Yuarr (Jack Sheppard) Teachers Resources 2016
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Becoming Art: Some Relationships Between Pacific Art and Western Culture Susan Cochrane University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1995 Becoming art: some relationships between Pacific art and Western culture Susan Cochrane University of Wollongong Recommended Citation Cochrane, Susan, Becoming art: some relationships between Pacific ra t and Western culture, Doctor of Philosophy thesis, , University of Wollongong, 1995. http://ro.uow.edu.au/theses/2088 Research Online is the open access institutional repository for the University of Wollongong. For further information contact Manager Repository Services: [email protected]. BECOMING ART: SOME RELATIONSHIPS BETWEEN PACIFIC ART AND WESTERN CULTURE by Susan Cochrane, B.A. [Macquarie], M.A.(Hons.) [Wollongong] 203 CHAPTER 4: 'REGIMES OF VALUE'1 Bokken ngarribimbun dorlobbo: ngarrikarrme gunwok kunmurrngrayek ngadberre ngarribimbun dja mak kunwarrde kne ngarribimbun. (There are two reasons why we do our art: the first is to maintain our culture, the second is to earn money). Injalak Arts and Crafts Corporate Plan INTRODUCTION In the last chapter, the example of bark paintings was used to test Western categories for indigenous art. Reference was also made to Aboriginal systems of classification, in particular the ways Yolngu people classify painting, including bark painting. Morphy's concept, that Aboriginal art exists in two 'frames', was briefly introduced, and his view was cited that Yolngu artists increasingly operate within both 'frames', the Aboriginal frame and the European frame (Morphy 1991:26). This chapter develops the theme of how indigenous art objects are valued, both within the creator society and when they enter the Western art-culture system. When aesthetic objects move between cultures the values attached to them may change. -
Hot Topics Indigenous Dvds May 2015
Hot topics Indigenous DVDs This guide contains descriptions of DVDs released Redfern now: the complete series since 2013 and an alphabetical listing of older releases. directed by Catriona McKenzie … et al. 761 min. Australian Broadcasting Anzacs: remembering our heroes. Corporation, 2015. DVD RED 11 x 15 min. SBS, 2015. DVD ANZ “Celebrated by audiences and critics alike, A series of 11 15-minute documentaries over two series and one telemovie, the produced by NITV which acknowledges the multiple award-winning Redfern now contributions of Indigenous people to explores powerful stories of contemporary Australia’s military efforts from the time of inner-city Indigenous life.” – Back cover. the Boer War to the present day. Classification : MA (Strong sexual violence and themes) Classification : PG (Mild themes) The Library also holds copies of both series 1 and series 2 as The Central Park five directed by Ken standalone DVDs. Burns, David McMahon and Sarah Burns. 112 min. Sydney: SBS1, 2013. Utopia: an epic story of struggle and DVD THE resistance by John Pilger. 110 min. + extras. Antidote Films, 2013. DVD UTO This film “tells the story of the five black and Latino teenagers from Harlem who were “Utopia is a vast region in northern Australia wrongly convicted of raping a white woman and home to the oldest human presence on in New York City’s Central Park in 1989. earth. ‘This film is a journey into that secret The film chronicles The Central Park country,’ says John Pilger, ‘It will describe Jogger case, for the first time from the perspective of these five not only the uniqueness of the first teenagers whose lives were upended by this miscarriage of Australians, but their trail of tears and justice.” – PBS website. -
Mckee, Alan (1996) Making Race Mean : the Limits of Interpretation in the Case of Australian Aboriginality in Films and Television Programs
