DOCSLIB.ORG

Download Download

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Download Download Mirjam Mencej Mirjam Mencej je redna profesorica folkloristike in primerjalne mitologije na Oddelku za etnologijo in kulturno antropologijo Filozofske SEM VSO NOČ fakultete v Ljubljani. Področja njenega raziskovanja so predvsem tradicijske povedke, evropska tradicijska verovanja in čarovništvo. Je avtorica več knjig (Voda v predstavah starih Slovanov o posmrtnem LUTAL V KROGU življenju in šegah ob smrti; Gospodar volkov v slovanski mitologiji; Coprnice so me nosile. Raziskava vaškega čarovništva na podeželju vzhodne SIMBOLIKA KROŽNEGA GIBANJA V EVROPSKI Slovenije ob prelomu tisočletja; Po poteh zgodb; Pripovedi s Kozjanskega in TRADICIJSKI KULTURI Obsotelja) ter mnogih znanstvenih člankov, ki so izšli v Sloveniji in tujini. C M Knjiga na podlagi etnografskih, folklorističnih, zgodovinskih, jezikovnih, Y ikonografskih in literarnih virov iz različnih geografskih območij Evrope CM in iz različnih obdobij evropske zgodovine identicira skupen simbolizem MY krožnega gibanja v evropski tradicijski kulturi. Krožno gibanje se pokaže CY CMY kot gibanje, ki je v tradicijskem razumevanju prostora značilno za prostor K med svetovoma živih in mrtvih, prostor, ki pomeni mejo med tema V KROGU LUTAL SEM VSO NOČ svetovoma, obenem pa omogoča tudi komunikacijo med njima ter prehajanje iz enega v drugega. Mirjam Mencej 29 € ISSN 1581-9744 9 789612 546441 STUDIA MYTHOLOGICA SLAVICA SUPPLEMENTA SUPPLEMENTUM 7 Zbirka/Series STUDIA MYTHOLOGICA SLAVICA – SUPPLEMENTA Supplementum 7 Uredniki zbirke/Editors of the Series Monika Kropej, Andrej Pleterski, Vlado Nartnik Mirjam Mencej SEM VSO NOČ LUTAL V KROGU. SIMBOLIKA KROŽNEGA GIBANJA V EVROPSKI TRADICIJSKI KULTURI Prevod/Translated by Peter Altshul Oblikovanje/Graphic art and design JJK design Izdal/Issued by Inštitut za slovensko narodopisje ZRC SAZU / Institute of Slovenian Ethnology at ZRC SAZU Založil/Published by Založba ZRC, ZRC SAZU; Znanstvena založba Filozofske fakultete Univerze v Ljubljani Zanje/Represented by Ingrid Slavec Gradišnik, Oto Luthar in/and Branka Kalenić Ramšak Glavni urednik/Editor-in-Chief Aleš Pogačnik Tisk/Printed by Collegium Graphicum, d.o.o., Ljubljana Naklada/Imprint 350 Studia Mythologica Slavica Spletna stran/Webpage: http://sms.zrc-sazu.si CIP - Kataložni zapis o publikaciji Narodna in univerzitetna knjižnica, Ljubljana 398.3/.4(4) MENCEJ, Mirjam Sem vso noč lutal v krogu : simbolika krožnega gibanja v evropski tradicijski kulturi / Mirjam Mencej ; [prevod Peter Altshul]. - Ljubljana : Založba ZRC: Znanstvena založba Filozofske fakultete. - (Zbirka Studiamythologica Slavica. Supplementa, ISSN 1581-9744 ; suppl. 7) ISBN 978-961-254-644-1 269258496 Knjiga je izšla s pomočjo Agencije za raziskovalno dejavnost Republike Slovenije / Published with the support of the Slovenian Research Agency in Založbe Filozofske fakultete Univerze v Ljubljani / Ljubljana University Press, Faculty of Arts Copyright 2013, Mirjam Mencej, Založba ZRC/ZRC Publishing, ZRC SAZU, Ljubljana Digitalna različica (pdf) je pod pogoji licence CC BY-NC-ND 4.0 prosto dostopna: https://doi.org/10.3986/9789612546441 Mirjam Mencej SEM VSO NOČ LUTAL V KROGU SIMBOLIKA KROŽNEGA GIBANJA V EVROPSKI TRADICIJSKI KULTURI ZnansTvenoraziskovalni cenTer slovenske akaDemije znanosTI in umeTnosTI SCIENTIFIC RESEARCH CENTRE OF THE SLOVENIAN ACADEMY OF SCIENCES AND ARTS LJUBLJANA 2013 KAZalo Uvod .............................................................................................................................. 11 NADNARAVNA BITJA ................................................................................................. 17 Nadnaravna bitja prisilijo ljudi v krožno gibanje ................................................... 17 Nadnaravna bitja se sama krožno gibajo ................................................................. 19 Ples v krogu .............................................................................................................. 19 Zračni vrtinec .......................................................................................................... 21 Vodni vrtinec ........................................................................................................... 24 DUŠE UMRLIH ...............................................................................................................25 Zračni vrtinec .............................................................................................................. 25 Vodni vrtinec ............................................................................................................... 26 TRADICIJSKE EVROPSKE PREDSTAVE O Mejnem PROSTORU MED SVETOVOMA ŽIVIH IN MRTVIH ................................................................ 