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Chasing Eliza: Shifting and Static Women in Elizabeth Craven's the Miniature Picture
ABO: Interactive Journal for Women in the Arts, 1640-1830 Volume 6 Issue 1 Volume 6.1 (Spring 2016) Article 2 2016 Chasing Eliza: Shifting and Static Women in Elizabeth Craven's The Miniature Picture Heather A. Ladd University of Lethbridge, [email protected] Follow this and additional works at: https://scholarcommons.usf.edu/abo Part of the Dramatic Literature, Criticism and Theory Commons, English Language and Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Ladd, Heather A. (2016) "Chasing Eliza: Shifting and Static Women in Elizabeth Craven's The Miniature Picture," ABO: Interactive Journal for Women in the Arts, 1640-1830: Vol. 6 : Iss. 1 , Article 2. https://www.doi.org/http://dx.doi.org/10.5038/2157-7129.6.1.2 Available at: https://scholarcommons.usf.edu/abo/vol6/iss1/2 This Scholarship is brought to you for free and open access by Scholar Commons. It has been accepted for inclusion in ABO: Interactive Journal for Women in the Arts, 1640-1830 by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Chasing Eliza: Shifting and Static Women in Elizabeth Craven's The Miniature Picture Abstract Georgian actress and author Mary Robinson famously wore a miniature portrait of her royal lover, the Prince of Wales, whom she captivated in the Shakespearean breaches role of Perdita. Intriguingly, Robinson’s final stage appearance was as the cross-dressing heroine of The Miniature Picture (1781), a three-act comedy penned by writer and socialite Lady Elizabeth Craven, later Baroness Craven and Margravine of Brandenburg-Ansbach. -
Dispelling the Myths Surrounding Nineteenth-Century British
• I will begin by briefly describing the social changes that took place during the period 1660 to 1800 as they form the background and influences on artists. • I will then summarise the eight talks that cover the major artists and art movements. • But first let us look at the entire period from 1500 to 1800... 1 • The period from 1500 to 1660 saw the country emerging from feudalism. Medieval practices were referenced allegorically in the sense that they were not being used as originally intended but to convey an idea. For example, the great hall was no longer where a noble would eat but was recreated to impress. Crenulations were no longer added to building as a form of defence but to suggest the building and the family had ancient origins. • 1400s. Revolution on the battlefield. Richard III (2 October 1452 – 22 August 1485) was the last king to die in battle, at the age of 32, in the Battle of Bosworth Field. He was the last king of the House of York and the last of the Plantagenet dynasty. It was the beginning of the Italian Renaissance but the changes taking place in Italy filtered into English art and architecture very slowly and it took place through Italian and Northern European artists visiting and sometimes remaining to work in England. • 1500s. Social revolution. Although earlier kings, such as Henry I, promoted competent men from lowly backgrounds it was not until the Tudor period that a new class of lawyers and administrators from lowly backgrounds achieved powerful positions and became wealthy. -
