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William J. Maxwell Curriculum Vitae August 2021
William J. Maxwell curriculum vitae August 2021 Professor of English and African and African-American Studies Washington University in St. Louis 1 Brookings Drive St. Louis, MO 63130-4899 U.S.A. Phone: (217) 898-0784 E-mail: [email protected] _________________________________________ Education: DUKE UNIVERSITY, DURHAM, NC. Ph.D. in English Language and Literature, 1993. M.A. in English Language and Literature, 1987. COLUMBIA UNIVERSITY, NEW YORK, NY. B.A. in English Literature, cum laude, 1984. Academic Appointments: WASHINGTON UNIVERSITY IN ST. LOUIS, MO. Professor of English and African and African-American Studies, 2015-. Director of English Undergraduate Studies, 2018- 21. Faculty Affiliate, American Culture Studies, 2011-. Director of English Graduate Studies, 2012-15. Associate Professor of English and African and African-American Studies, 2009-15. UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN, IL. Associate Professor of English and the Unit for Criticism and Interpretive Theory, 2000-09. Director of English Graduate Studies, 2003-06. Assistant Professor of English and Afro-American Studies, 1994-2000. COLLEGE OF WILLIAM AND MARY, WILLIAMSBURG, VA. Visiting Assistant Professor of English, 1996-97. UNIVERSITY OF GENEVA, GENEVA, SWITZERLAND. Assistant (full-time lecturer) in American Literature and Civilization, 1992-94. Awards, Fellowships, and Professional Distinctions: Claude McKay’s lost novel Romance in Marseille, coedited with Gary Edward Holcomb, named one of the ten best books of 2020 by New York Magazine, 2021. Appointed to the Editorial Board of James Baldwin Review, 2019-. Elected Second Vice President (and thus later President) of the international Modernist Studies Association (MSA), 2018; First Vice President, 2019-20; President, 2021-. American Book Award from the Before Columbus Foundation for my 2015 book F.B. -
CAMILLE BILLOPS B. 1933 Los Angeles, CA D. 2019 New York, NY
CAMILLE BILLOPS b. 1933 Los Angeles, CA d. 2019 New York, NY Education 1973 MFA, City College of New York 1960 BA, California State College Solo Exhibitions 2016 Still Raising Hell: The Art, Activism, and Archives of Camille Billops and James V. Hatch, Atlanta, GA 2012 Camille Billops: Prints & Posters, Leeway Foundation, Philadelphia, PA 2011 Films by Camille Billops, Hammer Museum at the University of California at Los Angeles 1997 Inside the Minstrel Mask, Noel Fine Art Acquisitions, Charlotte, North Carolina 1993 University of North Carolina at Charlotte 1990 Clark College, Atlanta University 1986 Calkins Gallery, Hofstra University, Hempsted, N.Y. Gallery at Quaker Corner, Plainfield, NJ 1984 Southeast Arkansas Arts & Science Center, Pine, Bluff 1993 University of North Carolina at Charlotte 1990 Clark College, Atlanta University 1986 Calkins Gallery, Hofstra University, Hempstead, N.Y. Gallery at Quaker Corner, Plainfield, NJ 1984 Southeast Arkansas Arts & Science Center, Pine, Bluff 1983 Pescadores Hsien Library, Making, Taiwan Chau Yea Gallery, Kaohsiung, Taiwan American Cultural Center, Taipei, Taiwan American Center, Karachi, Pakistan Otto Rene Castillo Center, New York 1981 The Bronx Museum of Art, Bronx, NY 1980 Harlem Book of the Dead Performance Piece, Buchhandlung Welt, Hamburg, West Germany 1977 Faculty Exhibition, Rutgers University, Newark, NJ 1976 Foto-Falle Gallery, Hamburg, West Germany 1974 Winston Salem North Carolina State University 1973 Ornette Coleman’s Artist House, SOHO, New York 1965 Galerie Akhenaton, Cairo, -
CLEAGE, PEARL. Pearl Cleage Papers, 1949-2011
