DOCSLIB.ORG

Sophisticated and Sharp... One of the Best, Robust Listening Experiences.” - Rolling Stone

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Sophisticated and Sharp... One of the Best, Robust Listening Experiences.” - Rolling Stone DAVID LYTTLE “SOPHISTICATED AND SHARP... ONE OF THE BEST, ROBUST LISTENING EXPERIENCES.” - ROLLING STONE David Lyttle is a MOBO-nominated Irish musician, recording artist, songwriter, jazz drummer, producer and record label owner! Lyttle was born and lives in Northern Ireland. Music is truly a family affair, Lyttle began performing as a member of the Lyttle Family band from the age of four, playing folk and classical music until his teens. Lyttle honed his musical skills across drums, percussion, cello, keyboards, bass and vocals. At age 14 Lyttle kick-started his DJ career on the Northern Irish club circuit. Aged 19 he became a solo artist, it was also at this age he discovered the great jazz artists, who would become his greatest influence. This was a pre-YouTube time so, people really had to make an effort to discover music genres and artists. Lyttle cites his genre influences as jazz, hip hop, soul, classical, pop and folk and music artists as, Art Blakey, Q-Tip and Dr John who he appreciates for their strong vibes. to launch in 2017. “ART BLAKEY HAS MOST INFLUENCED MY JAZZ DRUMMING. MY STUDIO PROJECTS ARE INFLUENCED BY SO MANY PEOPLE…J DILLA COMES TO MIND IMMEDIATELY WHEN I THINK OF MY HIP-HOP ELEMENTS” - DAVID LYTTLE Lyttle bolstered his already comprehensive musical-life experience with academic qualifications. He received scholarships to study at Skidmore Jazz Institute (New York) and the Banff Centre (Canada), whilst also studying for a BMus at the University of Ulster, where he also became a doctor of music in 2009. Lyttle released his first solo album, True Story, on his newly formed label Lyte Records in 2007. Over the next five years he would feature a long list of international jazz icons in his touring bands. In 2012, Lyttle branched out into hip-hop and soul, and released his second album Interlude, which earned him an international reputation as a producer and songwriter. The following year he released the dance track, ‘Celebrate’ with vocalist Rhea Lyttle, Northern Irish recording artist Duke Special and Beat Carnival percussionists, a Belfast arts organisation where he was the Musician-In-Residence. The track was on the playlists of the major commercial radio stations in Ireland. A natural collaborator, Lyttle explores and mixes things up musically with explosive fusions in recent years. Lyttle’s third album, Faces features collaborations with hip-hop visionary Talib Kweli, Grammy winning saxophone icon Joe Lovano, Duke Special, forward-thinking British vocalists, Cleveland Watkiss, Rhea Lyttle, Anne Lyttle and Jan Hutchinson; rappers Illspokinn, Homecut and Zane to name a few. Faces is Lyttle’s most diverse, wide-reaching and critically acclaimed album to date. “...EXTRAORDINARY...“ - TIME OUT “...CLASSY...SLICK...EXCEPTIONAL...” - MOBO (ON ‘FACES’) Lyttle has successfully toured the festival circuit, performing across Europe at London Jazz Festival, Love Supreme, Beethoven Festival, Germany, Festival Django Reinhardt, France, Jazzkarr, Talinn, Cork Jazz Festival, Noumea Jazz Festival, South Pacific. While he enjoys the vibe of large venues, he also enjoys the intimacy of performances in clubs and theatres. Lyttle has also made radio and TV appearances around the globe. Currently Lyttle is promoting Faces with his eclectic seven-piece live band, as well as touring with the David Lyttle Trio (jazz) featuring saxophonist Tom Harrison. He is also the 2015 Musician-In-Residence at the Nerve Centre, Derry. In November Lyttle released the collaborative roots