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Burial Mounds in Europe and Japan Comparative and Contextual Perspectives
Comparative and Global Perspectives on Japanese Archaeology Burial Mounds in Europe and Japan Comparative and Contextual Perspectives edited by Access Thomas Knopf, Werner Steinhaus and Shin’ya FUKUNAGAOpen Archaeopress Archaeopress Archaeology © Archaeopress and the authors, 2018. Archaeopress Publishing Ltd Summertown Pavilion 18-24 Middle Way Summertown Oxford OX2 7LG www.archaeopress.com ISBN 978 1 78969 007 1 ISBN 978 1 78969 008 8 (e-Pdf) © Archaeopress and the authors 2018 © All image rights are secured by the authors (Figures edited by Werner Steinhaus) Access Cover illustrations: Mori-shōgunzuka mounded tomb located in Chikuma-shi in Nagano prefecture, Japan, by Werner Steinhaus (above) Magdalenenberg burial mound at Villingen-Schwenningen, Germany,Open by Thomas Knopf (below) The printing of this book wasArchaeopress financed by the Sainsbury Institute for the Study of Japanese Arts and Cultures All rights reserved. No part of this book may be reproduced, or transmitted, in any form or by any means, electronic, mechanical, photocopying or otherwise, without the prior written permission of the copyright owners. Printed in England by Oxuniprint, Oxford This book is available direct from Archaeopress or from our website www.archaeopress.com © Archaeopress and the authors, 2018. Contents List of Figures .................................................................................................................................................................................... iii List of authors ................................................................................................................................................................................. -
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch Für Europäische Geschichte
Dress and Cultural Difference in Early Modern Europe European History Yearbook Jahrbuch für Europäische Geschichte Edited by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Volume 20 Dress and Cultural Difference in Early Modern Europe Edited by Cornelia Aust, Denise Klein, and Thomas Weller Edited at Leibniz-Institut für Europäische Geschichte by Johannes Paulmann in cooperation with Markus Friedrich and Nick Stargardt Founding Editor: Heinz Duchhardt ISBN 978-3-11-063204-0 e-ISBN (PDF) 978-3-11-063594-2 e-ISBN (EPUB) 978-3-11-063238-5 ISSN 1616-6485 This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 04. International License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Control Number:2019944682 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.dnb.de. © 2019 Walter de Gruyter GmbH, Berlin/Boston The book is published in open access at www.degruyter.com. Typesetting: Integra Software Services Pvt. Ltd. Printing and Binding: CPI books GmbH, Leck Cover image: Eustaţie Altini: Portrait of a woman, 1813–1815 © National Museum of Art, Bucharest www.degruyter.com Contents Cornelia Aust, Denise Klein, and Thomas Weller Introduction 1 Gabriel Guarino “The Antipathy between French and Spaniards”: Dress, Gender, and Identity in the Court Society of Early Modern -
Artifact-Centric Modeling of Business Processes Using UML Diagrams
Proceedings of The 20th World Multi-Conference on Systemics, Cybernetics and Informatics (WMSCI 2016) Artifact-Centric Modeling of Business Processes Using UML Diagrams David Grünert, Thomas Keller, and Elke Brucker-Kley ZHAW School of Management and Law Institute of Business Information Technology 8401 Winterthur, Switzerland {grud, kell, brck}@zhaw.ch Abstract and hidden in the process model. Accordingly, the positioning of information at the center of modeling was termed data- or infor- The modeling of business processes to date has focused on an mation-centric process modeling [2], [3], [4], [5]. Information activity-based perspective while business artifacts associated with entities are modeled by state charts. Transitions are triggered by the process have been modeled on an abstract and informal level. activities. Associated roles are defined by means of use case Ad hoc, dynamic business processes have recently emerged as a diagrams. In [5], the term opportunistic BPM (oBPM) was intro- requirement. Subsequently, BPMN was extended with ad hoc duced for this kind of approach. The duality between activity- sub-processes and a new standard, Case Management Modeling and information-centric models was shown in [6]. and Notation (CMMN), has been created by the Object Manage- Many artifact-centric approaches defined new or extended model ment Group (OMG). CMMN has an information-centric ap- syntax [6]. However, a new or extended modeling syntax increas- proach, whereas the extension of BPMN adheres to an activity- es complexity for all parties involved in designing, reading, and based perspective. The focus on BPMN and on processes in gen- implementing the modeled process and requires adapted model- eral has caused UML to fade into the background. -
