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Buddhism in America
Buddhism in America The Columbia Contemporary American Religion Series Columbia Contemporary American Religion Series The United States is the birthplace of religious pluralism, and the spiritual landscape of contemporary America is as varied and complex as that of any country in the world. The books in this new series, written by leading scholars for students and general readers alike, fall into two categories: some of these well-crafted, thought-provoking portraits of the country’s major religious groups describe and explain particular religious practices and rituals, beliefs, and major challenges facing a given community today. Others explore current themes and topics in American religion that cut across denominational lines. The texts are supplemented with care- fully selected photographs and artwork, annotated bibliographies, con- cise profiles of important individuals, and chronologies of major events. — Roman Catholicism in America Islam in America . B UDDHISM in America Richard Hughes Seager C C Publishers Since New York Chichester, West Sussex Copyright © Columbia University Press All rights reserved Library of Congress Cataloging-in-Publication Data Seager, Richard Hughes. Buddhism in America / Richard Hughes Seager. p. cm. — (Columbia contemporary American religion series) Includes bibliographical references and index. ISBN ‒‒‒ — ISBN ‒‒‒ (pbk.) . Buddhism—United States. I. Title. II. Series. BQ.S .'—dc – Casebound editions of Columbia University Press books are printed on permanent and durable acid-free paper. -
Reading the Miraculous Powers of Japanese Poetry Spells, Truth Acts, and a Medieval Buddhist Poetics of the Supernatural
Japanese Journal of Religious Studies 32/: –33 © 2005 Nanzan Institute for Religion and Culture R. Keller Kimbrough Reading the Miraculous Powers of Japanese Poetry Spells, Truth Acts, and a Medieval Buddhist Poetics of the Supernatural The supernatural powers of Japanese poetry are widely documented in the lit- erature of Heian and medieval Japan. Twentieth-century scholars have tended to follow Orikuchi Shinobu in interpreting and discussing miraculous verses in terms of ancient (arguably pre-Buddhist and pre-historical) beliefs in koto- dama 言霊, “the magic spirit power of special words.” In this paper, I argue for the application of a more contemporaneous hermeneutical approach to the miraculous poem-stories of late-Heian and medieval Japan: thirteenth- century Japanese “dharani theory,” according to which Japanese poetry is capable of supernatural effects because, as the dharani of Japan, it contains “reason” or “truth” (kotowari) in a semantic superabundance. In the first sec- tion of this article I discuss “dharani theory” as it is articulated in a number of Kamakura- and Muromachi-period sources; in the second, I apply that the- ory to several Heian and medieval rainmaking poem-tales; and in the third, I argue for a possible connection between the magico-religious technology of Indian “Truth Acts” (saccakiriyā, satyakriyā), imported to Japan in various sutras and sutra commentaries, and some of the miraculous poems of the late- Heian and medieval periods. keywords: waka – dharani – kotodama – katoku setsuwa – rainmaking – Truth Act – saccakiriyā, satyakriyā R. Keller Kimbrough is an Assistant Professor of Japanese at Colby College. In the 2005– 2006 academic year, he will be a Visiting Research Fellow at the Nanzan Institute for Religion and Culture. -
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VOLUME 1: BORDERS 2018 Published by National Institute of Japanese Literature Tokyo EDITORIAL BOARD Chief Editor IMANISHI Yūichirō Professor Emeritus of the National Institute of Japanese 今西祐一郎 Literature; Representative Researcher Editors KOBAYASHI Kenji Professor at the National Institute of Japanese Literature 小林 健二 SAITō Maori Professor at the National Institute of Japanese Literature 齋藤真麻理 UNNO Keisuke Associate Professor at the National Institute of Japanese 海野 圭介 Literature KOIDA Tomoko Associate Professor at the National Institute of Japanese 恋田 知子 Literature Didier DAVIN Associate Professor at the National Institute of Japanese ディディエ・ダヴァン Literature Kristopher REEVES Associate Professor at the National Institute of Japanese クリストファー・リーブズ Literature ADVISORY BOARD Jean-Noël ROBERT Professor at Collège de France ジャン=ノエル・ロベール X. Jie YANG Professor at University of Calgary 楊 暁捷 SHIMAZAKI Satoko Associate Professor at University of Southern California 嶋崎 聡子 Michael WATSON Professor at Meiji Gakuin University マイケル・ワトソン ARAKI Hiroshi Professor at International Research Center for Japanese 荒木 浩 Studies Center for Collaborative Research on Pre-modern Texts, National Institute of Japanese Literature (NIJL) National Institutes for the Humanities 10-3 Midori-chō, Tachikawa City, Tokyo 190-0014, Japan Telephone: 81-50-5533-2900 Fax: 81-42-526-8883 e-mail: [email protected] Website: https//www.nijl.ac.jp Copyright 2018 by National Institute of Japanese Literature, all rights reserved. PRINTED IN JAPAN KOMIYAMA PRINTING