A Catalogue of the Miniatures
: anxa BOAR 87-B 1410 SOUTH KENSINGTON VICTORIA AND ALBERT MUSEUM. .A CATALOGUE OF THE MINIATURES. LONDON PRINTED FOR HTS MAJESTY'S STATIONERY OFFICE, By WYMA.N and SONS, Limitbd, 109, Fetter Lane, E.C. And to be purchased, either directly or through any Bookseller, from WYMAN AND SONS, LIMITED, 109, FETTER LANE, FLEET STREET, E.C. ; or OLIVER AND BOYD, TWEEDDALE COURT, EDINBURGH ; or E. PONSONBY, 116, GRAFTON STREET, DUBLIN. Price One Shilling in Paper Covers ; Two Shillings in Cloth. 8i HECENT PUBLICATIONS RELATING TO THE VICTORIA AND ALBERT MUSEUM. ILLUSTRATED HANDBOOKS. Chinese Art. By the late Stephen W. Bushell, C.M.G., B.Sc, M.D. Vols. I. & II. With numerous illustrations. Price, in paper covers, 1*. 6c?. each vol. [by post 1*. 10c?.] ; in cloth 2s. 3c?. each vol. [by post 2s. 7c?.] Quarto edition in cloth, 10s. 6c?. each vol. [by post lis.] English Earthenware. Made during the 17th and 18th cen- turies. By A. H. Church, F.R.S. With numerous illustra- tions. Revised Edition. Price, in paper covers, Is. 6c/. [by post Is. 10c?.] ; in cloth 2s. 3c?. [by post 2s. 7c?.] English Porcelain. Made during the 18th century. By A. H. Church, F.R.S. With numerous illustrations. Revised Edition. Price, in paper covers, Is. 6c?. [by post Is. 9c?.] ; in cloth 2s. 3c?. [by post 2s. 6c?.] Ironwork. By J. Starkie Gardner. Part I., from the earliest times to the end of the mediaeval period. Second Edition. Price, in paper covers, Is. 6c?. [by post Is. 10c?. ] ; in cloth 2s. 3c?. [by post 2s. -
Portrait Miniatures from the Time of Holbein 1531 to That of Sir Wilhelm Roso 1860
THE C ONNOISSEUR SERIES. Editedy b Gleeson White. PORTRAIT M INIATURES. THE C ONNOISSEUR SERIES. Edited ky Gleeson White. PORTRAIT M INIATURES: from the time of Holbein, 1 531, to that of Sir William Ross, i860. By GEORGE С Williamson, Lilt.D. With numerous Illustrations. Demy 8vo. 12s. bd. net. HISTORICAL P ORTRAITS: some Notes on the P ainted Portraits of Celebrated Characters of England, Scotland and Ireland. By H. B. Wheatley, F.S.A. Wilh Seventy-four Illustrations taken direct from the originals. Demy 8vo. lew. bd. net. JAPANESE I LLUSTRATION : being a History of t he Arts of Wood-cutting anil Colour Printing in Japan. By Edward F. Strange, M J. S. With Eight coloured and Eighty- eight Black-and-Wliite Illustrations. Deiny.8vo. \2s. (xi. net. RTTHE A OF THE HOUSE. By Rosamund Marriott W atson. With numerous Illustrations. Demy 8vo. (1>. net. PICTURE P OSTERS. By Charles Hiatt. With O ne Hundred and Fifty Reproductions of the most Artistic Examples of all Countries. Demy 8vo. 12s. bd. net. LONDON: G EORGE BELL AND SONS. ANDREW P LIMER. 1763-1837. LADY R AVENSWORTH, LADY PAUL, AND MISS SIMPSON. Ownhr C. J Wertheimer, Esq. PORTRAIT MINIATURES FROMHE T TIME OF HOLBEIN 13 5 1 TO THAT OF SIR WILLIAM ROSS i 860. A HANDBOOK FOR C OLLECTORS BY GEORGE С W ILLIAMSON, Litt.D. LONDON: G EORGE BELL AND SONS YORK S TREET, COVENT GARDEN, MDCCCXCVII CIIISWICK P RESS :—CHARLES WHITUNGHAXI AND CO. TOOKS COURT, CHANCERY LANE, LONDON, л/ PREFACE. In t reating of miniatures it is impossible to avoid reference to the standard book on the subject, — Dr. -
British Miniature Painters and Their Works
