Annual Report

Total Page:16

File Type:pdf, Size:1020Kb

Annual Report CITY OF ATLANTA MAYOR’S OFFICE of CULTURAL AFFAIRS Annual Report 2014 FULL RADIUS DANCE is an inclusive company that choreographs unique programs with dancers of various physical capabilities from those fully able to those with some physical TABLE OF disability. Based in Atlanta, Full Radius Dance maintains a busy performance schedule locally, as well as regionally, nationally, and internationally. Locally, the company presents an annual repertory concert each January, as well as the annual Modern Atlanta Dance (MAD) Festival. In addition to touring and performing, Full Radius engages in classroom education CONTENTS programs and teaches classes for adults and children with all range of physical abilities. LETTER FROM MAYOR KASIM REED 2 LETTER FROM EXECUTIVE DIRECTOR 3 OCA VISION. MISSION. GOALS 4 EXECUTIVE SUMMARY 5 2014 HIGHLIGHTS 8 FUNDING 10 PROGRAMMING 20 PUBLIC ART 28 FACILITIES 34 FINANCIALS 42 CITY OF ATLANTA MAYOR’S OFFICE OF CULTURAL AFFAIRS 233 PEACHTREE STREET, HARRIS TOWER 2014 SUITE 1700 ATLANTA, GA 30303 ANNUAL REPORT 1 OCA FY 2014 Mayor’s Letter EXECUTIVE DIRECTOR Director’s Letter Camille Russell Love MAYOR Greetings, MANAGEMENT Atlanta is a culturally rich city and the Mayor’s Office Kasim Reed As the Mayor of Atlanta and a strong supporter of Lena Carstens of Cultural Affairs proudly supports its continued PROGRAM MANAGER, Arts in Education our arts community, I am proud to present the 2014 growth and development. This year we witnessed the ATLANTA CITY COUNCIL Alex Delotch Davis Annual Report for the Mayor’s Office of Cultural Affairs. GRANTS DEVELOPMENT OFFICER blossoming of the city’s art scene in a way that could Ceasar Mitchell We’ve accomplished so much in the past year. Morgan A. Garriss not have been predicted just ten years ago. We are PRESIDENT MANAGEMENT ANALYST committed to the long term sustainability of that growth. We fulfilled our pledge to increase funding for the arts by asking the Hon. Carla Smith Eddie Granderson DISTRICT 1 community to support that commitment through power2give.org, PROGRAM MANAGER, Public Art Our funding levels for the arts, in what Hon. Kwanza Hall a national civic crowdfunding platform. The community stepped up Melissa Laurenceau has been a trying financial period across DISTRICT 2 in a big way and contributed $300,000, which the City matched and FESTIVAL MANAGER, Atlanta Jazz Festival nearly every sector, have remained Hon. Ivory Lee Young distributed to local arts organizations. DISTRICT 3 ADMINISTRATION level. It is during tight financial times Hon. Cleta Winslow Cheryl Sullivan that artists are hardest hit. The OCA has Gallery 72 also opened this year, replacing the old City gallery. Visual DISTRICT 4 ACCOUNTING SPECIALIST increased its funding of individual artists artists who live and work in Atlanta now have a public space worthy Hon. Natalyn Archibong Colby Wilson and adjusted grant requirements to of displaying their high-quality, engaging exhibitions. It is truly a DISTRICT 5 PROJECT COORDINATOR account for shrinking capabilities among Hon. Alex Wan spectacular addition to the Downtown landscape. PROGRAM STAFF DISTRICT 6 our arts organizations. We believe these adjustments Jessica Gaines We also continued to support individual local artists with grant funds Hon. Howard Shook have allowed our arts organizations to stay the course. PROJECT SUPERVISOR, Arts in Education made available through the Contracts for Arts Services program. The DISTRICT 7 Courtney Hammond Hon. Yolanda Adrean The opening of Gallery 72 at 2 City Plaza provides a City of Atlanta is one of the few municipalities to offer a program like this PROJECT SUPERVISOR, Public Art DISTRICT 8 new municipal venue for visual arts in Atlanta. Through because we know how critical this support is to ensure the continued Selena Harper Hon. Felicia Moore PROJECT SUPERVISOR, Arts in Education collaborative programming we aim to support local artists growth and development of our entertainment