CLEAGE, PEARL. Pearl Cleage papers, 1949-2011 Emory University Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Cleage, Pearl. Title: Pearl Cleage papers, 1949-2011 Call Number: Manuscript Collection No. 1223 Extent: 74.75 linear feet (156 boxes), 12 oversized papers boxes (OP), 4 extra- oversized papers (XOP), 1 oversized bound volume (OBV), AV Masters: 6 linear feet (6 boxes), and 1.41 GB born digital materials (564 files) Abstract: Personal papers of African American novelist and playwright Pearl Cleage including correspondence, manuscript and typescript writings, subject files, professional papers, printed material, photographs, writings by others, and audiovisual material. Language: Materials entirely in English. Administrative Information Restrictions on Access Special restrictions apply: Series 1: Personal journals are closed to researchers until December 2037. Series 2: Due to privacy concerns, some material has been redacted. Series 3: Due to privacy concerns, some material has been redacted. Series 4: Professional papers are closed to researchers until December 2037. Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Pearl Cleage papers, 1949-2011 Manuscript Collection No. -
Pamela Rose Smith
THE IMAGE OF AFRICAN AMERICAN WOMEN AS PRESENTED BY AMERICAN MASS MEDIA AND POPULAR CULTURE: INTERPRETATIONS BY URBAN AFRICAN AMERICAN ADOLESCENT FEMALES REGARDING THEIR LIFE CHANCES, LIFE CHOICES, AND SELF-ESTEEM By Pamela Rose Smith A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of Sociology - Doctor of Philosophy 2014 ABSTRACT THE IMAGE OF AFRICAN AMERICAN WOMEN AS PRESENTED BY AMERICAN MASS MEDIA AND POPULAR CULTURE: INTERPRETATIONS BY URBAN AFRICAN AMERICAN ADOLESCENT FEMALES REGARDING THEIR LIFE CHANCES, LIFE CHOICES, AND SELF-ESTEEM By Pamela Rose Smith The aim of this study was to investigate the image of African American women in popular culture and gain an understanding of how those images are interpreted by urban African American adolescent girls (N=40) between the ages of 13-19 years old. Black magazine covers and hip-hop/rap music videos that display images of African American women were viewed by the participants. Questions were asked of the girls that explored whether popular culture media images of African American women affect the interpretation of their self-esteem, choices they make, and future chances in life. Specifically, I sought to understand: 1) Do images of African American women shown in popular culture influence the interpretation of life chances and life choices of urban African American adolescent girls, and if so, how?; and 2) Whether portrayals of African American women in popular culture influence the interpretation of the self-esteem of urban African American adolescent girls. A mixed method research process was used to gather data that represents the participants’ perspectives. -
Social Issues—United States. Updated July 2014. MLA 6Th Edition
Social Issues—United States. Updated July 2014. MLA 6th edition. Paul Revere Williams Project. Art Museum of the University of Memphis. "200 Negro Workers Walk Off Jobs at BMI Plant Today." Las Vegas Evening Review-Journal Wednesday, October 20 1943, sec. A1:. "2004 Eleven most endangered (La Concha." Preserve Nevada. 2008. 5/6/2008 <http://preservenevada.unlv.edu>. Abrams, Charles. "The Housing Problem and the Negro." Daedalus: Journal of the American Academy of Arts and Sciences 95.1 (1966): 64-76. "Abstracts of Papers Presented at the Twenty-Seventh Annual Meeting of the Society of Architectural Historians (Dozier, Richard K. "Black Craftsmen and Architects in History")." Journal of Architectural Historians 33.3 (1974): 225-243. "Ad for Castaic Country Club." California Eagle May 16 1924: 12. "Ad for Insurance Company." Ebony 15.1 (1959): 137. Adams, Michael. "The Incomparable Success of Paul R. Williams." African American Architects in Current Practice. Ed. Jack Travis. 1st ed. New York: Princeton Architectural Press, 1991. 20-21. "African Church to Build $1 Million Edifice here: 500 Will use $100 Shovels to Break Ground for Center at Ceremony Sunday (AME Church)." Los Angeles Times August 3 1963, sec. 15:. "America's 100 Richest Negroes: Many Solid Gold Millionaires are among Top Moneymakers in Business." Ebony 17.7 (1962): 130-135. Anderson, Susan. "A City Called Heaven: Black Enchantment and Despair in Los Angeles." The City: Los Angeles and Urban Theory at the End of the Twentieth Century. Ed. Allen J. Scott and Edward W. Soja. 1st paperback ed. Berkeley, CA: University of California Press, 1996, 1998. -
S/E(F% /02 R/E',A F- B/Uez
