Programmbroschüre Maerzmusik 2011
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Beethoven 32 Plus
FREIES MUSIKZENTRUM STUTTGART FMZ Freies Musikzentrum Am Roserplatz Stuttgarter Str. 15 B e e t h o v e n 3 2 p l u s 0711 / 135 30 10 Die Konzertreihe im FMZ Saison 2008/2009 Die 32 Sonaten von Ludwig van Beethoven sind fester Bestandteil der Konzertliteratur. Immer wieder haben große Pianisten diesen Zyklus aufgeführt und auf unzähligen Schallplatten und CDs eingespielt. Bücher und Publikationen beschäftigen sich mit den Werken und den Interpreta- tionen. Und immer wieder hat es den Reiz, des Besonderen, wenn diese Werke wieder neu er- klingen. Als bekannt wurde, dass der österreichische Pianist Till Fellner sich für die nächsten beiden Kon- zertjahre diesen Zyklus als Projekt vorgenommen hatte, begann Andreas G. Winter, Leiter des FMZ und verantwortlich für die Programmgestaltung, als er Till Fellner dafür gewinnen konnte, diesen Zyklus, den Fellner auch in Wien, London, Paris, Tokio und New York spielt, auch im FMZ üeine Konzeption zu der Reihe „32 “zu entwickeln. Um die 32 Klavier- sonaten von Ludwig van Beethoven, deren erste 3 Abende Fellner in dieser Saison (weitere 4 A- bende in der nächsten) spielen wird, konnte Winter weitere namhafte Interpreten gewinnen, die Werke des großen Komponisten der Aufklärung in Zusammenhang mit Kompositionen von Schubert, Schumann und Brahms stellen werden. Paul Lewis wird die Diabelli-Variationen und Schuberts Impromptus D 935, der Geiger Erik Schu- mann mit Olga Scheps Violinsonaten von Beethoven und Brahms, das Trio Wanderer Klaviertrios von Beethoven und Schubert, der Tenor Marcus Ullmann in einem Liederabend neben „die ferne “Lieder von Schumann und Brahms und in einem Recital mit Mikael Samsonov, der frisch üSolocellist des SWR Radiosinfoieorchesters Stuttgart Sonaten von Beethoven und Schubert und Ben Kim, der dem Publikum bereits aus der letzten Saison in bester Erinnerung ist, mit einem Klavierabend Beethoven und Liszt interpretieren. -
[email protected] CHRISTOPH ESCHENBACH to CO
FOR IMMEDIATE RELEASE March 7, 2018 Contact: Katherine E. Johnson (212) 875-5700; [email protected] CHRISTOPH ESCHENBACH TO CONDUCT THE NEW YORK PHILHARMONIC MOZART’s Piano Concerto No. 22 with TILL FELLNER in His Philharmonic Debut BRUCKNER’s Symphony No. 9 April 19, 21, and 24, 2018 Christoph Eschenbach will conduct the New York Philharmonic in a program of works by Austrian composers: Mozart’s Piano Concerto No. 22, with Austrian pianist Till Fellner as soloist in his Philharmonic debut, and Bruckner’s Symphony No. 9 (Ed. Nowak), Thursday, April 19, 2018, at 7:30 p.m.; Saturday, April 21 at 8:00 p.m.; and Tuesday, April 24 at 7:30 p.m. German conductor Christoph Eschenbach began his career as a pianist, making his New York Philharmonic debut as piano soloist in Mozart’s Piano Concerto No. 24 in 1974. Both Christoph Eschenbach and Till Fellner won the Clara Haskil International Piano Competition, in 1965 and 1993, respectively. Mr. Fellner subsequently recorded Mozart’s Piano Concerto No. 22 on the Claves label in collaboration with the Clara Haskil Competition. The New York Times wrote of Mr. Eschenbach’s conducting Bruckner’s Symphony No. 9 with the New York Philharmonic in 2008: “Mr. Eschenbach, a compelling Bruckner interpreter, brought a sense of structure and proportion to the music without diminishing the qualities of humility and awe that make it so gripping. … the orchestra responded with playing of striking power and commitment.” Artists Christoph Eschenbach is in demand as a distinguished guest conductor with the finest orchestras and opera houses throughout the world, including those in Vienna, Berlin, Paris, London, New York, Boston, Chicago, Los Angeles, Milan, Rome, Munich, Dresden, Leipzig, Madrid, Tokyo, and Shanghai. -
Till Fellner | Biography Piano
