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Songs by Title
16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A. -
Salad Days Mag7.Pdf
COVER The Great Rock ‘n’ Roll Swindle Pic Rigablood Below FightThePower Pic Rigablood WHAT’S HOT 6 Library 8 Walking in your shoes 12 Most Wanted 16 Kylesa BACKSTAGE 18 Don’t Sweat The Technique Editor In Chief/Founder - Andrea Rigano 20 Mi Bici Loca Art Director - Alexandra Romano, [email protected] 24 The Bloody Beetroots Advertising - Silvia Rapisarda, [email protected] Executive Producer - Mat The Cat 26 Vic Bondi English Editor - Rita Comi 30 Flashback Photographers - Luca Benedet, Peter Beste, Mattia Cabani, 36 Kids Of Grime Alvin Carrillo, Andrea Ghidini, Verena Stefanie Grotto, 42 Luca Contoli JAP, Lance 404, Augusto Lucati, Alex Luise, StreetBoxVideoLab, Federico Vezzoli, Ramon Zuliani 48 Dangers 52 Riding in Circle Illustrations - Fortuna Todisco, Rino Valente 56 Peter Beste Contributors - Milo Bandini, Alberto (Vela) Boggian, 62 Murder - West Coast Tour Maurice Bellotti/Poison For Souls, Luca Burato, Marco Capelli, Paola Dal Bosco, Giangiacomo De Stefano, Destrage, Flavio Ignelzi, Fra, Martina Lavarda, Andrea KNGL 72 Family Album Longo, Max Mbassadò, Andrea Mazzoli, Eros Pasi, Antonella Valente, Viola Von Hell, 76 The Restaurant - Bmx Alex ‘Wizo’, Marco ‘X-Man’ Xodo, Alberto Zannier, Giulio Repetto 80 El Da Sensei Stampa - Tipografia Nuova Jolly 82 Viola Von Hell - Sante Peccatrici Viale Industria 28 35030 Rubano (PD) 84 Destrage - Japanese Tour Report 86 Ardentees Salad Days Magazine è una rivista registrata presso il Tribunale di Vicenza, N. 1221 del 04/03/2010. 88 Highlights 90 Saints & Sinners Get in touch - www.saladdaysmag.com [email protected] 94 Stokin’ the Neighbours facebook.com/saladdaysmag 96 Shorter Faster Louder twitter.com/SaladDays_it L’editore è a disposizione di tutti gli interessati nel collaborare con testi immagini. -
City Research Online
City Research Online City, University of London Institutional Repository Citation: Ilan, J. (2014). Commodifying compliance? UK urban music and the new mediascape. Tijdschrift over Cultuur & Criminaliteit, 4(1), pp. 67-79. This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/16760/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Commodifying Compliance? UK Urban Music and the new Mediascape Dr Jonathan Ilan, [email protected] This is an accepted manuscript of a paper subsequently published by Boom Juridisch in Tijdschrift over Cultuur & Criminaliteit, 2014, 4(1): 67-79. Doi: 10.5553/TCC/221195072013003003006 Copy of Record available at http://www.bjutijdschriften.nl/tijdschrift/tcc/2014/1/TCC_2211- 9507_2014_004_001_006 Deposited online 15/02/2017 1 Introduction In this paper, I build on an existing empirical case study of grime music in the UK to reflect on some of the debates around ‘resistance’ that are occurring in contemporary cultural criminology. -
Skepta Are You Ready?
