The Teachings of Carl Jung: a Bizarre Blend of Blasphemy, Mythology, & Psychology
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God's Answer to Job
Rel. Stud. 32, pp. 339-356. Copyright © 1996 Cambridge University Press WESLEY MORRISTON GOD'S ANSWER TO JOB Let the day perish in which I was born... [Job 3: 3a]1 ...he crushes me with a tempest, and multiplies my wounds without cause; he will not let me get my breath, but fills me with bitterness ... though I am blameless, he would prove me perverse. [9: 17-18,2ob] ... therefore I say, he destroys both the blameless and the wicked. When disaster brings sudden death, he mocks at the calamity of the innocent. [g: 22] I call aloud, but there is no justice. [19: 7 b] Here is my signature! Let the Almighty answer me! [31: 35 a] Then the LORD answered Job out of the whirlwind. Who is this that darkens counsel without knowledge?... Where were you when I laid the foundations of the earth? ... when the morning stars sang together and all the sons of God shouted for joy? [38: 1-2, 4a, 7] I had heard of you by the hearing of the ear, but now my eye sees you; therefore I despise myself, and repent in dust and ashes. [42: 5-6] In the long poem at the centre of the book of Job, we encounter a decidedly impatient Job — one who curses the day he was born, accuses God of treating him unfairly, and demands an accounting from his maker. At the dramatic climax of the book, God answers Job out of a ' whirlwind ', displaying the wonders of creation and putting Job firmly back in his place. -
AP Jungian Archetypes GO
SUMMARY OF JUNGIAN ARCHETYPES PHILLIP WEDGEWORTH, CENTER FOR THE HUMANITIES; DERIVED FROM THE WORK OF CARL JUNG 1 CHARACTERS ARCHETYPAL GENERAL EXAMPLES FROM POP CULTURE, ESSENTIAL DETAILS & EXAMPLES SPECIFIC EXAMPLES FROM LITERATURE CHARACTER FILM, LITERATURE, NEWS A. Lord Raglan in The Hero: A Study in Tradition, Myth, and Drama contends that this archetype is so well defined that the life of the protagonist can be clearly divided into a series of well-marked adventures, which strongly suggest a ritualistic pattern. Raglan finds that traditionally the hero's mother is a virgin, the circumstances of his conception are unusual, and at birth some attempt is made to kill him. He is, however, spirited away and reared by foster parents. We know almost nothing of his childhood, but upon reaching manhood he returns THE HERO to his future kingdom. After a victory over the king or a wild beast, he marries a princess, becomes king, reigns uneventfully, but later loses favor with the gods. He is then driven from the city after which he meets a mysterious death, often at the top of a hill. His body is not buried; but nevertheless, he has one or more holy sepulchers. Characters who exemplify this archetype to a greater or lesser extent are Oedipus, Theseus, Romulus, Perseus, Jason, Dionysos, Joseph, Moses, Elijah, Jesus Christ, Siegfried, Arthur, Robin Hood, Watu Gunung (Javanese), and Llew Llawgyffes (Celtic). B. An animal or more usually a human whose death in a public ceremony expiates THE some taint or sin that has been visited upon a community (e.g., Shirley Jackson's SCAPEGOAT "The Lottery"). -
Eliphaz Speaks: Job Must Have Sinned Greatly
JOB 4 Eliphaz Speaks: Job Must Have Sinned Greatly Introduction : In this chapter, Eliphaz, the first of Job’s three friends begins to speak. After having kept silent for seven days and nights with the rest, the first words out of his mouth are not very encouraging to Job. Eliphaz basically assumes that Job must have done something very terrible to experience the extreme affliction and distress he’s going through. Eliphaz appears to be offended by Job’s reaction. This is typical of the oriental or Middle Eastern view of the tragedies and blessings of life—they are in direct proportion to what one does. But it is not necessarily consistent with God’s viewpoint or dealings with man. Therefore Eliphaz’ counsel to Job will not be very helpful at all. To give more authority to what he says, Eliphaz actually mocks Job’s integrity to make himself look like a wise counselor. In the end though, injustice is settled and the folly of Eliphaz and the other two “friends” of Job, Bildad and Zophar, is exposed: And so it was, after the LORD had spoken these words to Job, that the LORD said to Eliphaz the Temanite, “My wrath is aroused against you and your two friends, for you have not spoken of Me what is right, as My servant Job has. Now therefore, take for yourselves seven bulls and seven rams, go to My servant Job, and offer up for yourselves a burnt offering; and My servant Job shall pray for you. For I will accept him, lest I deal with you according to your folly; because you have not spoken of Me what is right, as My servant Job has ”.—Job 42:7-8 This chapter serves as a reminder to us not to get too prideful in our own position because it is the Lord who justifies and is sovereign. -
Mixed Metaphors and Narrative Shifts: Archetypes