album, Say & Do with Northern Irish singer/ songwriter VerseChorusVerse. The album went to No. 1 in the Amazon UK blues chart, with top 40 chart placements on iTunes UK and Ireland. Lyttle closes 2015 with a MOBO Award nomination — Best Jazz Act 2015 and an Urban Music Award nomination — Best Jazz Act 2015. COLLABORATIONS & APPEARANCES Albums: Joe Lovano, Talib Kweli, Duke Special, Jason Rebello, Soweto Kinch, Cleveland Watkiss. Jean Toussaint. On tour: Greg Osby, Soweto Kinch, Tommy Smith, Terell Stafford, Soweto Kinch, Jason Rebello, Andreas Varady. Awards MOBO Awards — nomination — Best Jazz Act 2015 Urban Music Awards — nomination — Best Jazz Act 2015 Cork Jazz Festival — Best Young Irish Musician 2010 “...GENRE-SPANNING...SOPHISTICATED AND SHARP... ONE OF THE BEST, ROBUST LISTENING EXPERIENCES YOU’RE LIKELY TO HAVE ALL YEAR.” - ROLLING STONE (ON ‘FACES’) MUSIC FACES (2015) INTERLUDE (2012) TRUE STORY (2007) ON FILM DAVID LYTTLE - SEEK DAVID LYTTLE - TO BE FREE DAVID LYTTLE - QUESTIONS (FEAT. ANNE LYTTLE & JASON REBELLO) (FEAT. HOMECUT & NATALIE OLIVERI) (FEAT. RHEA) www.davidlyttle.com or follow David Lyttle on: Heather Taylor founded RedFire Music in 2007. RedFire Music Mission • Represent and promote established music artists • Provide the best platform for music artists to develop their craft • Work with and promote up-and-coming music artists • Change the perception of jazz for new audiences with exciting new collaborations and fusions Contact: Heather Taylor RedFire Music represents: Gregory Porter, Troy Miller, Nina Ferro, E: [email protected] Nigel Mooney, The Family Stone, David Lyttle, ReIgnite-Gershwin, M: 07545 076874 Gold Of My Own..
Load more

Recommended publications
  • Deutsche Nationalbibliografie
    Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2010 T 05 Stand: 19. Mai 2010 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main, Berlin) 2010 ISSN 1613-8945 urn:nbn:de:101-ReiheT05_2010-1 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie Katalogisierung, Regeln für Musikalien und Musikton-trä- auf der Sachgruppenübersicht angegeben, entsprechend ger (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD
    [Show full text]
  • Download Booklet
    Onyx Brass Onyx Brass Niall Keatley, Alan Thomas trumpets Onyx Noir Andrew Sutton horn · Amos Miller trombone David Gordon-Shute tuba 1 Gwilym Simcock Stomper 8’07 2 Laurence Cottle Holy Chalcedony 4’43 Kenny Wheeler 1 for 5 3 I 4’29 4 II 2’47 5 Trish Clowes The Mighty Pencil 4’12 6 Mark Nightingale For Rosie 5’25 7 Jason Rebello Inevitable Outcome 4’29 8 David Powell Symbols at your Door (CD edit) 7’32 9 Liam Noble Imaginary Dance 5’14 bl Guy Barker Onyx Noir 5’17 Mick Foster Hamlet Stories bm I Moving 3’26 bn II Funky 1’44 bo III Slowly 2’30 Colin Skinner Firebox bp I Hetton Colliery Lyon 3’11 bq II Sunny South Sam 4’02 br III The Federal Express 2’30 bs Mike Walker Let Her Go 5’51 Total timing 76’05 photo © Benjamin Ealovega 3 “This album is an incredible set of brilliant musical stories by a group There is currently a golden era in British jazz, and we felt that it was important, not just of extraordinarily talented writers. All exquisitely delivered by the from a brass chamber music perspective, but also from a wider classical music point of UK’s absolute top brass quintet, Onyx Brass. I love it!” Oren Marshall view, that this wealth of talent should be tapped to create music in a jazz idiom, using each composer’s unique understanding of melody, harmony and rhythm, but playable Introduction by Amos Miller by classical musicians. The commissioning brief for each composer was simple: something around 5 minutes and do whatever you want! We are completely thrilled by th The release of this album marks the 25 anniversary of Onyx Brass.