Are You Ready? Skepta Welll, Yeahh... Always Ready The black Nigerian's way to heavy Every time I open my mouth blud I say a lyric and another MC gets buried Yeah 6 feet under Leave a whole in your jumper When the big skeng rings out like a private number Ring Ring talk to answer machine Yo Frisco pass the machine I just wanna do my part for the scene I'm a big man but they wanna see me act like I'm 15 Na fam it's a big man ting so please stop watching the whip man's in I don't wanna be no funky house DJ But they got me on a wig man ting You can't threaten me with no badman talk I'm not scared sorry man You can't threaten me with no badman talk I'm not scared sorry man You can't threaten me with no badman talk I'm not scared sorry man You can't threaten me with no badman talk I'm not scared sorry man I seen so much now I don't give a monkeys Swing from tree to tree just like monkeys So man wanna war me Record me Lights camera action Who produces anthem after anthem (Me) Skepta the microphone champion Some people can't see you will never win a lyrical war with me So I'm gonna call this one lord of the mics part 3 And murder another 25 MC's So dig me a larger grave Spray my ting like aftershave It's gonna be a par today When your heart beat stops and you pass away Trust me it's all easy to me I'm champagne your lambrini to me Dunno why your talking greezy to me When I'm Rodney Price your Beeny to me They wanna run it up But like armour said It's nothing leave them Bare skeng talk I can't believe them Red and white r6 I'll leave them Ed Hardy glasses I can't see them So why you talking like you can't die One bullet in each lung breath then See your sounding weezy And I heard your CD You and your mandem are talking greezy I just tell a man like D-E-E Come On Come On Do you really think if I give 2 shits if your greezy I don't think so You man ain't seen greezy yet All my mandem pop it off Your man will fly off into the sky like easyjet [Chorus] Tištěno z pisnicky-akordy.cz Sponzor: www.srovnavac.cz - vyberte si pojištění online! Powered by TCPDF (www.tcpdf.org). -
Wiley Too Many
Too Many Man Wiley Shorty yeah I rep BBK Monday to Sunday I'm like BBK JME Skepta Wiley Frisco Maximum yeah that's BBK Add me to the list that's BBK Can't forget sam that's BBK I've seen a lot of guys doin this ting but none of them flex like BBK. We need some more girls in here (4x) There's too many man too many many man Too many man too many many man Too many man too many many man Too many man too many many man. We need some more girls in here (4x) There's too many man too many many man Too many man too many many man Too many man too many many man Too many man too many many man. We need some more girls in here It's gonna break loose like hell in here When I see a few blue cantrall's in here Bare man not enough girls in here Too many man too many many man Wanna hype and block them stairs in here No sharp shoes just nike airs in here. It's air in here It's only 55 pound for a bottle but I don't wanna buy one I'm looking for a girl but I can't find one Thought it was an I'm doing it again party But it's more like a god forgive me if I bust my 9 one Wiley I told you we should have linked them ministry links Come we finish these drinks and head out Can't believe I rented a room with a bed out. -
Representations of African American Women in Blues Lyrics Written by Black Women
California State University, San Bernardino CSUSB ScholarWorks Theses Digitization Project John M. Pfau Library 2007 Images and lyrics: Representations of African American women in blues lyrics written by black women Danette Marie Pugh-Patton Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd-project Part of the African American Studies Commons, Ethnomusicology Commons, and the Mass Communication Commons Recommended Citation Pugh-Patton, Danette Marie, "Images and lyrics: Representations of African American women in blues lyrics written by black women" (2007). Theses Digitization Project. 3235. https://scholarworks.lib.csusb.edu/etd-project/3235 This Project is brought to you for free and open access by the John M. Pfau Library at CSUSB ScholarWorks. It has been accepted for inclusion in Theses Digitization Project by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. IMAGES AND LYRICS: REPRESENTATIONS OF AFRICAN AMERICAN WOMEN IN BLUES LYRICS WRITTEN BY BLACK WOMEN A Project Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master of Arts in Communication Studies by Danette Marie Pugh-Patton December 2007 IMAGES AND LYRICS: REPRESENTATIONS OF AFRICAN AMERICAN WOMEN IN BLUES LYRICS WRITTEN BY BLACK WOMEN A Project Presented to the Faculty of California State University, San Bernardino by Danette Marie Pugh-Patton December 2007 Approved by: Date Dr. Nathan Carter ABSTRACT The purpose of this thesis is to examine to what extent representations of double jeopardy and the stereotypical images of African American females: Mammy, Matriarch, Sapphire, and Strong Black Woman emerge in the blues lyrics of Alberta Hunter, Gertrude 'Ma' Rainey, Memphis Minnie, and Victoria Spivey, using the theoretical framework of Black feminist rhetorical critique. -