McKee, Alan (1996) Making race mean : the limits of interpretation in the case of Australian Aboriginality in films and television programs. PhD thesis. http://theses.gla.ac.uk/4783/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Making Race Mean The limits of interpretation in the case of Australian Aboriginality in films and television programs by Alan McKee (M.A.Hons.) Dissertation presented to the Faculty of Arts of the University of Glasgow in fulfilment of the requirements for the Degree of Doctor of Philosophy University of Glasgow March 1996 Page 2 Abstract Academic work on Aboriginality in popular media has, understandably, been largely written in defensive registers. Aware of horrendous histories of Aboriginal murder, dispossession and pitying understanding at the hands of settlers, writers are worried about the effects of raced representation; and are always concerned to identify those texts which might be labelled racist. In order to make such a search meaningful, though, it is necessary to take as axiomatic certain propositions about the functioning of films: that they 'mean' in particular and stable ways, for example; and that sophisticated reading strategies can fully account for the possible ways a film interacts with audiences. -
Download Thesisadobe
Difficult Knowledge and Uncomfortable Pedagogies: student perceptions and experiences of teaching and learning in Critical Indigenous Australian Studies Marcelle Townsend-Cross (BA, SCU; MEd, UTS) A thesis submitted in fulfilment of requirements for the degree of Doctor of Philosophy Faculty of Arts and Social Sciences University of Technology Sydney 2018 ii Certificate of Original Authorship I, Marcelle Townsend-Cross declare that this thesis is submitted in fulfilment of the requirements for the award of Doctor of Philosophy in the Faculty of Arts and Social Sciences at the University of Technology Sydney. This thesis is wholly my own work unless otherwise referenced or acknowledged. In addition, I certify that all information sources and literature used are indicated in the thesis. This document has not been submitted for qualifications at any other academic institution. Signature: Production Note: Signature removed prior to publication. Date: 26th February 2018 iii Acknowledgements I owe my gratitude to the teachers and students who generously agreed to participate in my research. Their courageous and candid contributions provided rich and compelling insights that positively shaped my research in immeasurable ways. I am very grateful to Dr. Rick Flowers who expertly guided me through the research process with enthusiasm, mindfulness and patience. I am so very grateful and privileged to have been a recipient of the Jumbunna Postgraduate Research Scholarship. Many people have inspired and encouraged me throughout my candidature – family, friends and colleagues - and I am humbled by your consistent and persistent belief in me, especially during the times when I didn’t particularly believe in myself, thank you. -
Critical Australian Indigenous Histories
Transgressions critical Australian Indigenous histories Transgressions critical Australian Indigenous histories Ingereth Macfarlane and Mark Hannah (editors) Published by ANU E Press and Aboriginal History Incorporated Aboriginal History Monograph 16 National Library of Australia Cataloguing-in-Publication entry Title: Transgressions [electronic resource] : critical Australian Indigenous histories / editors, Ingereth Macfarlane ; Mark Hannah. Publisher: Acton, A.C.T. : ANU E Press, 2007. ISBN: 9781921313448 (pbk.) 9781921313431 (online) Series: Aboriginal history monograph Notes: Bibliography. Subjects: Indigenous peoples–Australia–History. Aboriginal Australians, Treatment of–History. Colonies in literature. Australia–Colonization–History. Australia–Historiography. Other Authors: Macfarlane, Ingereth. Hannah, Mark. Dewey Number: 994 Aboriginal History is administered by an Editorial Board which is responsible for all unsigned material. Views and opinions expressed by the author are not necessarily shared by Board members. The Committee of Management and the Editorial Board Peter Read (Chair), Rob Paton (Treasurer/Public Officer), Ingereth Macfarlane (Secretary/ Managing Editor), Richard Baker, Gordon Briscoe, Ann Curthoys, Brian Egloff, Geoff Gray, Niel Gunson, Christine Hansen, Luise Hercus, David Johnston, Steven Kinnane, Harold Koch, Isabel McBryde, Ann McGrath, Frances Peters- Little, Kaye Price, Deborah Bird Rose, Peter Radoll, Tiffany Shellam Editors Ingereth Macfarlane and Mark Hannah Copy Editors Geoff Hunt and Bernadette Hince Contacting Aboriginal History All correspondence should be addressed to Aboriginal History, Box 2837 GPO Canberra, 2601, Australia. Sales and orders for journals and monographs, and journal subscriptions: T Boekel, email: [email protected], tel or fax: +61 2 6230 7054 www.aboriginalhistory.org ANU E Press All correspondence should be addressed to: ANU E Press, The Australian National University, Canberra ACT 0200, Australia Email: [email protected], http://epress.anu.edu.au Aboriginal History Inc. -
