLEM JAZZ SCENE BY JONAH JONATHAN A dissertation submitted to the Graduate School-Newark Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research Written under the direction of Dr. Lewis Porter and approved by ______________________ ______________________ Newark, NJ May 2015 2 Table of Contents Acknowledgements Page 3 Abstract Page 4 Preface Page 5 Chapter 1. A Brief History and Overview of Jazz in Harlem Page 6 Chapter 2. The Harlem Race Riots of 1935 and 1943 and their relationship to Jazz Page 11 Chapter 3. The Harlem Scene with Radam Schwartz Page 30 Chapter 4. Alex Layne's Life as a Harlem Jazz Musician Page 34 Chapter 5. Some Music from Harlem, 1941 Page 50 Chapter 6. The Decline of Jazz in Harlem Page 54 Appendix A historic list of Harlem night clubs Page 56 Works Cited Page 89 Bibliography Page 91 Discography Page 98 3 Acknowledgements This thesis is dedicated to all of my teachers and mentors throughout my life who helped me learn and grow in the world of jazz and jazz history. I'd like to thank these special people from before my enrollment at Rutgers: Andy Jaffe, Dave Demsey, Mulgrew Miller, Ron Carter, and Phil Schaap. I am grateful to Alex Layne and Radam Schwartz for their friendship and their willingness to share their interviews in this thesis. I would like to thank my family and loved ones including Victoria Holmberg, my son Lucas Jonathan, my parents Darius Jonathan and Carrie Bail, and my sisters Geneva Jonathan and Orelia Jonathan. -
Ellingtonia a Publication of the Duke Ellington Society, Inc
Ellingtonia A Publication Of The Duke Ellington Society, Inc. Volume XXIV, Number 3 March 2016 William McFadden, Editor Copyright © 2016 by The Duke Ellington Society, Inc., P.O. Box 29470, Washington, D.C. 20017, U.S.A. Web Site: depanorama.net/desociety E-mail: [email protected] This Saturday Night . ‘Hero of the Newport Jazz Festival’. Paul Gonsalves Our March meeting will May 19-23, 2016 New York City bring in the month just like the proverbial lion in Sponsored by The Duke Ellington Center a program selected by Art for the Arts (DECFA) Luby. It promises a Tentative Schedule Announced finely-tuned revisit to some of the greatest tenor Thursday, May 19, 2016 saxophone virtuosity by St. Peter’s Church, 619 Lexington Ave. Paul Gonsalves, other 12:30 - 1:45 Jazz on the Plaza—The Music of Duke than his immortal 16-bar solo on “Diminuendo and Ellington, East 53rd St. and Lexington Ave. at St. Peter’s Crescendo in Blue” at the Newport Jazz Festival in 1956. That’s a lot of territory, considering Paul’s quar- 3:00 - 5:30 “A Drum Is A Woman” - Screenings at The ter century with The Orchestra. In addition to his ex- Paley Center for Media, 25 West 52nd St. pertise on things Gonsalves, Art’s inspiration for this 5:30 - 7:00 Dinner break program comes from a memorable evening a decade ago where the same terrain was visited and expertly 7:15 - 8:00 Gala Opening Reception at St. Peter’s, hosted by the late Ted Shell. “The Jazz Church” - Greetings and welcome from Mercedes Art’s blues-and-ballads-filled listen to the man called Ellington, Michael Dinwiddie (DEFCA) and Ray Carman “Strolling Violins” will get going in our regular digs at (TDES, Inc.) Grace Lutheran Church, 4300—16th Street (at Varnum St.), NW, Washington, DC 20011 on: 8:00 - 9:00 The Duke Ellington Center Big Band - Frank Owens, Musical Director Saturday, 5 March 2016—7:00 PM. -
Introduction Writer Biographies for B&N Classics A. Michael Matin Is a Professor in the English Department of Warren Wilson
Introduction Writer Biographies for B&N Classics A. Michael Matin is a professor in the English Department of Warren Wilson College, where he teaches late-nineteenth-century and twentieth-century British and Anglophone postcolonial literature. His essays have appeared in Studies in the Novel, The Journal of Modern Literature, Scribners’ British Writers, Scribners’ World Poets, and the Norton Critical Edition of Kipling’s Kim. Matin wrote Introductions and Notes for Conrad’s Lord Jim and Heart of Darkness and Selected Short Fiction. Alfred Mac Adam, Professor at Barnard College–Columbia University, teaches Latin American and comparative literature. He is a translator of Latin American fiction and writes extensively on art. He has written an Introductions and Notes for H. G. Wells’s The Time Machine and The Invisible Man and The War of the Worlds, Pierre Choderlos de Laclos’ Les Liasons Dangereuses, and Jane Austen’s Northanger Abbey. Amanda Claybaugh is Associate Professor of English and comparative literature at Columbia University. She is currently at work on a project that considers the relation between social reform and the literary marketplace in the nineteenth-century British and American novel. She has written an Introductions and Notes for Harriet Beecher Stowe’s Uncle Tom’s Cabin and Jane Austen’s Mansfield Park. Amy Billone is Assistant Professor at the University of Tennessee, Knoxville where her specialty is 19th Century British literature. She is the author of Little Songs: Women, Silence and the Nineteenth-Century Sonnet and has published articles on both children’s literature and poetry in numerous places. She wrote the Introduction and Notes for Peter Pan by J. -
Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2017 Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood Kevin Mercer University of Central Florida Part of the History Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Mercer, Kevin, "Hippieland: Bohemian Space and Countercultural Place in San Francisco's Haight-Ashbury Neighborhood" (2017). Electronic Theses and Dissertations, 2004-2019. 5540. https://stars.library.ucf.edu/etd/5540 HIPPIELAND: BOHEMIAN SPACE AND COUNTERCULTURAL PLACE IN SAN FRANCISCO’S HAIGHT-ASHBURY NEIGHBORHOOD by KEVIN MITCHELL MERCER B.A. University of Central Florida, 2012 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of History in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2017 ABSTRACT This thesis examines the birth of the late 1960s counterculture in San Francisco’s Haight-Ashbury neighborhood. Surveying the area through a lens of geographic place and space, this research will look at the historical factors that led to the rise of a counterculture here. To contextualize this development, it is necessary to examine the development of a cosmopolitan neighborhood after World War II that was multicultural and bohemian into something culturally unique. -
Literary Scholars Association Critics
The 14th Annual Conference of The Association of October 24-26, 2008 Literary Scholars Sheraton Society Hill Hotel Critics and Philadelphia, Pennsylvania Literature Titles from Oxford Journals www.adaptation.oxfordjournals.org www.camqtly.oxfordjournals.org www.english.oxfordjournals.org www.alh.oxfordjournals.org www.cww.oxfordjournals.org ADAPTATION AMERICAN LITERARY THE CAMBRIDGE CONTEMPORARY ENGLISH Adaptation provides an HISTORY QUARTERLY WOMEN’S WRITING Published on behalf of international forum to Covering the study of US The Cambridge Quarterly CWW assesses writing The English Association, theorise and interrogate the literature from its origins was established on the by women authors from English contains essays phenomenon of literature through to the present, principle that literature is an 1970 to the present. It on major works of English on screen from both a American Literary History art, and that the purpose of reflects retrospectively on literature or on topics of literary and film studies provides a much-needed art is to give pleasure and developments throughout general literary interest, perspective. forum for the various, enlightenment. It devotes the period, to survey the aimed at readers within often competing voices itself to literary criticism variety of contemporary universities and colleges of contemporary literary and its fundamental aim work, and to anticipate and presented in a lively inquiry. is to take a critical look at the new and provocative and engaging style. accepted views. women’s writing. www.fmls.oxfordjournals.org -
Saturday, March 14, 7:30Pm, Sunday, March 15, 3Pm, Friday, March 20, 7:30Pm & Saturday, March 21, 3Pm
Starring the future, today! Book by Music & Lyrics by JOHN CAIRD STEPHEN SCHWARTZ Based on a concept by CHARLES LISANBY Orchestrations by BRUCE COUGHLIN & MARTIN ERSKINE Saturday, March 14, 7:30pm, Sunday, March 15, 3pm, Friday, March 20, 7:30pm & Saturday, March 21, 3pm Children of Eden TMTO sponsored by Season sponsored by from CRATERIAN PERFORMANCES presents the the EXECUTIVE DIRECTOR ur story begins in the beginning, with God’s creative nature and desire to be in relationship with his children. OPerhaps you don’t believe in the Biblical narrative (with which Stephen Schwartz, as composer and storyteller, takes consider- production of able liberties), but you might have children and find “Father’s” hopes and desires for his children relatable. Or perhaps you have siblings. You certainly have parents. And so, one way or another, you’re included in this story. It’s about you. It’s about all of us. It’s about our frailties and foibles, our struggles and failures, and it’s about our curiosity, ambitions and determination to live life the way we choose. It is also, like the Bible itself, ultimately a story about hope, love and redemption. When we don’t measure up, it takes someone else’s love us to lift us up. The meaning and message in all of this is timeless, and so director Cailey McCandless cast a vision for the show that unmoors it from ancient settings. And you might notice there are very few parallel lines in the show’s design... mostly intersecting angles, because life and our relationships tend to work that way. -
