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AP Jungian Archetypes GO
SUMMARY OF JUNGIAN ARCHETYPES PHILLIP WEDGEWORTH, CENTER FOR THE HUMANITIES; DERIVED FROM THE WORK OF CARL JUNG 1 CHARACTERS ARCHETYPAL GENERAL EXAMPLES FROM POP CULTURE, ESSENTIAL DETAILS & EXAMPLES SPECIFIC EXAMPLES FROM LITERATURE CHARACTER FILM, LITERATURE, NEWS A. Lord Raglan in The Hero: A Study in Tradition, Myth, and Drama contends that this archetype is so well defined that the life of the protagonist can be clearly divided into a series of well-marked adventures, which strongly suggest a ritualistic pattern. Raglan finds that traditionally the hero's mother is a virgin, the circumstances of his conception are unusual, and at birth some attempt is made to kill him. He is, however, spirited away and reared by foster parents. We know almost nothing of his childhood, but upon reaching manhood he returns THE HERO to his future kingdom. After a victory over the king or a wild beast, he marries a princess, becomes king, reigns uneventfully, but later loses favor with the gods. He is then driven from the city after which he meets a mysterious death, often at the top of a hill. His body is not buried; but nevertheless, he has one or more holy sepulchers. Characters who exemplify this archetype to a greater or lesser extent are Oedipus, Theseus, Romulus, Perseus, Jason, Dionysos, Joseph, Moses, Elijah, Jesus Christ, Siegfried, Arthur, Robin Hood, Watu Gunung (Javanese), and Llew Llawgyffes (Celtic). B. An animal or more usually a human whose death in a public ceremony expiates THE some taint or sin that has been visited upon a community (e.g., Shirley Jackson's SCAPEGOAT "The Lottery"). -
Mixed Metaphors and Narrative Shifts: Archetypes
Mixed Metaphors and Narrative Shifts Archetypes Raya A. Jones Cardiff University Abstract. Jungian archetype theory exemplifies tensions between ways of questioning in psychology. Jung anchors his thesis in the contrasting discourses of biology and metaphysics, though his narrative presents a ‘whole’ transcending both. The present focus is on its problematic touch- down in the discourse of science. The essay considers, in turn, tensions specific to Jung’s writing, tensions between Jungian theory development and the logic of scientific discovery, and tensions inherent in post-Jungian revisions of archetype theory, culminating in the relationship between saying and seeing problematized by Wittgenstein. Throughout, the essay engages with Jung’s theorizing as itself a creative process, the products of which (the specific propositions debated by his followers and critics) may be viewed as crossroads requiring readers of Jung to make decisions as to which way to turn. In closing, the possibility of integrating Jung’s thought with a dialogical approach is indicated. Key Words: archetypes, Jung, language games, science vs art I am inclined to think that scientific discovery is impossible without faith in ideas which are of a purely speculative kind, and sometimes even quite hazy; a faith which is completely unwarranted from the point of view of science . (Popper, 1934/1958, p. 38) C.G. Jung (1954/1960a) believed that the theory of archetypes explains scientific theories, among other things: ‘All the most powerful ideas in history go back to archetypes . the central concepts of science, philo- sophy, and ethics are no exception to this rule’ (para. 342). Judged against scientific criteria, archetype theory has barely progressed from a speculative hazy idea, such as those to which Popper refers. -
Moving Myths: a Heuristic Inquiry Into the Role of Jungian Concepts in The