DUKE UNIVERSITY LIBRARY Treasure %Qom # : ^25 Copies of this book have been printed for sale, of which 12^ are on large paper. No. /a: Vlottingbam Printed by R. B. Earp & Sons, Ltd., Goldsmith Street. -* # *: « ' '^ ! ^H MINIAi PAINTEko AND THEIR \ RKS, BY J. J FOSTER, Asti-iUift 'istft'iKsijiCl at-aiyv n\iS\K .oi;8i ,f;noJyiV naaup ifJasjfiM lyH Xonfcon SAMPSON LOW, MARSTOxN St. Dunstan's House, Fet. DICKINSONS , ,fT W -^y:im ir Portrait. Her Majesty Queen Victoria, 1870. After Messrs. Dickinsons' : BRITISH MINIATURE PAINTERS AND THEIR WORKS, BY J. J. FOSTER. Xonbon SAMPSON LOW, MARSTON & COMPANY, Limited, St. Dunstan's House, Fetter Lane, E.G. AND DICKINSONS, 114, New Bond Street, W. 1898. m. Iber fIDost (5raciou6 flDajest^ IDictotia, of tbe •Clnite^ •RiiiQ&om of (great IBritain anb 5relanb> an& of tbe Colonteg an& Dependencies tbereot Empress of 5n&ia, tbis worft is, bg special permls* IV. Tfar-igrncr-JTiiriinincrir'.j-'.iij TinaTTi FTt'-nTj-iQ niun£TTjj~.irar^riLn^n^ri^nrriitn!r'.L^ PREFACE. HE follotving lines should be called, perhaps, an acknowledgment rather than a Preface, inasmuch as what I have to say in them is mainly to express gratittide for favours received. First then, let me record my sense of the honour and the favour done me by Her Majesty The Queen, in giving Her gracious permission to reproduce such miniatures as I might select from the Royal Library. The like acknowledgment is due to many noble and private owners (too numerous to mention here) of similar treasures. I have appended their names in the list of Illustrations, and to each and to all I beg to offer most sincere thanks for their courtesy. -
Kew Gardens Painted by T
KEW GARDENS PAINTED BY T. MOWER MARTIN DESCRIBED BYAR'HOPEMONCRIEFF Ex Libris C. K. OGDEN THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES V UNIFORM WITH THIS VOLUME THE COTSWOLDS By G. F. NICHOLLS and FRANCIS DUCKWORTH NORTH DEVON By HENRY B. WIMBUSH and F. J. SNELL SOUTH DEVON By C. B. HANNAFORD and CHARLES ROWE, M. J.I. GALLOWAY By JAMES FAED, Jun., and J. M. SLOAN IRELAND By FRANCIS S. WALKER, R.H.A., and FRANK MATHEW LIVERPOOL By J. HAMILTON HAY and DIXON SCOTT THE PEAK COUNTRY By W. BISCOMBE GARDNER and A. R. HOPE MONCRIEFK KEW GARDENS AGENTS AMERICA . THE MACMILLAN COMPANY 64 & 66 FIFTH AVENUE, NEW YORK AUSTRALASIA THE OXFORD UNIVERSITY PRESS, MELBOURNE CANADA . THE MACMILLAN COMPANY OF CANADA, LTD. 27 RICHMOND STREET WEST, TORONTO INDIA . MACMILLAN & COMPANY, LTD. MACMILLAN BUILDING, BOMBAY 309 Bow BAZAAR STREET, CALCUTTA THE RHODODENDRON KEW GARDENS PAINTED BY T. MOWER MARTIN, R.C.A. DESCRIBED BY A. R. HOPE MONCRIEFF WITH 24 FULL-PAGE ILLUSTRATIONS IN COLOUR LONDON ADAM AND CHARLES BLACK 1908 73 K51M7 PREFACE KEW GARDENS contain what seems the com- pletest botanical collection in the world, handi- capped as it is by a climate at the antipodes of Eden, and by a soil that owes less to Nature than to patient art. Before being given up to public pleasure and instruction, this demesne was a royal country seat, specially favoured by George III. That homely King had two houses here and began to build a more pretentious palace, a design cut short by his infirmities, but for which Kew might have usurped the place of Windsor. -
Letters of Denization and Acts of Naturalization for Aliens in England & Ireland