    [Show full text]
  • The London Piano Festival Celebrates Fifth Anniversary with Five-Day Festival Featuring Ten Pianists and Two Premieres
    IN PARTNERSHIP WITH The London Piano Festival celebrates fifth anniversary with five-day Festival featuring ten pianists and two premieres Vadym Kholodenko | Charles Owen | Marcus du Sautoy | Marcin Wasilewski David Owen Norris | Katya Apekisheva | Kathryn Stott | Noriko Ogawa Finghin Collins | Janneke Brits | James Kreiling 7 – 11 October 2020 | Kings Place, London ‘The festival came off with brio, brilliance and the brightest of spirits.’ The Sunday Times, October 2018 • Solo recitals by Vadym Kholodenko and Katya Apekisheva, jazz performance by Marcin Wasilewski, Goldberg Variations with Marcus du Sautoy and Charles Owen, plus a lecture-recital by David Owen Norris – part of the Beethoven 250 celebrations. • European premiere of a new work by Sally Beamish, co-commissioned by the London Piano Festival and New Ross Piano Festival • Two-Piano Gala with Katya Apekisheva, Finghin Collins, Vadym Kholodenko, Noriko Ogawa, Charles Owen and Kathryn Stott, featuring The Rite of Spring, part of Kings Place’s Nature Unwrapped series. • World premiere of a new two-piano work by the winner of the International Piano Composition Competition The London Piano Festival today announced its 2020 programme, celebrating its fifth anniversary year, taking place between 7 and 11 October at Kings Place, London. The Festival is devised by founding Artistic Directors Katya Apekisheva and Charles Owen. Ten pianists come together for five days of recitals, jazz, a lecture-recital, family concert and the much-anticipated Two-Piano Gala. The Festival is offering a limited number of discounted tickets to under 30’s for selected events, in order to broaden the reach of the Festival. The London Piano Festival is delighted to be working with International Piano magazine as media partner for the fifth year running.
    [Show full text]
  • Music Arts Thursday 18Th £12 £23 Juice Voice Ensemble 38 November 2014 December 2014 January 2015
    SHREWSBURY SCHOOL Music & Arts 58th Season September 2014 to July 2015 1 2 Welcome Welcome to the 58th Season of the Performing Arts at Shrewsbury School. This is a momentous year for the School, as we welcome our first 13- and 14-year-old girls in September 2014. We look forward to the many advantages that full co-education will bring to the School, not least further strength and enhancement to our musical and theatrical performances. Our own school concerts and plays are at the heart of the season, at which we celebrate the many talents of current pupils. Galin Ganchev, who has entranced audiences during his time at Shrewsbury with his dazzling piano playing, will give an evening recital and will also perform Rachmaninoff’s 3rd Piano Concerto with the School Orchestra. There is a wonderful chance to hear some of our talented young performers at the Wigmore Hall in London in February, and to hear the Chapel Choir singing Evensong at two of the most beautiful ecclesiastical buildings in the country. At the heart of the first part of our series lies Dr Charles Burney, one of Shrewsbury School’s greatest sons, writer, author, composer, traveller and friend to many 18th century luminaries. 2014 is the Bicentenary of his death, and the Salomon Quartet will lead the commemorations of his long and productive life. The St Cecilia Weekend concerts celebrate Burney and his times, and will include a fascinating illustrated lecture on the man himself. Our Community Choir will also join with pupil choristers and soloists to perform Mozart’s wonderful C Major Mass, the Missa Longa.
