Semper Matinee Im Andenken an Theo Adam PRESSEINFORMATION

Semperoper Dresden: Semper Matinee im Andenken an Theo Adam PRESSEINFORMATION »Vom Sachs zum Ochs« – Eine Semper Matinee für Theo Adam Dresden, 10. April 2019. Unter dem Motto »Vom Sachs zum Ochs« widmet die Semperoper Dresden die Semper Matinee am Sonntag, den 14. April, dem im Januar dieses Jahres ver- storbenen Ausnahmekünstler Theo Adam. In Wort und Musik erinnern Künstlerinnen und Künstler der Semperoper gemeinsam mit prominenten Gästen an den großen Dresdner Sänger. Durch die Matinee, zu der unter anderem Gwyneth Jones, Peter Schreier, Peter Emmerich, Matthias Henneberg, Andreas Scheibner und Tuuli Takala erwartet werden, führt Bettina Volksdorf. Es spielt die Sächsi- sche Staatskapelle Dresden unter der Musikalischen Leitung von Johannes Wulff-Woesten. Der Bassbariton Theo Adam erlangte als einer der wenigen deutsch-deutschen Künstler Weltruhm, unter anderem als Hans Sachs aus Richard Wagners »Die Meistersinger von Nürnberg«. Von seiner Heimatstadt Dresden aus führten ihn Engagements an die großen Bühnen der Welt, so auch zu den Salzburger und Bayreuther Festspielen, wo er 28 Jahre lang als prägender Künstler wirkte. Neben seinem glänzenden Wotan gehörte vor allem der Baron Ochs auf Lerchenau (»Der Rosenkavalier«) zu seinen Lieblingspartien, den er auch mehrfach an der Semperoper gestaltete. 2006 verabschiedete sich Theo Adam, seit 1994 Ehrenmitglied der Semperoper, im Alter von 80 Jahren auf der Bühne der Semperoper von seiner aktiven Sängerlaufbahn mit der Partie des Eremiten (»Der Freischütz«), mit der er in Dresden fast sechzig Jahre zuvor seine Karriere begonnen hatte. Semper Matinee »Vom Sachs zum Ochs« am Sonntag, den 14. April 2019 um 11 Uhr. Karten für die Vorstellungen sind an der Schinkelwache am Theaterplatz (T +49 (0)351 4911 705) und online erhältlich. Weitere Informationen unter semperoper.de Presseanfragen und Anmeldungen für Pressekarten richten Sie bitte an [email protected] Semperoper Dresden [email protected], T +49 (0)351 4911 251 (Leiterin Kommunikation und Marketing) [email protected], T +49 (0)351 4911 336 (Pressereferent) semperoper.de .

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ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers.
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RSTD OPERN Ma Rz April Ok 212X433
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Notes in Brief Various Authors
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110308-10 Bk Lohengrineu 13/01/2005 03:29Pm Page 12
110308-10 bk LohengrinEU 13/01/2005 03:29pm Page 12 her in his arms, reproaching her for bringing their @ Ortrud comes forward, declaring the swan to be happiness to an end. She begs him to stay, to witness her Elsa’s brother, the heir to Brabant, whom she had repentance, but he is adamant. The men urge him to bewitched with the help of her own pagan gods. WAGNER stay, to lead them into battle, but in vain. He promises, Lohengrin kneels in prayer, and when the white dove of however, that Germany will be victorious, never to be the Holy Grail appears, he unties the swan. As it sinks defeated by the hordes from the East. Shouts announce down, Gottfried emerges. Ortrud sinks down, with a the appearance of the swan. cry, while Gottfried bows to the king and greets Elsa. Lohengrin Lohengrin leaps quickly into the boat, which is drawn ! Lohengrin greets the swan. Sorrowfully he turns away by the white dove. Elsa sees him, as he makes his towards it, telling Elsa that her brother is still alive, and sad departure. She faints into her brother’s arms, as the G WIN would have returned to her a year later. He leaves his knight disappears, sailing away into the distance. AN DG horn, sword, and ring for Gottfried, kisses Elsa, and G A F SS moves towards the boat. L E Keith Anderson O N W Mark Obert-Thorn Mark Obert-Thorn is one of the world’s most respected transfer artist/engineers. He has worked for a number of specialist labels, including Pearl, Biddulph, Romophone and Music & Arts.
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A C AHAH C (Key of a Major, German Designation) a Ballynure Ballad C a Ballynure Ballad C (A) Bal-Lih-N'yôôr BAL-Ludd a Capp
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Associació Wagneriana. Apartat Postal 1159. Barcelona 08080 [email protected]
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Classical by Composer
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