industry. Artists are, after DISTRICT 9 Robert Witherspoon as well as compliment the commercial visual arts industry. all, the ones who provide the talent and skill that drive this industry. Hon. C.T. Martin PROJECT SUPERVISOR, Public Art DISTRICT 10 The Cultural Experience Project continues to be a bright Atlanta’s Jazz Fest continues as one of the country’s pre-eminent free Hon. Keisha Lance Bottoms ATLANTA CYCLORAMA STAFF spot as we approach the program’s 10th year, marking jazz festivals. The Cultural Experience Project once again provided DISTRICT 11 Monica D. Prothro a full decade of increasing access to the arts for APS unforgettable programming for students in the Atlanta Public School Hon. Joyce Sheperd FACILITY ADMINISTRATOR DISTRICT 12 students. The 37th Atlanta Jazz Festival added a stage, system. This year’s Elevate project featured the work of more than Patricia Jackson Hon. Michael Bond CUSTOMER SERVICE SUPERVISOR providing an equal platform for Atlanta musicians as 100 artists who created an environment in Downtown Atlanta for POST 1 Yakingma Robinson well as the many artists who travel here from around exploration, discovery, and conversation. And with support from the Hon. Mary Norwood MARKETING ASSISTANT the globe. French Consulate, the week-long event also included series of unique POST 2 Derrick Williams engagements focused on French culture. Hon. Andre Dickens AUDIO-VISUAL TECHNICIAN Thanks to the support of our Mayor, the hard work of POST 3 Beverly Williams our staff and the generous contributions of our many As you can see, it’s been a great year for the arts in Atlanta. Going BOOKSTORE MANAGER supporters, we are honored to be a champion for arts forward, our goal will continue to be to inspire creativity and growth CHASTAIN ARTS CENTER STAFF and culture in all of Atlanta’s communities. by supporting world-class arts and high-quality cultural experiences Karen Comer Lowe throughout our city. FACILITY ADMINISTRATOR Megan Murdie Kasim Reed ADMINISTRATIVE ASSISTANT Camille Russel Love John Roberts PROJECT COORDINATOR & POTTERY INSTRUCTION 2 3 To enhance the quality of life through cultural experiences that will expand Atlanta’s international reputation. VISIONOCA To promote the rich and diverse cultural experiences in the City of Atlanta while preserving and protecting the city’s cultural heritage. MISSIONMaintain the highest Educate and inform citizens quality of services and visitors about Atlanta’s cultural off erings Gain international recognition of programs Preserve and protect the ATLANTA existing cultural heritage SHAKESPEARE Unify Atlanta’s cultural of the City of Atlanta community through programs COMPANY Nurture artists and Educate Atlanta about arts organizations Cultural Development Support the arts Create Cultural experiences that community of Atlanta can serve as an international model Strengthen our impact Use cultural experiences to through partnerships with enhance the quality of life other organizations Provide culture and art needs Build bridges into new EXECUTIVE to all citizens and visitors communities and develop Promote rich and diverse cultural new audiences experiences in the City of Atlanta 4 SUMMARY GOALS Overview Funding Programming Public Art Facilities In 2014, the Offi ce of Cultural Aff airs was part of a reorganization CONTRACTS FOR CULTURAL EXPERIENCE The Public Art Program is CHASTAIN ARTS CENTER responsible for administering ARTS SERVICES PROJECT Chastain Arts Center continues which moved the offi ce from Parks and Recreation to the Mayor’s the acquisition and maintenance OCA provides funding to local Cultural Experience Project (CEP) to provide arts education of the city’s public art collection Offi ce. In its fi rst year at the Mayor’s Offi ce of Cultural Aff airs, artists through several vehicles will soon celebrate its 10th year programs to a community of as well as programming OCA worked to streamline programmatic off erings and enhance over the course of the year. of programming. Over the course students of all