    [Show full text]
  • IGRC Conference 18Th - 23Rd March 2016
    IGRC Conference 18th - 23rd March 2016 Abstracts and Biographies SATURDAY 19th MARCH 2016 Session 1 – 9.00 am to 10.30 am Papers in TB18 Benjamin Bruant (IGRC, University of Surrey) Andrès Segovia’s collaboration with Mario Castelnuovo-Tedesco (MCT): Case study - Passacaglia opus 180 The Passacaglia, opus 180, was composed by Mario Castelnuovo-Tedesco in 1956 and is dedicated to Andrès Segovia, who never played or recorded it. The score was published in 1970 by Berben, a publishing house which had never previously worked with Andrès Segovia. The score was revised and fingered in 1968 by the guitarist and musicologist Angelo Gilardino. We can therefore question if Segovia had any influence on the piece, during the compositional, editing or publication process. When the immediate answer would seem to be that Segovia’s influence on the piece is limited or even non-existent, the newly discovered correspondences between the composer and the guitarist refute this hypothesis. This case study, based on analysis of the manuscript score as well as study of the correspondences between Segovia and MCT, aims to define the role of Segovia in the compositional process, to question the value of the publication of the Passacaglia and to assess the importance of historical information contained in the MCT/Segovia correspondences. Born in Le Havre (France), Benjamin Bruant began his musical study at the age of seven in his hometown. After getting a bachelor degree in Physics, he moved to Paris in order to improve his music knowledge. He studied with Pedro Ibanez at the Conservatoire Nationale de Region of Paris for three years.
    [Show full text]
  • Download Our 2018 Festival Programme Here
    SLIGO JAZZ FESTIVAL 2018 24-29 July sligojazz.ie Tickets 071 9161518 Sligo Jazz Project’s annual event is one of Europe’s most unique festivals, built around Europe’s premier jazz summer school. This year Sligo Jazz Project has 26 tutors and attracts over 120 participants annually. This fabulous bunch of avid music lovers forms our core audience and makes for an atmosphere like no other festival. As a consequence, the empathy that builds throughout this week is quite extraordinary. Participants attend workshops each day, perform together in ensembles, a wonderful facet of this week, when it spills over into our twice daily jam sessions, which feature participants and tutors alike. But hang on, to use the term “tutors” is a massive understatement. We really need to elucidate about the musicians that spend the week teaching and performing at Sligo Jazz each year. Our 2018 faculty features musicians who have performed with Steely Dan, Paul McCartney, Eric Clapton, Hans Zimmer, Stevie Wonder, Al Jarreau, George Benson, Stevie Winwood, Dhafer Youssef, Joe Lovano, the WDR Big Band, Kurt Elling, Maroon 5, Dirty Loops, Westlife, Annie Lennox, James Morrison, Van Morrison, Mose Allison and Nina Simone. We’ve had Grammy winners and Golden Globe nominees. These are not mere educators but consummate composers, arrangers and performers spanning a range of idioms. In Sligo you get the opportunity to learn from the masters. It is these amazing musicians who will perform for you this week, in ever so unpredictable a number of combinations. Catch them jamming with participants and playing concerts, only five of which are pay-in events.
    [Show full text]
  • Choreography Carrie Whitaker
    SPRING 2014 Engaging choreography Carrie Whitaker What’s On Listing for January to July 2014 Welcome Hello and welcome to the Spring edition of ShowCase magazine. Before you begin, grab a pen: this is your There is also news of a revolutionary chance to note down the dates of our ‘world’s first’ course which will teach most exciting performances taking place students in the art of charity within the coming months. In this issue we development. learn about a young University songwriter whose first record earned him one million Visit our listings page at hits on YouTube as well as an on-stage www.chi.ac.uk/events to find out duet with the sister of Harry Potter more about upcoming shows as well star Rupert Grint. as the latest news from our aspiring actors, artists and musicians. In the We hear from one student who meantime, we hope to see you at overcame her disability through singing, some of our many performances and has since gone on to study for an held throughout the coming year. undergraduate degree in music. The pleasure is all yours. 2 | University of Chichester SHOW CASE | 3 Contents Welcome 3 Engaging choreography 6 News and reviews 10 Top of the Top of the pops 15 Against all the odds 16 pops Prizewinning film 19 Chichester student Henry Maybury has Renowned conductor gives his thoughts 20 set his sights on topping the charts. Acts of expression 22 Engaging choreography What’s on 32 Studying with us 52 Choreographer Carrie Whitaker has always been passionate 15 about helping and engaging young people through dance.