Till Fellner | Biography Piano "There are pianists who cannot do much with Mozart’s piano works. And there are artists like the Viennese Till Fellner: musicians whose sound and musical understanding seems almost made for Mozart. Fellner's interpretation is slim and light, his cantabile shining with brightness" Till Fellner's international career began in 1993 winning First Prize at the renowned Clara Haskil Competition in Vevey, Switzerland. Since then, he is a sought after guest with major orchestras and in the great music centers of Europe, USA and Japan as well as at numerous renowned festivals. As soloist, he has appeared with orchestras such as the Berlin Philharmonic, Vienna Philharmonic, Royal Concertgebouw Orchestra, New York Philharmonic, Boston Symphony Orchestra, Chicago Symphony Orchestra and the NHK Symphony Orchestra. The conductors with whom he has performed include Claudio Abbado, Vladimir Ashkenazy, Herbert Blomstedt, Semyon Bychkov, Christoph von Dohnányi, Christoph Eschenbach, Bernard Haitink, Nikolaus Harnoncourt, Manfred Honeck, Sir Charles Mackerras, Sir Neville Marriner, Kurt Masur, Kent Nagano, Jonathan Nott, Kirill Petrenko and Hans Zender, among others. In the field of chamber music, Till Fellner regularly collaborates with the British tenor Mark Padmore and the Belcea Quartet. In Fall 2020, he will go on tour with violinist Viviane Hagner. In recent years, Till Fellner has devoted himself intensely to two milestones of the piano repertoire: Bach's Well-Tempered Clavier and Beethoven's 32 piano sonatas. He played a seven-part cycle with all Beethoven sonatas in New York, Washington, Tokyo, London, Paris and Vienna. Till Fellner has premiered works by Kit Armstrong, Harrison Birtwistle, Thomas Larcher, Alexander Stankovski and Hans Zender. -
Pittsburgh Symphony Orchestra 2016-2017 Mellon Grand Classics Season
Pittsburgh Symphony Orchestra 2016-2017 Mellon Grand Classics Season April 23, 2017 MANFRED MARIA HONECK, CONDUCTOR TILL FELLNER, PIANO FRANZ SCHUBERT Selections from the Incidental Music to Rosamunde, D. 644 I. Overture II. Ballet Music No. 2 LUDWIG VAN BEETHOVEN Concerto No. 3 for Piano and Orchestra in C minor, Opus 37 I. Allegro con brio II. Largo III. Rondo: Allegro Mr. Fellner Intermission WOLFGANG AMADEUS Symphony No. 41 in C major, K. 551, “Jupiter” MOZART I. Allegro vivace II. Andante cantabile III. Allegretto IV. Molto allegro PROGRAM NOTES BY DR. RICHARD E. RODDA FRANZ SCHUBERT Overture and Ballet Music No. 2 from the Incidental Music to Rosamunde, D. 644 (1820 and 1823) Franz Schubert was born in Vienna on January 31, 1797, and died there on November 19, 1828. He composed the music for Rosamunde during the years 1820 and 1823. The ballet was premiered in Vienna on December 20, 1823 at the Theater-an-der-Wein, with the composer conducting. The Incidental Music to Rosamunde was first performed by the Pittsburgh Symphony on November 9, 1906, conducted by Emil Paur at Carnegie Music Hall. Most recently, Lorin Maazel conducted the Overture to Rosamunde on March 14, 1986. The score calls for pairs of woodwinds, four horns, two trumpets, three trombones, timpani and strings. Performance tine: approximately 17 minutes Schubert wrote more for the stage than is commonly realized. His output contains over a dozen works for the theater, including eight complete operas and operettas. Every one flopped. Still, he doggedly followed each new theatrical opportunity that came his way. -
Programme Détaillé Du Colloque « Hommage À Jean-Claude Risset