Columbia College Chicago Digital Commons @ Columbia College Chicago Creative Arts Therapies Theses Thesis & Capstone Collection 12-13-2017 Moving Myths: A Heuristic Inquiry Into the Role of Jungian Concepts in the Theoretical Framework of a Dance/Movement Therapy Student Maura Reagan Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/theses_dmt Part of the Dance Movement Therapy Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Reagan, Maura, "Moving Myths: A Heuristic Inquiry Into the Role of Jungian Concepts in the Theoretical Framework of a Dance/ Movement Therapy Student" (2017). Creative Arts Therapies Theses. 95. https://digitalcommons.colum.edu/theses_dmt/95 This Thesis is brought to you for free and open access by the Thesis & Capstone Collection at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Creative Arts Therapies Theses by an authorized administrator of Digital Commons @ Columbia College Chicago. For more information, please contact [email protected]. MOVING MYTHS: A HEURISTIC INQUIRY INTO THE ROLE OF JUNGIAN CONCEPTS IN THE THEORHETICAL FRAMEWORK OF A DANCE/MOVEMENT THERAPY STUDENT Maura Reagan Thesis submitted to the faculty of Columbia College Chicago in partial fulfillment of the requirements for Master of Arts in Dance/Movement Therapy & Counseling Department of Creative Arts Therapies December 2017 Committee: Susan Imus, MA, BC-DMT, LCPC, GL-CMA Chair, Dance/Movement Therapy and Counseling Laura Downey, MA, BC-DMT, LPC, GL-CMA Research Coordinator Susan Imus, MA, BC-DMT, LCPC, GL-CMA Thesis Advisor Aisha Bell, MA, BC-DMT, LCPC Reader Abstract The purpose of this heuristic study was to develop a personal dance/movement therapy approach and interventions that utilize the Jungian concepts of myth and archetypes. -
Jungian Archetypes
Evan L, Vania C, Chevin J, Ellen P, Brian W, Grace Z Jungian Archetypes Carl Jung founded the key concept of archetypes contained within the ego, the personal unconscious and the collective unconscious, the ideas and memories shared in all humans. Jung explored the influences of the psyche parts of the mind, concerning the concept of recurring patterns, plotlines or figures. This idea is often portrayed as symbols or myths and occurs throughout the novel Three Day Road and the movie Whale Rider. In this analysis, the archetypes of the Anima and Animus, the Shadow, and the Sage are examined. There are three main classes of archetypes; archetypal characters, or personality archetypes, archetypal situations, and archetypal symbols. Personality archetypes relate to common patterns in the roles of characters, such as Elijah in the role of the Trickster archetype. Archetypal situations represent universal plotlines such as the Journey, the Quest, and the Death and Rebirth, while archetypal symbols usually include polarities such as Light and Dark or Spring and Winter, often signalling or representing good or evil. The archetype of the Shadow is established with suppressed desires, inclination, and flaws in the unconscious mind as humans strive to adapt to societal norms. The Shadow veils the dark parts of the intellect which are often disregarded by personal morals. Joseph Boyden’s novel Three Day Road showcases the Shadow through the character development of Xavier and Elijah, more specifically Elijah as Xavier’s Shadow. The friendship between Elijah and Xavier moulds their characters into one persona as they grow up together being raised by Niska. -
Time-Frequency Based Phase-Amplitude Coupling
www.nature.com/scientificreports OPEN Time-Frequency Based Phase- Amplitude Coupling Measure For Neuronal Oscillations Received: 17 September 2018 Tamanna T. K. Munia & Selin Aviyente Accepted: 9 August 2019 Oscillatory activity in the brain has been associated with a wide variety of cognitive processes including Published: xx xx xxxx decision making, feedback processing, and working memory. The high temporal resolution provided by electroencephalography (EEG) enables the study of variation of oscillatory power and coupling across time. Various forms of neural synchrony across frequency bands have been suggested as the mechanism underlying neural binding. Recently, a considerable amount of work has focused on phase- amplitude coupling (PAC)– a form of cross-frequency coupling where the amplitude of a high frequency signal is modulated by the phase of low frequency oscillations. The existing methods for assessing PAC have some limitations including limited frequency resolution and sensitivity to noise, data length and sampling rate due to the inherent dependence on bandpass fltering. In this paper, we propose a new time-frequency based PAC (t-f PAC) measure