    [Show full text]
  • The Creation of Meaning and Identity in the Dublin Jazz Scene, Past and Present
    Technological University Dublin ARROW@TU Dublin Doctoral Applied Arts 2016-8 The Creation of Meaning and Identity in the Dublin Jazz Scene, Past and Present. Damian Evans Technological University Dublin Follow this and additional works at: https://arrow.tudublin.ie/appadoc Part of the Music Commons Recommended Citation Evans, D. (2016) The creation of meaning and identity in the Dublin jazz scene, past and present. Doctoral thesis, Technological University Dublin, 2016. doi:10.21427/D7X32C This Theses, Ph.D is brought to you for free and open access by the Applied Arts at ARROW@TU Dublin. It has been accepted for inclusion in Doctoral by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License THE CREATION OF MEANING AND IDENTITY IN THE DUBLIN JAZZ SCENE, PAST AND PRESENT DAMIAN EVANS, MMUS (Hons) PhD candidate Dublin Institute of Technology Supervisor: Dr Maria McHale Conservatory of Music and Drama August 2016 Abstract The narrative of jazz performance in Ireland is unique due to the political changes that coincided with the arrival of jazz and the influence these changes had on the nation. Over the last one hundred years, jazz performance in Dublin has represented contrasting values for different people. What has remained consistent is the notion of participation within a network of musicians, audience members, promotors and institutions that make up a scene. To participate in a scene is to be actively involved in contestation and negotiation as individuals and groups seek to create meaning and identity through jazz performance.
    [Show full text]
  • Artist Title Date Label Ravesignal Heaven on Earth 3.12.1990 R&S
    Artist Title Date Label ravesignal heaven on earth 3.12.1990 r&s records ravesignal golden dreams 3.12.1990 r&s records ravesignal wonderland 3.12.1990 r&s records ravesignal get a buzz 3.12.1990 r&s records spectrum brazil 1.1.1990 r&s records spectrum the incrowd 1.1.1990 r&s records spectrum spectral 1.1.1990 r&s records spectrum amplification 1.1.1990 r&s records free force always there 3.12.1990 action 4 action solaradar don't cry 1.12.1990 eye to eye records l.u.p.o. feat. cathy keep it up 1.1.1990 media records production mimmo mix my way 1.1.1990 whole records dv8 freedom 3.12.1990 strictly rhythm ten city superficial people 3.12.1990 atlantic rozalla bour to luv ya 12/3/1990 pulse 8 ultra naté scandal 12.03.1990 eternal orr-some we can make it (hardcore remix) 3.12.1990 debut evolution bridge simplicity 3.12.1990 ruby red records evolution bridge meree in two 3.12.1990 ruby red records psychotropic hypnosis 1.1.1990 o2 records subject: 13 eternity 3.12.1990 vinyl solution 4 for money it's a moment in time 1.1.1990 tam tam djum djum difference 3.12.1990 outer rhythm heychild heychild's theme 3.12.1990 preview project 1 rush the bridge 1.1.1990 tam tam cyclone a place called bliss 3.12.1990 network x call it techno 3.12.1990 x digital boy gimme a fat beat 3.12.1990 dance department flying records less stress don't dream it's over 13.12.1990 boy's own productions c.f.m band dance to the music (body action) 12/3/1990 underworld mariah carey someday 3.12.1990 columbia georgie porgie do you remember 12/3/1990 tempest frequency hey, hey, hey 3.12.1990 lower east side productions penetration forced entry 3.12.1990 go bang! Artist Title Date Label the brothers grimm déjà vu 12.3.1990 champion danny "d" & d.j.