Ancient Jades Map 3,000 Years of Prehistoric Exchange in Southeast Asia
Ancient jades map 3,000 years of prehistoric exchange in Southeast Asia Hsiao-Chun Hunga,b, Yoshiyuki Iizukac, Peter Bellwoodd, Kim Dung Nguyene,Be´ re´ nice Bellinaf, Praon Silapanthg, Eusebio Dizonh, Rey Santiagoh, Ipoi Datani, and Jonathan H. Mantonj Departments of aArchaeology and Natural History and jInformation Engineering, Australian National University, Canberra ACT 0200, Australia; cInstitute of Earth Sciences, Academia Sinica, P.O. Box 1-55, Nankang, Taipei 11529, Taiwan; dSchool of Archaeology and Anthropology, Australian National University, Canberra ACT 0200, Australia; eDepartment of Ancient Technology Research, Vietnam Institute of Archaeology, Hanoi, Vietnam; fCentre National de la Recherche Scientifique, Unite´Mixte de Recherche 7528, 27 Rue Paul Bert, 94204 Ivry-sur-Seine, France; gDepartment of Archaeology, Silpakorn University, Bangkok 10200, Thailand; hArchaeology Division, National Museum of the Philippines, Manila, Philippines; and iSarawak Museum, Kuching, Malaysia Edited by Robert D. Drennan, University of Pittsburgh, Pittsburgh, PA, and approved October 5, 2007 (received for review August 3, 2007) We have used electron probe microanalysis to examine Southeast Japanese archaeologist Kano Tadao (7) recognized four types of Asian nephrite (jade) artifacts, many archeologically excavated, jade earrings with circumferential projections that he believed dating from 3000 B.C. through the first millennium A.D. The originated in northern Vietnam, spreading from there to the research has revealed the existence of one of the most extensive Philippines and Taiwan. Beyer (8), Fox (3), and Francis (9) also sea-based trade networks of a single geological material in the suggested that the jade artifacts found in the Philippines were of prehistoric world. Green nephrite from a source in eastern Taiwan mainland Asian origin, possibly from Vietnam. -
Three Cranes Tavern (1629-1775) Charlestown, Massachsuetts
David Teniers “Tavern Scene” 1658 An Archaeological Reevaluation of the Great House/ Three Cranes Tavern (1629-1775) Charlestown, Massachsuetts By Craig S. Chartier Plymouth Archaeological Rediscovery Project May 2016 Citizens of the Commonwealth were given a rare opportunity to witness the investigation of part of Boston's earliest colonial past during the city's "Big Dig"/ Central Artery Project in 1985, when the Massachusetts Bay Colony's "Great House" was explored prior to the site's destruction (all of the background information presented here, on both the history of the property and the excavations, is based on Gallagher et al 1994). The Great House, located in City Square in Charlestown, was built in 1629 before Boston was even settled. It was to serve as the first residence of Governor Winthrop and the other prominent members of the company and as the colony's meetinghouse. It is believed to have been erected by a party of 100 men from Salem, who had been sent with orders to build it, lay out streets, and survey the two acre lots to be assigned to settlers. Work was begun in June 1629 and was expected to be completed by the time of the arrival of Winthrop's fleet of 11 ships in the summer of the following year. Archaeologists assumed that it was to have been a formal, professionally designed structure symbolizing the hierarchical nature of the new settlement and serving as a link between the old and new worlds. Unfortunately, soon after the fleet's arrival, a great mortality swept the colony, which the settlers attributed to the brackish drinking water in the new settlement. -
Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 74-2001
CULTURAL FORMATION PROCESSES OF THE ARCHAEOLOGICAL RECORD: APPLICATIONS AT THE JOINT SITE, EAST-CENTRAL ARIZONA Item Type text; Dissertation-Reproduction (electronic) Authors Schiffer, Michael B. Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 11/10/2021 00:04:31 Link to Item http://hdl.handle.net/10150/288122 INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. -
Plantuml Language Reference Guide (Version 1.2021.2)
Drawing UML with PlantUML PlantUML Language Reference Guide (Version 1.2021.2) PlantUML is a component that allows to quickly write : • Sequence diagram • Usecase diagram • Class diagram • Object diagram • Activity diagram • Component diagram • Deployment diagram • State diagram • Timing diagram The following non-UML diagrams are also supported: • JSON Data • YAML Data • Network diagram (nwdiag) • Wireframe graphical interface • Archimate diagram • Specification and Description Language (SDL) • Ditaa diagram • Gantt diagram • MindMap diagram • Work Breakdown Structure diagram • Mathematic with AsciiMath or JLaTeXMath notation • Entity Relationship diagram Diagrams are defined using a simple and intuitive language. 1 SEQUENCE DIAGRAM 1 Sequence Diagram 1.1 Basic examples The sequence -> is used to draw a message between two participants. Participants do not have to be explicitly declared. To have a dotted arrow, you use --> It is also possible to use <- and <--. That does not change the drawing, but may improve readability. Note that this is only true for sequence diagrams, rules are different for the other diagrams. @startuml Alice -> Bob: Authentication Request Bob --> Alice: Authentication Response Alice -> Bob: Another authentication Request Alice <-- Bob: Another authentication Response @enduml 1.2 Declaring participant If the keyword participant is used to declare a participant, more control on that participant is possible. The order of declaration will be the (default) order of display. Using these other keywords to declare participants -
Archaeology in Alberta 1978
ARCHAEOLOGY IN ALBERTA, 1978 Compiled by J.M. Hillerud Archaeological Survey of Alberta Occasional Paper No. 14 ~~.... Prepared by: Published by: Archaeological Survey Alberta Culture of Alberta Historical Resources Division OCCASIONAL PAPERS Papers for publication in this series of monographs are produced by or for the four branches of the Historical Resources Division of Alberta Culture: the Provincial Archives of Alberta, the Provincial Museum of Alberta, the Historic Sites Service and the Archaeological Survey of Alberta. Those persons or institutions interested in particular subject sub-series may obtain publication lists from the appropriate branches, and may purchase copies of the publications from the following address: Alberta Culture The Bookshop Provincial Museum of Alberta 12845 - 102 Avenue Edmonton, Alberta T5N OM6 Phone (403) 452-2150 Objectives These Occasional Papers are designed to permit the rapid dissemination of information resulting from Historical Resources' programmes. They are intended primarily for interested specialists, rather than as popular publications for general readers. In the interests of making information available quickly to these specialists, normal production procedures have been abbreviated. i ABSTRACT In 1978, the Archaeological Survey of Alberta initiated and adminis tered a number of archaeological field and laboratory investigations dealing with a variety of archaeological problems in Alberta. The ma jority of these investigations were supported by Alberta Culture. Summary reports on 21 of these projects are presented herein. An additional four "shorter contributions" present syntheses of data, and the conclusions derived from them, on selected subjects of archaeo logical interest. The reports included in this volume emphasize those investigations which have produced new contributions to the body of archaeological knowledge in the province and progress reports of con tinuing programmes of investigations. -
A Study on Ancient Artifacts Around Badami Hill and Their Correlation with the Natural Rock Arch Of
A Study on Ancient Artifacts Around Badami Hill and Their Correlation with the Natural Rock Arch of Sidlaphadi SHORT REPORT PRADIPTA BANERJEE MAYUR BAJAJ *Author affiliations can be found in the back matter of this article ABSTRACT CORRESPONDING AUTHOR: Pradipta Banerjee The Badami hill of Bagalkot district, Karnataka, India, houses a large rock arch termed Dayananda Sagar University, IN “Sidlaphadi” that was used as a shelter by primitive man. The hill was searched to [email protected] find any prehistoric artifact that would act as a directional marker towards the arch. An interesting structure was noted in one of the natural caves near the southwestern part of the hill at 15°55’06”N latitude and 75°41’02”E longitude. A miniature replica TO CITE THIS ARTICLE: of the arch was carved onto the floor of the cave. The axis of the miniature bridge Banerjee, P and Bajaj, M. 2021. made an angle of 28.5 ± 1.5° with the 75°41’02”E longitude. The axis, upon extension A Study on Ancient Artifacts eastwards at the defining angle reaches the northern slope of Sidlaphadi. The authors Around Badami Hill and Their also located a megalithic stone arrangement in the northern part of the hill that had Correlation with the Natural a pointed capstone and was thought to be oriented towards the rock arch. The stone Rock Arch of Sidlaphadi. Ancient Asia, 12: 9, pp. 1–9. arrangement was in the same latitude as that of the Sidlaphadi site, but the capstone DOI: https://doi.org/10.5334/ ° ° was oriented 22 E towards the winter solstice sunrise at 112.5 azimuth. -
THE JEWELRY of POTTERY MOUND with a Comparison To
THE JEWELRY OF POTTERY MOUND With a Comparison to Tijeras Pueblo By Lucy C. Schuyler Maxwell Museum Technical Series No. 26 Maxwell Museum of Anthropology University of New Mexico 2016 TABLE OF CONTENTS Page LIST OF FIGURES......................................................................................................................... v LIST OF TABLES......................................................................................................................... vii ACKNOWLEDGMENTS.............................................................................................................. xi 1. INTRODUCTION....................................................................................................................... 1 Excavations at Pottery Mound............................................................................................. 2 Methods................................................................................................................................3 Overview of the Artifacts.....................................................................................................4 2. JEWELRY AND RELATED ARTIFACTS IN THE COLLECTIONS..................................... 5 Beads.................................................................................................................................... 6 Bone......................................................................................................................... 6 Shell........................................................................................................................ -
Artistar Jewels in Milan EXHIBITION / 19 FEB 2019 - 24 FEB 2019 Published: 12.12.2018
Discover Art Jewelry from Selected Jewelers, Galleries and Institutions Artistar Jewels in Milan EXHIBITION / 19 FEB 2019 - 24 FEB 2019 Published: 12.12.2018 Bracelet and neckpiece made by Rachel Reilly. © By the author. Read Klimt02.net Copyright. Artistar Jewels, the international event dedicated to body ornaments now in its sixth edition, will be held for the first time at Palazzo Bovara in Corso di Porta Venezia in Milan. The entire building will be dedicated exclusively to the exhibition, with over 700 square meters of exhibition space. A not-to-be-missed opportunity to admire the beauty of contemporary jewellery declined in 500 sculptural ornaments, ironic, sometimes on the verge of wearability, inserted in an experiential path divided into themes: avant-garde, innovation, precious and recycling. The creations on show are of the highest artistic and technical level, most of which created for the project and never exhibited before. Artist list Hawraa Almaqseed, Nita Angeletti, Artifact Jewellery, Asimi, Aurum by Guðbjörg, Priyanka Baburaj, Francesco Barbato, Ronel Bauermeister, Miruna Belicovici, Raquel Bessudo, Glauco Cambi, Elizabeth Jane Campbell, Ana Margarida Carvalho, Milla Castro, Alva Chen, Valerie Cheung, Sarah Christian, Luana Loureiro Coelho, Marion Colasse, Anca Ioana Croitoru, Susan Crow, Silvia Cruceru, Sheila Cunha, Francesca Di Virgilio, Maria Elisabetta Donadio, Yichen Dong, Anastasia Dubrova, Dominika Durtan, Mikky Eger, Ellence, Quinta Essenza, John Farris, Mina Farrokhi, Flaminia Quattrocchi Design, Lindsey Fontijn, -
Louisiana's Bousillage Tradition
Louisiana’s Bousillage Tradition: Investigation of Past Techniques for Future Practice FITCH MID-CAREER GRANT FINAL REPORT By: Laura Ewen Blokker Principal, Southeast Preservation [email protected] Heather A. Knight Adjunct Assistant Professor, Tulane School of Architecture [email protected] Contents Introduction ..................................................................................................................................... 1 Survey Work ................................................................................................................................... 2 Materials Analysis .......................................................................................................................... 9 Interviews ...................................................................................................................................... 17 Conclusions and Future Directions ............................................................................................... 23 Glossary ........................................................................................................................................ 25 On the cover: Clockwise from left, tacheron trampling Spanish moss into clay for bousillage at Green House by H. Knight; detail of bousillage in Estopinal House by L. Blokker; photomicrograph of Dumesnil House bousillage showing traces of decayed Spanish moss bark by J. Walsh. Introduction This report describes the work of the 2009 Fitch Mid-Career Grant funded project, “Louisiana‟s