that can address these issues. The proposed method relies on a complex time-frequency distribution, known as the Reduced Interference Distribution (RID)-Rihaczek distribution, to estimate both the phase and the envelope of low and high frequency oscillations, respectively. As such, it does not rely on bandpass fltering and possesses some of the desirable properties of time-frequency distributions such as high frequency resolution. The proposed technique is frst evaluated for simulated data and then applied to an EEG speeded reaction task dataset. The results illustrate that the proposed time-frequency based PAC is more robust to varying signal parameters and provides a more accurate measure of coupling strength. -
The Scarab 2010
THE SCARAB 2010 28th Edition Oklahoma City University 2 THE SCARAB 2010 28th Edition Oklahoma City University’s Presented by Annual Anthology of Prose, Sigma Tau Delta, Poetry, and Artwork Omega Phi Chapter Editors: Ali Cardaropoli, Kenneth Kimbrough, Emma Johnson, Jake Miller, and Shana Barrett Dr. Terry Phelps, Sponsor Copyright © The Scarab 2010 All rights reserved 3 The Scarab is published annually by the Oklahoma City University chapter of Sigma Tau Delta, the International English Honor Society. Opinions and beliefs expressed herein do not necessarily reflect those of the university, the chapter, or the editors. Submissions are accepted from students, faculty, staff, and alumni. Address all correspondence to The Scarab c/o Dr. Terry Phelps, 2501 N. Blackwelder, Oklahoma City, OK 73106, or e-mail [email protected]. The Scarab is not responsible for returning submitted work. All submissions are subject to editing. 4 THE SCARAB 2010 POETRY NONFICTION We Hold These Truths By Neilee Wood by Spencer Hicks ................................. 8 Fruition ...................................................... 41 It‘s Too Early ............................................ 42 September 1990 Skin ........................................................... 42 by Sheray Franklin .............................. 10 By Abigail Keegan Fearless with Baron Birding ...................................................... 43 by Terre Cooke-Chaffin ........................ 12 By Daniel Correa Inevitable Ode to FDR .............................................. -
Jarosek Copy.Fm
Cybernetics and Human Knowing. Vol. 27 (2020), no. 3, pp. 33–63 Knowing How to Be: Imitation, the Neglected Axiom Stephen Laszlo Jarosek1 The concept of imitation has been around for a very long time, and many conversations have been had about it, from Plato and Aristotle to Piaget and Freud. Yet despite this pervasive acknowledgement of its relevance in areas as diverse as memetics, culture, child development and language, there exists little appreciation of its relevance as a fundamental principle in the semiotic and life sciences. Reframing imitation in the context of knowing how to be, within the framework of semiotic theory, can change this, thus providing an interpretation of paradigmatic significance. However, given the difficulty of establishing imitation as a fundamental principle after all these centuries since Plato, I turn the question around and approach it from a different angle. If imitation is to be incorporated into semiotic theory and the Peircean categories as axiomatic, then what pathologies manifest when imitation is disabled or compromised? I begin by reviewing the reasons for regarding imitation as a fundamental principle. I then review the evidence with respect to autism and schizophrenia as imitation deficit. I am thus able to consolidate my position that imitation and knowing how to be are integral to agency and pragmatism (semiotic theory), and should be embraced within an axiomatic framework for the semiotic and life sciences. Keywords: autism; biosemiotics; imitation; neural plasticity; Peirce; pragmatism The concept of imitation has been around for a very long time, and many conversations have been had about it, from Plato and Aristotle to Piaget and Freud. -
Archetype/ Symbol in the Psychology of CG Jung Free Ebook
