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Elektra's Mandate Is to Inspire and Lead in the Choral Art Form Through
Elektra’s mandate is to inspire and lead in the choral art form through excellence in performance and the creation, exploration, and celebration of women’s repertoire. I Am in Need of Music Listener's Guide by Morna Edmundson, Artistic Director Saturday, May 4, 2019 Shaughnessy Heights United Church, Vancouver Elektra Women’s Choir Morna Edmundson, Artistic Director Stephen Smith, piano with special guest, Suzie LeBlanc, soprano and with David Greenberg, violin Welcome! This “Listener’s Guide” is meant to give you insight into Elektra’s season programming and to make the concert experience richer and more meaningful. I’ll be sharing my thoughts on the music we’re singing on May 4, 2019 in Vancouver and May 5 at ArtSpring on Salt Spring Island. Here you’ll also find poems and translations. My days are spent either making music or planning for it to be made, and sometimes I forget because I am so close to it what a privilege it is to be surrounded by the beauty of voices, notes, and words on a daily basis.Our May program celebrates the ineffable mystery of music both with brand new pieces and also arrangements of songs that may connect you to past experiences. It is a treat to welcome our special guest, Canadian soprano Suzie LeBlanc, CM. This is our first-ever collaboration with her, although she and I have known each other for a long time. The concert weaves together many of her passions - baroque music, Acadian music, and the poetry of Elizabeth Bishop. It stand to be a rare insight into a consummate performer who was recently made a member of the Order of Canada for "contributing to the development of early-period music and Acadian culture as a singer and teacher". -
University of Pardubice Faculty of Arts and Philosophy the City in Songs
University of Pardubice Faculty of Arts and Philosophy The City in Songs, Songs in the City: The Image of New York in the Folk Music of the 1960s Tomáš Racek Bachelor Thesis 2016 1 2 3 Prohlašuji: Tuto bakalářskou práci jsem vypracoval samostatně. Veškeré literární prameny a informace, které jsem použil, jsou uvedeny v seznamu literatury. Byl jsem seznámen s tím, že na moji práci se vztahují práva a povinnosti vyplývající ze zákona č.121/2000 Sb., autorský zákon, zejména se skutečností, že Univerzita Pardubice má právo na uzavření licenční smlouvy o užití této práce jako školního díla podle § 60 odst. 1 autorského zákona, a s tím, že pokud dojde k užití této práce mnou nebo bude poskytnuta licence o užití jinému subjektu, je Univerzita Pardubice oprávněna ode mne požadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaložila, a to podle okolností až do jejich skutečné výše. Souhlasím s prezenčním zpřístupněním mé práce v Univerzitní knihovně. V Pardubicích dne 29. 6. 2014 Tomáš Racek 4 Acknowledgements I would like to express my gratitude to my supervisor PhDr. Ladislav Vít, Ph.D. for his assistance, especially in the early stages of writing, and together with other university teachers, for all the effort they put in their valuable and inspirational lessons. I would also like to thank my mother, partner and children for their love, support, encouragement and patience during my studies. 5 ANOTATION This bachelor thesis is concerned with the image of New York City in the folk music of the 1960s, specifically in the song lyrics of the North American singer-songwriters Bob Dylan, Paul Simon, Joni Mitchell, Fred Neil, Phil Ochs, John Phillips, John Sebastian and Joey Levine. -
012521-DRAFT-Bothsidesnow
Both Sides Now: Singer-Songwriters Then and Now An Etz Chayim Fifth Friday SHABBAT SERVICE Kabbalat Shabbat • Happy • Shower the People You Love With Love L’Cha Dodi (to Sweet Baby James) Bar’chu • Creation: Big Yellow Taxi • Revelation: I Choose Y0u Sh’ma • Both Sides Now + Traditional Prayer • V’ahavta: All Of Me • Redemption: Brave Hashkiveynu / Lay Us Down: Beautiful Amidah (“Avodah” / Service) • Avot v’Imahot: Abraham’s Daughter • G’vurot: Music To My Eyes • K’dushat haShem: Edge Of Glory • R’Tzeih: Chelsea Morning • Modim: The Secret Of LIfe • Shalom: Make You Feel My Love (instrumental & reflection) D’Var Torah • Miriam’s Song Congregation Etz Chayim Healing Prayer: You’ve Got a Friend Palo Alto, CA Aleynu Rabbi Chaim Koritzinsky Mourners’ Kaddish: Fire And Rain + Traditional Prayer Birchot Hamishpachah / Parents Bless their Children: Circle Game + Inclusive Blessing of Children Closing Song: Adon Olam (to Hallelujah) Both Sides Now Shabbat, 1/29/21 • Shabbat Evening Service, page 1 Kavannah for Our Service For this Fifth Friday Shabbat service we will experience songs by a diverse array of singer- songwriters in place of many of our traditional prayers. The intent is to lift up the prayers by viewing them through a new lens, and perhaps gain new insight into beloved, contemporary songs, whether familiar or new to us. “Both Sides Now” speaks to several relevant themes in our service and in our hearts: • This week’s Torah portion, B’Shallah, begins with our Israeilite ancestors in slavery, on one side of the Sea of Reeds and ends with them as a newly freed people on the other side. -