27 Vodni vrtinec ............................................................................................................... 27 Mlin ...............................................................................................................................30 Kolo ............................................................................................................................... 31 Vreteno .......................................................................................................................... 31 Ples v krogu .................................................................................................................. 32 Krožne stopnice ........................................................................................................... 33 Vrteča se koča ..............................................................................................................34 SIMBOLIKA VRETENA, PREDENJA, PREJE IN NITI ......................................... 37 Nadnaravna bitja predejo ........................................................................................... 38 Duše umrlih predejo ...................................................................................................44 Nit kot most na drugi svet ......................................................................................... 45 Predenje, nit in rojstvo ................................................................................................ 47 Spredena nit in »učlovečenje« .................................................................................... 50 Nit in usoda .................................................................................................................. 51 Predenje in smrt .......................................................................................................... 55 Simbolika predenja kot krožnega gibanja ................................................................60 PREPOVED PREDENJA V TEKU LETA ................................................................... 63 Obdobja prepovedi predenja v teku letnega ciklusa .............................................. 69 Nadzornice prepovedi predenja ................................................................................ 75 Kazni za kršitev prepovedi predenja ......................................................................... 82 Prepoved predenja v teku življenjskega ciklusa ...................................................... 85 Interpretacije tabujev predenja ..................................................................................86 Simbolika prepovedi predenja ...................................................................................88 OBREDI OBKROŽANJA ............................................................................................... 91 Omejitev in prilastitev prostora ................................................................................ 93 Prevzem in demonstracija oblasti nad obkroženim prostorom ........................... 96 Obnavljanje meja zaradi zaščite prostora ................................................................ 98 Zavarovanje svetosti prostora .................................................................................. 105 SIMBOLIKA SMERI KROŽNEGA GIBANJA ........................................................ 111 Simbolika smeri gibanja glede na gibanje Sonca .................................................. 112 Simbolika smeri gibanja glede na gibanje v desno – levo ................................... 119 Pomen vloge smeri gibanja glede na Cerkev ......................................................... 127 SIMBOLIZEM KROŽNEGA GIBANJA V OBREDIH .......................................... 131 KROŽENJE KOT TEHNIKA KOMUNIKACIJE Z ONIM SVETOM V TRADICIJSKIH MAGIJSKIH PRAKSAH ...................................................139 Vedeževanje ................................................................................................................ 139 Zdravilski obredi ....................................................................................................... 141 Plodnostna magija ..................................................................................................... 142 Klicanje duhov in onstranskih bitij ........................................................................ 143 KROŽNO GIBANJE KOT TEHNIKA PROFESIONALNIH MEDIATORJEV MED SVETOVOMA .......................................................... 145 Šamanizem ................................................................................................................. 146 Šamanizem Evenkov (Tungusov) ....................................................................... 146 Šamanizem Nanajcev ..........................................................................................