-: s/e(f% /02 r/e',A f- B/uez- Page No. 03/24/93 MALCOLMDEBATES IN 1992-93: Spike Lee's Movie and the Problematic of Mainstreaming Malcolm X Compiled by Abdul Alkalimat, aesisted by Mei-Ling McWorter AUTHOR TITLE SOURCE DATE Abrams, Garry The X Factor Los Angeles Times 02-06-92 Abrams, Garry The X Factor Los Angeles Times O2-L8-92 AIim, Dawud R Abdul What's in a Name? Malcolm "X" The American Muslim Journal 09-18-92 Man Not The Image Alkalimat, Abdul "Malcolm X: A warrior for these People's Tribune Volume tt-23-92 tlmeE" 19 Number 47 p.1 of special supplement Alkalimat, Abdul "Malcolm X and the struggle for the People's Tribune Volume Ll-16-92 future" 19 Number 46 p.4 AIkaIimat, Abdul "Did spike Lee do the right thing? People's Tribune Volume 12-28-92 I think not, and here's whyl" 19 Number 52 p.3 AIs, Hilton "Picture This: On the Set, the vilLage Voice tt/tolg2 Street, and at Dinner with X \*L-- Director Spike Lee" Ansen, David "From Sinner to Martyr: A Man Of Newsweek p.74 Lt-t5-92 4\ Many Faces" Armstrong, Jenice "X Marks Profit for Merchants" The Philadelphia Daily LO/30/92 News Atkins, Clarence "Trumpeter Terence Blanchard New York Amsterdam News l-L/14/92 Composes 'Malcolm X, Soundtrack" Austin, Curtis "Daughter's View of Malcolm X" USA Today tt / t6/e2 BaiIey, Ester "MaIcoIm X Rebel Without A pause" Spare Rib Magazine fssue 05-01-92 234 p.28-36 Bailey, Peter A. -
The Works and Critical Reception of Dorothy West
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 8-2005 Renaissance Woman: The Works and Critical Reception of Dorothy West Tamara Jenelle Williamson University of Tennessee - Knoxville Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the English Language and Literature Commons Recommended Citation Williamson, Tamara Jenelle, "Renaissance Woman: The Works and Critical Reception of Dorothy West. " Master's Thesis, University of Tennessee, 2005. https://trace.tennessee.edu/utk_gradthes/2538 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Tamara Jenelle Williamson entitled "Renaissance Woman: The Works and Critical Reception of Dorothy West." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts, with a major in English. Miriam Thaggert, Major Professor We have read this thesis and recommend its acceptance: Mary E. Papke, Nancy Goslee Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a thesis written by Tamara Jenelle Williamson entitled “Renaissance Woman: The Works and Critical Reception of Dorothy West.” I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the requirements for the degree of Master of Arts, with a major in English. -
African American Newsline Distribution Points
African American Newsline Distribution Points Deliver your targeted news efficiently and effectively through NewMediaWire’s African−American Newsline. Reach 700 leading trades and journalists dealing with political, finance, education, community, lifestyle and legal issues impacting African Americans as well as The Associated Press and Online databases and websites that feature or cover African−American news and issues. Please note, NewMediaWire includes free distribution to trade publications and newsletters. Because these are unique to each industry, they are not included in the list below. To get your complete NewMediaWire distribution, please contact your NewMediaWire account representative at 310.492.4001. A.C.C. News Weekly Newspaper African American AIDS Policy &Training Newsletter African American News &Issues Newspaper African American Observer Newspaper African American Times Weekly Newspaper AIM Community News Weekly Newspaper Albany−Southwest Georgian Newspaper Alexandria News Weekly Weekly Newspaper Amen Outreach Newsletter Newsletter Annapolis Times Newspaper Arizona Informant Weekly Newspaper Around Montgomery County Newspaper Atlanta Daily World Weekly Newspaper Atlanta Journal Constitution Newspaper Atlanta News Leader Newspaper Atlanta Voice Weekly Newspaper AUC Digest Newspaper Austin Villager Newspaper Austin Weekly News Newspaper Bakersfield News Observer Weekly Newspaper Baton Rouge Weekly Press Weekly Newspaper Bay State Banner Newspaper Belgrave News Newspaper Berkeley Tri−City Post Newspaper Berkley Tri−City Post -