Gc M 942.006 H87pu v.27 1417132 ENEALOGY COLLECTION «* Digitized by the Internet Archive in 2015 https://archive.org/details/lettersofdenizat2717hugu LETTERS OF DENIZATION AND ACTS OF NATURALIZATION FOR ALIENS IN ENGLAND & IRELAND 1701-1800 A ' ' " • ^ . I V .. - V. THE Publications of The Huguenot Society of London FOUNDED A.D. MDCCCLXXXY VOLUME XXVII Printed by SHERRATT AND HUGHES, MANCHESTER 1923 The COUNCIL of the HUGUENOT SOCIETY OF LONDON desires it to be understood that it is not answerable for any opinions or observations that may appear in the Society’s publications; the Editors of the several Works being alone responsible for the same. Cbe Ibuguenot Society of Xonbon. (Inaugurated 15 th April, 1885 .) OFFICERS AND COUNCIL FOR THE YEAR 1922=23. president. WYATT WYATT-PAINE, F.S.A. Dice-lprestoents. The Right Hon. the Earl of Radnor. Sir William Wyndham Portal, Bart., F.S.A. George Beaumont Beeman. Charles Poyntz Stewart, F.S.A. Scot. William Minet, F.S.A. Council. The Rev. William George Cazalet. Sir Robert Alfred McCale, K.C.V.O., K.C. Thomas Colyer Colyer-Fergusson. W. H. Manchee. Robert William Dibdin. Ernest Carrington Ouvry, M.B.E., F.S.A. Alfred Edward Duchesne. Ft. -Col. Sir Alexander Brooke Pechell, Sir W. Everard B. ffolkes, Bart. Bart., R.A.M.C. Francis de Havilland Hall, M.D., F.R.C.P. Samuel Romilly Roget, A.M.Inst.C.E., Edward Heathcote Lefroy. A.M.I.E.E. treasurer. Arthur Herve Browning, 16 Victoria Street, Westminster, S.W. 1 Ibon. Secretary. Colonel Duncan George Pitcher. Deputy Ibon. -
Bennett Jun.R Esq. This Print of His Yacht, Rare
Bennett Jun.r Esq. this print of his Yacht, Rare. A Royal Mail Packet caught in a storm. the winner of the Great Atlantic Race is Not in Parker & Bowen. Ref: 8947 respectfully dedicated by his most obedient Servant, Wm. Foster. Left New-York 11th 485. Iron Twin Screw Armour Clad War December and Arrived off Cowes, 25th Steamer 'Moyini Zaffer'. Built for the December 1866 in the unprecedented time Tirkish Government by Samuda Brothers. of 13 days 22 hours & 46 minutes. Built my London. Mr. Steers, New-York. T.G. Dutton, del. & lith. London. Published Dec.r 1st T.G. Dutton, del. et lith. London, Published 25..th 1869 by W.m Foster, 17 Billiter Streeet, E.C. January 1867 by Wm. Foster 17, Billiter Street, E.C. Tinted lithograph, printed area 410 x 615mm. Lithograph. Sheet 489 x 692mm. Slight staining in the Unexamined out of frame. £850 bottom right-hand margin. £950 A Turkish warship. Samuda Brothers was an A depiction of the 'Henrietta' mid-Atlantic valiantly engineering and ship building firm on the Isle of Dogs, sailing between the USA and the UK. founded by Jacob and Joseph d'Aguilar Samuda, Ref: 9189 Jewish civil engineers. They built boats for the Royal Navy, P&O, and the navys of Turkey, Egypt, Japan, Prussia, Brazil & Argentina. Jacob also invented the 'atmospheric' railway, using air pressure to provide power for propulsion. Joseph became MP for Tavistock and, at the time this print was published, Tower Hamlets. NMM: PAH9306. Ref: 8369 486. The Iron Steam Yacht 'Peterhoff', 416 Tons. -
LOWELL LIBSON LTD 2 016 • New York · Annual Exhibition British Art: Recent Acquisitions at Stellan Holm · 1018 Madison Avenue 23–30 January 2016
LOWELL LIBSON LTD 2 016 • New York · annual exhibition British Art: Recent Acquisitions at Stellan Holm · 1018 Madison Avenue 23–30 January 2016 Maastricht TEFAF: The European Fine Art Fair 11–20 March 2016 LONDON MASTERPIECE LONDON 30 June–6 July 2016 London LONDON ART WEEK 1–8 July 2016 [ B ] LOWELL LIBSON LTD 2016 • Agostino Aglio 80 Catherine Andras 54 Mary Black 38 Adam Buck 56 3 Clifford Street · London w1s 2lf Edward Burch 64 Telephone: +44 (0)20 7734 8686 John Constable 84, 88 Email: [email protected] Website: www.lowell-libson.com Richard Cosway 68 John Robert Cozens 28 Lowell Libson [email protected] Sir Nathaniel Dance 18 Jonny Yarker [email protected] John Downman 42 Deborah Greenhalgh [email protected] Richard Eurich 106 Thomas Gainsborough 26 Cressida St Aubyn [email protected] Benjamin Robert Haydon 74 John Hoppner 48 Thomas Hudson 14 James Jefferys 58, 62 Louis Laguerre 9 Lady Mary Lowther 34 Samuel Palmer 98 George Richmond 77 Thomas Rowlandson 32 John Russell 50 We are delighted to be supporting the following exhibitions in 2016: Archibald Skirving 45 NEW YORK Michael Henry Spang 64 Pierre-Jean Mariette and The Art of Collecting Drawings George Stubbs 22 The Morgan Library & Museum, New York, Henry Tonks 102 22 January – 1 May William Turner of Oxford 94 LONDON Light, time, legacy: Francis Towne’s Benjamin West 70 watercolours of Rome The British Museum, Rex Whistler 104 21 January – 14 August Matthew Cotes Wyatt 72 This catalogue presents some of the remarkable acquisitions that we have made over the last year. -
Masterarbeit
MASTERARBEIT Titel der Masterarbeit „Das Rollenportrait in England – Von seiner Etablierung im zweiten Drittel des 17. Jhdts. bis zu seiner neuen Popularität in der zweiten Hälfte des 18. Jhdts.“ verfasst von Constanze Malissa, BA angestrebter akademischer Grad Master of Arts (MA) Wien, 2013 Studienkennzahl lt. Studienblatt: A 066 835 Studienrichtung lt. Studienblatt: Kunstgeschichte Betreut von: tit. Ao. Prof. Dr. Wolfgang Prohaska Der größte Dank, gilt meinen Eltern, Gabriele und Mag. Michael Malissa, für ihre fortwährende Unterstürzung in den letzten fünf Jahren und besonders in den vergangenen neun Monaten. Ganz besonders danke ich meiner lieben Schwester Antonia, für ihren ständigen, guten Zuspruch und ihre Hilfe, ohne die ich meine Arbeit nicht beenden hätte können. Tit. Ao. Prof. Dr. Wolfgang Prohaska danke ich für die Betreuung der Arbeit, die fachliche Beratung und die Lehrveranstaltung, die mich im vergangenen Jahr auf die Idee zu diesem Thema brachte, sowie für seine große Geduld. Nicht zu vergessen sind meine Großmama und all meine Freunde und Kollegen, die mir während der Entstehungszeit dieser Arbeit ebenfalls eine große moralische Stütze waren. 2 Inhaltsverzeichnis 1. Einführung in das Thema. - Ziel und Aufbau der Arbeit 6 1.1. Einführung in das Thema 6 1.2. Ziel und Aufbau der Arbeit 6 2. Forschungsstand und Literatur 8 3. Sir Anthonis van Dyck - Entstehung und Entwicklung 10 3.1. Etablierung des Rollenportraits in England 10 3.1.1. Abgrenzung zur Portraittradtion bis 1600 10 3.1.2. Stilwandel nach 1600 11 3.1.3. Van Dycks Portraits im Zusammenhang mit den höfischen Masques 15 3.2. Entwicklung der vier Grundtypen 18 3.2.1. -