Load more

Recommended publications
  • Shostakovich (1906-1975)
    RUSSIAN, SOVIET & POST-SOVIET SYMPHONIES A Discography of CDs and LPs Prepared by Michael Herman Dmitri Shostakovich (1906-1975) Born in St. Petersburg. He entered the Petrograd Conservatory at age 13 and studied piano with Leonid Nikolayev and composition with Maximilian Steinberg. His graduation piece, the Symphony No. 1, gave him immediate fame and from there he went on to become the greatest composer during the Soviet Era of Russian history despite serious problems with the political and cultural authorities. He also concertized as a pianist and taught at the Moscow Conservatory. He was a prolific composer whose compositions covered almost all genres from operas, ballets and film scores to works for solo instruments and voice. Symphony No. 1 in F minor, Op. 10 (1923-5) Yuri Ahronovich/Moscow Radio Symphony Orchestra ( + Overture on Russian and Kirghiz Folk Themes) MELODIYA SM 02581-2/MELODIYA ANGEL SR-40192 (1972) (LP) Karel Ancerl/Czech Philharmonic Orchestra ( + Symphony No. 5) SUPRAPHON ANCERL EDITION SU 36992 (2005) (original LP release: SUPRAPHON SUAST 50576) (1964) Vladimir Ashkenazy/Royal Philharmonic Orchestra ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15, Festive Overture, October, The Song of the Forest, 5 Fragments, Funeral-Triumphal Prelude, Novorossiisk Chimes: Excerpts and Chamber Symphony, Op. 110a) DECCA 4758748-2 (12 CDs) (2007) (original CD release: DECCA 425609-2) (1990) Rudolf Barshai/Cologne West German Radio Symphony Orchestra (rec. 1994) ( + Symphonies Nos. 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14 and 15) BRILLIANT CLASSICS 6324 (11 CDs) (2003) Rudolf Barshai/Vancouver Symphony Orchestra ( + Symphony No.
    [Show full text]
  • P U B L I C a T I E S
    P U B L I C A T I E S 1 JANUARI – 31 DECEMBER 2001 2 3 INHOUDSOPGAVE Centrale diensten..............................................................................................................5 Coördinatoren...................................................................................................................8 Faculteit Letteren en Wijsbegeerte..................................................................................9 - Emeriti.........................................................................................................................9 - Vakgroepen...............................................................................................................10 Faculteit Rechtsgeleerdheid...........................................................................................87 - Vakgroepen...............................................................................................................87 Faculteit Wetenschappen.............................................................................................151 - Vakgroepen.............................................................................................................151 Faculteit Geneeskunde en Gezondheidswetenschappen............................................268 - Vakgroepen.............................................................................................................268 Faculteit Toegepaste Wetenschappen.........................................................................398 - Vakgroepen.............................................................................................................398
    [Show full text]
  • SWN Ebook.Indb
    JUGGERNAUT JUGGERNAUT VERSION 2.0 DISCLAIMER: This PDF is not intended for sale by any party. I do not own any of the images contained herein, nor have I been in contact with any of the artists that produced them. This system uses the same mechanics, with significant alteration, as the Stars Without Number tabletop role playing game by Sine Nomine Publishing. In addition, it uses many of the resources as originally listed in the SWN game. I have not been in communication with any artist or any publishing organization in relation to the production of this PDF. The information contained in this document is for experimental purposes among a shared group of collaborators, and any distributors of this document are responsible for any infringements they incur. Additional note: Because of the somewhat lacking formatting capacity of Adobe Acrobat, the format changes done myself, and the multiple font changes, you may some places where the objects are slightly misaligned or there's a bit of a gap between on section and another. This is unfortunate and irritating, visually, but the effort it takes to go through the entire document and fix these is prohibitive. Sorry. TABLE OF CONTENTS Note that until the document is finalized, these page numbers are incorrect. Introduction .........................................................................................................................4 Character Creation ...............................................................................................................6 Magicks .................................................................................................................................22
    [Show full text]
  • Messengers from the Stars: on Science Fiction and Fantasy Nº 1 - 2016