NYUNTU NGALI (You We Two) by Scott Rankin
Education Resources Pre‐Production STC Ed presents a Windmill and Big hART production NYUNTU NGALI (You We Two) by Scott Rankin PRE‐PRODUCTION RESOURCES About Sydney Theatre Company 2 About STCEd 2 Creative Team and Cast 2 About Windmill 3 About Big hART 3 Synopsis 4 Themes 4 Historical and social background of the play 5 Interview with the playwright 6 – 7 PRE‐PRODUCTION EXERCISES Storytelling 8 – 9 We are going 10 Photo: Tony Lewis Pijantjatjara 11 – 12 Education Resource compiled by Education manager Naomi Edwards, Education Coordinator Toni Murphy, Editor Lucy Goleby, Contributors Georgia Close, Kerreen Ely Harper and DiAnne McDonald KEY AIM of exercise or section + Extension Exercises Download and watch Drama Exercises English Exercises Play online NYUNTU NGALI Sydney Theatre Company Education Resources 2010 © Copyright protects this Education Resource. Except for purposes permitted by the Copyright Act, reproduction by whatever means is prohibited. However, limited photocopying for classroom use only is permitted by educational institutions. PRE‐PRODUCTION RESOURCES ABOUT SYDNEY THEATRE COMPANY www.sydneytheatre.com.au/about “PETROL: You can’t live without him. ABOUT STCED EVA: Can’t live without him. www.sydneytheatre.com.au/stced/about ROAM: We don’t care if you kill us, do we little one. Nyuntu Ngali Scene Five – Who are you? ” CREATIVE TEAM Writer and Director – Scott Rankin Musical Director and Community Producer – Beth Sometimes Lighting Designer – Nigel Levings Choreographer – Gina Rings Objects Designer – Elliat Rich AV -
Part Five: Appendices
136 national museum of australia annual report 08–09 Part five: Appendices Detail of a needlework sampler depicting Botany Bay in the early years of settlement, acquired by the Museum in 2009. part five: appendices 137 138 national museum of australia annual report 08–09 Professor Andrea Hull ao Appendix 1 : BA Dip Ed (Sydney University) Council and committees MBA (Melbourne Business School) Executive Education AGSM, Harvard of the National Museum Fellow, Australian Institute of Company Directors of Australia Fellow, Australian Institute of Management Director, Victorian College of the Arts (to March 2009) Council members are appointed under Section 13(2) 12 December 2008 – 11 December 2011 of the National Museum of Australia Act 1980. Attended 2/2 meetings executive member Council Mr Craddock Morton members as at 30 june 2009 BA (Hons) (ANU) Mr Daniel Gilbert am (Chair) Director, National Museum of Australia LLB (University of Sydney) Acting Director: 15 December 2003 – 23 June 2004 Managing Partner, Gilbert+Tobin Director: 24 June 2004 – 23 June 2007 Non-Executive Director, National Australia Bank Limited Reappointed: 24 June 2007 – 23 June 2010 Director, Australian Indigenous Minority Supplier Council Attended 4/4 meetings Member, Prime Minister’s National Policy Commission on Indigenous Housing outgoing members in 2008–09 Councillor, Australian Business Arts Foundation The Hon Tony Staley ao (Chair) 27 March 2009 – 26 March 2012 LLB (Melbourne) Attended 1/1 meeting Chair, Cooperative Research Centres Association Dr John Hirst (Deputy -
The Arts- Media Arts
Resource Guide The Arts- Media Arts The information and resources contained in this guide provide a platform for teachers and educators to consider how to effectively embed important ideas around reconciliation, and Aboriginal and Torres Strait Islander histories, cultures and contributions, within the specific subject/learning area of The Arts- Media Arts. Please note that this guide is neither prescriptive nor exhaustive, and that users are encouraged to consult with their local Aboriginal and Torres Strait Islander community, and critically evaluate resources, in engaging with the material contained in the guide. Page 2: Background and Introduction to Aboriginal and Torres Strait Islander Media Arts Page 4: Timeline