1 Hommage à Jean-Claude Risset Pour un monde sonore virtuel Colloque international Vendredi 23 novembre Samedi 24 novembre 2018 Au Cdmc - Paris et Concert au Triton - Les Lilas le 23 novembre à 20h30 Programme détaillé du colloque Direction scientifique Márta Grabócz avec la collaboration de György Kurtág junior et Nicolas Vérin Coproduction du CDMC, du Labex GREAM de l’université de Strasbourg, de l’équipe LISAA (EA4120) de l’Université Paris-Est Marne-la-Vallée, du PRISM (Aix-Marseille Université), avec le soutien de l’IUF et de la Fondation Salabert. 3 SOMMAIRE INTRODUCTION par Márta Grabócz ...................... 7 PROGRAMME DU COLLOQUE ............................... 9 PROGRAMME ET NOTICE DU CONCERT .............. 15 RESUMÉS DES COMMUNICATIONS ..................... 25 BIOGRAPHIES DES INTERVENANTS ..................... 35 5 Introduction par Márta Grabócz Jean-Claude Risset (1938-2016), l’un des fondateurs et le pionnier majeur de la musique par ordinateur, aurait eu 80 ans en mars 2018. Dans ce colloque international nous lui rendons hommage en soulignant quelques aspects de son esthétique, en mettant l’accent sur ses œuvres mixtes, sur ses œuvres vocales et sur la question de l’interprétation de ses pièces mixtes, tout en donnant la parole à quelques de ses interprètes, collègues, amies et amis. En 1994 il a publié un article sous le titre « Virtual Sound Worlds. Illusions of Senses, Truths of Perception »1 [Mondes sonores virtuels. Illusions de sens, vérités de perception], où il précise que « la synthèse par ordinateur rend possible la création d’un monde sonore illusoire, sans contrepartie ou équivalent matériel. Par un choix conscient des paramètres de synthèse et en profitant des caractéristiques spécifiques de la perception auditive, on peut créer des illusions auditives et des paradoxes musicaux »2. -
Michael Nyman
Michael Nyman Michael Nyman es uno de los compositores británicos más innovadores y aclamados, cuyo trabajo abarca operas, cuartetos de cuerda, bandas sonoras y conciertos orquestales. Mucho más que un mero compositor, es además intérprete, director, pianista, escritor, musicólogo, fotógrafo y cineasta. Considerado como un “hombre del renacimiento”, su inquietud creativa y su polivalencia artística le han convertido en uno de los iconos culturales más fascinantes e influyentes de nuestro tiempo. Michael Nyman (nacido el 23 de marzo de 1944) es un pianista, musicólogo y compositor minimalista, conocido sobre todo por las obras escritas durante su larga colaboración con el cineasta británico Peter Greenaway . Nyman (que estudió con el académico Thurston Dart, experto en música barroca en el King's College de Londres) se ha inspirado frecuentemente en Música antigua en sus composiciones para los largometrajes de Greenaway: Henry Purcell en El contrato del dibujante y El cocinero, el Ladrón, su Esposa y su Amante, El piano , Heinrigh Ignaz Franz von Biber en Zoo (A Zed & Two Noughts), Mozart en Conspiración de mujeres (Drowning by Numbers) y John Dowland en Prospero's Books . Su popularidad se disparó después de componer la banda sonora de la galardonada película de Jane Campion El piano (1993). La película no fue nominada por la Academia a pesar de haberlo sido por la Academia Británica y para el Globo de Oro. Ha compuesto bandas sonoras para muchos otros filmes, la gran mayoría de ellos obras de autores independientes europeos. Sus pocas incursiones en la composición de bandas sonoras para Hollywood han sido Gattaca , Ravenous (con Damon Albarn) y The End of the Affair . -
Comune Di Barletta INFO
Ph. Margherita Mirabella INFO: PREVENDITA BOX-OFFICE c/o FELTRINELLI Via Melo, 119 - BARI - Tel. 080/5240464 BIGLIETTERIA TEATRO CURCI Corso Vittorio Emanuele, 71 - BARLETTA - Tel./Fax 0883/332456 - 332522 UFFICIO TEATRO Via F. D’Aragona, 95 - BARLETTA - Tel. 0883/331200 - Fax 0883/337339 I.A.T. - Tel. 0883/331331 U.R.P. - Tel. 0883/578464 - 578488 Numero Verde 800.761414 www.comune.barletta.ba.it/teatrocurci [email protected] www.teatropubblicopugliese.it Comune di Barletta Assessorato alla Cultura Teatro Curci/Castello Svevo BARLETTA PROSA COMICO 19-20-21-22 febbraio 09 IL Laboratori Flegrei Produzioni Marina CONFALONE CONCERTISTICA CARTELLONE Pino STRABIOLI CAPASCIACQUA Le credenziali di questa stagione teatrale sono