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Catalogue Des Cours 2013 /2014

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Catalogue Des Cours 2013 /2014 Catalogue des cours 2013 /2014 1 Contents Art, Architecture, Music & Cinema page 3 Arabic 20 Business & Economics 20 Chinese 32 Communication, Culture, Media Studies 33 (including Journalism) Computer Science 51 Education 56 English 67 French 71 Geography 79 German 86 History 92 Italian 107 Latin 107 Law 108 Mathematics & Finance 111 Political Science 114 Psychology 124 Russian 130 Sociology & Anthropology 131 Spanish 133 Tourism 149 2 various genres have developed on account of the Art, Architecture, increasing number of technological possibilities in the music industry, which means that they can not only be created on computers, but also broadcast and sold via Music & Cinema the Internet. ________________________________________ IMPORTANT: ALL OUR ART COURSES ARE TAUGHT IN FRENCH UNLESS OTHERWISE AS1/1b : HISTORY OF THE CINEMA : INDICATED FROM THE BEGINNINGS TO 1942 Fall Semester E3/2f : INTRODUCTION TO FRENCH FILMS FOR Lectures: 2 hours per week ECTS credits: 3 INTERNATIONAL STUDENTS Fall Semester OBJECTIVE: To discover the great movements in the history of American and European cinema from 1895 THIS CLASS IS TAUGHT IN ENGLISH to 1942. Lectures: 1½ hours per week ECTS credits: 3 COURSE PROGRAM: The three cinematic eras: OBJECTIVE:To provide students with a historical and Original: theoretical introduction to the study and analysis of - The Lumière brothers : realistic art French cinema. - Mélies : the beginnings of illusion Avant-garde : COURSE PROGRAM: - Expressionism The fundamental vocabulary and language of film - Surrealism studies will be introduced through a program of Classical : screenings of classic French films from the 50s and 60s - Hollywood studios in order to explore aesthetical and psychoanalytic - Censorship approaches to film. Among others, films such as - Griffith's contribution Ascenseur pour l'échafaud ( Lift to the Scaffold, Louis Cinema genres : Malle,1958), Le feu follet (The fire within, Louis Malle - Social films 1963), A bout de Souffle (Breathless, Jean-Luc - Westerns Godard)Les cousins (Claude Chabrol, 1958) will - The Dark Art compose the program and help us to put into - Fantasy perspective some important issues laid out by the - Disaster films films. - War films BIBLIOGRAPHY: MCC1/2a : VISUAL COMMUNICATION (ART) - Jean Louis Leutrat : Le Cinéma en perspective Fall Semester : Une histoire, Nathan Université, collection 128, 1992 Lectures: 2 hours per week ECTS credits: 3 - Siegfried Kracauer : De Caligari à Hitler, L'Age d'homme, 1973 COURSE PROGRAM: - Lotte Eisner : L'Écran démoniaque, Losfeld, This class is an introduction to history of art and in 1965 particular to the contemporary image or icon seen in - Michel Cieutat : les Grands thèmes du cinéma its historical and esthetic perspective. We shall see américain, Cerf, 7ème Art, 1988. how artistic representation through the ages has - Raymond Bellour : Le Cinéma américain, influenced the art, in all senses of the word, which we Albatros, 1979. see today. - Antoine De Baecque, Histoire du cinéma, Cahiers du cinéma, CNDP AS1/3a : LISTENING TO CONTEMPORARY MUSIC - AN AESTHETIC APPROACH AS1/3c : TECHNICAL APPROACHES TO PHOTOGRAPHY Fall Semester Fall Semester Lectures: 1½ hours per week ECTS credits: 1.5 Classes: 1½ hours per week ECTS credits: 1.5 OBJECTIVE: To analyse the use of language in this OBJECTIVE: To understand the work of the type of music and to understand what it has inherited professional photographer. Through this introduction from previous kinds of music, since the beginning of to the photographer's work, the student will learn how the 20th century, as well as its originality. This process to organise a photo session, how to compose an will enable each one to make sense of the music heard image, work within a team and understand the analyse the many and varied elements which may relationship between the journalist or writer and the make up one song or tune. photographer. COURSE PROGRAM: COURSE PROGRAM: "Contemporary music" is a term coined by the music - Introduction to the photography profession world to describe various musical trends which have - Basic techniques in photography developed over the last 20 or so years. - Technical vocabulary - Presenting of artistic photography Contemporary music, unlike other forms of popular - Putting theory into practice music, places the context above the text and encourages mixtures of various musical genres. The 3 BIBLIOGRAPHY - Nicolas Bourriaud Esthétique relationnelle - UPC, Photographe Auteur Mode d’emploi, - Magali Le Mens , Jean-Luc Nancy Paris,2006 (ouvrage disponible au L'hermaphrodite de Nadar téléchargement sur http://www.upc.com) ___________________________________________ - Assouline, Pierre. Cartier-Bresson « L’œil du siècle ». Ed Plon, 1999. ISBN : 2.259.18568.1 AS1/8c : THE ROLE OF THE SPECTATOR - NEWTON, Helmut. Autoportrait. Ed. Robert Spring Semester Laffont. Paris, 2004. ISBN :2.221.10105.7 _________________________________________ Lectures: 1½ hours per week ECTS credits: 1.5 AS1/8b : INTRO TO CRITICISM OF OBJECTIVE: To learn the codes, issues at stake, CONTEMPORARY ART evolution and limits of the theatre. Students will draw Spring Semester up an observation grid to analyse various theatrical phenomena. Beyond this analysis, and to gain a better Lectures: 1½ hours per week ECTS credits: 1.5 understanding of the theatre, questions concerning the script and how it is staged will regularly be suggested. OBJECTIVE: To understand the fundamental texts concerning art criticism and their authors; to write a COURSE PROGRAM: By teaching students how to review of a contemporary art exhibition/collection; to watch and observe, the course will be centred on learn how to find reliable sources and information on several themes: the study of theatrical codes, art criticism; to be up-to-date on contemporary art theatrical analysis and critical commentary, other and artists; learn about the art world in the Lille area. performance arts and their contribution to the world of the theatre (dance, circus, video, contemporary art). COURSE PROGRAM: - Overview of the history of art criticism since BIBLIOGRAPHY: the 18th century A list of shows and a bibliography will be given during - Analyse critical texts about all forms of art the first class. from the 18th century to the present day - Culture in today’s media AS1/6a : HISTORY OF MODERN CINEMA - Present day art in Lille and the region Spring Semester - Writing reviews of exhibitions - Analysing dance Lectures: 2 hours per week ECTS credits: 3 - Contributing to an amateur art criticism blog: http://debutscritiques.blogspot.com/ OBJECTIVE: To understand the gap between classic - The role of Internet in art criticism cinema and the contemporary film scene, and how to analyse a modern film; to gain a basic knowledge of BIBLIOGRAPHY: major film directors in world cinema today. - Baudelaire, Ecrits sur l’art. - Diderot, Les salons. COURSE PROGRAM: - Clément Greenberg. Art et Culture What do we mean by modern cinema? - Susan Sontag. Sur la photographie. - The autonomy of the camera - Susan Sontag. Devant la douleur des autres. - Breaking up the story line - Georges Didi Hubermann, L’homme qui - Improvisation marchait dans la couleur (James Turell) - A director's world - Georges Didi Hubermann, Le danseur des - Cinema and contemplation solitudes. (Israel Galvan) - Another way of looking at reality - Georges Didi Hubermann, La demeure, la - A different role for the spectator souche. Appartements de l’artiste. (Pascal Convert) Analysis of a series of extracts: - George Didi Huberman. Le cube et le visage. - Citizen Kane by Orson Welles Autour d’une sculpture de Giacometti - Voyage en Italie by Rossellini - George Didi Huberman. Etre crâne. (Penonne) - Hiroshima mon amour by Alain Resnais - Yves Michaud. L’art à l’état gazeux. - Pierrot le fou by Jean-Luc Godard. - Dominique Baqué. L’effroi de la violence, - La Notte by Antonioni Figurer le présent. - Marie José Mondzain : L’image peut-elle BIBLIOGRAPHY/ tuer ? - Jean Claude Biette , L¹Encrier de la - Nathalie Heinrich, le triple jeu de l’art modernité, Cahiers du cinéma n°375, contemporain. septembre 1985 - Bernard Marcadé. Marcel Duchamp, la vie à - Jean Louis Leutrat, Hiroshima mon amour, crédit.2007 Nathan, collection 128 - Philippe Solers. De Kooning, vite. _______________________________________ - Pierre Restany. Manifeste des nouveaux réalistes. - Benoît Duteurtre. Requiem pour une avant- AS1/2c : HISTORY AND STRUCTURE OF THE FILM garde. INDUSTRY - Claude Debussy. M.Croche. Fall Semester - Stanley Cavell. Le cinéma nous rend-il meilleurs ? 2003 Lectures: 1½ hours per week ECTS credits: 3 - Marc Jimenez. La querelle de l’art contemporain. OBJECTIVE: To study and understand the history and - Nicolas Bourriaud Postproduction , La culture the economic issues at stake in the film industry, from comme scénario, comment l'art reprogramme seeing a film in a cinema to seeing it on television or le monde contemporain on DVD. 4 - Electricity in music : amplification and COURSE PROGRAM: microphones From the beginning of the film industry, the art of film- - Blues, Rhythm’n’blues and Rock’n’roll making has been organised with retail issues in mind. - Pop and folk The films we see have already been processed by a - Soul, funk and disco number of structures, all of which have evolved over - Krautrock and other variations on the rock time. theme - The music industry In this class students will study the principal areas of - The alternative music press the film industry and their links with the actual
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