ages, disciplines, public art events during the Contracts for Arts Services of a decade this program has and skill levels, from master the eff ectiveness of the offi ce on the vitality of the arts. year. The Public Art team (CAS), the offi ce’s primary grown in support and impact. classes for professional artists develops the curatorial focus funding program, continues to CEP is an important supplement to introductory art programs of programs, exhibitions, and This report serves to outline the achievements of the Mayor’s be an important resource in the to the educational experience for children. Chastain’s gallery specifi c acquisitions of pieces Offi ce of Cultural Aff airs in service to the residents of development of our local arts of Atlanta’s children. There is no also maintains an exhibition in the collection. Through these economy. In recent years, CAS question of the arts’ value to the schedule presenting an array Atlanta, as well as the artists, arts organizations, tourists and activities, Public Art is able to has expanded funding for local development of creative minds. of some of Atlanta’s most present a wide range of artists, businesses that make Atlanta a great place to live and work. artists enabling more artists to talented artists. local, national, and international. create and contribute to the ATLANTA JAZZ FESTIVAL proliferation of quality arts Atlanta Jazz Festival (AJF) is the Public Art also provides support GALLERY 72 presented throughout the city. city’s annual celebration of Gallery 72 opened this year to internal offi ces, residents, music. Each May the city comes at 72 Marietta Street in the Offi ce Objectives artists and businesses with an alive in anticipation of the bevy of lobby of the former AJC interest in integrating art into OCA’s programs refl ect the offi ce’s commitment to cultivating acts that grace the AJF stage each building. The OCA hosted a the public domain. Public Art Atlanta’s vibrant cultural scene, which is experiencing Memorial Day Weekend. 2014 was “Re-design” competition to serves to increase access to the exponential growth.
Recommended publications
  • The Imlay Foundation Recipient List
    THE IMLAY FOUNDATION RECIPIENT LIST 100 Black Men of Atlanta, Inc. ArtsNOW, Inc. Automotive Training Center 3Keys, Inc. (fka Project Ashantilly Center Inc. Ayrshire Cancer Support (Scotland) Interconnections) Asian American Resource Center The Bachelor’s Club & 51st Highland Division Trust Assistance League of Atlanta Souter Cottage ABF The Soldier’s Charity Association for the Protection of BackPack Blessings, Inc. Abbotsford Trust Rural Scotland (UK) Ballethnic Dance Company, Inc. Aberlour Child Care Trust Atlanta Ballet Baruch College Fund Access at Ardgowen Atlanta Botanical Garden BDSRA (Batten Disease ACF Stakeholders Atlanta Celebrates Photography Support & RA) Achievement Rewards College Atlanta Center for Self Sufficiency Bearings Bike Shop, Inc. Scientists (fka Samaritan House Atlanta) Bethany Christian Trust (Scotland) Action Discipleship Ministries Atlanta Chamber Players Bield Housing Trust Action Ministries Atlanta Children’s Shelter, Inc. Big Brothers/Big Sisters Action on Hearing Loss Atlanta College of Art Biggar Museum Trust (Scotland) Action for Sick Children Atlanta Committee for the Olympic Blaze Sports America Actor’s Express Inc. Games (ACOG) Bloom Our Youth ADAPSO Foundation Atlanta Community Food Bank Blue Skies Ministries The Adaptive Learning Center Atlanta Community Tool Bank, Inc. Bobby Dodd Institute Advertising Council, Inc. Atlanta Concert Band Bobby Jones Golf Course and Park Agape Community Center Atlanta Contemporary Art Center Boys & Girls Clubs Agnes Scott College Atlanta Day Shelter for Women Boys & Girls Foundation AHMEN Housing Atlanta Girls’ School Boy Scouts of America - Pack 509 Ahimsa House Atlanta Habitat for Humanity Brain Injury Association of Georgia AID Atlanta Atlanta History Center Breakthru House Airborne Initiative (Scotland) Atlanta Hospital Hospitality House Brenau University Albert T.