    Messengers from the Stars: On Science Fiction and Fantasy Nº 1 - 2016 Editorial Board | Adelaide Serras Ana Daniela Coelho Ana Rita Martins Angélica Varandas João Félix José Duarte Advisory Board | Adam Roberts (Royal Holloway, Univ. of London, UK) David Roas (Univ. Autónoma de Barcelona, Spain) Flávio García (Univ. do Estado do Rio de Janeiro, Brazil) Henrique Leitão (Fac. de Ciências, Univ. de Lisboa, Portugal) Jonathan Gayles (Georgia State University, USA) Katherine Fowkes (High Point University, USA) Ljubica Matek (University of Osijek, CROATIA) Mª Cristina Batalha (Univ. do Estado do Rio de Janeiro, Brazil) Susana Oliveira (Fac. de Arquitectura, Univ. de Lisboa, Portugal) Teresa Lopez-Pellisa (Univ. Autónoma de Barcelona, Spain) Copy Editors | Ana Rita Martins || João Félix || José Duarte Translator | David Klein Martins Translation Copy | Ana Rita Martins || Mónica Paiva Editors Photography | Valter Ventura Site | http://messengersfromthestars.letras.ulisboa.pt/journal/ Contact | [email protected] ISSN | 2183-7465 Editor | Centro de Estudos Anglísticos da Universidade de Lisboa | University of Lisbon Centre for English Studies Alameda da Universidade - Faculdade de Letras 1600-214 Lisboa - Portugal Who’s Afraid of Vampire/Werewolf?: Unearthing the Serbian Blood-sucking, Shape-shifting Creatures Milan Jovanović Universidade de Lisboa, Faculdade de Letras/CEAUL-ULICES Abstract | This paper wishes to excavate the long-forgotten and dormant vampires that once used to frighten the living daylights out of people from Eastern and Central Serbia, so as to explain who they were/are as well as how they operated within their respective societies. Marija Šarović, a contemporary Serbian scholar on the subject of vampires, observes that in Serbian literature, the vampire appears only in realistic prose during the last couple of decades of the nineteenth century, although there were earlier traces of the same.
    [Show full text]
  • Pavlovic, Aleksandar (2012) from Traditional to Transitional Texts
    Aleksandar Pavlović From Traditional to Transitional Texts: Montenegrin Oral Tradition and Vuk Karadžić’s Narodne srpske pjesme Supervisors: Dr David Norris, Dr Vladimir Zorić Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy (PhD) in Southeast European Studies, February 2012 CONTENTS Acknowledgements ……..…………………………………………………………………… 3 Introduction …….......……………………………………………………………………….. 4 Chapter 1. The Concepts of Oral Traditional, Transitional and Nontraditional Texts ……..…...… 56 Chapter 2. Genuine Oral Traditional Songs in Narodne srpske pjesme ……...…………………….. 114 Chapter 3. Transitional Texts about the Battles against Mehmet Pasha .......…………………….... 169 Chapter 4. Between Traditional and Nontraditional Texts: The Songs of Đuro Milutinović .......... 228 Conclusion ………………………………………………………………………………… 261 Bibliography ……………………………………………………………………………… 280 1 ABSTRACT This thesis analyses the influence of literate culture on the corpus of Montenegrin oral epic songs published in Vuk Karadžić’s edition of Narodne srpske pjesme from 1823 to 1833. The Introduction places the research in the scholarly context of the Parry-Lord theory of oral composition, later analyses of transitional texts that contain both oral traditional and literary characteristics, and recent interest in the entire process of transcription, edition and publication of songs belonging to the oral tradition. This is followed by an outline of facts relevant to the social and political history of Montenegro, its epic tradition and earliest
    [Show full text]
  • UNIVERSITY of CALIFORNIA Los Angeles Practical
    UNIVERSITY OF CALIFORNIA Los Angeles Practical Aesthetics: Negotiating Sickness in Serbia and Macedonia A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Culture and Performance by Christina Novakov-Ritchey 2017 ã Copyright by Christina Novakov-Ritchey 2017 ABSTRACT OF THE THESIS Practical Aesthetics: Negotiating Sickness in Serbia and Macedonia by Christina Novakov-Ritchey Master of Arts in Culture and Performance University of California, Los Angeles, 2017 Professor David Delgado Shorter, Chair As cultural practitioners, traditional healers in Macedonia and eastern Serbia negotiate the materiality of the sick body by facilitating aesthetic encounters. Bajanje healers manipulate words, lead, plants, water, and other materials to transform their guests’ relationships to health. Within the bajanje encounter, healers create intimate, culturally-sanctioned spaces through which to materially intervene in their guests’ mental and physical health. Negotiating shame and vulnerability, bajanje healers empower individual members of rural Serbian and Macedonian villages to maintain their own health and the health of their communities. Calling upon a long traditional lineage, these healers delineate a community that extends through innumerable past and future generations. By recognizing how bajanje weaves itself into the daily, material ii routines of healers and their guests, I propose that we recognize bajanje as part of everyday life and by extension that we recognize bajanje as contemporary and enduring. iii The thesis of Christina Novakov-Ritchey is approved. Anurima Banerji Aparna Sharma David Delgado Shorter, Committee Chair University of California, Los Angeles 2017 iv Dedicated to the emotional. v Table of Contents Section 1: Introduction .......................................................................................... 1 A.