CO., TOKYO CONTENTS -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries Permalink https://escholarship.org/uc/item/90w6w5wz Author Carter, Caleb Swift Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Asian Languages and Cultures by Caleb Swift Carter 2014 ABSTRACT OF THE DISSERTATION Producing Place, Tradition and the Gods: Mt. Togakushi, Thirteenth through Mid-Nineteenth Centuries by Caleb Swift Carter Doctor of Philosophy in Asian Languages and Cultures University of California, Los Angeles, 2014 Professor William M. Bodiford, Chair This dissertation considers two intersecting aspects of premodern Japanese religions: the development of mountain-based religious systems and the formation of numinous sites. The first aspect focuses in particular on the historical emergence of a mountain religious school in Japan known as Shugendō. While previous scholarship often categorizes Shugendō as a form of folk religion, this designation tends to situate the school in overly broad terms that neglect its historical and regional stages of formation. In contrast, this project examines Shugendō through the investigation of a single site. Through a close reading of textual, epigraphical, and visual sources from Mt. Togakushi (in present-day Nagano Ken), I trace the development of Shugendō and other religious trends from roughly the thirteenth through mid-nineteenth centuries. This study further differs from previous research insofar as it analyzes Shugendō as a concrete system of practices, doctrines, members, institutions, and identities. -
The Case of Sugawara No Michizane in the ''Nihongiryaku, Fuso Ryakki'' and the ''Gukansho''
Ideology and Historiography : The Case of Sugawara no Michizane in the ''Nihongiryaku, Fuso Ryakki'' and the ''Gukansho'' 著者 PLUTSCHOW Herbert 会議概要(会議名, Historiography and Japanese Consciousness of 開催地, 会期, 主催 Values and Norms, カリフォルニア大学 サンタ・ 者等) バーバラ校, カリフォルニア大学 ロサンゼルス校, 2001年1月 page range 133-145 year 2003-01-31 シリーズ 北米シンポジウム 2000 International Symposium in North America 2014 URL http://doi.org/10.15055/00001515 Ideology and Historiography: The Case of Sugawara no Michizane in the Nihongiryaku, Fusi Ryakki and the Gukanshd Herbert PLUTSCHOW University of California at Los Angeles To make victims into heroes is a Japanese cultural phenomenon intimately relat- ed to religion and society. It is as old as written history and survives into modem times. Victims appear as heroes in Buddhist, Shinto, and Shinto-Buddhist cults and in numer- ous works of Japanese literature, theater and the arts. In a number of articles I have pub- lished on this subject,' I tried to offer a religious interpretation, emphasizing the need to placate political victims in order to safeguard the state from their wrath. Unappeased political victims were believed to seek revenge by harming the living, causing natural calamities, provoking social discord, jeopardizing the national welfare. Beginning in the tenth century, such placation took on a national importance. Elsewhere I have tried to demonstrate that the cult of political victims forced political leaders to worship their for- mer enemies in a cult providing the religious legitimization, that is, the mainstay of their power.' The reason for this was, as I demonstrated, the attempt leaders made to control natural forces through the worship of spirits believed to influence them. -
Sakai Port Tourist Information
Sakai Port Tourist Information http://www.mlit.go.jp/kankocho/cruise/ Sakai's kaisen-don (fresh seafood rice bowl) The Sakai Port is one of the best fishing ports in Japan. Sakai has large volume of fresh bluefin tuna and crab catch in Japan. In addition, there are also various fresh seafood caught more fresh on a daily depending on the season such as shiroika (white squid), aji (horse mackerel), snow crab, Silver Salmon and other seafood. Sakai's kaisen-don (fresh seafood rice bowl) is as good as one would expect for a port town with such fresh seafood. Location/View Access 5 min. via car from port(2km) Parking for Season Year-round tour buses 24 buses The city of fish and Kitaro Sakaiminato Guide for Related links Sightseeing http://www.sakaiminato.net/foreign/ Contact Us [Tottori Prefecture Tourism and Exchange Bureau International Tourism Attraction Division ] TEL:+18-857-26-7421 l E-MAIL:[email protected] l Website:http://www.pref.tottori.lg.jp/kokusaikankou/ Izumo Soba ( Buckwheat Noodles) Izumo soba is made from unhusked buckwheat soba grains which are freshly ground into a powder. The husks are used in the process, making the color darker and the aroma stronger compared to other types of soba found in Japan. Some of the ways you can enjoy it include the "warigo" style which involves three round bowls stacked on each other where you add your toppings individually to each bowl and the "kama-age" style where noodles come served in the water that the noodles were boiled in. -
“Modernization” of Buddhist Statuary in the Meiji Period