    [Show full text]
  • Objectivity, Interdisciplinary Methodology, and Shared Authority
    ABSTRACT HISTORY TATE. RACHANICE CANDY PATRICE B.A. EMORY UNIVERSITY, 1987 M.P.A. GEORGIA STATE UNIVERSITY, 1990 M.A. UNIVERSITY OF WISCONSIN- MILWAUKEE, 1995 “OUR ART ITSELF WAS OUR ACTIVISM”: ATLANTA’S NEIGHBORHOOD ARTS CENTER, 1975-1990 Committee Chair: Richard Allen Morton. Ph.D. Dissertation dated May 2012 This cultural history study examined Atlanta’s Neighborhood Arts Center (NAC), which existed from 1975 to 1990, as an example of black cultural politics in the South. As a Black Arts Movement (BAM) institution, this regional expression has been missing from academic discussions of the period. The study investigated the multidisciplinary programming that was created to fulfill its motto of “Art for People’s Sake.” The five themes developed from the program research included: 1) the NAC represented the juxtaposition between the individual and the community, local and national; 2) the NAC reached out and extended the arts to the masses, rather than just focusing on the black middle class and white supporters; 3) the NAC was distinctive in space and location; 4) the NAC seemed to provide more opportunities for women artists than traditional BAM organizations; and 5) the NAC had a specific mission to elevate the social and political consciousness of black people. In addition to placing the Neighborhood Arts Center among the regional branches of the BAM family tree, using the programmatic findings, this research analyzed three themes found to be present in the black cultural politics of Atlanta which made for the center’s unique grassroots contributions to the movement. The themes centered on a history of politics, racial issues, and class dynamics.
    [Show full text]
  • The Atlanta Preservation Center's
    THE ATLANTA PRESERVATION CENTER’S Phoenix2017 Flies A CELEBRATION OF ATLANTA’S HISTORIC SITES FREE CITY-WIDE EVENTS PRESERVEATLANTA.COM Welcome to Phoenix Flies ust as the Grant Mansion, the home of the Atlanta Preservation Center, was being constructed in the mid-1850s, the idea of historic preservation in America was being formulated. It was the invention of women, specifically, the ladies who came J together to preserve George Washington’s Mount Vernon. The motives behind their efforts were rich and complicated and they sought nothing less than to exemplify American character and to illustrate a national identity. In the ensuing decades examples of historic preservation emerged along with the expanding roles for women in American life: The Ladies Hermitage Association in Nashville, Stratford in Virginia, the D.A.R., and the Colonial Dames all promoted preservation as a mission and as vehicles for teaching contributive citizenship. The 1895 Cotton States and International Exposition held in Piedmont Park here in Atlanta featured not only the first Pavilion in an international fair to be designed by a woman architect, but also a Colonial Kitchen and exhibits of historic artifacts as well as the promotion of education and the arts. Women were leaders in the nurture of the arts to enrich American culture. Here in Atlanta they were a force in the establishment of the Opera, Ballet, and Visual arts. Early efforts to preserve old Atlanta, such as the Leyden Columns and the Wren’s Nest were the initiatives of women. The Atlanta Preservation Center, founded in 1979, was championed by the Junior League and headed by Eileen Rhea Brown.