    [Show full text]
  • Download for the Reader
    Folklore Electronic Journal of Folklore http://www.folklore.ee/folklore Printed version Vol. 59 2014 Folk Belief and Media Group of the Estonian Literary Museum Estonian Institute of Folklore Folklore Electronic Journal of Folklore Vol. 59 Edited by Mare Kõiva & Andres Kuperjanov Tartu 2014 Editor in chief Mare Kõiva Co-editor Andres Kuperjanov Copy editor Tiina Mällo News and reviews Piret Voolaid Design Andres Kuperjanov Layout Diana Kahre Editorial board 2008–2014: Dan Ben-Amos (University of Pennsylvania, USA), Larisa Fialkova (University of Haifa, Israel), Diane Goldstein (Memorial University of Newfoundland, Canada), Terry Gunnell (University of Iceland), Jawaharlal Handoo (University of Mysore, India), Frank Korom (Boston University, USA), Monika Kropej (Institute of Slovenian Ethnology), Kristin Kuutma (University of Tartu, Estonia), Aado Lintrop (Estonian Literary Museum), Wolfgang Mieder (University of Vermont, USA), Irina Sedakova (Russian Academy of Sciences). The journal is supported by the institutional research funding IUT22-5, the state programme project EKKM14-344, and the Estonian Literary Museum. Indexed in EBSCO Publishing Humanities International Complete, Thomson Reuters Arts & Humanities Citation Index, MLA International Bibliography, Ulrich’s Periodicals Directory, Internationale Volkskundliche Bibliographie / International Folklore Bibliography / Bibliographie Internationale d’Ethnologie), DOAJ, C.E.E.O.L., ERIH (B), Scopus Editorial address: Folklore: Electronic Journal of Folklore Vanemuise 42–235 51003 Tartu
    [Show full text]
  • Foreword New Developments in Clinical Flow Cytometry
    Issue n. 2/2018 In this issue: Hot Topics in Laboratory Medicine EFLM Annual report In memory of Prof Dr. Ad P Jansen: founder of EC4 Updates on EFLM Publications THE EFLM BI-MONTHLY NEWSLETTER News from EFLM National Societies Changing of the Guard in EFLM National Societies Calendar of EFLM events and events under EFLM auspices EFLM Connects National Societies of Clinical Chemistry and Laboratory Medicine and Creates a Platform for all European “Specialists in Laboratory Medicine” HOT TOPICS IN LABORATORY MEDICINE Foreword by Harjit Pal Bhattoa, Editor EFLM EuroLabNews In the current issue, Dr Frank New developments in Preijers illustrates the latest de - velopments in Clinical Flow Cy - clinical flow cytometry tometry with its wide-ranging diagnostic implications in the re - gular column of Laboratory Hot Topics. Giuseppe Lippi the EFLM by Frank Preijers, PhD, Dept. of Laboratory Medicine, Laboratory of Hematology, Radboud University Medi - Executive Board Secretary pre - cal Center, Nijmegen, The Netherlands sents the EFLM Annual Report 2017, where all happenings in Flow cytometry (FCM) is an indispensable the past year are elegantly summarized. The EFLM Exe - technique for characterization of cell populations cutive Board pays its respects to Prof Ad P Jansen, the and deciphering complex cellular processes and founder of the EC4 who passed away on the 24th of Ja - interactions in a wide variety of normal and nuary, 2018 at the blessed age of 94. An update on the disease states. If a suspension can be made from EFLM publications list is provided by Maria Stella Graziani, a target population, it can be analyzed by flow Chair of the EFLM Communications Committee.
