Technological University Dublin ARROW@TU Dublin Doctoral Applied Arts 2016-8 The Creation of Meaning and Identity in the Dublin Jazz Scene, Past and Present. Damian Evans Technological University Dublin Follow this and additional works at: https://arrow.tudublin.ie/appadoc Part of the Music Commons Recommended Citation Evans, D. (2016) The creation of meaning and identity in the Dublin jazz scene, past and present. Doctoral thesis, Technological University Dublin, 2016. doi:10.21427/D7X32C This Theses, Ph.D is brought to you for free and open access by the Applied Arts at ARROW@TU Dublin. It has been accepted for inclusion in Doctoral by an authorized administrator of ARROW@TU Dublin. For more information, please contact
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[email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License THE CREATION OF MEANING AND IDENTITY IN THE DUBLIN JAZZ SCENE, PAST AND PRESENT DAMIAN EVANS, MMUS (Hons) PhD candidate Dublin Institute of Technology Supervisor: Dr Maria McHale Conservatory of Music and Drama August 2016 Abstract The narrative of jazz performance in Ireland is unique due to the political changes that coincided with the arrival of jazz and the influence these changes had on the nation. Over the last one hundred years, jazz performance in Dublin has represented contrasting values for different people. What has remained consistent is the notion of participation within a network of musicians, audience members, promotors and institutions that make up a scene. To participate in a scene is to be actively involved in contestation and negotiation as individuals and groups seek to create meaning and identity through jazz performance.