    [Show full text]
  • Download Curriculum Vitae
    C O R R I N A S E P H O R A 1200 Foster St NW Studio B11W, Box 39 Atlanta, GA 30318 678-523-9969 [email protected] corrinasephora.com Education 2005 MFA Sculpture, Georgia State University, Atlanta, GA 1995 BFA Metals & Sculpture, Massachusetts College of Art and Design, Boston, MA Solo/ Duo Exhibitions 2021 Solo Exhibition, Spalding Nix Fine Art, Atlanta, GA *forthcoming 2020 Blood of the Earth II, Sewell Mill Library & Cultural Center, Marietta, GA *forthcoming ​ ​ 2019 Alchemical Divide, Madison-Morgan Cultural Center, Madison, GA ​ ​ Blood of the Earth, Sinclair Gallery, ArtsXChange, East Point, GA ​ Between the Deep Blue Sea and the Universe, Mason Fine Arts, Atlanta, GA ​ 2017 On Waters of Time, Callanwolde Fine Arts Gallery, Atlanta, GA ​ ​ 2017 Voyages Unforeseen, Kibbee Gallery, Atlanta, GA (Duo) ​ ​ 2015 Emergence from the Waters, Gallery 72, Mayor’s Office of Cultural Affairs, Atlanta, GA ​ ​ 2014 Nautical Observations, Art Partners, High Museum of Art, Atlanta, GA ​ ​ 2013 Soaring on the Surface of the Waters, Norcross Cultural Arts Center, Norcross, GA ​ ​ 2012 Flowing as Water, Rodriguez Room, Goat Farm Arts Center, Atlanta, GA ​ ​ 2008 Rescue Vehicles and Souls of the South, House of Colors, Atlanta, GA ​ ​ Exhibitions 2020 Group Exhibition, Spalding Nix Fine Art, Gallery Residences, Atlanta, GA *forthcoming 2019 Flicker, South River Art Studios, Atlanta, GA ​ ​ Ensemble, Spalding Nix Fine Art, Atlanta, GA ​ Losing Control: Guns, Government, and Group-Think, ATHICA: Athens Institute for Contemporary ​ Art, Athens,
    [Show full text]
  • High Museum of Art
    About the High Museum of Art The High Museum of Art is the leading art museum in the Southeastern United States. Located in Atlanta’s Midtown arts and business district, the High has more than 14,000 works of art in its permanent collection. The Museum has an extensive anthology of 19th- and 20th-century American and decorative art; significant holdings of European paintings; a growing collection of African American art; and burgeoning collections of modern and contemporary art, folk art, photography, and African art. The High is also dedicated to supporting and collecting works by Southern artists, and in 1996 the Museum launched its “Picturing the South” program to commission emerging and established photographers to create new work inspired by the Southern landscape. Established in 1905 as the Atlanta Art Association, the Museum’s first permanent home came in 1926, with the donation by Mrs. Joseph M. High of her family’s residence on Peachtree Street. In 1955, the Museum moved to a new brick structure adjacent to the old High house. After 122 Georgia art patrons died in a plane crash on a Museum-sponsored European tour in 1962, the Atlanta Arts Alliance was founded in their memory, and the Atlanta Memorial Arts Center opened in 1968—constructed around the existing Museum. In 1979, Coca-Cola magnate Robert W. Woodruff offered a $7.5 million challenge grant to build a new facility; Museum officials matched and exceeded the grant, generating a total of $20 million. The High Museum of Art’s building designed by noted architect Richard Meier opened to worldwide acclaim in 1983, and it has received many design awards, including a 1991 citation from the American Institute of Architects as one of the “ten best works of American architecture of the 1980s.” Meier’s 135,000-square-foot facility, now known as the Stent Family Wing, tripled the Museum’s space, enabling the institution to mount more comprehensive displays of its collections.
    [Show full text]
  • Raise the Curtain
    JAN-FEB 2016 THEAtlanta OFFICIAL VISITORS GUIDE OF AtLANTA CoNVENTI ON &Now VISITORS BUREAU ATLANTA.NET RAISE THE CURTAIN THE NEW YEAR USHERS IN EXCITING NEW ADDITIONS TO SOME OF AtLANTA’S FAVORITE ATTRACTIONS INCLUDING THE WORLDS OF PUPPETRY MUSEUM AT CENTER FOR PUPPETRY ARTS. B ARGAIN BITES SEE PAGE 24 V ALENTINE’S DAY GIFT GUIDE SEE PAGE 32 SOP RTS CENTRAL SEE PAGE 36 ATLANTA’S MUST-SEA ATTRACTION. In 2015, Georgia Aquarium won the TripAdvisor Travelers’ Choice award as the #1 aquarium in the U.S. Don’t miss this amazing attraction while you’re here in Atlanta. For one low price, you’ll see all the exhibits and shows, and you’ll get a special discount when you book online. Plan your visit today at GeorgiaAquarium.org | 404.581.4000 | Georgia Aquarium is a not-for-profit organization, inspiring awareness and conservation of aquatic animals. F ATLANTA JANUARY-FEBRUARY 2016 O CONTENTS en’s museum DR D CHIL ENE OP E Y R NEWL THE 6 CALENDAR 36 SPORTS OF EVENTS SPORTS CENTRAL 14 Our hottest picks for Start the year with NASCAR, January and February’s basketball and more. what’S new events 38 ARC AROUND 11 INSIDER INFO THE PARK AT our Tips, conventions, discounts Centennial Olympic Park on tickets and visitor anchors a walkable ring of ATTRACTIONS information booth locations. some of the city’s best- It’s all here. known attractions. Think you’ve already seen most of the city’s top visitor 12 NEIGHBORHOODS 39 RESOURCE Explore our neighborhoods GUIDE venues? Update your bucket and find the perfect fit for Attractions, restaurants, list with these new and improved your interests, plus special venues, services and events in each ’hood.
