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Special Issue
ISSUE 750 / 19 OCTOBER 2017 15 TOP 5 MUST-READ ARTICLES record of the week } Post Malone scored Leave A Light On Billboard Hot 100 No. 1 with “sneaky” Tom Walker YouTube scheme. Relentless Records (Fader) out now Tom Walker is enjoying a meteoric rise. His new single Leave } Spotify moves A Light On, released last Friday, is a brilliant emotional piano to formalise pitch led song which builds to a crescendo of skittering drums and process for slots in pitched-up synths. Co-written and produced by Steve Mac 1 as part of the Brit List. Streaming support is big too, with top CONTENTS its Browse section. (Ed Sheeran, Clean Bandit, P!nk, Rita Ora, Liam Payne), we placement on Spotify, Apple and others helping to generate (MusicAlly) love the deliberate sense of space and depth within the mix over 50 million plays across his repertoire so far. Active on which allows Tom’s powerful vocals to resonate with strength. the road, he is currently supporting The Script in the US and P2 Editorial: Paul Scaife, } Universal Music Support for the Glasgow-born, Manchester-raised singer has will embark on an eight date UK headline tour next month RotD at 15 years announces been building all year with TV performances at Glastonbury including a London show at The Garage on 29 November P8 Special feature: ‘accelerator Treehouse on BBC2 and on the Today Show in the US. before hotfooting across Europe with Hurts. With the quality Happy Birthday engagement network’. Recent press includes Sunday Times Culture “Breaking Act”, of this single, Tom’s on the edge of the big time and we’re Record of the Day! (PRNewswire) The Sun (Bizarre), Pigeons & Planes, Clash, Shortlist and certain to see him in the mix for Brits Critics’ Choice for 2018. -
PORTRAITSBUDGET.Pdf
trait PECKHAM AIDAN NATALIE CHUI speaks to the set designer about ZAMIRI his “smash it together” style and why being original isn’t original anymore. With his pastel pink hair and Glasweigan accent, Aidan Zamiri stands out amongst a white graphic design studio, where he Natalie Chui: Would you consider was just editing photos on an yourself more of a set designer? iMac. Despite moving to London a year and a half ago to attend Aidan Zamiri: I mostly do set Central Saint Martins, Zamiri design because I always work in a is already making a name three-dimensional way. I like an for himself as a set designer, immediate product. So the fact though not to be boxed into one that I work in a 3D space and category, he regards himself build something to have right in as more of a “multidisciplinary front of me, gives me the most designer”, working across satisfaction. I’m extremely erratic, photography, film and music. always running around, so the His sets are like mirrors of himself, best way for me to work is to be full of colour, character and life, building stuff and throwing stuff and often mesh together together. Set design helps to put unexpected items, sourced from the garments into context, and it the streets of Peckham. His work becomes so complete. has been published in Wonderland, Rollacoster and NC: What do you do set design for? Urban Outfitters and he’s worked with fashion designer Roberta AZ: I’m primarily based for Aiener’s and indie band Dream fashion editorials or photography Wife. -
23 AUG-2 SEPT 2018 Elke Keer Als Noorderzon Opkomt, Verschijnt Het Licht Van Mark Yeoman