Naval Documents of the American Revolution, Volume I
Naval Documents of The American Revolution Volume I AMERICAN THEATRE: Dec. 1, 1774–Sept. 2, 1775 EUROPEAN THEATRE: Dec. 6, 1774–Aug. 9, 1775 United States Government Printing Office Washington, 1964 Electronically published by American Naval Records Society Bolton Landing, New York 2011 AS A WORK OF THE UNITED STATES FEDERAL GOVERNMENT THIS PUBLICATION IS IN THE PUBLIC DOMAIN. NAVAL DOCUMENTS OF The American Revolution Colonel George Washington (of the Virginia Militia). By Charles Willson Peale, 1772. -NAVAL DOCUMENTS OF The American Revolution VOLUME I AMERICAN THEATRE: Dec. 1, 1774-Sept. 2, 1775 EUROPEAN THEATRE: Dec. 6, 1774-Aug. 9, 1775 WILLIAM BELL CLARK, Editor 00 1 For and in Collaboration with The U.S. Navy Department With a Foreword by PRESIDENT JOHN F. KENNEDY And an Introduction by REAR ADMIRAL ERNEST McNEILL ELLER, U.S.N. (Ret.) Director of Naval History WASHINGTON: 1964 L. C. Card No. 64-60087 IAR\ME Cm?% 3 TTT)>-+ 1 q," \ AUG 3. 2 I'%8 ~1si hLci;iiiiCE SEQ For sale by the Superintendent of Documents, U.S. Government Printing Office Washington, D.C., 20402 - Price $9.00 NAVAL HISTORY DIVISION SENIOR EDITORIAL STAFF Rear Admiral Ernest hlcNeil1 Eller, U.S.N. (Ret.) Rear Admiral F. Kent Loomis, U.S.N. (Ret.) FITilliam James Morgan ILLUSTRATIONS AND CHARTS Commander Dermott V. Hickey, U.S.N. W. Bart Greenwood SECRETARY OF THE NAVY'S ADVISORY COMMITTEE ON NAVAL HISTORY Waldo G. Leland (Emeritus) Jim Dan Hill William E. Lingelbach (Deceased) Elmer L. Kayser John D. Barnhart (Emeritus) John Haskell Kemble James P. Baxter, I11 Richard W. -
A Guide for the Amateur Collector of Portrait Minl\Tures
mm THE MINIATURE COLLECTOR A GUIDE TO COLLECTORS OF OLD PORTRAIT MINIATURES THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES THE MINIATURE COLLECTOR THE MINIATURE COLLECTOR A GUIDE FOR THE AMATEUR COLLECTOR OF PORTRAIT MINL\TURES BY DR. GEORGE C. WILLIAMSON HERBERT JENKINS LIMITED 3 YORK STREET SAINT JAMES'S LONDON S.W.I MCMXXI N.B.—The copyright of all the illustrations used in this book is strictly reserved by the author oa behalf of the respcctire owners of the miniatures. Printed in Great Britain by Butler & Tanner, Frome and London f/ 7616 Q PREFACE SOME apology is surely needed from me, for inflicting yet another book about miniatures upon a long- suffering public ; but I hope that this latest work may fill the position that is at the moment vacant/ and may supply information that is needed. My chief excuse for it consists in the fact that new material bearing on this, my special subject, is constantly being discovered, and I have here endeavoured—to use a familiar expression—to bring the science up to date. Investigations in archives and records quite often bring to light new facts about miniature painters and their doings, and as an example, there is information in this book concerning Nicholas HiUiard and the gold mines of Scotland, in which he is actu- ally described as Queen EHzabeth's portrait painter, that has only been brought before the pubhc notice in the Rhind lectures delivered by Mr. Warrach during the past few months, having hitherto been buried in the dry pages of a scarce reprint (issued in 1815) of a precious Elizabethan document.