    [Show full text]
  • Atlanta Film Festival's Food on Film Event Pairs Marquee
    FOR IMMEDIATE RELEASE: Press Contacts: Lindsay Corley, Allied Global Marketing (404) 975-4297; [email protected] Laura McLeod, Allied Global Marketing (404) 239-5428; [email protected] Ayana Fennell, Allied Global Marketing (404) 239-5421; [email protected] ATLANTA FILM FESTIVAL’S FOOD ON FILM EVENT PAIRS MARQUEE FILM THE BIGGEST LITTLE FARM WITH FARM BURGER ATLANTA, GA (March 28, 2019) — The Atlanta Film Festival’s annual foodie-favorite event, Food On Film, returns in 2019 with a marquee screening of the documentary feature THE BIGGEST LITTLE FARM, followed by an after party catered by grassfed burger restaurant Farm Burger, paying homage to the sustainable practices demonstrated in the film. The festival’s tastiest event by far, Food On Film will merge the food-themed movie with a delicious after party on Sunday, April 7, 2019, kicking off with a screening of THE BIGGEST LITTLE FARM at 12:00 PM at the Plaza Theatre. The family-friendly documentary from NEON follows a determined couple attempting to transform a depleted plot of land into a diverse, utopian farm outside of Los Angeles. Directly after the screening, ATLFF is proud to highlight Farm Burger’s commitment to sourcing ingredients from local farmers at the after party at the Highland Inn Ballroom Lounge. Attendees are invited to indulge in an array of farm-to-table menu items served up by the restaurant, all prepared utilizing sustainable, local and humane practices. 2019 ATLFF “Food On Film” Screening of THE BIGGEST LITTLE FARM Sunday, April 7, 2019 Screening Time: 12:00 PM Location: The Plaza Theatre (1049 Ponce De Leon Avenue Northeast, Atlanta, GA 30306) Cost: $13 for Film Only ticket/$23 for Film & Party ticket in advance Ɩ Free to badge-holders To Purchase Tickets, Click HERE.