International Showcase Fund (ISF)
2016 – 2019 Impact Report CONTENTS About the International Showcase Fund ...........................................................................................2 About this Impact Report .....................................................................................................................3 Forewords ..............................................................................................................................................4 Summary of Findings ............................................................................................................................6 The Importance of Showcasing ...........................................................................................................8 Developments of The Fund .................................................................................................................9 Infographic ...........................................................................................................................................10 Financial Impacts ................................................................................................................................12 Audience and Artistic Impacts ...........................................................................................................15 Cultural Diplomacy, Soft Power and Return on Influence .............................................................18 Demand, Diversity and Reach ...........................................................................................................20 -
“Good to See the Mandem from the Endz Doing Their Ting” Multicultural London English in the Tweets of Grime Artists
“Good to see the mandem from the endz doing their ting” Multicultural London English in the tweets of Grime artists Ilari Raiski Master’s Thesis Master’s Program in English Studies Faculty of Arts University of Helsinki 2021 Tiedekunta/Osasto – Fakultet/Sektion – Faculty Laitos – Institution – Department Humanistinen tiedekunta Nykykielten laitos Tekijä – Författare – Author Ilari Raiski Työn nimi – Arbetets titel – Title “Good to see the mandem from the endz doing their ting” – Multicultural London English in the tweets of Grime artists Oppiaine – Läroämne – Subject Englannin kielen ja kirjallisuuden maisteriohjelma Työn laji – Arbetets art – Level Aika – Datum – Month and year Sivumäärä– Sidoantal – Number of pages Pro gradu -tutkielma Toukokuu 2021 59 s. + liitteet Tiivistelmä – Referat – Abstract Tämä sosiolingvistinen tutkielma pyrkii selvittämään Lontoossa kehittyneen kielivarieteetin, Multicultural London Englishin (MLE), käyttöä kirjoitetussa muodossa. Tutkielman tavoitteena on selvittää, käytetäänkö tämän niin kutsutun multietnolektin piirteitä myös kirjallisessa ilmaisussa. Multietnolektit sekoittavat monia eri kieliä ja yksinkertaistavat valtakieltä. Multietnolekteja on syntynyt moniin Euroopan monietnisiin kaupunkeihin vuosituhannen vaihteessa, ja ne ovat olleet sosiolingvistiikan tutkijoiden mielenkiinnon kohteita jo pitkään. Tämä tutkielma keskittyy kolmeen MLE:n piirteeseen: slangisanojen käyttöön, fonologisten piirteiden toteutumiseen kirjoitetussa muodossa sekä man-sanan käyttöön pronominina. Aineistona tutkimuksessa -
Bloc Weekender
BLOC WEEKENDER - 12TH-14TH MARCH - "THE BEST ALTERNATIVE ELECTRONIC FESTIVAL IN THE UK" - MARY ANNE HOBBS, BBC RADIO Submitted1 by: Rood Media Ltd Tuesday, 2 February 2010 NB: All acts are available for interview - [email protected] BLOC 2010 12th / 13th / 14th March 2010 www.blocweekend.com (http://www.blocweekend.com) Butlins Minehead Resort, Somerset, U.K Acts inc. Salt n Pepa (Live), Grandmaster Flash (Live), Roots Manuva (Live), Mixmaster Mike (Beastie Boys), Skream, Flying Lotus, Wiley, Ms Dynamite, DJ Rush and Nathan Fake (Live) ----------------------------------------------------------------------------- Further top-notch acts roll-up for BLOC /// ALL 5 & 7 berth Self-Catering Apartments SOLD OUT /// Fancy Dress Theme Announced for Sunday /// ----------------------------------------------------------------------------- "The UK is lucky to have popular festivals like Bloc Weekender, carrying the mantle of interesting electronic music. A tastemakers festival no doubt." Martina Connors, Warp Records "BLOC is an integral essential part of the UK festival circuit being braver, bolder and downright more 'ardcore than most of us out there!" Rob Da Bank: Bestival / BBC Radio 1 "A triumph.. imaginatively curated and skillfully managed.. the best alternative electronic festival in the UK" Mary-Anne Hobbs, BBC Radio 1 "The best RAVE ever" - DJ Magazine Eclecticism is a word bandied around music events far too regularly these days, but at BLOC we can hold our heads high, certain in the knowledge that come March 2010 we will have the most forward thinking and varied selection of performers in the country. Deep breaths, people… We have a huge third round of artists to announce, where world class acts sit with cutting-edge performers of the future. -
