FASHION BLOGGERS Laura Scroggs Encyclopedia Entry
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A Guide to Selling Fashion Around the World Online
CheckOut 4 FASHION A guide to selling fashion around the world online The CheckOut2TheWorld alliance is brought to you by: INFINITYBLUE driving marketplace performance A GUIDE TO SELLING FASHION AROUND THE WORLD ONLINE CONTENTS Introduction ........................................................................................................ 3 Fashion by numbers ....................................................................................... 4 How do consumers buy online? ............................................................... 7 Being discovered in new markets ......................................................... 14 Getting your clothes to international customers ........................ 19 Looking after your international customers .................................. 21 Focus on China ................................................................................................ 25 Interview with Lei ......................................................................................... 27 A GUIDE TO SELLING FASHION AROUND THE WORLD ONLINE INTRODUCTION The opportunities available to retailers within the fashion industry are enormous. As the world becomes increasingly connected, it also becomes easier and cheaper to sell clothes, footwear and accessories to consumers in new countries. At the same time, as more people buy products online, the more sophisticated, streamlined and cost-effective the associated logistics become, making it faster and cheaper for sellers to reach their customers, wherever they may be. -
Scottish Fashion Influencers: Constructing a Style Identity on Instagram
MARCELLA-HOOD, M. 2020. Scottish fashion influencers: constructing a style identity on Instagram. International journal of fashion studies [online], 7(1), pages 73-96. Available from: https://doi.org/10.1386/infs_00017_1 Scottish fashion influencers: constructing a style identity on Instagram. MARCELLA-HOOD, M. 2020 This document was downloaded from https://openair.rgu.ac.uk Abstract This article builds on existing theories of self presentation and identity through a study into the behaviour of fashion influencers who position themselves as Scottish on Instagram. Fourteen interviews were carried out with Scottish fashion influencers who were asked to reflect on their online identity. The interaction between the offline and online self is explored, where national identity and a sense of place are recognised as important attributes of self identity in an offline setting and participants were sampled on the basis that they were projecting this as a key component of their online self. All were found to be seeking to convey an ideal identity on Instagram; this involved curating particular aspects of their offline style and showcasing these online. The issue of authenticity was complex and a spectrum of identity evolution on Instagram is observed and reflected on. The most career-minded participants tended to portray themselves in a more one-sided manner and were most strongly influenced by a sense of their audience. In contrast, the participants who were less career minded tended to explore more freely with their online self and were influenced most strongly by internal factors. Scottish fashion influencers: constructing a style identity on Instagram The popularity of personal fashion blogs and their influence is explored quite extensively in the literature (e.g. -
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium
Women's Experimental Autobiography from Counterculture Comics to Transmedia Storytelling: Staging Encounters Across Time, Space, and Medium Dissertation Presented in partial fulfillment of the requirement for the Degree Doctor of Philosophy in the Graduate School of Ohio State University Alexandra Mary Jenkins, M.A. Graduate Program in English The Ohio State University 2014 Dissertation Committee: Jared Gardner, Advisor Sean O’Sullivan Robyn Warhol Copyright by Alexandra Mary Jenkins 2014 Abstract Feminist activism in the United States and Europe during the 1960s and 1970s harnessed radical social thought and used innovative expressive forms in order to disrupt the “grand perspective” espoused by men in every field (Adorno 206). Feminist student activists often put their own female bodies on display to disrupt the disembodied “objective” thinking that still seemed to dominate the academy. The philosopher Theodor Adorno responded to one such action, the “bared breasts incident,” carried out by his radical students in Germany in 1969, in an essay, “Marginalia to Theory and Praxis.” In that essay, he defends himself against the students’ claim that he proved his lack of relevance to contemporary students when he failed to respond to the spectacle of their liberated bodies. He acknowledged that the protest movements seemed to offer thoughtful people a way “out of their self-isolation,” but ultimately, to replace philosophy with bodily spectacle would mean to miss the “infinitely progressive aspect of the separation of theory and praxis” (259, 266). Lisa Yun Lee argues that this separation continues to animate contemporary feminist debates, and that it is worth returning to Adorno’s reasoning, if we wish to understand women’s particular modes of theoretical ii insight in conversation with “grand perspectives” on cultural theory in the twenty-first century. -