    [Show full text]
  • PHX Land Reuse Strategy Implementation Oversight Committee / Technical Advisory Committee (IOC/TAC) Meeting
    PHX Land Reuse Strategy Implementation Oversight Committee / Technical Advisory Committee (IOC/TAC) Meeting January 31, 2019 Welcome AGENDA Culture as Community Success Your Proposals & Experience What You Should Be Listening For Session 1: Content - Cultural Celebration Session 2: Form - Neighborhood Quality Session 3: Process - Economic Opportunity What’s Next Culture as Community Success KEY CONTRIBUTORS TO COMMUNITY GROWTH Arts & cultural Culture shapes Attracts talent & ambition industries support decision-making economic development CULTURAL CAPITAL AS COMMUNITY WEALTH Elements of Cultural Capital Empowerment Community Cultural Wealth • Art, Music, Dance, Food • History • Skills • Memory • Tastes & Mannerisms • Experience & Interests THE BENEFITS OF CULTURAL CAPITAL A COMMUNITY WITH HIGH CULTURAL CAPITAL LEADS TO GREATER COMMUNITY SUCCESS! Economic Capital Community Sustainability & Prosperity Cultural Social Capital Capital Your Proposals & Experience YOUR PROPOSALS & EXPERIENCE Present your ideas, thoughts, and experience related to a Cultural Corridor * 3-5 min presentation per person. Sloane McFarland • Preferred Spark Area 2 appears to have a diagonal pedestrian walkway o Recommends multiple cultural displays along this walkway in the form of: ▪ Statues ▪ Murals ▪ Water Fountains ▪ Art Displays, etc. Spark Area 2 Diagonal Walkway ▪ Each with a plaque explaining cultural significance • Likes the idea of using the small stone house on CPLC property for an audiovisual museum o Monitor presents 15 minute historical perspective on
    [Show full text]
  • Clark Atlanta University Trustees
    CLARK ATLANTA UNIVERSITY TRUSTEES Updated March 2018 CLARK ATLANTA UNIVERSITY TRUSTEES OFFICERS Gregory B. Morrison (2004), Chair Atlanta, Georgia Gregory Morrison is Senior Vice President and Chief Information Officer for Cox Enterprises, Inc., a leading communications, media, and automotive services company. He is responsible for technology service and strategy development for all corporate systems and enhancing the information technology infrastructure to support business expansion and ensure consistent service levels and operational reliability across the enterprise. Prior to becoming Vice President and Chief Information Officer of Cox Enterprises in February 2002, Mr. Morrison served as Vice President of Information Systems at Prudential Financial, Inc., where he progressed through the ranks from 1989 to 2000. He briefly left Prudential to become Chief Operating Officer and Chief Information Officer for RealEstate.com. Rejoining the Company in 2000, Morrison later served as Vice President, Information Systems. Prior to joining Prudential, Mr. Morrison served in the United States Army Signal Corps for seven years. He serves on the Board of Directors for Piedmont Health System, Presbyterian Homes of Georgia, Gwinnett Technical College; and the Emory University Board of Visitors. Mr. Morrison was named one of U.S. Black Engineer Magazine’s Most Important Blacks in Technology for six consecutive years (2005- 2010), as well as Computerworld Magazine’s Premier 100 IT Leaders and is recipient of the Epsilon Award for Career Achievement from the National Black Data Processing Associates (BDPA) organization. Morrison earned the Bachelor of Science degree in Science from South Carolina State University and Master’s Degree in Science from Northwestern University. Leonard Walker (2005), Vice Chair Atlanta, Georgia Leonard Walker brings both banking and venture capital exposure to the Board of Trustees.
    [Show full text]
  • New Home Offices Jim Ellis Chevrolet
    ATLANTA BUSINESS CHRONICLE www.atlantabusinesschronicle.com August 5-11, 2011 • Page 13A PHOTOS/SPECIAL Buckhead Pointe: A major makeover for an aging shopping center in a prime location. A new $750,000 Buckhead face-lift Buckhead shopping center at Piedmont Buonanotte, who lives in Buckhead, and Roswell roads, one of the district’s drove by the shopping center for years. A most prominent intersections, is about He thought its location at the conver- to get a significant makeover. gence of busy Roswell, Piedmont and For Frank Buonanotte, founder and Habersham roads and the affluent chairman emeritus of The Shopping Buckhead neighborhoods gave it poten- Center Group LLC, the project is one he tial to be so much more than an aging had his eye on for years. Buonanotte is strip mall. part of a partnership called RHP Partners Buonanotte wanted to see a renovation, RUBENSTEIN PARTNERS LLC, which includes Stein Investment and he believed Buckhead residents felt is pleased to announce Group founder and principal Jeff Stein. the same way. the following transaction at The Terraces Together, the partnership will inject The work begins Sept. 1 and will include $750,000 into improvements at the nearly painting and resurfacing the entire struc- 1-acre shopping center. ture, updated signs, new canopies, NTERPRISES NC The transaction, which closed May 5, does lighting and landscaping. AFC E , I . not include the Carriage House Cleaners. It will be re-branded Buckhead Pointe. consulting firm will take the entire 14th The North Terraces – 56,370 square feet floor in the 28-story building at Peachtree Lessee represented by Alan Joel & Dan Granot and 10th streets.