23 AUG-2 SEPT 2018 Elke keer als Noorderzon opkomt, verschijnt het licht van Mark Yeoman. Zelf zal hij om zo’n observatie glimlachen, want hij is ook maar bij toeval begonnen, niet om doelbewust te verschijnen als hemellichaam in de atmosfeer van Groningen. Dat het aantrekkingskracht was, zal Mark niet ontkennen, integendeel. Onaangekondigd landde hij op een magische dag in de stad met zowat theaterbagage uit andere verten, zonder de wil om er ook weer ongemerkt te vertrekken. Hij voelde dat Groningen hem mogelijk zocht en dat het de plaats was om te blijven en een eigen festivaluniversum te scheppen, vol elementen uit een oneindig galactica. Om die elementen draait Noorderzon, zal Mark zeggen, niet om hem. Daar heeft hij gelijk in. Maar het kan niet zonder hem, als onvermoeibare sterrenplukker in een perfecte Groningse Brexit. Eerst was er Oerol. Als rondreizende culturele hobo voor NOS-Radio1 koesterde ik het Terschellinger locatiefestival als opperste bestemming naar een langwerpige waddenplaneet. Het was in de vorderende jaren negentig. Destijds maakten ruim 50.000 mensen de overtocht. Ze kwamen uit heel Nederland. Zo was het niet met Noorderzon. Mijn goede Groninger collega Eric Nederkoorn opperde begin deze eeuw tijdens Oerol dat in Noorderzon ook een reportage voor Radio 1 zat. Sindsdien ben ik vijftien Noorderzon-bezoeken verder. Het was goed om het festival bekendheid te geven buiten Groningen, samen met een paar krantencollega’s. Het heeft nog niet geleid tot tienduizenden bezoekers extra uit heel het land. Ik weet dat Mark Yeoman en algemeen directeur Femke Eerland en de hele staf daar niet bijzonder mee zitten. -
Countrybreakout Chart Covering Secondary Radio Since 2002
COUNTRYBREAKOUT CHART COVERING SECONDARY RADIO SINCE 2002 Thursday, April 26, 2018 NEWS CHART ACTION New On The Chart —Debuting This Week Country Radio Seminar song/artist/label—Chart Position Announces New Agenda Babe/Sugarland feat. Taylor Swift/Big Machine — 56 Committee Members For Keeper of the Flame/Miranda Lambert/Vanner Records/RCA Nashville — 60 Caught Up In The Country/Rodney Atkins/Curb — 69 2018-2019 Something Blue/Sam Shupak/Southern Pine Music — 71 The Country Radio Broadcasters will celebrate Blue Tacoma/Russell Dickerson/Triple Tigers — 74 the organization’s milestone 50th Anniversary Country Radio Seminar on Feb 13-15 2019, and You Came Along/Risa Binder/Warehouse Records — 76 the organization has announced the members of More Of That/Zach Janson/Nashville Nightlife Records — 79 this milestone year’s agenda committee. See the Hook Line & Sinker/Smith & Wesley/Dreamwalkin' Records — 80 committee members here. Greatest Spin Increase song/artist/label—Spin Increase Get Along/Kenny Chesney/Blue Chair Records/Columbia Nashville — 465 Cry Pretty/Carrie Underwood/Capitol — 356 Live Nation Reveals $20 All-In Ticket Offer For Babe/Sugarland feat. Taylor Swift/Big Machine — 349 National Concert Week Life Changes/Thomas Rhett/Valory — 290 Up Down/Morgan Wallen ft. Florida Georgia Line/Big Loud Records — 240 Most Added song/artist/label—No. of Adds Babe/Sugarland feat. Taylor Swift/Big Machine — 32 Life Changes/Thomas Rhett/Valory — 17 Caught Up In The Country/Rodney Atkins/Curb — 16 Keeper of the Flame/Miranda Lambert/Vanner Records/RCA Nashville — 13 Millionaire/Chris Stapleton/Mercury Nashville — 12 On Deck—Soon To Be Charting Live Nation announced ‘National Concert Week’ will take place April 30 song/artist/label—No. -
The Menstrual Cramps / Kiss Me, Killer
[email protected] @NightshiftMag NightshiftMag nightshiftmag.co.uk Free every month NIGHTSHIFT Issue 279 October Oxford’s Music Magazine 2018 “What was it like getting Kate Bush’s approval? One of the best moments ever!” photo: Oli Williams CANDYCANDY SAYSSAYS Brexit, babies and Kate Bush with Oxford’s revitalised pop wonderkids Also in this issue: Introducing DOLLY MAVIES Wheatsheaf re-opens; Cellar fights on; Rock Barn closes plus All your Oxford music news, previews and reviews, and seven pages of local gigs for October NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshiftmag.co.uk host a free afternoon of music in the Wheatsheaf’s downstairs bar, starting at 3.30pm with sets from Adam & Elvis, Mark Atherton & Friends, Twizz Twangle, Zim Grady BEANIE TAPES and ALL WILL BE WELL are among the labels and Emma Hunter. releasing new tapes for Cassette Store Day this month. Both locally- The enduring monthly gig night, based labels will have special