Conceptions of Authenticity in Fashion Blogging
“They're really profound women, they're entrepreneurs”: Conceptions of Authenticity in Fashion Blogging Alice E. Marwick Department of Communication & Media Studies Fordham University Bronx, New York, USA [email protected] Abstract Repeller and Tavi Gevinson of Style Rookie, are courted by Fashion blogging is an international subculture comprised designers and receive invitations to fashion shows, free primarily of young women who post photographs of clothes, and opportunities to collaborate with fashion themselves and their possessions, comment on clothes and brands. Magazines like Lucky and Elle feature fashion fashion, and use self-branding techniques to promote spreads inspired by and starring fashion bloggers. The themselves and their blogs. Drawing from ethnographic interviews with 30 participants, I examine how fashion bloggers behind The Sartorialist, What I Wore, and bloggers use “authenticity” as an organizing principle to Facehunter have published books of their photographs and differentiate “good” fashion blogs from “bad” fashion blogs. commentary. As the benefits accruing to successful fashion “Authenticity” is positioned as an invaluable, yet ineffable bloggers mount, more women—fashion bloggers are quality which differentiates fashion blogging from its overwhelmingly female—are starting fashion blogs. There mainstream media counterparts, like fashion magazines and runway shows, in two ways. First, authenticity describes a are fashion bloggers in virtually every city in the United set of affective relations between bloggers and their readers. States, and fashion bloggers hold meetups and “tweet ups” Second, despite previous studies which have positioned in cities around the world. “authenticity” as antithetical to branding and commodification, fashion bloggers see authenticity and Fashion bloggers and their readers often consider blogs commercial interests as potentially, but not necessarily, to be more authentic, individualistic, and independent than consistent. -
Influencer Impact on Brand Awareness: a Mixed Method
INFLUENCER IMPACT ON BRAND AWARENESS: A MIXED METHOD SURVEY IN THE GERMAN FASHION SEGMENT Kai Dominik Renchen1;2 1SRH Hochschule Heidelberg, Germany 2Mendel University in Brno, Czech Republic Volume 6 Issue 2 ISSN 2694-7161 www.ejobsat.com ABSTRACT This study evaluates the impact of influencer marketing on consumers. Although online influencers are long established in German B2C markets, research in the field is scarce. Marketing managers are unsure how influencer marketing strategies should be drafted and which influencers shouldbe recruited in order to maximize their marketing efforts at the consumer level. Based on a review of previous theoretical and empirical literature, a mixed method empirical study comprising semi- structured interviews with three German fashion influencers and a consumer survey (N = 385) among the followers of these influencers are conducted to evaluate the impact of influencer activity on consumer followership, brand awareness and purchase intention. Results indicate that the intensity of influencer network involvement, intrinsic influencer motivation, authenticity of communication style and the real-life character of influencer posts increase the dependent variables. Hence, the empirical study has contributed to identify the most important determiners for the German B2C fashion influencer segment. Marketing managers are strongly advised to select influencers adequately and organize their marketing strategy in correspondence withtheir company and products. KEY WORDS influencer, marketing, B2C, fashion JEL CODES M3, M31, M37 1 INTRODUCTION The use of the internet as an information and more, buyers use virtual channels to find shopping medium by consumers has increased out about consumption options and products. rapidly in recent years (Franklin, 2008). Ever Among others, social media are very popular. -
Iv Social Butterflies: How Social Media Influencers Are the New Celebrity
iv Social Butterflies: How Social Media Influencers are the New Celebrity Endorsement Kayleigh E. Burke Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts In Communication James D. Ivory, Chair John C. Tedesco M. Cayce Myers May 10, 2017 Blacksburg, VA Keywords: Social Media Influencer; Influencer Marketing; Experiment; Instagram Copyright, 2017 Kayleigh Burke v Social Butterflies- How Social Media Influencers are the New Celebrity Endorsement Kayleigh Burke ABSTRACT The rapid growth of visual microblogging platforms, such as Instagram, has created new opportunities for brands to communicate with stakeholders. As these platforms evolve, brands have had to adapt in order to use the available social media platforms to gain visibility in the millennial audience. Recently brands have turned to online “celebrities” known as a social media influencer (SMI) to distribute information and influence consumers’ product perceptions. This specifically has become a common tactic in communication and marketing efforts with the fashion and beauty industry. Ample research is available on the effects of celebrity endorsements but currently there is a gap in research pertaining to the consumer’s perspective towards SMIs and SMIs effects on consumers. The online experiment completed in this thesis addressed how promotion of a product by a SMI affects perceptions of consumers on Instagram by measuring social comparison and self-congruity. This is accomplished by comparing participant’s product perception to promotional posts on Instagram by a SMI, brand, and unbranded retail source. A three-condition experiment (SMI, Brand, Control) compared effects of product perception, social comparison, and self-congruity. -