of Key Dates in the Contemporary History of Aboriginal and Torres Strait Islander Media Arts Page 8: Aboriginal and Torres Strait Islander Media Arts and Artists— Television Page 10: Aboriginal and Torres Strait Islander Media Arts and Artists— Film Page 14: Aboriginal and Torres Strait Islander Media Arts and Artists— Newspaper, Magazine and Comic Book Page 15: Aboriginal and Torres Strait Islander Media Arts and Artists— Radio Page 17: Aboriginal and Torres Strait Islander Media Arts and Artists— Apps, Interactive Animations and Video Games Page 19: Aboriginal and Torres Strait Islander Media Arts and Artists—The Internet Page 21: Celebratory Aboriginal and Torres Strait Islander Media Arts Events Page 22: Other Online Guides/Reference Materials Page 23: Reflective Questions for Media Arts Staff and Students Please be aware this guide may contain references to names and works of Aboriginal and Torres Strait Islander people that are now deceased. External links may also include names and images of those who are now deceased. -
The Aboriginal Programs Unit of the Australian Broadcasting Corporation
STATION IDENTIFICATION: THE ABORIGINAL PROGRAMS UNIT OF THE AUSTRALIAN BROADCASTING CORPORATION FAYE GINSBURG Over the last decade, the production of media by and television channel. Because of the broadcast range of the about Aboriginal Australians has undergone geometric ABC (a national network that regularly commands 20% expansion, from a few experimental efforts at developing of the television audience) and the resources it has as a local video production in the early 1980s in remote state institution (approximately $450 million/ year) communities, to the current situation in which video (Meadows 1992) which allow it freedom from commercial equipment and television broadcasting are available to sponsorship, the APU is playing an important part in practically every Aboriginal settlement that wants it. It increasing the televisual representation of Aboriginal is not only the work of remote-living Aboriginal people people throughout Australia. However, perhaps due to that has taken off. Urban Aboriginal independent television's distinctly national profile, ephemeral filmmakers such as Tracey Moffatt are well-known in character, and middle-brow status among intellectuals independent film circles; Moffatt has just completed her and artists, the APU has had virtually no recognition first feature, "Bedevil," that was shown at Cannes and is outside of Australia, despite the quality of the work it circulating in an international market. While the costs produces. This article (and the accompanying interview and benefits of such developments are still being debated by Jacqueline Urla with Frances Peters, a producer for (Ginsburg 1991; Langton 1993), Aboriginal media has the APU) are first efforts to introduce some of the work triggered interest worldwide for indigenous groups that of the APU to people outside of Australia. -
21 Australasian Humour Studies Network
21ST AUSTRALASIAN HUMOUR STUDIES NETWORK CONFERENCE 2015 4 - 6 FEBRUARY 2015, STATE LIBRARY OF SOUTH AUSTRALIA Hosted by Flinders Institute for Research in the Humanities (FIRtH) School of Humanities and Creative Arts, Flinders University Bruce Petty 2015 ©. ‘You’ve got to be joking’; cartoon drawn for the 21st Australasian Humour Studies Network Conference 2015, Flinders University. CONTENTS Welcome 3 Contacts 3 Partners 4 Program 5 Abstracts 11 Additional Bios 56 Maps 57 2 WELCOME AND ACKNOWLEDGEMENTS We acknowledge and respect the Kaurna people of the Adelaide Plains on whose country the conference venues and Flinders University are based. Thank you to our generous sponsors, Flinders Institute for Research in the Humanities (FIRtH) and the School of Humanities and Creative Arts, Faculty of Education, Humanities and Law at Flinders University, and also the Australasian Humour Studies Network (AHSN), the support of which we are very grateful. Warm thanks go to the State Library of South Australia, particularly Alan Smith, Director SLSA and the Art Gallery of South Australia, particularly Lindsay Brookes and the Director Nick Mitzevich, for their generous support. Particular thanks go to Jessica Milner Davis, Bruce Findlay and Michele Parker of the AHSN. Finally, we would like to thank the session Chairs and you, the presenters. We hope you find this 21st Australasian Humour Studies Network Conference engaging, collegial, and lots of fun. Best Wishes, The conference co-convenors Dr Christine Nicholls (Australian Studies, Flinders University) -