    [Show full text]
  • Vetrovi Kao Mitološka Bića U Predstavama Južnih Slovena U Istočnom Delu Balkana
    Vetrovi kao mitološka bića u predstavama južnih Slovena u istočnom delu Balkana Tanja Petrović The article explores the relationship of beliefs and notions related to South-Slavic «wind-like» mythological beings such as (h)ala and lam(n)ja, and the lexicon belonging to the semantic sphere «wind names» in the Eastern Balkan area. It is shown that the most salient characteristics of these mythological beings (they are strong, gluttonous, bring dise- ases and destroy harvests) are used as a motivation for names of particular winds, which confirms high similarity (and often equality) between meteorological phenomena such as wind or storm, and mythological beings in the notions of South Slavs. Govoreći o predmetu psihološke antropologije, Vendina (1998: 39) ističe da je- zik “служит одновременно и инструментом упорядочивания мира, и зеркалом этнического мировидения”. Tvorba reči, njihova semantika i motivacija u ovom kon- tekstu mogu biti dragoceni izvor podataka o načinu konceptualizacije slike sveta kod govornika određenog jezika. Analiza leksičke motivacije reči koje pripadaju određenoj semantičkoj sferi omogućava nam da dođemo do saznanja o tome “какие элементы внеязыковой действительности и как словообразовательно маркируются, а также задуматься над вопоросом, почему они удерживаются сознанием” (op. cit., 40). Iz- bor karakteristike koja će se naći u osnovi leksičke oznake tog predmeta ili pojave isto- vremeno ukazuje na to da je za nosioce datog jezika i date kulture ta karakteristika iz nekog razloga relevantna1. Slika (ili kulturni model) sveta koju iščitavamo iz jezika može se odrediti kao je- zička interpretacija sveta kroz njegovu segmentaciju, opis, uređenje i po pravilu i ocenu (Maćkiewicz 1999), odnosno kao “сокращенное и упрощенное отображение всей суммы представлений о мире внутри данной традиции, взятых в их системном и операционном аспектах” (Топоров 1982: 163).
    [Show full text]
  • ZAVETINE Plus Ultra
    ZAVETINE Plus ultra 5 ⎯ 6 _________________ PESMA ISTO^NIKU Na isto~nik, na izvor nijedna reka se ne vra}a do u vidu oblaka. Na isto~nik, na izvor nijedan put se ne vra}a do u vidu ~e`we. O, pute i reko, obla~e i ~e`wo, {ta }u biti kada se budem vratio na isto~nik, na izvor? Bi}u li ~e`wa onda? Bi}u li oblak? Lu}ijan BLAGA (1895 - 1961) Preveo sa rumunskog Ratomir Markovi} ^ITAOCU Od Vaskrsenija objavqiva}e se dvonedeqne ili mese~ne sveske pod zajedni~kim naslovom ZAVETINE, sve do Petrovog posta. Sveske su nastavak "Godi{waka" Zavetina (izlazio do 1997. godine). Sveske po~iwu da izlaze u najgorim izdava~kim i drugim okolnostima, bez nov~ane pomo}i ma kog mecene (investitora). Dve stvari }e imati ovde najpovla{}eniji prostor : Nova mitologija, kwi`evnost istinita. Kwi`evnost koja se ne mo`e falsifikovati. Koja ima samo dva ciqa : Istinu i Lepotu. Istinu koja nije ni{ta drugo do istina, koja je ba{ zato ( Haksli je to znao) - antiprirodna, apstrakcija, na wu ni{ta ne li~i {to je iz pravog sveta. Priroda zra~i lepotom. "U prirodi se veoma mnogo stvari stranih stvari me{a sa bitnom istinom. To je razlog {to umetnost tako ponese ~oveka - to {to se ona ne mo~e falsifikovati i daleko je od nesu{tastvenosti pravog `ivota." Koliko u dana{wim ~asopisima ima stvari koje su u direktnoj vezi sa bitnom istinom? Lepotom? Magla, pra{ina, dim, strugotina, lutke... Ne{to mnogo gore od bazara i kupleraja.