COMPLEX/ ARCHETYPE/ SYMBOL IN THE PSYCHOLOGY OF C.G. JUNG DOWNLOAD FREE BOOK Jolande Jacobi, Ralph Manheim | 256 pages | 21 Apr 1971 | Princeton University Press | 9780691017747 | English | New Jersey, United States Jungian archetypes The existence Complex/ Archetype/ Symbol in the Psychology of C.G. Jung the instincts Complex/ Archetype/ Symbol in the Psychology of C.G. Jung no more be proved than the existence of the archetypes, so long as they do not manifest themselves concretely. Wow, I really liked this - the first half was very informative, and quite helpful in understanding the concepts she is expounding on, but appropriately simple, and the second half - which is really a seperate work - is the interpretation of one particularly meaningful dream - in a beautifully composed and deeply touching way - a very good read. As well, Complex/ Archetype/ Symbol in the Psychology of C.G. Jung first two people function as each other's anima and animustheir romantic love serving to make each other psychologically complete. The mother, we know, frequently knows right away, consciously or psychically, that she is now pregnant. One person found this helpful. That is why it lies ready to hand in the unconscious of every man. In the Jungian perspective, therefore, the essence of the complex includes its autonomous psychic existence separate from consciousness and a feeling charge which exerts influence on consciousness. On the contrary, it continues vigorously during the first years of life into adolescence and probably beyond. Jacobi, The Psychology of C. Ken Wilber developed a theory called Spectrum of Consciousness, which expanded the Jungian archetypes. -
Worshipping the Dark the Manifestations of Carl
WORSHIPPING THE DARK THE MANIFESTATIONS OF CARL GUSTAV JUNG'S ARCHETYPE OF THE SHADOW IN CONTEMPORARY WICCA Nicholas Marc Dion Faculty of Religious Studies McGill University, Montreal October 2006 A thesis submitted to Mc Gill University in partial fulfillment of the requirements of the degree of Master of Arts © Nicholas Dion, 2006 Library and Bibliothèque et 1+1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON K1A ON4 Canada Canada Your file Votre référence ISBN: 978-0-494-28552-7 Our file Notre référence ISBN: 978-0-494-28552-7 NOTICE: AVIS: The author has granted a non L'auteur a accordé une licence non exclusive exclusive license allowing Library permettant à la Bibliothèque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans loan, distribute and sell th es es le monde, à des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, électronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in et des droits moraux qui protège cette thèse. this thesis. Neither the thesis Ni la thèse ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent être imprimés ou autrement may be printed or otherwise reproduits sans son autorisation. -
Jungian Typologies and Conscious Preferences in Career and Intimate Relationship Development
JUNGIAN TYPOLOGIES AND CONSCIOUS PREFERENCES IN CAREER AND INTIMATE RELATIONSHIP DEVELOPMENT BY RAYMOND ,tERRY 1 JR. Bachelor of Arts Central State University Edmond, Oklahoma 1971 Master of Arts University of Oklahoma Norman, Oklahoma 1974 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY July, 1989 JUNGIAN TYPOLOGIES AND CONSCIOUS PREFERENCES IN CAREER AND INTIMATE RELATIONSHIP DEVELOPMENT Thesis Approved: /-- .. Thesis Adv ser - / I ii 1352148 COPYRIGHT by Raymond Perry, Jr. July, 1989 PREFACE A study of the role of unconscious personality variables in career and relationship development was completed. The unconscious variables selected for this study are based on the theories of C. G. Jung. Psychological types, and masculine and feminine archetypes identified in this study were generalized from Jung's original theories. A decision was made to develop questionnaires that would enable the researcher to assess masculine and feminine archetypal preferences. These assessment questionnaires were developed as part of a pilot study. The final study is based on a sample of 74 males and 91 females who were enrolled at three colleges and universities in a Southwestern state. All participants in this study completed the following psychological instruments; Myers-Briggs Type Indicator, Self-Directed Search, Masculine or Feminine Archetype Questionnaire, and a Projected-Masculine or Projected-Feminine Archetype Questionnaire. Statistical and descriptive procedures were used to analyze nine hypotheses. Difficulties and limitations inherent in a study of conscious correlates of unconscious personality variables are evident in the results. The iii findings in this study may have limited practical application at this time. -