ottime. Perentoriamente, SERALE di Luciano Saltarelli e Marina Confalone 7 dicembre 08 senza giri di parole, sento di poter esprimere valutazioni lusinghiere sulla regia di Marina Confalone Ass. Amici della musica “M. Giuliani” MOSCOW STATE RADIO AND TV programmazione 2008/09 del “Curci”. Allestire un cartellone di richiamo, COMICO SYMPHONY ORCHESTRA condotto per mano da professionalità d’indiscusso prestigio, è un progetto Non solo ridere M. GLINKA, N. RIMSKY-KORSAKOV, P. I. CIAIKOVSKI complesso al quale soltanto figure di mestiere possono cimentarsi. I risultati, 29 gennaio 09 direttore Nicola Giuliani Sindaco di Barletta PROSA Krassner entertainment rilevanti, sintetizzano lo sforzo di questa Amministrazione per dare continuità, Daniele LUTTAZZI 28 dicembre 08 21-22-23 novembre 08 DECAMERON Ass. Cultura e Musica “G. Curci” in ambito cittadino, alla tradizione teatrale e, più in generale, alla crescita a.ArtistiAssociati Politica, Sesso, Religione e Morte CONCERTO DI CAPODANNO culturale che se ne avvantaggia. -
Adventures in Film Music Redux Composer Profiles
Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017). -
Nicholas Isherwood Performs John Cage
aria nicholas isherwood performs john cage nicholas isherwood BIS-2149 BIS-2149_f-b.indd 1 2014-12-03 11:19 CAGE, John (1912–92) 1 Aria (1958) with Fontana Mix (1958) 5'07 Realization of Fontana Mix by Gianluca Verlingieri (2006–09) Aria is here performed together with a new version of Fontana Mix, a multichannel tape by the Italian composer Gianluca Verlingieri, realized between 2006 and 2009 for the 50th anniversary of the original tape (1958–2008), and composed according to Cage’s indications published by Edition Peters in 1960. Verlingieri’s version, already widely performed as tape-alone piece or together with Cage’s Aria or Solo for trombone, has been revised specifically for the purpose of the present recording. 2 A Chant with Claps (?1942–43) 1'07 2 3 Sonnekus (1985) 3'42 4 Eight Whiskus (1984) 3'50 Three songs for voice and closed piano 5 A Flower (1950) 2'58 6 The Wonderful Widow of Eighteen Springs (1942) 3'02 7 Nowth Upon Nacht (1984) 0'59 8 Experiences No. 2 (1945–48) 2'38 9 Ryoanji – version for voice and percussion (1983–85) 19'36 TT: 44'53 Nicholas Isherwood bass baritone All works published by C.F. Peters Corporation, New York; an Edition Peters Group company ere comes Cage – under his left arm, a paper bag full of recycled chance operations – in his right hand, a copy of The Book of Bosons – the new- Hfound perhaps key to matter. On his way home he stops off at his favourite natural food store and buys some dried bulgur to make a refreshing supper of tabouleh. -
CD Program Notes
CD Program Notes Contents tique du CEMAMu), the graphic mu- the final tape version was done at sic computer system developed by the Stichting Klankscap and the Xenakis and his team of engineers at Sweelinck Conservatory in Am- Part One: James Harley, Curator the Centre d’Etudes de Mathe´ma- sterdam. I would like to thank tique et Automatique Musicales (CE- Paul Berg and Floris van Manen for MAMu). The piece by Cort Lippe, their support in creating this work. completed in 1986, is mixed, for bass Sound material for the tape was Curator’s Note clarinet and sounds created on the limited to approximate the con- It probably would not be too far computer. My own piece, from 1987, fines one normally associates with wrong to state that most composers is also mixed, for flute and tape; in individual acoustic instruments in of the past 40 years have been influ- the excerpt presented here, the pre- order to create a somewhat equal enced in one way or another by the produced material, a mixture of re- relationship between the tape and music or ideas of Iannis Xenakis. corded flute and computer-generated the bass clarinet. Although con- The composers presented on this sounds, is heard without the live trasts and similarities between the disc have been touched more directly flute part. Richard Barrett’s piece tape and the instrument are evi- than most. It was my intention to was entirely produced on the UPIC. dent, musically a kind of intimacy gather a disparate collection of music The sound-world Xenakis created was sought, not unlike our to show the extent to which that in- in his music owes much to natural present-day ‘‘sense’’ of intimacy fluence has crossed styles. -