June 28, 29 & 30, 2013
33rd annual music with roots 2013 June 28, 29 & 30, 2013 Welcome to the 33rd annual music with roots THE MISSION OF OLD SONGS, INC. FUNDING PROVIDED BY Old Songs, Inc. is a not-for-profit organization dedicated to keeping traditional This event is made possible with public funds from the New music and dance alive through the presentation of festivals, concerts, dances and York State Council on the Arts, with the support of Governor educational programs. Andrew Cuomo and the New York State Legislature. THANK YOU FOR YOUR SUPPORT SOUND SUPPORT Meadowlark Farms (flowers) • REM Printing • Michael Jarus • Andy’s Front Hall Specialized Audio/John Geritz, Ian Hamelin and crew, Altamont Fairgrounds • Terry & Donna Mutchler • Voorheesville Carpet Co. Euterpe Sound/Clyde Tyndale, Tim Parker, Kate Korolenko, Scott Petersen, Dave and Cyndi Reichard OUR ENVIRONMENT We are grateful to have such a lovely shaded place to have a festival. Please DOCUMENTATION use the RECYCLE barrels for all plastic, aluminum, and glass containers. Flatten Don Person, Bill Houston, Bill Spence, Hannah Spence cardboard and place it next to a barrel. Use TRASH BARRELS for refuse. PICK UP and Neil Parsons after the concerts. Ride your BICYCLES in the designated areas. Wear shoes, use sunscreen and drink lots of water. Smoke away from the seated audience. Thanks SPONSORS from all who share this place. Old Songs would like to thank the following businesses and individuals for SEATING/CHAIR POLICY their sponsorship of the 2013 Old Songs Festival: Seating at the Main Stage and in Areas 2, 3, 6, 7 and 8 is divided into low and high The Global Child - Chet & Karen Opalka Price Chopper sections. -
Joni Mitchell Complete So Far …
GUITAR SONGBOOK EDITION1 JONI MITCHELL Complete SO FAR … Joni wishes to express her thanks … to Joel Bernstein: “As my repertoire of tunings expanded it became necessary to have a whole fleet of guitars set up in tuning families. It was Joel’s job to tune my guitars, and to do this he needed to learn at least the first eight bars of every one of my songs—therefore preserving these tunings which may have otherwise been lost, for which I am grateful”; to Henry Diltz for capturing these special moments in time with his photos; to Jeffrey Pepper Rodgers for asking interview questions that actually pertained to the art and the music; to Dana D’Elia and all the staff at Alfred Music who participated in the making of this book; and special thanks to Aaron Stang for overseeing the production of this project with such care. Produced by Alfred Music P.O. Box 10003 Van Nuys, CA 91410-0003 alfred.com All rights reserved. Printed in USA. No part of this book shall be reproduced, arranged, adapted, recorded, publicly performed, stored in a retrieval system, or transmitted by any means without written permission from the publisher. In order to comply with copyright laws, please apply for such written permission and/or license by contacting the publisher at alfred.com/permissions. ISBN-10: 0-7390-9588-9 ISBN-13: 978-0-7390-9588-1 Transcriptions by Joel Bernstein, Daniel Libertino, and Andrew DuBrock Cover photo by Jack Robinson, The Jack Robinson Archive, LLC; robinsonarchive.com All inside photos by Henry Diltz; morrisonhotelgallery.com Contents Foreword ................................................................................................................................................................................ -
The Cyclic Nature of Joni Mitchell's Court and Spark Susan Neimoyer