140 The Buddha of Kamakura The Buddha of Kamakura and the “Modernization” of Buddhist Statuary in the Meiji Period Hiroyuki Suzuki, Tokyo Gakugei University Introduction During Japan’s revolutionary years in the latter half of the nineteenth century, in particular after the Meiji Restoration of 1868, people experienced a great change in the traditional values that had governed various aspects of their life during the Edo period (1603-1867). In their religious life, Buddhism lost its authority along with its economic basis because the Meiji government, propagating Shintoism, repeatedly ordered the proclamation of the separation of Shintoism and Buddhism after the Restoration. The proclamation brought about the anti-Buddhist movement haibutsu kishaku and the nationwide movement doomed Buddhist statuary to a fate it had never before met.1 However, a number of statues were fortunately rescued from destruction and became recognized as sculptural works of Buddhist art in the late 1880s. This paper examines the change of viewpoints that occurred in the 1870s whereby the Buddha of Kamakura, a famous colossus of seated Amida (Amitâbha) from the mid-thirteenth century, was evaluated afresh by Western viewers; it also tries to detect the thresholds that marked the path toward a general acceptance of the idea that Buddhist statuary formed a genre of sculptural works in the fine arts during the Meiji period (1868-1912). Buddhist statuary in the 1870s It is widely known that the term bijutsu was coined in 1872, when the Meiji government translated the German words Kunstgewerbe (arts and crafts) and bildende Kunst (fine arts) in order to foster nationwide participation in the Vienna World Exposition of 1873. -
Faith and Power in Japanese Buddhist Art, 1600-2005
japanese art | religions graham FAITH AND POWER IN JAPANESE BUDDHIST ART, 1600–2005 Faith and Power in Japanese Buddhist Art explores the transformation of Buddhism from the premodern to the contemporary era in Japan and the central role its visual culture has played in this transformation. The chapters elucidate the thread of change over time in the practice of Bud- dhism as revealed in sites of devotion and in imagery representing the FAITH AND POWER religion’s most popular deities and religious practices. It also introduces the work of modern and contemporary artists who are not generally as- sociated with institutional Buddhism but whose faith inspires their art. IN JAPANESE BUDDHIST ART The author makes a persuasive argument that the neglect of these ma- terials by scholars results from erroneous presumptions about the aes- thetic superiority of early Japanese Buddhist artifacts and an asserted 160 0 – 20 05 decline in the institutional power of the religion after the sixteenth century. She demonstrates that recent works constitute a significant contribution to the history of Japanese art and architecture, providing evidence of Buddhism’s persistent and compelling presence at all levels of Japanese society. The book is divided into two chronological sections. The first explores Buddhism in an earlier period of Japanese art (1600–1868), emphasiz- ing the production of Buddhist temples and imagery within the larger political, social, and economic concerns of the time. The second section addresses Buddhism’s visual culture in modern Japan (1868–2005), specifically the relationship between Buddhist institutions prior to World War II and the increasingly militaristic national government that had initially persecuted them. -
Daisen-Oki National Park Boasts Diverse Sceneries, Comprising a Mountainous Area Stretching from Mt
Mountains where the gods reside, and a series of volcanoes and islands that breathe with ancient memories Daisen-Oki National Park boasts diverse sceneries, comprising a mountainous area stretching from Mt. Daisen, the highest Daisen-Oki peak of the Chugoku region, to Mt. Hiruzen and Mt. Kenashi, the Mt. Mitoku area, the coastal portion of the Shimane 15 Peninsula, the Mt. Sanbe area and the Oki Islands. This Park and its surrounding areas include places of mountain worship National Park and stages of a number of Japanese myths such as the Kunibiki Shinwa (“land-pulling myth”), and retain culture and livelihood deeply connected to nature. In the Park’s mountainous region, volcanic topography, forests and grasslands are part of a varied landscape where each area possesses distinct scenery. Amidst this majesty, Mt. Daisen is revered as Japan’s oldest kami-yama —mountain of gods—while Mt. Mitoku is said to be sacred ground for mountain asceticism. On the Shimane Peninsula along with Izumo Grand Shrine, one of the most important shrines in Japan, you will find scenic and historic locations associated with myths in every direction. At Miho Shrine, situated on the eastern tip of the Shimane Peninsula, Shinto rituals associated with two ancient accounts of Japanese history, the Kojiki and the Nihon- Shoki, are passed down as regional events, while the main hall of Izumo Grand Shrine, constructed in the oldest style of Shinto shrine architecture, is a designated National Treasure. The Oki Islands are celebrated for their spectacular islands and coastal scenery. In acknowledgement of the geohistory that dynamic forces created them, their isolated and unique ecosystem, and the lifestyle and traditions that this environment nurtured, the Islands have been designated as a UNESCO Global Geopark. -