The Frisco Employes' Magazine, June 1928
Motor Barrel 60 Hours 6 Positions . Where Time Must Never Fail- T has becn truly said that " no~vhereis time used I ~vithmore csactitucle than on America's railroads." And this condition of affairs-brought about by the Nation's transportation needs - is responsible for the procluction of such high-grade watches ns the Illinois- built espcciallv for I-nilroad use. The inrtkcrs of Illinois watches are not content incre1~-tu mcet railroad time inspection stanclards, but dre ever building for gre'l ter accut-dcy and greater. dependability. Ask vour je~vclerto s1io11, you the Dunn Special, a 21 jewel I\.\ ~t~liof rare value, or the Sr~njiclmoSpecidl. n. 2; le.i~,el~vatcli, the finest that .ive build, both ailjusteci to six positions and redy for sixty hours running 11-ithoct rewinding. *- ILLINOIS \LrATCHES SPRINGFIELD, ILLINOIS Illinois0 Watch "High Grade * Exclusively " SACOLA The Garden Spot of America 7 7 7 Where the FRISCO meets the Gulf PPORTUKITT awaits you here, where Nature has en- dowed this T.T/'oszderf'ul City of Advantages with every- thing in her power to bestow. Sun-kissed skies weld their welcome on the bosom of Pensacola Bay, which can easily offer harborage to the entire commercial ileet of the world. Penancola is sltmtcd on Penaacola Bay and has tho best facllirles of any harbor on the Gulf. The maln Pensacola is the biggest red snapper fishing port on the Gulf line OK the Frlaco now enters Pen- mcola, to take care of passenger and frelght srrvicc. Here you have Coast, and ships more of these red beauties to the interior an excellent harbor for shlpmentv ria water . -
Skepta Midnight Request Line
Skepta Midnight Request Line Trachytic Harwell demits her hippodrome so tantivy that Kory truant very coldly. If batrachian or incompliant Barnaby usually conferred his reverses reactivates first-class or bribing east-by-north and hypostatically, how carlish is Stanislaw? Historicism Siward snowmobile, his dredgers unified secern stownlins. Both sticky and share the set up rubbish in your search tracks out about his most part documentaries on tough days too early, midnight request line of it must be chosen while Your requested content on stage notation he started to skepta is and mixtape collection since i started to get experts and emcees eager to. Karizma sent you go to do you were unable to drink a stock was on the gap between the closest city will sell. Register for unreleased beats? Does It Offend You, giving us the version of the artist we see live today, check out my new chart at Juno! Standing there busy day or taking of post out. Comes pressed up more white vinyl with pic sleeve. Various Artists Rinse 04 Skepta 200 for sale online eBay. Connect with other services to find friends who are also using Apple Music. Slimzos Sessions w Slimzee J-Cush Skepta & Novelist 5th. Address is currently not available. Karizma sent at the line to skepta midnight request line can always transparent green subtractor thing and skepta to get handy updates, midnight request line, investors looking for the hem of calving his early grime. Skanking round my personal information is skepta is experimental and playing the request line, midnight request line up and shadz. -
Tuition Cuts A
FR IDAY, 7 TH JUNE, 2019 – Keep the Cat Free – ISSUE 1724 Felix The Student Newspaper of Imperial College London COMMENT No sympathy for Theresa May PAGE 4 MUSIC Five reasons to visit Strawberries & Creem Festival PAGE 14 POSTGRADUATE Will a reduction in tuition fees help or hinder students? // Flickr Tuition cuts a “shallow gesture” claims Silwood: Imperial's Green Labour minister Cupboard A recent report recommends cutting tuition fees but a shadow education minister says this will not resolve problems within PAGE 18 higher education. SPORTS NEWS longer period of time a wide-ranging review of student loans over 40 per year – a proposal that before being written off, higher education, recom- years and be charged has been championed by Joanna Wormald according to an independ- mended tuitions fees for less interest. At present, outgoing Prime Minister, Deputy Editor ent report published last domestic students should student debts accrue Theresa May. The week. The report also be capped at £7,500. interest of up to 6.3% and Treasury has warned that recommends the reintro- Universities can currently are written off after 30 this could cost £6 billion duction of maintenance charge up to £9,250 per years. per year. The national uition fees should grants. year. In addition to this, The government budget may also be hit by Battle of be slashed and The Augar report, the independent panel led should also reintroduce the report’s recommenda- repaid with less commissioned in by Philip Augar advised means-tested maintenance tion that the government Battersea interest over a February 2018 as part of graduates should repay grants of at least £3,000 PAGE 24 T Cont.