Document generated on 09/29/2021 8:25 a.m. Intersections Canadian Journal of Music Revue canadienne de musique The Cyclic Nature of Joni Mitchell's Court and Spark Susan Neimoyer Volume 34, Number 1-2, 2014 Article abstract Current scholarship recognizes several of Joni Mitchell’s albums as being URI: https://id.erudit.org/iderudit/1030868ar cyclic, or based on a unifying concept. Court and Spark (1974), however, is not DOI: https://doi.org/10.7202/1030868ar numbered among them, despite Mitchell’s having described it as “a discourse on romantic love.” Following the inference that this album may have been See table of contents conceived as an extended, multi-movement work, this article examines both its textual and musical aspects, seeking unifying characteristics. The cyclic nature of the album is uncovered, showing it to be more unified from a musical Publisher(s) perspective than a textual one. This approach is the opposite of Mitchell’s perceived norm, suggesting her compositional process may have been more Canadian University Music Society / Société de musique des universités sophisticated than is currently thought. canadiennes ISSN 1911-0146 (print) 1918-512X (digital) Explore this journal Cite this article Neimoyer, S. (2014). The Cyclic Nature of Joni Mitchell's Court and Spark. Intersections, 34(1-2), 3–32. https://doi.org/10.7202/1030868ar Copyright © Canadian University Music Society / Société de musique des This document is protected by copyright law. Use of the services of Érudit universités canadiennes, 2015 (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. -
Songs by Title
16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A. -
The Words and Music of Loni Mitchell
(continued from front flap) features-such as instrumentation, idiosyncratic The Words and Music guitar tunings, harmonic structure, form, and ele of loni Mitchell ments of melody and rhythm-interact with the text of the song to create the unforgettable artistic James Bennighof statements for wh ich Mitchell is celebrated . The Praeger Singer-Songwriter Collection JAMES BENNIGHOF, PhD, is professor of mu Rolling Stone called Joni Mitchell one of the sic theory and vice provost for academic affairs greatest and most influential songwriters ever. and policy at Baylor University, Waco, TX. His She received the Billboard Century Award and the published works include Praeger's The Words and Grammy Lifetime Achievement Award and was in Music of Paul Simon, several articles on music ducted into the Rock and Roll Hall of Fame. Her theory and analysis, and several choral composi 1971 album Blue was included among Time mag tions with Oxford University Press and Heritage azine's "All-TIME 100" best albums- and she Music Press. was honored by her native Canada with a 2007, limited-edition postage stamp. Few singer-songwriters have been as influen tial as Joni Mitchell. Her song "Both Sides, Now" has been recorded over 640 times, while Bill and Hillary Clinton credit her "Chelsea Morning" as the inspiration for their daughter's name. The Words and Music of Joni Mitchell surveys the en tire output of this legendary artist, from her 1968 debut album Song to a Seagull to her 2007 album Shine. After a brief overview of Mitchell's career, and a chapter that explai ns some of the important tech PRAEGER nical features of the guitar styles upon which she from the collections of draws, the book offers an in-depth discussion of ev ABCQ CLIO ery song Mitchell wrote and recorded. -
Inspired by Joni - the Albums
Inspired by Joni - The Albums Compiled by: Simon Montgomery, © 2006 Please send comments, corrections or additions to: [email protected] Latest Update: May 23, 2021 Illustration from The Music Of Joni Mitchell Songbook Published by C.H. Hansen Publications All rights reserved. This material may not, in whole or part, be copied, reproduced, photocopied, translated, recorded, or reduced to any electronic medium, machine readable format or mechanical means without the express consent, in writing, from the specific lawful copyright holder. 1974 Sara Smith Sings The Best of A Tribute To Joni Mitchell Delmar #3013 (8 Track Cartridge) 1. Raised On Robbery 2. Woodstock 3. You Turn Me On, I'm A Radio 4. Chelsea Morning 5. California 6. Carey 7. The Circle Game 8. Night In The City 9. He Played Real Good For Free 1994 Back to the Garden – A Tribute to Joni Mitchell Intrepid Records #N21-00016 - Canada 01. Free Man In Paris Big Faith 02. This Flight Tonight Sara Craig 03. Carey Universal Honey 04. Big Yellow Taxi Lorraine Scott 05. Black Crow Molly Johnson 06. The Beat Of Black Wings Andy Stochansky 07. Shades Of Scarlett Conquering Martha And The Muffins 08. The Hissing Of Summer Lawns Funky Bummer featuring Anne Beadle 09. River Hugh Marsh, Jonathan Goldsmith, Rob Piltch, Martin Tielli 10. You Turn Me On, I'm A Radio Kurt Swinghammer 11. Coyote Spirit Of The West 12. Woodstock W.O.W. 13. Night In The City Jenny Whiteley 14. A Case Of You Sloan 15. Blonde In The Bleachers Squiddly featuring Maria Del Mar 16. -