    [Show full text]
  • Downtown Atlanta
    SUMMER 2 012 WHAT’S UP DOWNTOWN News for Central Atlanta Progress members and Downtown property owners. Centennial Olympic Park’s Party in the Park Downtown Atlanta Restaurant Week Learn more on page 4 2 Streetcar Economics 6 CAP/ADID Annual Meeting 8 Transportation Vote 12 Design Awards 16 Woodruff Park News 19 Streetscape Update Summer 2012 N E W S Central Atlanta Progress and the Atlanta Downtown Atlanta Streetcar: Improvement District, in partnership with the City of Atlanta, aim to leverage the federal and municipal investment in the Atlanta Streetcar by encouraging redevelopment along the route of this new transit line in Economic Impact Downtown Atlanta. A deliberate plan and vision document is in development that will outline a strategy for the desired reinvestment along the corridor. The Atlanta Streetcar Development and Investment Strategy Guide will be a road map to both guide investment in the corridor and proactively The Atlanta Streetcar project encourage its realization. It will include the following elements: is about more than improving • The Streetcar: What it is, when it will be built, how it will operate, etc. • Downtown Context: Qualitative and quantitative information about transportation mobility and access. Downtown to make the case for investment in the Atlanta Streetcar corridor With more than 80 acres of land and many • Market Demand: A summary of the projected market demand by land use for Downtown and the Atlanta Streetcar corridor and evidence of the buildings and structures within two blocks of economic development impact of streetcar projects in other cities the route considered underutilized, there are Before After significant opportunities for transit-oriented development that will improve the quality of life for residents, employees, visitors, shoppers, and students throughout the corridor and provide economic opportunity for businesses large and small to prosper.
    [Show full text]
  • Copyrighted Material
    16_587764 bindex.qxp 5/1/07 10:05 PM Page 832 832 Index A Albuquerque International A1A Aleworks (St. Augustine, AAA (American Automobile Balloon Fiesta (NM), 788 FL), 280 Association), 9–10, 25 Albuquerque Museum of Art Apartment rentals, New traveler’s checks, 14 and History (NM), 794 York City, 61 Abbey Lounge (Boston, MA), Alcoholic beverages, 20 Aquarius (San Francisco, 157–158 Alibates Flint Quarries CA), 651 Abbott Farms (Cowpens, SC), National Monument Aquatennial (Minneapolis, 380 (TX), 780 MN), 399 INDEX Abercorn Antique Village Allergens, 21–22 Arabia Steamboat Museum (Savannah, GA), 288 All Good Music Festival (Kansas City, MO), 421 Abiel Smith School (Boston, (Masontown, WV), The Arboretum at Flagstaff MA), 159 43, 99–102 (AZ), 520–521 Abode Apartment Rentals All-terrain vehicle tours, Arcata, CA, 660 (New York City), 61 Palms Springs, CA, 585 Arches National Park (UT), Absolutli Goosed (St. Louis, Amarillo, TX, 768–781 494–497 MO), 745 Amarillo Museum of Art Area 51 (NV), 573–575 Access-Able Travel Source, 36 (TX), 779 Area 51 Research Center (NV), Accessible Journeys, 36 Amarillo Zoo (TX), 779 574–575 Accidents, 24–25 The American Dime Museum Arizona Snowbowl, 523 Accommodations, 10, 11, 64 (Baltimore, MD), 83 The Ark (Point Pleasant tips on, 28–33 American Express traveler’s Beach, NJ), 206 Ace of Clubs House checks, 13 Arrow Bar (San Francisco, (Texarkana, AR), 342 American Foundation for the CA), 655 Acorn Attic (Wilmington, Blind (AFB), 36 The Arts and Antiques Show NC), 309 American Indian Festival (Wilmington, NC),
    [Show full text]