Japan Covid-19 Update 28 May 2020 This Report Covers the Latest
Japan Covid-19 update 28 May 2020 This report covers the latest developments in Japan in relation to the Covid-19 crisis, including current restrictions, economic measures and the political impact. Latest figures As of 27 May, Japan has: • 17,396 confirmed cases (including 712 on the cruise ship Diamond Princess) • 878 deaths (including 14 on the Diamond Princess) • GDP decreased by 0.9% quarter-on-quarter, in Q2 2020 (3.4% annualised) • Private consumption down 0.7% quarter-on-quarter • 6.0% fall in exports • 4.9% fall in imports Nationwide end to state of emergency On 25 May, the government announced the end of the nationwide state of emergency, a week ahead of schedule. The state of emergency, introduced on 7 April, was gradually lifted during May, starting from prefectures with lower infection rates. The decision was made based on three criteria: an infection rate during the previous week of less than 0.5 per 100,000; sufficient healthcare capacity; and sufficient polymerase chain reaction (PCR) testing capability. Some restrictions remain in place (see Table 1), however, and will be reviewed every three weeks. Local variations are likely to continue, based on decisions made by local governors. Minister of State for Economic and Fiscal Policy, Yasutoshi Nishimura, in charge of Covid-19 countermeasures, stated that a state of emergency could be reintroduced if necessary, also depending on three factors: the rate of new infections during the preceding week; the time for the infection rate to double; and the proportion of infections occurring via unidentified routes. Although entry restrictions on foreign nationals remain in place, the government has begun planning to reopen the borders in phases. -
The Butsudan Clean Because the Butsudan Is Like a Mirror Reflecting Your Mind
When our hands are dirty, we wash Them in water. Water has the power to clean. The teaching of the Buddha has the same lind of power to make our minds clean. To offer a cup of water means to praise the Buddha with water which has the same kind of power, and to quench the Buddha thirst. A candle burns, brightens, brakes the darkness, and makes people feel at ease. It is said that candlelight sym- If you have questions, please feel free to ask bolizes the wisdom of our Lord Buddha. It brightens and your minister. Your minister will be happy to breaks our ignorance. help to you. Offering incense symbolize the compassion of the Buddha. Its fragrance spread all over equally no matter what kind of barrier is. In addition, both the candlelight and the fragrance of the incense spread as the teaching of the Buddha spreads. Offering flowers means to offer beauty and to or- nament the Buddha. Do not offer artificial flowers. You don’t offer artificial flowers to anyone, do you? You also can offer other things such as rice, fruit, sweets, etc. Please offer something that your ancestor favorites on their memo- rial day. For example, if your father loved coffee, offer coffee to him on his memorial day. Do not leave dying flowers or other things that are not fresh. Take a good care of them as if you were offering them to the living. The Buddhas are by your side always. We live together al- though we can not see them. -
Shintō and Buddhism: the Japanese Homogeneous Blend
SHINTŌ AND BUDDHISM: THE JAPANESE HOMOGENEOUS BLEND BIB 590 Guided Research Project Stephen Oliver Canter Dr. Clayton Lindstam Adam Christmas Course Instructors A course paper presented to the Master of Ministry Program In partial fulfillment of the requirements for the Degree of Master of Ministry Trinity Baptist College February 2011 Copyright © 2011 by Stephen O. Canter All rights reserved Now therefore fear the LORD, and serve him in sincerity and in truth: and put away the gods which your fathers served −Joshua TABLE OF CONTENTS Acknowledgements........................................................................................................... vii Introduction..........................................................................................................................1 Chapter One: The History of Japanese Religion..................................................................3 The History of Shintō...............................................................................................5 The Mythical Background of Shintō The Early History of Shintō The History of Buddhism.......................................................................................21 The Founder −− Siddhartha Gautama Buddhism in China Buddhism in Korea and Japan The History of the Blending ..................................................................................32 The Sects That Were Founded after the Blend ......................................................36 Pre-War History (WWII) .......................................................................................39