The Dialogical Jung: Otherness Within the Self
Behav. Sci. 2013, 3, 634-646; doi:10.3390/bs3040634 OPEN ACCESS behavioral sciences ISSN 2076-328X www.mdpi.com/journal/behavsci/ Article The Dialogical Jung: Otherness within the Self William E. Smythe Psychology Department, University of Regina, 3737 Wascana Parkway, Regina S4S 0A2, SK, Canada; E-Mail: [email protected]; Tel.: +306-585-4219; Fax: +306-585-4772 Received: 25 September 2013; in revised form: 13 November 2013 / Accepted: 15 November 2013 / Published: 21 November 2013 Abstract: This paper explores dialogical currents in Jung’s analytical psychology, with reference to contemporary theories of the dialogical self. The dialogical self is a notion that has gained increasing currency in psychology since the 1990s, in response to the limitations of traditional notions of the self, based on monological, encapsulated consciousness. Modern dialogical self theory construes the self as irrevocably embedded in a matrix of real and imagined dialogues with others. The theme of dialogical otherness within the self is also taken up in Jung’s analytical psychology, both in the practice of active imagination and psychotherapy and in the theory of archetypes, and a dialogical approach to inquiry is evident in Jung’s work from the outset. The implications of a dialogical re-conceptualization of analytical psychology and of analytical psychology for dialogical theory are considered in detail. Keywords: analytical psychology; dialogical self; archetypes; otherness 1. Introduction In a recent essay Charles Taylor identified the problem of understanding the other as “the great challenge of this century both for politics and social science” ([1], p.24). What analytical psychology can uniquely contribute with respect to this challenge is to give an account of the other within the self. -
C. G. Jung's Theory of the Collective Unconscious
C.G. JinTG'S THEORY OF THE C0LLECTI7E UNCONSCIOUS: A RATIONAL RECONSTRUCTION TMLTER A70RY SHELBURNE A DISSERTATION PRESENTED TO THE GRADUATE COUNCIL OF THE UNIVTKSITr OF FLORIDA IN PARTIAL FULFTLU^IENT OF THE REQUIREMEI'ITS FOR THE DEGREE OF DOCTOR OF PHUOSOPHT UNITERSITZ OF FLORIDA 1976 UNIVERSITY OF FLORIDA 3 1262 08666 238 3 Copyright 1976 Vfelter Avoiy Shelbume ACKMOIilLEDOENTS I irould like to grateful^sr acloioirledge the persons of rcr supervisory committee for their help in this project: Marilyn areig, Tom Aarber, i^anz lifting, Richard Ilaynes and Tom Simon. Special thanks to Iferiljoi and Tom Sijnon for their tiine, encouragement and helpful criticism. I would also like to thank Debbie Botjers of the Graduate School, who, in addition to her technical advice, has through her friendliness contri- buted in an immeasurable and intangible way to the final preparation of this manuscript, 3h addition to this personal assistance, I TTould also like to aclaiow- ledge the help of the follo;.jing agencies: the spirit of Carl Gustav Jung, the Archetn>e of the Self, and the three luminous beings tAo cleansed iry spirit. iii , TABLE OF CONTENTS Page ACiaro V/LEDGlJEI'rPS iii ABSTRACT , ^ HrPRODUCTION ,, ., CHAPTER 1 JUl'JG'S I-IEMTAL CONSTRUCTS.. ,,.., 3 Pgyxjhe...... , ,,, 3 Uiconscioiis. .,, .,,, 16 Collective Ifciconscious. , 19 Notes. .................,,..,,,,,,,,, , 28 CHAPTER 2 TI£EORr OF ARCHETTPES: PART I ,,,, 30 Introduction,.., , ,,.,,. ..,,,. 30 The Syrabolic Mature of the Archetypes ,, , l^;^ Archetiypes and Instincts ,,,,... hi Notes.... , ..,,,.. , ,, ^3 CHAPTER 3 THEOrar OF ARCHETn=ES: PART II..... ^ The Origin of the Archetypes ^ Archelypal ninage and Archetype Per Se ., 63 Tlae .'irchetypes as Autonomous Factors,.