cassette-only releases available at Truck run by The Mighty Redox’s Sue Store on Saturday 13th October as a series of events takes place in record Smith and Phil Freizinger, along stores around the UK to celebrate the resurgence of the format. with Ainan Addison, began in Beanie Tapes release an EP by local teenage singer-songwriter Max October 1991 with the aim of Blansjaar, titled `Spit It Out’, as well as `Continuous Play’, a compilation recreating the spirit of free festivals of Oxford acts featuring 19 artists, including Candy Says; Gaz Coombes; in Oxford venues and has proudly Lucy Leave; Premium Leisure and Dolly Mavies (pictured). -
MUSIC PREVIEW Debut Single, “Homesick.” After Going Viral on Tiktok King’S First Single Released to Country
MIRANDA LAMBERT MAREN MORRIS RACHEL WAMMACK TENILLE TOWNES KAT (OF KAT & ALEX) PISTOL ANNIES HANNAH DASHER GEORGIA WEBSTER ELLE KING MIRANDA LAMBERT MAREN MORRIS RACHEL WAMMACK TENILLE TOWNES KAT (OF KAT & ALEX) PISTOL ANNIES HANNAH DASHER GEORGIA WEBSTER ELLE KING LET’S GROW, GIRLS Labels share what to expect from the women on their rosters in 2021 and beyond 19th & Grand out June 25. Pearce returns to the road in late July as Broken Bow Coming off her first No. 1 at direct support for the upcoming Lady A: What A Song Can Do Tour. Lainey Wilson knows some Country radio with “Somebody things a man … and woman … Like That” and an ACM New Callista Clark is already Top 40 with her debut single, “It’s ‘Cause I Am.” Chosen by the majority of oughta know. Called a “song Female Artist nomination, every country fan needs to hear” Tenille Arts is set to release her broadcast companies as a new music initiative and most recently selected as iHeartCountry’s On The (Taste of Country) and a “must third studio album later this year. listen” (Rolling Stone), “Things A “Back Then, Right Now” is the Verge artist, the 17-year-old is Man Oughta Know” is climbing Lainey lead single. “With the success of celebrating the release of her Tenille Arts through the teens. And she’s Wilson ‘Somebody Like That’ breaking debut collection, Real To Me. “The thing that sets Callista just getting started, according records across the board, it to VP/Promotion Lee Adams: becomes the highest-charting song and the only No. -
I Think We're All Writing Very Politically Charged Music
JAZZ 9 Garcia, 26, sitting in her local cafe in New horn-fuelled West African sound. There’s the American art form. (For his sold-out gig at Cross, southeast London, a vibrant creative I THINK WE’RE hip-hop and Afrobeat influenced Ezra Collec- London’s Roundhouse, Washington brought hub that includes Peckham and Deptford and tive, which picked up the British jazz act of the Hutchings onstage to improvise fierce sax happening DIY club/jam nights with names ALL WRITING year award at the recent Jazz FM Awards. And squalls alongside him). such as Steez and Steam Down, at which the Maisha ensemble, with Garcia on sax and London is one of the world’s most culturally acclaimed Californian saxophonist and band VERY POLITICALLY flute alongside guitarist Shirley Tetteh, blending integrated cities; little wonder, then, that sounds leader Kamasi Washington was spotted during free jazz over West African rhythms and serving from Britain’s former colonies are being his recent visit to the capital. CHARGED MUSIC, it up with raw spiritual intensity. This isn’t jazz as embraced — reclaimed — by the scene. “The press are calling it new but we’ve been we know it, if jazz as we know it is doo-wop and Perhaps inevitably, with the spectre of Brexit, doing this for a while,” she continues, her head- WHETHER WE LIKE black tie and the Great American Songbook, but wildly unpopular among British youth, looming phones around her neck, her laptop on the then the album’s musical director, Shabaka large, and the effects of the Windrush immi- table in front of her. -
Eif.Co.Uk +44 (0) 131 473 2000 #Edintfest THANK YOU to OUR SUPPORTERS THANK YOU to OUR FUNDERS and PARTNERS
