ABO: Interactive Journal for Women in the Arts, 1640-1830 Volume 6 Issue 1 Volume 6.1 (Spring 2016) Article 2 2016 Chasing Eliza: Shifting and Static Women in Elizabeth Craven's The Miniature Picture Heather A. Ladd University of Lethbridge,
[email protected] Follow this and additional works at: https://scholarcommons.usf.edu/abo Part of the Dramatic Literature, Criticism and Theory Commons, English Language and Literature Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Ladd, Heather A. (2016) "Chasing Eliza: Shifting and Static Women in Elizabeth Craven's The Miniature Picture," ABO: Interactive Journal for Women in the Arts, 1640-1830: Vol. 6 : Iss. 1 , Article 2. https://www.doi.org/http://dx.doi.org/10.5038/2157-7129.6.1.2 Available at: https://scholarcommons.usf.edu/abo/vol6/iss1/2 This Scholarship is brought to you for free and open access by Scholar Commons. It has been accepted for inclusion in ABO: Interactive Journal for Women in the Arts, 1640-1830 by an authorized administrator of Scholar Commons. For more information, please contact
[email protected]. Chasing Eliza: Shifting and Static Women in Elizabeth Craven's The Miniature Picture Abstract Georgian actress and author Mary Robinson famously wore a miniature portrait of her royal lover, the Prince of Wales, whom she captivated in the Shakespearean breaches role of Perdita. Intriguingly, Robinson’s final stage appearance was as the cross-dressing heroine of The Miniature Picture (1781), a three-act comedy penned by writer and socialite Lady Elizabeth Craven, later Baroness Craven and Margravine of Brandenburg-Ansbach.