Regional Oral History Off Ice University of California the Bancroft Library Berkeley, California
Regional Oral History Off ice University of California The Bancroft Library Berkeley, California Richard B. Gump COMPOSER, ARTIST, AND PRESIDENT OF GUMP'S, SAN FRANCISCO An Interview Conducted by Suzanne B. Riess in 1987 Copyright @ 1989 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West,and the Nation. Oral history is a modern research technique involving an interviewee and an informed interviewer in spontaneous conversation. The taped record is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The resulting manuscript is typed in final form, indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. All uses of this manuscript are covered by a legal agreement between the University of California and Richard B. Gump dated 7 March 1988. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley. -
The Sixties Counterculture and Public Space, 1964--1967
University of New Hampshire University of New Hampshire Scholars' Repository Doctoral Dissertations Student Scholarship Spring 2003 "Everybody get together": The sixties counterculture and public space, 1964--1967 Jill Katherine Silos University of New Hampshire, Durham Follow this and additional works at: https://scholars.unh.edu/dissertation Recommended Citation Silos, Jill Katherine, ""Everybody get together": The sixties counterculture and public space, 1964--1967" (2003). Doctoral Dissertations. 170. https://scholars.unh.edu/dissertation/170 This Dissertation is brought to you for free and open access by the Student Scholarship at University of New Hampshire Scholars' Repository. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of University of New Hampshire Scholars' Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
Jazz and Radio in the United States: Mediation, Genre, and Patronage
Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition. -
Robert Lee Anderson February 19, 1940 – November 2, 2020
Robert Lee Anderson February 19, 1940 – November 2, 2020 Robert Lee Anderson, 80, died in Vallejo, California, on November 2, 2020. He was born in Kansas City, Missouri, on February 19, 1940, and grew up in Redlands California, the middle son of Carl Anderson & Varene Anderson, with his two brothers Phil and Steve. Bob attended Redlands High School, where he starred in football, basketball, and track. He was the recipient of a Bank of America college scholarship and went on to Dartmouth College where he majored in history, played freshman football and basketball and later joined Alpha Delta Phi fraternity, where he became the legendary “Otter” of National Lampoon’s “Animal House” fame. Upon graduation from Dartmouth, he was commissioned in the U.S. Marine Corps and was assigned to active duty at Camp Lejeune, North Carolina. While in the Corps, he married Endicott grad Gay Tabibian of West Hempstead, New York, and they produced daughter Shareen and son Michael. After active duty, Bob enrolled in UCLA Law School where in his initial year, first in the class, he attained the highest GPA in the history of the school. He won the UCLA Moot Court competition, was elected editor-in-chief of the Law Review, Order of Coif, and graduated second in his class. He joined the prestigious New York City law firm Cravath, Swaine & Moore, where he spent seven productive years until 1973 when he was recruited by McLeod & Erickson, a small firm in Los Altos, California, which represented Saudi entrepreneur Adnan Khashoggi. Over the next several years Bob traveled extensively throughout the Middle East, South America, Asia, and Europe, often on Khashoggi’s private planes and yachts, doing deals for Triad Corp, culminating in Washington, DC, when Khashoggi agreed to appear before the House Committee on Corrupt Practices Abroad and the Securities Exchange Commission. -
Ernest Guiraud: a Biography and Catalogue of Works
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1990 Ernest Guiraud: A Biography and Catalogue of Works. Daniel O. Weilbaecher Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Weilbaecher, Daniel O., "Ernest Guiraud: A Biography and Catalogue of Works." (1990). LSU Historical Dissertations and Theses. 4959. https://digitalcommons.lsu.edu/gradschool_disstheses/4959 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS The most advanced technology has been used to photograph and reproduce this manuscript from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps.