A Study on Ancient Artifacts Around Badami Hill and Their Correlation with the Natural Rock Arch Of
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Western Ghats & Sri Lanka Biodiversity Hotspot
Ecosystem Profile WESTERN GHATS & SRI LANKA BIODIVERSITY HOTSPOT WESTERN GHATS REGION FINAL VERSION MAY 2007 Prepared by: Kamal S. Bawa, Arundhati Das and Jagdish Krishnaswamy (Ashoka Trust for Research in Ecology & the Environment - ATREE) K. Ullas Karanth, N. Samba Kumar and Madhu Rao (Wildlife Conservation Society) in collaboration with: Praveen Bhargav, Wildlife First K.N. Ganeshaiah, University of Agricultural Sciences Srinivas V., Foundation for Ecological Research, Advocacy and Learning incorporating contributions from: Narayani Barve, ATREE Sham Davande, ATREE Balanchandra Hegde, Sahyadri Wildlife and Forest Conservation Trust N.M. Ishwar, Wildlife Institute of India Zafar-ul Islam, Indian Bird Conservation Network Niren Jain, Kudremukh Wildlife Foundation Jayant Kulkarni, Envirosearch S. Lele, Centre for Interdisciplinary Studies in Environment & Development M.D. Madhusudan, Nature Conservation Foundation Nandita Mahadev, University of Agricultural Sciences Kiran M.C., ATREE Prachi Mehta, Envirosearch Divya Mudappa, Nature Conservation Foundation Seema Purshothaman, ATREE Roopali Raghavan, ATREE T. R. Shankar Raman, Nature Conservation Foundation Sharmishta Sarkar, ATREE Mohammed Irfan Ullah, ATREE and with the technical support of: Conservation International-Center for Applied Biodiversity Science Assisted by the following experts and contributors: Rauf Ali Gladwin Joseph Uma Shaanker Rene Borges R. Kannan B. Siddharthan Jake Brunner Ajith Kumar C.S. Silori ii Milind Bunyan M.S.R. Murthy Mewa Singh Ravi Chellam Venkat Narayana H. Sudarshan B.A. Daniel T.S. Nayar R. Sukumar Ranjit Daniels Rohan Pethiyagoda R. Vasudeva Soubadra Devy Narendra Prasad K. Vasudevan P. Dharma Rajan M.K. Prasad Muthu Velautham P.S. Easa Asad Rahmani Arun Venkatraman Madhav Gadgil S.N. Rai Siddharth Yadav T. Ganesh Pratim Roy Santosh George P.S. -
Ancient Jades Map 3,000 Years of Prehistoric Exchange in Southeast Asia
Ancient jades map 3,000 years of prehistoric exchange in Southeast Asia Hsiao-Chun Hunga,b, Yoshiyuki Iizukac, Peter Bellwoodd, Kim Dung Nguyene,Be´ re´ nice Bellinaf, Praon Silapanthg, Eusebio Dizonh, Rey Santiagoh, Ipoi Datani, and Jonathan H. Mantonj Departments of aArchaeology and Natural History and jInformation Engineering, Australian National University, Canberra ACT 0200, Australia; cInstitute of Earth Sciences, Academia Sinica, P.O. Box 1-55, Nankang, Taipei 11529, Taiwan; dSchool of Archaeology and Anthropology, Australian National University, Canberra ACT 0200, Australia; eDepartment of Ancient Technology Research, Vietnam Institute of Archaeology, Hanoi, Vietnam; fCentre National de la Recherche Scientifique, Unite´Mixte de Recherche 7528, 27 Rue Paul Bert, 94204 Ivry-sur-Seine, France; gDepartment of Archaeology, Silpakorn University, Bangkok 10200, Thailand; hArchaeology Division, National Museum of the Philippines, Manila, Philippines; and iSarawak Museum, Kuching, Malaysia Edited by Robert D. Drennan, University of Pittsburgh, Pittsburgh, PA, and approved October 5, 2007 (received for review August 3, 2007) We have used electron probe microanalysis to examine Southeast Japanese archaeologist Kano Tadao (7) recognized four types of Asian nephrite (jade) artifacts, many archeologically excavated, jade earrings with circumferential projections that he believed dating from 3000 B.C. through the first millennium A.D. The originated in northern Vietnam, spreading from there to the research has revealed the existence of one of the most extensive Philippines and Taiwan. Beyer (8), Fox (3), and Francis (9) also sea-based trade networks of a single geological material in the suggested that the jade artifacts found in the Philippines were of prehistoric world. Green nephrite from a source in eastern Taiwan mainland Asian origin, possibly from Vietnam. -
Detailed Species Accounts from The
Threatened Birds of Asia: The BirdLife International Red Data Book Editors N. J. COLLAR (Editor-in-chief), A. V. ANDREEV, S. CHAN, M. J. CROSBY, S. SUBRAMANYA and J. A. TOBIAS Maps by RUDYANTO and M. J. CROSBY Principal compilers and data contributors ■ BANGLADESH P. Thompson ■ BHUTAN R. Pradhan; C. Inskipp, T. Inskipp ■ CAMBODIA Sun Hean; C. M. Poole ■ CHINA ■ MAINLAND CHINA Zheng Guangmei; Ding Changqing, Gao Wei, Gao Yuren, Li Fulai, Liu Naifa, Ma Zhijun, the late Tan Yaokuang, Wang Qishan, Xu Weishu, Yang Lan, Yu Zhiwei, Zhang Zhengwang. ■ HONG KONG Hong Kong Bird Watching Society (BirdLife Affiliate); H. F. Cheung; F. N. Y. Lock, C. K. W. Ma, Y. T. Yu. ■ TAIWAN Wild Bird Federation of Taiwan (BirdLife Partner); L. Liu Severinghaus; Chang Chin-lung, Chiang Ming-liang, Fang Woei-horng, Ho Yi-hsian, Hwang Kwang-yin, Lin Wei-yuan, Lin Wen-horn, Lo Hung-ren, Sha Chian-chung, Yau Cheng-teh. ■ INDIA Bombay Natural History Society (BirdLife Partner Designate) and Sálim Ali Centre for Ornithology and Natural History; L. Vijayan and V. S. Vijayan; S. Balachandran, R. Bhargava, P. C. Bhattacharjee, S. Bhupathy, A. Chaudhury, P. Gole, S. A. Hussain, R. Kaul, U. Lachungpa, R. Naroji, S. Pandey, A. Pittie, V. Prakash, A. Rahmani, P. Saikia, R. Sankaran, P. Singh, R. Sugathan, Zafar-ul Islam ■ INDONESIA BirdLife International Indonesia Country Programme; Ria Saryanthi; D. Agista, S. van Balen, Y. Cahyadin, R. F. A. Grimmett, F. R. Lambert, M. Poulsen, Rudyanto, I. Setiawan, C. Trainor ■ JAPAN Wild Bird Society of Japan (BirdLife Partner); Y. Fujimaki; Y. Kanai, H. -
THE JEWELRY of POTTERY MOUND with a Comparison To
THE JEWELRY OF POTTERY MOUND With a Comparison to Tijeras Pueblo By Lucy C. Schuyler Maxwell Museum Technical Series No. 26 Maxwell Museum of Anthropology University of New Mexico 2016 TABLE OF CONTENTS Page LIST OF FIGURES......................................................................................................................... v LIST OF TABLES......................................................................................................................... vii ACKNOWLEDGMENTS.............................................................................................................. xi 1. INTRODUCTION....................................................................................................................... 1 Excavations at Pottery Mound............................................................................................. 2 Methods................................................................................................................................3 Overview of the Artifacts.....................................................................................................4 2. JEWELRY AND RELATED ARTIFACTS IN THE COLLECTIONS..................................... 5 Beads.................................................................................................................................... 6 Bone......................................................................................................................... 6 Shell........................................................................................................................ -
Artistar Jewels in Milan EXHIBITION / 19 FEB 2019 - 24 FEB 2019 Published: 12.12.2018
Discover Art Jewelry from Selected Jewelers, Galleries and Institutions Artistar Jewels in Milan EXHIBITION / 19 FEB 2019 - 24 FEB 2019 Published: 12.12.2018 Bracelet and neckpiece made by Rachel Reilly. © By the author. Read Klimt02.net Copyright. Artistar Jewels, the international event dedicated to body ornaments now in its sixth edition, will be held for the first time at Palazzo Bovara in Corso di Porta Venezia in Milan. The entire building will be dedicated exclusively to the exhibition, with over 700 square meters of exhibition space. A not-to-be-missed opportunity to admire the beauty of contemporary jewellery declined in 500 sculptural ornaments, ironic, sometimes on the verge of wearability, inserted in an experiential path divided into themes: avant-garde, innovation, precious and recycling. The creations on show are of the highest artistic and technical level, most of which created for the project and never exhibited before. Artist list Hawraa Almaqseed, Nita Angeletti, Artifact Jewellery, Asimi, Aurum by Guðbjörg, Priyanka Baburaj, Francesco Barbato, Ronel Bauermeister, Miruna Belicovici, Raquel Bessudo, Glauco Cambi, Elizabeth Jane Campbell, Ana Margarida Carvalho, Milla Castro, Alva Chen, Valerie Cheung, Sarah Christian, Luana Loureiro Coelho, Marion Colasse, Anca Ioana Croitoru, Susan Crow, Silvia Cruceru, Sheila Cunha, Francesca Di Virgilio, Maria Elisabetta Donadio, Yichen Dong, Anastasia Dubrova, Dominika Durtan, Mikky Eger, Ellence, Quinta Essenza, John Farris, Mina Farrokhi, Flaminia Quattrocchi Design, Lindsey Fontijn, -
MUMMIES BEYOND the GRAVE
THE SOAP LADY USA, NORTH AMERICA MUMMIES BEYOND the GRAVE An Introduction to Mummy Studies around the World by janet monge RIGHT: Mummies are found throughout the world—in high mountains and low deserts, in both frigid and hot climates. The locations of the mummies discussed in the following INCA CHILD SACRIFICES articles are shown. PERU, SOUTH AMERICA ver 20 years ago, I got hooked on mummies. on mummy studies that give us both a view to the It began when we first x-rayed the many biology of peoples in the past as well as the cultural O South and North American mummies that circumstances that produce these unique artifacts of are part of the Physical Anthropology Section collec- human mortuary history. The articles in this special tions at the Penn Museum. This led to a drive to glean issue of Expedition illustrate the diversity of mummy even more information from the mummies. For several studies, the nature of mummification, and the cultural years, on Sunday mornings at 6 am, my students and I context of preserving the body. drove all the mummies of the collection one city block They also challenge us to consider questions like: to the Hospital of the University of Pennsylvania, what is a mummy? And what are the ethical concerns Department of Radiology, to CT scan and even MRI with manipulation, study, and display of these bod- them. Eventually we included the Egyptian Section ies? As both cultural and biological artifacts of past mummies, both human and animal. I am still hooked peoples, these authors bring together a diversity of -
Archaeology Activity Book
Archaeology Activity Book Illustrations: Heather Brindza Text: Danielle Ellis Layout: Rebecca Conway Appalachian Forest Heritage Area (AFHA) is a non-profit, grassroots organization that promotes economic and community development by linking central Appalachian forest history, culture, natural history, products and forest management into a multi-state heritage tourism initiative. Monongahela National Forest hosts AFHA-sponsored AmeriCorps service at forest sites that enhance natural resources and tourism and connect local communities. The Eastern National Forests Interpretive Association (ENFIA) is a non-profit association that aids and promotes the historical, scientific, and educational activities of the USDA Forest Service. This activity book was made possible through grants and partnership agreements with AFHA AmeriCorps, ENFIA, and USDA Forest Service. Archaeology is the study of material culture left behind by people from the past. Material culture are things created or used by people, like stone tools, a glass bottle, or even an entire building. Archaeologists look for archaeological sites to try to answer questions about the past. A site is where artifacts, features, or ecofacts are grouped together in an area. This means people were in that area in the past, and it’s up to the archaeologist to figure out what they were doing there. Sometimes archaeologists find things that can’t be easily collected or are part of the environment past peoples used. These things are called features. Features are often large, like the foundation of a house, or difficult to collect from the site, like an ashy campfire ring. Feature example: campfire ring Artifacts are things created or used by past peoples. -
Summary-Report-On-Godavari-River
Summary Report on the Source and Headwaters of the Godavari River, near Tryambakeshwar, India By Subijoy Dutta, P.E. Rivers of the World Foundation (http://rowfoundation.org ) Background: The Godavari originates 80 kilometres (50 mi) from the Arabian Sea in the Western Ghats of central India near Nasik in Maharashtra. It flows for 1,465 kilometres (910 mi), first eastwards across the Deccan Plateau then turns southeast, entering the West Godavari district and East Godavari district of Andhra Pradesh, until it splits into two watercourses that widen into a large river delta and flow into the Bay of Bengal. The Godavari River has a coverage area of 312,812 km2 (120,777 sq mi), which is nearly one-tenth of the area of India and is greater than the areas of England and Ireland put together. The river basin is considered to be divided into 3 sections: upper (source to confluence with Manjira), middle (between confluence of Manjira and Pranhita) and lower (Pranhita confluence to mouth). These put together account for 24.2% of the total basin area. The rivers annual average water inflows are nearly 110 billion cubic metres. Nearly 50% of the water availability is being harnessed. The water allocation from the river among the riparian states are governed by the Godavari Water Disputes Tribunal. The river has highest flood flows in India and experienced recorded flood of 3.6 million cusecs in the year 1986 and annual flood of 1.0 million cusecs is normal. The path of Godavari River 1 Visit to the source of Godavari, Tryambakeswar – Data collection and Observations: My first visit to the area was arranged during February 10-11, 2011 by Dr. -
Western Ghats
Western Ghats From Wikipedia, the free encyclopedia "Sahyadri" redirects here. For other uses, see Sahyadri (disambiguation). Western Ghats Sahyadri सहहदररद Western Ghats as seen from Gobichettipalayam, Tamil Nadu Highest point Peak Anamudi (Eravikulam National Park) Elevation 2,695 m (8,842 ft) Coordinates 10°10′N 77°04′E Coordinates: 10°10′N 77°04′E Dimensions Length 1,600 km (990 mi) N–S Width 100 km (62 mi) E–W Area 160,000 km2 (62,000 sq mi) Geography The Western Ghats lie roughly parallel to the west coast of India Country India States List[show] Settlements List[show] Biome Tropical and subtropical moist broadleaf forests Geology Period Cenozoic Type of rock Basalt and Laterite UNESCO World Heritage Site Official name: Natural Properties - Western Ghats (India) Type Natural Criteria ix, x Designated 2012 (36th session) Reference no. 1342 State Party India Region Indian subcontinent The Western Ghats are a mountain range that runs almost parallel to the western coast of the Indian peninsula, located entirely in India. It is a UNESCO World Heritage Site and is one of the eight "hottest hotspots" of biological diversity in the world.[1][2] It is sometimes called the Great Escarpment of India.[3] The range runs north to south along the western edge of the Deccan Plateau, and separates the plateau from a narrow coastal plain, called Konkan, along the Arabian Sea. A total of thirty nine properties including national parks, wildlife sanctuaries and reserve forests were designated as world heritage sites - twenty in Kerala, ten in Karnataka, five in Tamil Nadu and four in Maharashtra.[4][5] The range starts near the border of Gujarat and Maharashtra, south of the Tapti river, and runs approximately 1,600 km (990 mi) through the states of Maharashtra, Goa, Karnataka, Kerala and Tamil Nadu ending at Kanyakumari, at the southern tip of India. -
The Allopoiesis of the Artifact
Syracuse University SURFACE School of Architecture Dissertations and Architecture Thesis Prep Theses 12-2015 The Allopoiesis of the Artifact Cristina Abondano Follow this and additional works at: https://surface.syr.edu/architecture_tpreps Part of the Architecture Commons Recommended Citation Abondano, Cristina, "The Allopoiesis of the Artifact" (2015). Architecture Thesis Prep. 276. https://surface.syr.edu/architecture_tpreps/276 This Thesis Prep is brought to you for free and open access by the School of Architecture Dissertations and Theses at SURFACE. It has been accepted for inclusion in Architecture Thesis Prep by an authorized administrator of SURFACE. For more information, please contact [email protected]. Cristina Abondano THE ALLOPOIESIS OF THE ARTIFACT (Of Pathological Permanence) Pathological Permanence image caption image caption Cristina Abondano THE ALLOPOIESIS OF THE ARTIFACT (Of Pathological Permanence) Cristina Abondano Advisor | Theodore L. Brown Secondary Advisors| Maya Alam, Daekwon Park 12 . 18 . 2015 Syracuse University School of Architecture The Allopoiesis of the Artifact image caption image caption 4 Cristina Abondano CONTENTS 7 Glosary 9 Claim 11 Proposal 13 Case Study | Castillo san Felipe de Barajas 23 The Urban Artifact In Crisis 27 Pathological Permanence 29 Death of the Political Idea 31 Interrupted Morphological Development 33 Un-Reciprocal Context 35 Physical Barriers of Context 43 Museification 45 -Poiesis 47 Autopoiesis 51 Allopathy 53 Allopoiesis 55 Euthanasia 57 Possible Program Needs 61 Thesis Publication -
Archaeology for Kids!
Archaeology For Kids! In this Issue: • Ask An Archaeologist • Archaeology Word Search • • Talk Like an Archaeologist • The Making of An Artifact • • Archaeology Scramble • Guess the Artifact • Ask An Archaeologist Do archaeologists dig up dinosaurs? Archaeologists study the material remains left behind by people in the past. They actually do not study dinosaurs and fossils, even though they may come across them by accident while they are digging. That’s when they call a palaeontologist, who study earth’s earliest inhabitants, like dinosaurs and early plants that are now extinct and preserved in layers of the earth as fossils. In the field, archaeologists and palaeontologists may look a lot alike because they use similar methods and sometimes similar tools to uncover the past. Palaeontology, however, teaches us about the history of the earth and its earliest inhabitants, while archaeology teaches us about ancient (and sometimes not-so-ancient) people. Do you have questions for one of our archaeologists? E-mail them to Archaeologist” along with your name and age [email protected] answer all your questions. Your question might even be featured in our next issue of with the subject line “Ask an Archaeology and we’ll be sure : For Kids! to Archaeology Word Search ANCIENT FORTS PYRAMIDS ARCHAEOLOGY HISTORIC RADIOCARBON ARTIFACT LONGHOUSE SITE CHERT MOUND SOIL DATING MUMMY STOCKADE EXCAVATE POTTERY TROWEL EXHIBIT PREHISTORIC Talk Like an Archaeologist Artifact: An object made or modified by humans. Some artifacts are stone tools, pottery, jewelry, and clothing. Archaeologists often find artifacts of pottery, glass, or stone, which last longer in the ground than fabric or leather. -
The Use of Ochre and Painting During the Upper Paleolithic of the Swabian Jura in the Context of the Development of Ochre Use in Africa and Europe
Open Archaeology 2018; 4: 185–205 Original Study Sibylle Wolf*, Rimtautas Dapschauskas, Elizabeth Velliky, Harald Floss, Andrew W. Kandel, Nicholas J. Conard The Use of Ochre and Painting During the Upper Paleolithic of the Swabian Jura in the Context of the Development of Ochre Use in Africa and Europe https://doi.org/10.1515/opar-2018-0012 Received June 8, 2017; accepted December 13, 2017 Abstract: While the earliest evidence for ochre use is very sparse, the habitual use of ochre by hominins appeared about 140,000 years ago and accompanied them ever since. Here, we present an overview of archaeological sites in southwestern Germany, which yielded remains of ochre. We focus on the artifacts belonging exclusively to anatomically modern humans who were the inhabitants of the cave sites in the Swabian Jura during the Upper Paleolithic. The painted limestones from the Magdalenian layers of Hohle Fels Cave are a particular focus. We present these artifacts in detail and argue that they represent the beginning of a tradition of painting in Central Europe. Keywords: ochre use, Middle Stone Age, Swabian Jura, Upper Paleolithic, Magdalenian painting 1 The Earliest Use of Ochre in the Homo Lineage Modern humans have three types of cone cells in the retina of the eye. These cells are a requirement for trichromatic vision and hence, a requirement for the perception of the color red. The capacity for trichromatic vision dates back about 35 million years, within our shared evolutionary lineage in the Catarrhini subdivision of the higher primates (Jacobs, 2013, 2015). Trichromatic vision may have evolved as a result of the benefits for recognizing ripe yellow, orange, and red fruits in front of a background of green foliage (Regan et al., Article note: This article is a part of Topical Issue on From Line to Colour: Social Context and Visual Communication of Prehistoric Art edited by Liliana Janik and Simon Kaner.