Australian Cinema Umbrella Australian Cinema
20152017 UMBRELLAUMBRELLA CATALOGUECATALOGUE AUSTRALIAN CINEMA UMBRELLA AUSTRALIAN CINEMA DVD DVD DCP DVD BD THE ADVENTURES OF BARRY MCKENZIE ANGEL BABY AUTOLUMINESCENT Reviled by the critics! This year marks the 20th Anniversary of this Containing a selection of rare footage and moving interviews Adored by fair-dinkum Aussies! landmark Australian Drama. with Rowland S. Howard, Nick Cave, Wim Wenders, Mick Harvey, Lydia Lunch, Henry Rollins, Thurston Moore, In this fan-bloody-tastic classic, directed by Bruce Beresford Winner of 7 AFI Awards, including Best Film, Best Director, Best Actor and Best Actress. Bobby Gillespie, and Adalita, AUTOLUMINESCENT traces (his first feature) Australia’s favourite wild colonial boy, the life of Roland S. Howard, as words and images etch Barry McKenzie (Barry Crocker), journeys to the old country Written and directed by Michael Rymer (Hannibal) and light into what has always been ‘the mysterious dark’. accompanied by his Aunt Edna Everage (Barry Humphries) starring Jacqueline McKenzie (Romper Stomper), John to take a Captain Cook and further his cultural and intellectual Lynch (In the Name of the Father) and Colin Friels (Malcolm), “ IF YOU MAKE SOMETHING THAT IS SO MAGICAL, SO UNIQUE education. this multi-award winning drama tells a tragic tale of love YOU WILL PAY THE PRICE... IT’S THE DEVIL’S BARGAIN.” between two people with schizophrenia as they struggle with LYDIA LUNCH life without medication. “ HEARTBREAKINGLY GOOD AND FILLED WITH A DESPERATE INTENSITY.” JANET MASLIN, THE NEW YORK TIMES FOR ALL ENQUIRIES REGARDING UMBRELLA’S THEATRICAL CATALOGUE umbrellaent.films @Umbrella_Films PLEASE CONTACT ACHALA DATAR – [email protected] | 03 9020 5134 AUSTRALIAN CINEMA BP SUPER SHOW DVD LOUIS ARMSTRONG One of the greatest musical talents of all time, Louis ‘Satchmo’ Armstrong raised his trumpet and delivered a sensational concert for the BP Supershow, recorded at Australia’s Television City (GTV 9 Studios) in 1964. -
Oral History Project
http://redfernoralhistory.org COMMUNITY STORIES FROM REDFERN AND SURROUNDS Early Redfern families Black Power Black Theatre Sonya Brindle [film] 4 Black Women’s Action Group Sharon Hickey 5 Blackout at the Knockout Auntie Joyce Ingram 6 Blackfella Films & The Black book Shane Phillips [in progress] Boomalli Artists Cooperative The Coloured Diggers Deaths in Custody committee Origins of the Block, and AHC Elouera Gym Bob Bellear 8 Eora Centre Foundation for Aboriginal Affairs (FAA) Kaye Bellear 10 Family days on the Block Dick Blair [City of Sydney] Gadigal Music Col James 12 Gamarada Men’s Self - healing group Gamarada Montessori Learning Centre Ted Kennedy 14 Gathering Ground Mick Mundine 24 ICAMPA The Keeping Place Koori Construction courses Community Koori Lighthouse Koori Radio Uncle Max Eulo 16 Lights Camera Action Ali Golding 17 Mac Silva Centre Peter Golding 19 Metropolitan Aboriginal Land Council Ningenah 20 Midnight basketball Moogahlin Performing arts Paul Morris 22 Mudgin-Gal Women’s Centre Bill Simon 26 Murawina Preschool Redfern Aboriginal Authority (RAA) was OAU Redfern All Blacks (RABs) What Redfern represents to people 28 Redfern Aboriginal Corporation (RAC) Radio Redfern Redfern Community Centre Organisations 31 Redfern Records Aboriginal Children’s Service Redfern Residents for Reconciliation Aboriginal Housing Company [AHC] REDWatch Aboriginal Legal Service The Settlement Neighbourhood Centre Aboriginal Medical Service Short Black Films Aboriginal People’s Gallery Sorry Day Committee NSW Aboriginal Tent Embassy Street Beat Aboriginal Dance Theatre Redfern (ADTR) Tribal Warrior All Blacks Sports Club Wyanga Aged Care Centre Aunty Polly Smith Health Centre Yaama Dhiyaan Babana Men’s Group Young mob leaders Black Lace Films & Music, Map 73 last updated 3 June 2009 See the full interview transcripts at http://redfernoralhistory.com.au 1 TIMELINE Part I – rough draft only The lands (wetlands and dunes) of the Gadigal people were part of the coastal Dharug.