Obamals State of the Union
TODAY’s WEATHER NEWS SPORTS Supreme Court denies to The Sports Staff analyzes hear appeal to recognize the Commodores’ continuing Vanderbilt scientists struggles away from home SEE PAGE 3 SEE PAGE 7 Snow, 36 / 25 THE VANDERBILT HUSTLER THE VOICE OF VANDERBILT SINCE 1888 LIFE EDITION WEDNESDAY, JANUARY 26, 2011 WWW .INSIDEVANDY.COM 123RD YEAR, NO. 7 The NATIONAL NEWS NEWfaces Obama’s State of of the Union: FASHION ‘Move forward With the introduction of homegrown fashion blogs, such as CollegeFashionista, new faces together or are occupying front row seats and gaining momentum in the industry. not at all’ KYLE BLAINE OLIVIA KUPFER News Editor other initiatives in his speech. Life Editor He pointed to the transportation Vanderbilt students watched on and construction projects of Tuesday night as President Barack the last two years and proposed The fashion industry — with Obama delivered his State of the “we redouble these efforts.” He capitals in New York, Paris and Union address, pleading for unity coupled this with a call to “freeze Milan — used to represent an in a newly divided government. annual domestic spending for the inaccessible world for the masses. He implored Democratic and next five years.” Less than ten years ago, the Republican lawmakers to rally Yet, Republicans have dismissed average 20-something couldn’t behind his vision of economic his “investment” proposals as attend an international fashion revival, declaring in his State of merely new spending. week and was unqualified to write the Union address: “We will move “The president should be about the industry. forward together or not at all.” ashamed for disguising his Today, the once impenetrable Setting a tone of commonality continued out-of-control fashion industry is accessible to by invoking the name of Rep. -
Fashion Photography and the Museum by Jordan Macinnis A
In and Out of Fashion: Fashion Photography and the Museum by Jordan MacInnis A thesis presented to the Ontario College of Art & Design in partial fulfillment of the requirements for the degree of Master of Fine Arts in Criticism and Curatorial Practice Toronto, Ontario, Canada, 2011 © Jordan MacInnis 2011 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I authorize OCAD University to lend this thesis to other institutions or individuals for the purpose of scholarly research. I understand that my thesis may be made electronically available to the public. I further authorize OCAD University to reproduce this thesis by photocopying or by other means, in total or in part, at the request of other institutions or individuals for the purpose of scholarly research. Signature . Date . ii In and Out of Fashion: Fashion Photography and the Museum Master of Fine Arts, 2011 Jordan MacInnis Criticism & Curatorial Practice Ontario College of Art & Design University Abstract The past two decades have witnessed an increase in exhibitions of fashion photography in major international museums. This indicates not only the museum’s burgeoning interest in other cultural forms but the acceptance of fashion photography into specific art contexts. This thesis examines two recent exhibitions of contemporary fashion photography: “Fashioning Fiction in Photography Since 1990” at the Museum of Modern Art (April 16- June 28, 2004), the first exhibition of fashion photography at a major North American museum of art, and “Weird Beauty: Fashion Photography Now” at the International Center of Photography (January 16, 2009-May 3, 2009). -
September 2015 |
Communications & New Media Sept. 2015 I Vol. 29 No. 9 September 2015 | www.odwyerpr.com Vol. 29. No. 9 Sept. 2015 EDITORIAL PR CONGLOMERATES Investing in the personal SLOG THROUGH Q2 economy. 6 18 Revenues at the major marketing conglomerates inched up in the second quarter, setting the stage 32 CHARGED AFTER for growth in 2015. NEWSWIRES HACKED Authorities have broken up a glob- 8 PEOPLE IN PR al fraud scheme that hacked into three major newswires and reaped 12 $100 million in profits since 2010. 20 PROFILES OF BEAUTY THE DO’S AND DON’TS OF AND FASHION PR FIRMS INFLUENCER RELATIONS 22 Tips on how influencer relations 9 can be used as a revenue generat- ing resource for your client. RANKINGS OF BEAUTY AND FASHION PR FIRMS BACK-TO-SCHOOL GETS 29 A+ MARKETING 14Cover photo by Michael O’Shea Thanks to mobile and social me- 10 WASHINGTON REPORT dia, the ways in which students WWW.ODWYERPR.COM and parents participate in back-to- 32 Daily, up-to-the-minute PR news school shopping have evolved. TOURISM EMERGES AS columns TOP FASHION VENUE PROFESSIONAL DEVELOPMENT Designers have led the charge for 12 30 Fraser Seitel pairing fashion with destinations. As a result, tourist attractions are quickly becoming the new runways. FINANCIAL MANAGEMENT 31 Richard Goldstein THE GROWING TREND OF ANDROGYNOUS FASHION PR BUYER’S GUIDE Consumers and marketers have re- 14 34 cently turned a greater attention to the booming world of LGBT fashion. EDITORIAL CALENDAR 2015 January: Crisis Comms. / Buyer’s Guide July: Travel & Tourism WHAT A CLIENT’S IPO February: Environmental & P.A. -