Mixed Metaphors and Narrative Shifts Archetypes Raya A. Jones Cardiff University Abstract. Jungian archetype theory exemplifies tensions between ways of questioning in psychology. Jung anchors his thesis in the contrasting discourses of biology and metaphysics, though his narrative presents a ‘whole’ transcending both. The present focus is on its problematic touch- down in the discourse of science. The essay considers, in turn, tensions specific to Jung’s writing, tensions between Jungian theory development and the logic of scientific discovery, and tensions inherent in post-Jungian revisions of archetype theory, culminating in the relationship between saying and seeing problematized by Wittgenstein. Throughout, the essay engages with Jung’s theorizing as itself a creative process, the products of which (the specific propositions debated by his followers and critics) may be viewed as crossroads requiring readers of Jung to make decisions as to which way to turn. In closing, the possibility of integrating Jung’s thought with a dialogical approach is indicated. Key Words: archetypes, Jung, language games, science vs art I am inclined to think that scientific discovery is impossible without faith in ideas which are of a purely speculative kind, and sometimes even quite hazy; a faith which is completely unwarranted from the point of view of science . (Popper, 1934/1958, p. 38) C.G. Jung (1954/1960a) believed that the theory of archetypes explains scientific theories, among other things: ‘All the most powerful ideas in history go back to archetypes . the central concepts of science, philo- sophy, and ethics are no exception to this rule’ (para. 342). Judged against scientific criteria, archetype theory has barely progressed from a speculative hazy idea, such as those to which Popper refers. -
Moving Myths: a Heuristic Inquiry Into the Role of Jungian Concepts in The
Columbia College Chicago Digital Commons @ Columbia College Chicago Creative Arts Therapies Theses Thesis & Capstone Collection 12-13-2017 Moving Myths: A Heuristic Inquiry Into the Role of Jungian Concepts in the Theoretical Framework of a Dance/Movement Therapy Student Maura Reagan Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/theses_dmt Part of the Dance Movement Therapy Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Reagan, Maura, "Moving Myths: A Heuristic Inquiry Into the Role of Jungian Concepts in the Theoretical Framework of a Dance/ Movement Therapy Student" (2017). Creative Arts Therapies Theses. 95. https://digitalcommons.colum.edu/theses_dmt/95 This Thesis is brought to you for free and open access by the Thesis & Capstone Collection at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Creative Arts Therapies Theses by an authorized administrator of Digital Commons @ Columbia College Chicago. For more information, please contact [email protected]. MOVING MYTHS: A HEURISTIC INQUIRY INTO THE ROLE OF JUNGIAN CONCEPTS IN THE THEORHETICAL FRAMEWORK OF A DANCE/MOVEMENT THERAPY STUDENT Maura Reagan Thesis submitted to the faculty of Columbia College Chicago in partial fulfillment of the requirements for Master of Arts in Dance/Movement Therapy & Counseling Department of Creative Arts Therapies December 2017 Committee: Susan Imus, MA, BC-DMT, LCPC, GL-CMA Chair, Dance/Movement Therapy and Counseling Laura Downey, MA, BC-DMT, LPC, GL-CMA Research Coordinator Susan Imus, MA, BC-DMT, LCPC, GL-CMA Thesis Advisor Aisha Bell, MA, BC-DMT, LCPC Reader Abstract The purpose of this heuristic study was to develop a personal dance/movement therapy approach and interventions that utilize the Jungian concepts of myth and archetypes. -
Jungian Archetypes
Evan L, Vania C, Chevin J, Ellen P, Brian W, Grace Z Jungian Archetypes Carl Jung founded the key concept of archetypes contained within the ego, the personal unconscious and the collective unconscious, the ideas and memories shared in all humans. Jung explored the influences of the psyche parts of the mind, concerning the concept of recurring patterns, plotlines or figures. This idea is often portrayed as symbols or myths and occurs throughout the novel Three Day Road and the movie Whale Rider. In this analysis, the archetypes of the Anima and Animus, the Shadow, and the Sage are examined. There are three main classes of archetypes; archetypal characters, or personality archetypes, archetypal situations, and archetypal symbols. Personality archetypes relate to common patterns in the roles of characters, such as Elijah in the role of the Trickster archetype. Archetypal situations represent universal plotlines such as the Journey, the Quest, and the Death and Rebirth, while archetypal symbols usually include polarities such as Light and Dark or Spring and Winter, often signalling or representing good or evil. The archetype of the Shadow is established with suppressed desires, inclination, and flaws in the unconscious mind as humans strive to adapt to societal norms. The Shadow veils the dark parts of the intellect which are often disregarded by personal morals. Joseph Boyden’s novel Three Day Road showcases the Shadow through the character development of Xavier and Elijah, more specifically Elijah as Xavier’s Shadow. The friendship between Elijah and Xavier moulds their characters into one persona as they grow up together being raised by Niska. -