    [Show full text]
  • Orlando Le Fleming Bio and Discography
    ORLANDO LE FLEMING Among the most proficient and accomplished bassists in the field of contemporary jazz, Orlando le Fleming's virtuoso technique, boundless creativity and powerful beat are those of a musician who has found himself, humbly, occupying a space in the uppermost stratum of American improvised music. Orlando's facility as an improviser and capacity as a team player were first honed not on the bandstand, nor in the practice room, but on the cricket pitch. Originally from the UK, Orlando seemed destined for an athletic career, and was briefly a professional cricketer, until he was granted a place at London’s Royal Academy of music, and his lifelong passion for music won out. Le Fleming's 2003 move to New York City was a timely one. Soon after arriving stateside, Orlando joined Jane Monheit's band, consequently sharing the bass duties on her 2004 release Taking a Chance on Love with Ron Carter and Christian McBride; the year following, he recorded with jazz legend Jimmy Cobb on his Marsalis Music Honors release. In the years since, leaders as diverse as Branford Marsalis, Joey Calderazzo, Kurt Rosenwinkel, Bill Charlap, Billy Cobham, Ari Hoenig, Seamus Blake, Jeff “Tain” Watts and David Sanchez have relied on Le Fleming's firm beat and eloquent counterpoint to propel their rhythm sections forward. While he succeeds as a sideman, it is as a leader that Orlando le Fleming truly shines. From Brooklyn With Love is a living document of Orlando's original compositions, as performed by his 2010 quartet. Recorded in concert at storied Park Slope hangout Freddy's, it features saxophonist Will Vinson, guitarist Lage Lund, and drummer Antonio Sanchez.
    [Show full text]
  • Download the Programme
    SLIGO INTERNATIONAL Jazz festival 16-21 July 2013 www.sligojazz.ie Booking (Hawk’s Well Theatre) Tel: 071 916 1518 or online www.hawkswell.com A style of music, native to America, characterized by a strong but flexible rhythmic understructure zz: with solo and ensemble improvisations on basic Ja tunes and chord patterns and, more recently, a highly sophisticated harmonic idiom. The term “Jazz” is often misunderstood in these parts as being associated with Dixieland, Glenn Miller, Frank Sinatra, or closer to home, Paddy Cole or Sligo’s musical heroes The Jazz Ladds. All the above are worthy representatives of certain strands of jazz music, but there is so much more music out there that should be called jazz: the musical idiom has grown and expanded exponentially since its New Orleans origins in the early 20th century with the infiltration of musical influences from all over the world. In the last couple of decades a great new wave of jazz has grown throughout USA and Europe. In many ways Europe has taken over as the hub of cutting edge modern music, much of which could be described as jazz. Perhaps “Modern Music” is a better definition of this new jazz. In the spirit of Miles Davis it dares to evolve past traditional jazz boundaries by bringing rock, pop, R&B and world music influences into the mix, creating and inspiring new musicians for the 21st century. Sligo Jazz Project is a volunteer-run organization set up in 2005 by myself and other Sligo musicians, to promote jazz education and performance in the Sligo area.
    [Show full text]
  • Downbeat.Com 09281 01493 0 MARCH 2009MARCH U.K
    DB0309_001_COVER.qxd 1/12/09 10:41 AM Page 1 DOWNBEAT FAVORITE BLUE NOTE ALBUMS BEBO & CHUCHO VALDÉS VIRGINIA MAYHEW SUMMER CAMP GUIDE SUMMER CAMP MAYHEW VIRGINIA BLUE NOTE ALBUMS BEBO & CHUCHO VALDÉS FAVORITE DownBeat.com $4.99 03 MARCH 2009 0 09281 01493 5 MARCH 2009 U.K. £3.50 DB0309_002-005_MAST.qxd 1/12/09 12:57 PM Page 2 002-005_MAST 1/8/09 9:53 PM Page 3 DB0309_002-005_MAST.qxd 1/12/09 4:14 PM Page 4 March 2009 VOLUME 76 – NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Jason Koransky Associate Editor Aaron Cohen Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Kelly Grosser Intern Mary Wilcop ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sue Mahal 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 Fax: 630-941-3210 www.downbeat.com [email protected] CUSTOMER SERVICE 800-554-7470 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough, Howard Mandel Austin: Michael Point; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Robert Doerschuk; New Orleans: Erika Goldring, David Kunian; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.
    [Show full text]