Safaris to the Heart of All That Jazz
Safaris to the heart of all that jazz.... JoniMitchell.com 2014 Biography Series by Mark Scott, Part 6 of 16 In January of 1974, Joni began an extensive tour of North America with the L.A. Express, wrapping up with three concerts at the New Victoria Theatre in London, England. The final concert at the New Victoria was videotaped and an edited version was broadcast on the BBC television program The Old Grey Whistle Test in November of 1974. Larry Carlton and Joe Sample were playing with The Crusaders at the time and both opted not to go on the road with Joni and the L.A. Express. Guitarist Robben Ford replaced Larry Carlton and Larry Nash filled in for Joe Sample on piano. In a 2011 interview for JoniMitchell.com, Max Bennett said that although the pay was good for this tour, the musicians could have made more money playing gigs in L.A. and doing session work in the recording studios. Max said that the musicians loved the music, however, and that they were treated royally in every way throughout the tour. Excellent food, first class accommodations, limousines, private buses and private planes were all provided for the band’s comfort. Max also made a point of mentioning the quality of the audiences that attended the concerts. Attention was focused on the performances so completely that practically complete silence reigned in the theaters and auditoriums until after the last note of any given song was performed. For Max Bennett, “As far as tours go - I've been on several tours - this was the epitome of any great tour I've ever been on. -
The Difference They Can Make
find any fault at all, it is the low ex- citement level of the entire thing. All the fal de ral about what led up to this record has put undue pressure on the man and his music. Somehow this time Bob perseveres because of his Bozak Hectron UnLs music. For, with all the muted, mel- low, essence of this work, it manages for Your Vusic System to be simply the most musical he has ever done. His early records were simply folk and part of the definition You'd Never Believe of what is folk music: "its got to be somewhat crude." Dylan has passed through sophisto-crude to a well -con- the Difference ceived, relaxed, unhyped personal music. Even if you were to consider his style a hype (and I assure you it's They Can Make not), the style has mellowed too. (It's unobtrusive time in Woodstock.) Best A Perfect Complement to Your Bozak Speakers! of all, along with a more sensual Dylan we get a bonus in a yet more poetic, Now the same standard which has kept Bozak in the forefront of quality more sensitive, and more sensual loudspeaker manufacturers for more than a quarter century - designing to Dylan all at once. No longer the Boy take full advantage of modern technology without overstepping the bound- Troubadour pranging with con- aries of science - has been incorporated into what we believe are the finest sciousness and causes! Now the man - audio electronics on the market. They are intended to give a lifetime of traveler who sings like one who ex- pleasure. -
New Drummer,Bassisthelpmitchell Expand Musically
1978 daily nebraskan Wednesday, february 1, Star Trek sans Mr. Spock " 1 ' may prove less enterprising V" V ' W & By Pete Mason All the main characters on the bridge of Entertainment editor the United Starship Enterprise were heroes I have some good news and some bad and each displayed his heroism every week. news. Dr. McCoy dedicated himself to medicine, First, the good news. Star Trek is life and the unassailable fact that there is coming back. Now for the bad news. At nothing more important than the integrity this writing, the show is Spock-less- . of the human heart. The word is that Star Trek will return as Capt. Kirk held one things above all a syndicated series with all the original cast others: his responsibility to his crew and except Leonard Nimoy. his mistress, the Enterprise. The whole Star Trek is phenomenon Scotty believed only in the ship's one of the in television strangest chapters engines and good scotch, while Sulu, Chek-o- v history. During its three-ye- ar run, the show and Uhura dedicated their lives to the broke even in the In the end barely ratings. captain and the service. All were heroes, it lost the race --and all hell broke loose. each with distinctive qualities. Y--: ' NBC was deluged with angry mail. And then there was Spock. Spock un- "Bring Back Star Trek' groups formed all doubtedly is one of the most unique and complex characters ever developed for tele- vision. television. Half human-hal- f Vulcan, Spock was a sort of Dr.