Archetype/ Symbol in the Psychology of CG Jung Free Ebook
COMPLEX/ ARCHETYPE/ SYMBOL IN THE PSYCHOLOGY OF C.G. JUNG DOWNLOAD FREE BOOK Jolande Jacobi, Ralph Manheim | 256 pages | 21 Apr 1971 | Princeton University Press | 9780691017747 | English | New Jersey, United States Jungian archetypes The existence Complex/ Archetype/ Symbol in the Psychology of C.G. Jung the instincts Complex/ Archetype/ Symbol in the Psychology of C.G. Jung no more be proved than the existence of the archetypes, so long as they do not manifest themselves concretely. Wow, I really liked this - the first half was very informative, and quite helpful in understanding the concepts she is expounding on, but appropriately simple, and the second half - which is really a seperate work - is the interpretation of one particularly meaningful dream - in a beautifully composed and deeply touching way - a very good read. As well, Complex/ Archetype/ Symbol in the Psychology of C.G. Jung first two people function as each other's anima and animustheir romantic love serving to make each other psychologically complete. The mother, we know, frequently knows right away, consciously or psychically, that she is now pregnant. One person found this helpful. That is why it lies ready to hand in the unconscious of every man. In the Jungian perspective, therefore, the essence of the complex includes its autonomous psychic existence separate from consciousness and a feeling charge which exerts influence on consciousness. On the contrary, it continues vigorously during the first years of life into adolescence and probably beyond. Jacobi, The Psychology of C. Ken Wilber developed a theory called Spectrum of Consciousness, which expanded the Jungian archetypes. -
Worshipping the Dark the Manifestations of Carl
WORSHIPPING THE DARK THE MANIFESTATIONS OF CARL GUSTAV JUNG'S ARCHETYPE OF THE SHADOW IN CONTEMPORARY WICCA Nicholas Marc Dion Faculty of Religious Studies McGill University, Montreal October 2006 A thesis submitted to Mc Gill University in partial fulfillment of the requirements of the degree of Master of Arts © Nicholas Dion, 2006 Library and Bibliothèque et 1+1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de l'édition 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON K1A ON4 Canada Canada Your file Votre référence ISBN: 978-0-494-28552-7 Our file Notre référence ISBN: 978-0-494-28552-7 NOTICE: AVIS: The author has granted a non L'auteur a accordé une licence non exclusive exclusive license allowing Library permettant à la Bibliothèque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par télécommunication ou par l'Internet, prêter, telecommunication or on the Internet, distribuer et vendre des thèses partout dans loan, distribute and sell th es es le monde, à des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, électronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriété du droit d'auteur ownership and moral rights in et des droits moraux qui protège cette thèse. this thesis. Neither the thesis Ni la thèse ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent être imprimés ou autrement may be printed or otherwise reproduits sans son autorisation. -
Behemoth and Leviathan in the Book of Job1 Mart-Jan Paul
Papers Behemoth and leviathan in the book of Job1 Mart-Jan Paul Behemoth and leviathan, the two enigmatic animals mentioned in the book of Job, are commonly equated with a hippopotamus and a crocodile, respectively. Exegesis of Job 40 and 41 indicates that a hippopotamus and a crocodile are not likely candidates for these enormous creatures described by Job. Neither should behemoth and leviathan be taken as mythological animals. After establishing their identities, I also consider to what degree they symbolize the power of evil, and whether they are connected with Satan (who is mentioned in the first two chapters of the book). Were behemoth and leviathan real animals? c. God does not describe past cosmic events in relation to behemoth and leviathan, but rather the appearance and he book of Job, presumably written in the second habits of animals that were present. Therefore he is Tmillennium BC , details the events of the patriarchal Job in the land of Uz.2 At the end of the book, in God’s speech referring to animals that Job observed personally. Both to Job, two large animals are described. The first animal animals are extraordinarily powerful and evoke awe. is described in ten verses (40:15–24) and the second in no d. It is possible that some poetic licence was employed in less than 34 verses (41:1–34). Several English translations the description of the animals, but this does not mean give the Hebrew names rather than a translation: behemoth that Job and his friends did not observe real animals. and leviathan. -
Jungian Typologies and Conscious Preferences in Career and Intimate Relationship Development