From Style Rookie to the Face of Fashion Blogging Amber De Smet
From Style Rookie to the Face of Fashion Blogging A Study of Fashion Blogs and Tavi Gevinson’s Online Rise to Fame by Amber De Smet Journalism BA Thesis June 2013 Utrecht University Supervised by S.J. Cook 2 Table of Contents Introduction………………………………………………………………………4 Chapter 1: Fashion Blogging Explained…………………………………………5 1. Fashion Blogs………………………………………………………….5 1.1 The Phenomenon……………………………………………..5 1.2 A Brief History of Blogging………………………………….5 2. Personal Blogs and their Online Image………………………………..6 2.1 Street Style Blogs vs. Personal Blogs………………………..6 2.2 The Persona…………………………………………………..6 3. Subjectivity……………………………………………………………8 3.1 Controversy.………………………………………………….8 3.2 Gifts…………………………………………………………..8 3.3 Journalism Ethics…………………………………………….9 Chapter 2: Social Media………………………………………………………….11 1. Social Media…………………………………………………………...11 1.1 Social Media Explained………………………………………11 1.2 Immediate Coverage………………………………………….12 2. Networks aimed at Fashion Bloggers………………………………….12 2.1 Tying Bloggers Together……………………………………..13 2.2 Lookbook.nu…………………………………………………..13 2.3 Bloglovin’………………………………….………………….13 2.4 Independent Fashion Bloggers………………………………..14 3. Advertising………………………………….………………………….14 3.1 A Source of Income…………………………………………...14 Chapter 3: Case Study: Tavi Gevinson……………………………………………15 1. The Case of Tavi Gevinson……………………………………………..15 1.1 Case Study……………………………………………………..15 1.2 Short History of Success………………………………………15 2. The Elements of Success………………………………………………..16 2.1 The Blogging Boom…………………………………………...16 2.2 Authenticity……………………………………………………17 -
Sponsorship Opportunities March 8-11 2019
A THINK SPACE FOR BLACK INNOVATORS SPONSORSHIP OPPORTUNITIES MARCH 8-11 2019 MVMT50.COM The future is not being written by laws in Washington. It’s being written by coders in Silicon Valley. VAN JONES “ President, Rebuild the Dream ” SPONSORSHIP OPPORTUNITIES ABOUT MVMT50 A THINK SPACE FOR BUILD COHESION BLACK INNOVATORS The conversation and consequences of diversity and inclusion deficiencies across the technology sector influence a wide variety MVMT50 is a coalition of Black thought leaders committed to sus- of industry sectors; from large Fortune 500 companies and small, tained and systematic improvement in employment diversity, local businesses, to the service providers that keep tech companies cultural representation and leadership development in the innova- running and relevant. Seeing the needle move requires cohesion on tion, technology and digital sectors. MVMT50 represents a dimension priorities and the use of resources amongst these community mem- of the 21st Century’s civil rights movement, with intent to expand bers. MVMT50’s partnership with SXSW, “the most important inter- opportunity, elevate the value of diversity and disrupt the tradition- active event in the world” (CNET), is a conduit to build cohesion and al culture and practices associated with the innovation sector. Our cooperation amongst the many needed voices. SXSW Interactive is partners and participants gather annually during South By South- where we connect, collaborate and create consensus on how to ele- west (SXSW) Interactive to connect, collaborate and build consensus vate and empower our individual and collective spaces of influence. around disruptive and innovative solutions to empower and elevate Black thought leadership. Today’s American mainstream is rapidly changing, and that change can be attribut- ed, in part, to the growth and activities “of African-Americans in the marketplace. -
Translating the Fashion Story: Analyzing Fashion Captions in Two Women's Magazines Ehimwenma O
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2013 Translating the fashion story: analyzing fashion captions in two women's magazines Ehimwenma O. Vosper-Woghiren Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Human Ecology Commons Recommended Citation Vosper-Woghiren, Ehimwenma O., "Translating the fashion story: analyzing fashion captions in two women's magazines" (2013). LSU Master's Theses. 831. https://digitalcommons.lsu.edu/gradschool_theses/831 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. TRANSLATING THE FASHION STORY: ANALYZING FASHION CAPTIONS IN TWO WOMEN’S FASHION MAGAZINES A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Science in School of Human Ecology Department of Textiles, Apparel Design and Merchandising by Ehimwenma ‘Yuwa’ Vosper-Woghiren B.A., Loyola University New Orleans, 2004 December 2013 © 2013 Copyright Ehimwenma Vosper-Woghiren All Rights Reserved ii I would like to dedicate my thesis to my grandfather, the late Joseph Henry Tyler, Sr. Throughout my life, my grandfather always stressed the importance of looking your best despite your social status. Growing up in the rural and segregated South, my grandfather did not have many opportunities.