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perlodlco dlerlo qua lleeja a ta .urocele el mlsvnn din en nm pnhll Sllvr. par o. I cadn. stsndo flcl a mi farhs csde din Zltie. par IM lb dl aIn I paglna I coaHsrt le I TtflH nttlme nntlctsa dal die an esnsflnl Panting tinted Ld, par If Iba i ; Ja0SWTMWEST 33RD YEAR UMEST MMfHK NR ORCKiTIN I EL PASO, TEXAS, TUESDAY, AUGUST 19. 1913. TEN PAGES PRICE FIVE CENT Friends Show Loyalty With PRESIDENT HUERTA SEEKING TROUBLE Floral Token of Confidence. HUERTA REJECTS PLAN HUERTA AM) MNP E HIS ISSUED OPEN DEFIANCE HOI, II UON'FF.RF.XCE SUGGESTION BY LIND Bp rirllKfliWI'mi d Mexico OS?, :Sn a. m. , Aa. IS. Provisional Pmlrifni Hirer. iMmXt ia and John I tn.i ,.. .ni rep. af m TURNED DOWN IN MEXICO CITY OF UNITED STATES GOVERNMENT riaiaaqif or Wilson. 9 wajt'ey St roainrnrr at a late howr L Jhr ' tonight following the report thai - xi3 that President Haerta wotald give Use I n led Ma Ira until mid- - e Re- nlghl to recognise hi edtaiat- - s Statement Reiterated That Under No Demands That His Government be ' radon under throat of rtrrini all relation. The nai.aro of ttra Circumstances Will the United cognized by Washington Authorities, oonfermoa was not revealed, bat States H 1DM characterized an cordial. Recognize Huerta. President Wilson and Insisted on Reply Before Midnight. a-- I Disappointed. By the Associated Press. NOTHINO dy 18. UNTU)omintLATER TODAV Bp thr daaoetsfaa' Washington, August ' Washington. Aug. The Huerta can senators, with very few excep- 'i Bp Tlmrn Special rorreapoadsal litem! rejection nf the tion, have upheld the hands of Pit officials were by I si. -
Eleanor's Story: Growing up and Teaching in Iowa: One African American Woman's Experience Kay Ann Taylor Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 2001 Eleanor's story: growing up and teaching in Iowa: one African American woman's experience Kay Ann Taylor Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the African American Studies Commons, Educational Sociology Commons, Oral History Commons, Other Education Commons, Other History Commons, Race and Ethnicity Commons, Social History Commons, United States History Commons, Women's History Commons, and the Women's Studies Commons Recommended Citation Taylor, Kay Ann, "Eleanor's story: growing up and teaching in Iowa: one African American woman's experience " (2001). Retrospective Theses and Dissertations. 681. https://lib.dr.iastate.edu/rtd/681 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMl films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMl a complete manuscript and there are missing pages, these will be noted. -
Renegade Poetics (Or, Would Black Aesthetics by An[Y J Other Name Be
INTRODUCTION from Evie Shockley, Renegade Poetics: Black Aesthetics and Formal Innovation in African American Poetry Renegade Poetics (Or, Would Black Aesthetics (Iowa City: U of Iowa P, 2011) by An[yJ Other Name Be More Innovative?) Though Maroons, who were unruly Africans, not loose horses or lazy sail ors, were called renegades in Spanish, will I turn any blacker if I renege on this deal? -"DENIGRATION," ·HARRYETTE MULLEN marronerons-nous Depestre marronerons-nous? (Shall we turn maro~m, Depestre, shall we turn maroon?) -"LE VERBE MARRONNER,'' AIME CESAIRE To speak of a Black literature, a Black aesthetic1 or a Black state, is to engage in racial chauvinism, separatist bias1 and Black fantasy. - "CULT.URAL STRANGULATION: BLACK LITERATURE AND THE WHITE AESTHETIC,'' ADDISON GAYLE JR. IN THIS STUDY, I build a case for redefining black aesthetics to account for nearly a century of efforts by African American poets and critics, beginning just after World War I with the New Negro Renais sance, to name and tackle issues of racial identity and self-determination on ·the field, of poetics. Deline~ting the contours and consequences of African American poetic innovation in an assortment of historical and cultural moments, I aim to highlight and resituate innovative poetry that has been dismissed, marginalized, and misread: first, in relation to the.Af rican American poetic tradition, because its experiments were not "rec ognizably black"; and, second, in relation to constructions of th~ avant garde tradition, because theywere.1 We might -
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