    [Show full text]
  • The Beyond Heroes Roleplaying Game Book I: the Player's Guide
    1 The Beyond Heroes Roleplaying Game Book XXIV: The Book of Artifacts Writing and Design: Marco Ferraro The Book of Artifacts Copyright © 2020 Marco Ferraro All Rights Reserved This is meant as an amateur free fan production. Absolutely no money is generated from it. Wizards of the Coast, Dungeons & Dragons, and their logos are trademarks of Wizards of the Coast LLC in the United States and other countries. © 2019 Wizards. All Rights Reserved. Beyond Heroes is not affiliated with, endorsed, sponsored, or specifically approved by Wizards of the Coast LLC. Contents Foreword 3 Buying Magical Items 3 Magic; rare or common? 4 Researching Magical Items 4 The Nature of Magical Fabrication 5 Scrolls and Potions 7 Creating other magical items 10 Recharging Magical Items 12 Destroying Magical Items 13 Artifacts and Relics 13 Magic Item Quick Roll Table 18 Arcane Artifact Quick Roll Table 22 Arcane Vehicle Quick Roll Table 24 Arcane Architecture Quick Roll Table 28 Mystical Materials 33 Future Materials 37 Normal Materials 37 Modern Armour 40 Materials from other universes 40 Armour Materials Table 47 Beyond Heroes Artifacts 51 DC Universe Artifacts 59 Marvel Universe Artifacts 93 Artifacts from other Comic Universes’ 119 Moorcock Artifacts 125 Dungeons and Dragons Artifacts 131 Folklore Artifacts 137 2 Intelligent creatures, on the other hand, Foreword tend to value magical items above other The Beyond Heroes Role Playing Game items of treasure. They recognize such is based on a heavily revised derivative items for what they are (unless the item version of the rules system from is very well disguised or unique) and Advanced Dungeons and Dragons 2nd take them.
    [Show full text]
  • Fate Written on the Forehead in Serbian Oral Narratives
    doi:10.7592/FEJF2014.59.radulovic FATE WRITTEN ON THE FOREHEAD IN SERBIAN ORAL NARRATIVES Nemanja Radulović Abstract: This paper examines narratives about fate from the Serbian corpus, as well as beliefs related to them. A characteristic motif is that the demons of fate write fate on people’s forehead. Such motifs and beliefs are also encountered elsewhere on the Balkans, especially in the areas that were under Turkish influ- ence (Greece, Albania, Bulgaria), so it is undoubtedly a Balkanism. The presence of the motif among Turks and Arabs indicates oriental roots. However, the bottom source seems to be India where the oldest examples have been recorded. Classical Sanskrit literature (including tales collections, such as Hitopadeśa, Pañcatantra, Vikramacarita, Vetalapañcaviṃśati) provides numerous examples of this motif. This is certainly not a source but only a testimony of the presence of the motif. The contemporary rituals and views of modern popular Hinduism testify to its connection to belief. It seems that beliefs and narratives migrated via Muslim culture to the Balkans. Methodologically speaking, this is not a matter of going back to Benfey or Cosquin, but an example of the importance of regions and cul- tural contacts. The motif and belief seem to be close to the phraseologism “written on the forehead”, but the conclusion is that they have different origins; while the idiom that is present in many languages comes from the idea of “reading”, discerning one‘s nature, the narrative motif clearly has a specifically Oriental origin and is linked to living belief. Keywords: Balkans, belief, fate, India, Islam, migrations, narratives, phraseologisms, regions In oral tradition about fate (ATU 930, 931, 934) spoken in the southern Slavic and Balkan regions, the motif of written fate can often be found.
    [Show full text]