eif.co.uk +44 (0) 131 473 2000 #edintfest THANK YOU TO OUR SUPPORTERS THANK YOU TO OUR FUNDERS AND PARTNERS Principal Supporters Public Funders Dunard Fund American Friends of the Edinburgh Edinburgh International Festival is supported through Léan Scully EIF Fund International Festival the PLACE programme, a partnership between James and Morag Anderson Edinburgh International Festival the Scottish Government – through Creative Scotland – the City of Edinburgh Council and the Edinburgh Festivals Sir Ewan and Lady Brown Endowment Fund Opening Event Partner Learning & Engagement Partner Festival Partners Benefactors Trusts and Corporate Donations Geoff and Mary Ball Richard and Catherine Burns Cruden Foundation Limited Lori A. Martin and Badenoch & Co. Joscelyn Fox Christopher L. Eisgruber The Calateria Trust Gavin and Kate Gemmell Flure Grossart The Castansa Trust Donald and Louise MacDonald Professor Ludmilla Jordanova Cullen Property Anne McFarlane Niall and Carol Lothian The Peter Diamand Trust Strategic Partners The Negaunee Foundation Bridget and John Macaskill The Evelyn Drysdale Charitable Trust The Pirie Rankin Charitable Trust Vivienne and Robin Menzies Edwin Fox Foundation Michael Shipley and Philip Rudge David Millar Gordon Fraser Charitable Trust Keith and Andrea Skeoch Keith and Lee Miller Miss K M Harbinson's Charitable Trust The Stevenston Charitable Trust Jerry Ozaniec The Inches Carr Trust Claire and Mark Urquhart Sarah and Spiro Phanos Jean and Roger Miller's Charitable Trust Brenda Rennie Penpont Charitable Trust Festival -
City Will Turn Health-Insurance Savings Into Spending
DEALS OF THE $DAY$ PG. 3 TUESDAY, JULY 30, 2019 DEALS City will turn health-insurance savings into spendingOF THE $DAY$ By Thor Jourgensen amended to refl ect the additional aid and it will be the end of the summer before A key element of thePG .restructured 3 ITEM STAFF the negotiated savings. offi cial state aid numbers are calculat- health insurance agreement is a boost “We’ve been waiting on the numbers,” ed into the city budget. But he said in- in city employee contributions to health LYNN — With the state budget now be- said Mayor Thomas M. McGee. creased state aid and health insurance insurance from 19 percent to 23 percent. ing reviewed by Gov. Baker, city offi cials The Legislature gave Lynn a $19 mil- savings position city offi cials to set aside Beginning July 1, the contribution in- are ready to factor negotiated health in- lion increase in state aid to schools bring- a city budget spending reserve. creased to 25 percent. surance savings and extra state aid into ing total aid to the city to $185.8 million. Lynn has been subject to a state fi nan- “A lot of time wentDEALS into this through city spending calculations. McGee and city unions ratifi ed changes cial oversight plan for two years that in- meeting after meeting.OF There TH willE be sav- Final action by the Legislature on the to the city’s self-insured health plan that, cludes recommendations for the city to ings — these are the fi rst real substantial state budget clears the way for the $368 McGee said, generate $4.3 million in sav- build a spending reserve. -
Free Concerts Online April 3Rd – April 12Th 2020
Free Concerts Online April 3rd – April 12th 2020 April 3 CLASSICAL The Sempre Sisters String Duo (A From The Top Daily Joy feature) Time: 6 p.m. ET Link: Facebook Silkroad Home Sessions: Wu Man Time: 3 p.m. ET Link: Facebook Pianist Lara Downes: Spirituals and Freedom Songs (Benefit for Feeding America) Time: 8 p.m. ET Link: Facebook The Violin Channel Presents (all times ET) 12 p.m. Violinist Augusta McKay Lodge 2 p.m. Cellist Amit Peled 4 p.m. Violinist William Hagen 6 p.m. Violinists Jeffrey Myers (Calidore Qt.) and Siwoo Kim Link: The Violin Channel The Metropolitan Opera: Les Pêcheurs de Perles Time: 7:30 p.m. ET Link: Metropolitan Opera Lincoln Center at Home: Joshua Bell Time: 5:30 