Programa De Mano
HOMENAJE A MICHAEL NYMAN EN SU 70 ANIVERSARIO JAIME MARTÍN DIRECTOR IVÁN MARTÍN PIANO DURACIÓN TOTAL APROXImaDA: 95´ M. NyMaN: Concierto para piano nº 2 22´ M. NyMaN: Sinfonía nº 5 20´ M. NyMaN: El contrato del dibujante 16´ LA OSCYL Y LOS INTÉRPRETES ORQUESTA SINFÓNICA JaiMe MartíN dirigió a la OSCyl eN laS teMpOradaS 2008-09 y 2012-13 DE CASTILLA Y LEÓN iváN MartíN COlabOró JuNtO a la OSCyl eN laS teMpOradaS 2008-09 y 2010-11 JAIme maRTÍN DIRECTOR — IVÁN maRTÍN PIANO Editado por Junta de Castilla y León Consejería de Cultura y Turismo AUDITORIO MIGUEL DELIBES ORQUESTA SINFÓNICA DE CASTILLA Y LEÓN Av. Monasterio Ntra. Sra. de Prado, 2 VALLADOLID 47015 Valladolid · T 983 385 604 www.auditoriomigueldelibes.com / www.fecebook.com/auditoriomigueldelibes ABONO OSCYL 14 EDITA — © Junta de Castilla y León. Consejería de Cultura y Turismo JUEVes 2 Y VIerNes 3 de mayo de 2013 Fundación Siglo para el Turismo y las Artes de Castilla y León © De los textos: sus autores 20.00 H · sala SINFÓNIca La Orquesta Sinfónica de Castilla y León es miembro de la Asociación Española de Orquestas Sinfónicas (AEOS) AUDItorIO MIGUEL DELIBES La Orquesta Sinfónica de Castilla y León y el Auditorio Miguel Delibes son miembros de la Red de Organizadores de Conciertos Educativos (ROCE) Todos los datos de salas, programas, fechas e intérpretes que aparecen, son susceptibles de modificaciones. D.L.: VA-194/2013 Valladolid, España 2013 PROGRAMA HOMENAJE A MICHAEL NYMAN [Inglaterra, 1944] la Orquesta Sinfónica de Castilla león, desde el auditorio Miguel delibes, HOMENAJE A MICHAEL NYMAN se une a toda una serie de conciertos y eventos que diversas instituciones musi- EN SU 70 ANIVERSARIO cales de ámbito internacional llevarán a cabo durante las dos próximas tempo- radas para conmemorar el 70 aniversario del compositor Michael Nyman. -
Guest Artists in Recital Nicholas Isherwood
Chapman University Chapman University Digital Commons Printed Performance Programs (PDF Format) Music Performances 4-21-2013 Guest Artists in Recital Nicholas Isherwood Mark Robson Follow this and additional works at: http://digitalcommons.chapman.edu/music_programs Recommended Citation Isherwood, Nicholas and Robson, Mark, "Guest Artists in Recital" (2013). Printed Performance Programs (PDF Format). Paper 1471. http://digitalcommons.chapman.edu/music_programs/1471 This Guest Recital is brought to you for free and open access by the Music Performances at Chapman University Digital Commons. It has been accepted for inclusion in Printed Performance Programs (PDF Format) by an authorized administrator of Chapman University Digital Commons. For more information, please contact [email protected]. Guest Artists in Recital Nicholas Isherwood, bass baritone & Mark Robson, piano April 21, 2013 spring 2013 ••CHAPMAN -- UNIVERSITY COLLEGE OF PERFORMING ARTS SPRING 2013 CHAPMAN UNIVERSITY february April 4-6, 11-13 February 1 Stage Door Hall-Musco by George S. Kaufman & Edna Ferber University Singers Post-Tour Dirncted by Nina LeNoir Concert Conservatory of Music April 19-21 Stephen Coker, Conductor Opera Chapman presents February 7 presents a The Merry Widow by Franz Lehar President's Piano Series Peter Atherton, Artistic Director Grace Fong & Louise Thomas, duo piano concert Carol Neblett, Associate Director February 14-16, 21-23 April 24-27 Twelfth Night by William Shakespeare Student Produced One Acts Directed by Thomas Bradac march may Guest