JUNGIAN TYPOLOGIES AND CONSCIOUS PREFERENCES IN CAREER AND INTIMATE RELATIONSHIP DEVELOPMENT BY RAYMOND ,tERRY 1 JR. Bachelor of Arts Central State University Edmond, Oklahoma 1971 Master of Arts University of Oklahoma Norman, Oklahoma 1974 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY July, 1989 JUNGIAN TYPOLOGIES AND CONSCIOUS PREFERENCES IN CAREER AND INTIMATE RELATIONSHIP DEVELOPMENT Thesis Approved: /-- .. Thesis Adv ser - / I ii 1352148 COPYRIGHT by Raymond Perry, Jr. July, 1989 PREFACE A study of the role of unconscious personality variables in career and relationship development was completed. The unconscious variables selected for this study are based on the theories of C. G. Jung. Psychological types, and masculine and feminine archetypes identified in this study were generalized from Jung's original theories. A decision was made to develop questionnaires that would enable the researcher to assess masculine and feminine archetypal preferences. These assessment questionnaires were developed as part of a pilot study. The final study is based on a sample of 74 males and 91 females who were enrolled at three colleges and universities in a Southwestern state. All participants in this study completed the following psychological instruments; Myers-Briggs Type Indicator, Self-Directed Search, Masculine or Feminine Archetype Questionnaire, and a Projected-Masculine or Projected-Feminine Archetype Questionnaire. Statistical and descriptive procedures were used to analyze nine hypotheses. Difficulties and limitations inherent in a study of conscious correlates of unconscious personality variables are evident in the results. The iii findings in this study may have limited practical application at this time. -
Adolf Guggenbã¼hl-Craig Papers
http://oac.cdlib.org/findaid/ark:/13030/c8ns10pp No online items Adolf Guggenbühl-Craig Papers Finding aid prepared by Archives Staff Opus Archives and Research Center 801 Ladera Lane Santa Barbara, CA, 93108 805-969-5750 [email protected] http://www.opusarchives.org © 2017 Adolf Guggenbühl-Craig Papers 1 Descriptive Summary Title: Adolf Guggenbühl-Craig Papers Physical Description: 11.5 linear feet (24 boxes) Repository: Opus Archives and Research Center Santa Barbara, CA 93108 Language of Material: English and German Scope and Content Note The Guggenbühl-Craig collection includes manuscripts in English and German as well as notes for lectures and symposia. Estate of Adolf Guggenbuhl-Craig Subjects and Indexing Terms Jungian psychology Psychoanalysis Archetype (Psychology) Lectures Subjects and Indexing Terms Marriage Sex Age Personality Box Article, notes, and seminar manuscripts, mostly on sexuality, psychotherapy, and GUGGENBUHL-CRAIG myth 108 Language of Material: Material is in English Box Folder: 01 GUGGENBUHL-CRAIG "A Practical Jung" (Kyoto 1985) Notes 108 Language of Material: Material is in EnglishGerman Box Folder: 02 GUGGENBUHL-CRAIG "Analysis, shorttime psychotherapie, counselling, etc." 108 Language of Material: Material is in GermanEnglish Box Folder: 03 GUGGENBUHL-CRAIG "Archetyp der Beratung und Analyse" (Bern, 1988) 108 Language of Material: Material is in German Box Folder: 04 GUGGENBUHL-CRAIG "Born as a Jungian Analyst" and "Jungian Psychology and Psychopathologia 108 Sexualis" Language of Material: Material is -
Flannery O'connor's Jungian Concept of Grace
Manning 1 Joshlin Manning 21 March 2017 On Symbols and Shadows: Flannery O’Connor’s Jungian Concept of Grace While participating in a literary circle discussing whether or not the Catholic Eucharist was purely symbolic, the fiery Flannery O’Connor famously responded, “If it’s a symbol, to hell with it!” (Habit 125). O’Connor, a deeply devout Catholic, reveals through her short stories and personal letters a strong desire to prevent religion from becoming merely symbolic or explainable phenomena. Especially frightening to her was the notion that psychology would replace religion, because she viewed psychology as “not an adequate instrument for understanding the religious encounter” (Mystery and Manners 165). In a June 1962 letter, she expressed disdain that the modern world would “gradually…turn religion into poetry and therapy” (qtd. in Wehner 305).Yet, a deeper study into her personal life reveals her fascination with psychology, particularly the works of Carl Jung. She records in her notes that she had read several of his books, including Modern Man in Search of the Soul, The Undiscovered Self, and books about Jungian psychology by Victor White and Josef Goldbrunner (Rowley 92). Several of these heavily annotated books were even in her personal library at the time of her death (Wehner 299). Her studies of Jungian psychology were not a replacement of her religion, but a supplication to her understanding of “psychic realities” (qtd. in Beaven 19). Yet literary theorists suppose that these very realities bleed into O’Connor’s religious reflections, and subject her works to be viewed through psychoanalytical perspectives.