p.m. ET Link: Lincoln Center Metropolitan Museum of Art: Virgil Thomson's The Mother of Us All Time: 7:00 p.m. Link: YouTube; Facebook Free Concerts Online April 3rd – April 12th 2020 New World Symphony Fellows Time: 7 p.m. Link: Facebook MULTI-GENRE Light in the Attic & Friends Live: Jarvis Cocker, Marcos Valle, Sandy Dedrick (The Free Design), Azar Lawrence, Barbara Lynn, Gruff Rhys, more Time: 7 p.m. ET Link: Twitch / YouTube Sister Polygon's Stay-At-Home Variety Show: Rosali, Sir E.U, Seth Bogart, plus painting and smoothies Time: 3-5:30 p.m. ET Link: Instagram UnCancelled Music Festival: Katie Pruitt, Sammy Brue, Channing Wilson and more Time: 11 a.m. - 11 p.m. ET Link: UnCancelled Music Festival For a full lineup, check the schedule on the festival's website CALM Lock In: Arlo Parks, Declan McKenna, Oh Wonder and more Time: 12 - 7 p.m. -
Lucid Dream-Pop
MUSIC TRACK IT DOWN The only tunes you need this March p.130 HOCUS OPUS The month’s most spellbinding albums p.152 COMPETITIVE COMPILATIONS Key comps and mixes reviewed p.156 LU C I D DREAM-POP Kelly Lee Owens breaks the mould with her stunning, self-titled debut album... p.152 djmag.com 129 HOUSE BEN ARNOLD James Hadfield and Danny Linton. With its tribal howls, Soak skirts the right side of QUICKIES 'world music' without being Phil Weeks wanky — always a perilous Raw Instrumental Vol. 2 [email protected] tightrope act. Instead, it's PW/Robsoul Recordings wonky and wonderful. Man 8.0 Power himself drops in a moody, Phil Weeks is clearly never visited with writer's acidic re-rub, while Axel Boman block. This eight-track EP being rather sturdy wallops yet another remix out evidence of this, a collection of weaponised into the bleachers, dropping house music to damage dancefloors. Bravo. the four-four in favour of a new genre, Balearic garage (which Justin Cudmore has just been coined here, this Forget It EP very moment). The Bunker New York 8.5 Oh yes. This blisteringly acidic four-tracker for MICHAEL ZAHNSCHIRM & THERESA LIPP ZAHNSCHIRM MICHAEL Jamie Lidell/Matthew The Bunker New York had us at hello. 'New Jack Pic: Herbert MONEY Lidell/Herbert The House' is a deeply classy slab, while 'Forget Moony Me SHOT! Accidental Jnr It' is machine music par excellence. Contemplatin' EP 9.0 Klamauk Lidell and Herbert have been 9.5 muckers for donkey's years, MIA LUCCI KINDISCH Thoroughly arresting house but this bootleg of the former's music here from German/ track 'When I Come Back Venezuelan/Austrian, Around' from his majestic 2005 Eduardo A. -
The A-Z of Brent's Black Music History
THE A-Z OF BRENT’S BLACK MUSIC HISTORY BASED ON KWAKU’S ‘BRENT BLACK MUSIC HISTORY PROJECT’ 2007 (BTWSC) CONTENTS 4 # is for... 6 A is for... 10 B is for... 14 C is for... 22 D is for... 29 E is for... 31 F is for... 34 G is for... 37 H is for... 39 I is for... 41 J is for... 45 K is for... 48 L is for... 53 M is for... 59 N is for... 61 O is for... 64 P is for... 68 R is for... 72 S is for... 78 T is for... 83 U is for... 85 V is for... 87 W is for... 89 Z is for... BRENT2020.CO.UK 2 THE A-Z OF BRENT’S BLACK MUSIC HISTORY This A-Z is largely a republishing of Kwaku’s research for the ‘Brent Black Music History Project’ published by BTWSC in 2007. Kwaku’s work is a testament to Brent’s contribution to the evolution of British black music and the commercial infrastructure to support it. His research contained separate sections on labels, shops, artists, radio stations and sound systems. In this version we have amalgamated these into a single ‘encyclopedia’ and added entries that cover the period between 2007-2020. The process of gathering Brent’s musical heritage is an ongoing task - there are many incomplete entries and gaps. If you would like to add to, or alter, an entry please send an email to [email protected] 3 4 4 HERO An influential group made up of Dego and Mark Mac, who act as the creative force; Gus Lawrence and Ian Bardouille take care of business.