The Carlyle Society Papers-Session 1989-90 3 (1990): 1-10
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Thomas De Quincey
Thomas De Quincey: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator: De Quincey, Thomas, 1785-1859 Title: Thomas De Quincey Collection Dates: 1820-1851, undated Extent: 1 box (.21 linear feet) Abstract: Includes manuscripts and letters by the English essayist Thomas De Quincey, chiefly the extensively corrected and revised proofs for The Logic of Political Economy (1844) and 10 outgoing letters, including one written to Robert Southey. Call Number: Manuscript Collection MS-1132 Language: English Access: Open for research Administrative Information Processed by: Joan Sibley and Sara Saastamoinen, 2013 Note: This finding aid replicates and replaces information previously available only in a card catalog. Please see the explanatory note at the end of this finding aid for information regarding the arrangement of the manuscripts as well as the abbreviations commonly used in descriptions. Repository: The University of Texas at Austin, Harry Ransom Center De Quincey, Thomas, 1785-1859 Manuscript Collection MS-1132 2 De Quincey, Thomas, 1785-1859 Manuscript Collection MS-1132 Works: Untitled note on political economy/ Now I think that Mr. Fell..., handwritten Container manuscript/ incomplete, 4 pages, undated. 1.1 Cause of the novel's decline, handwritten manuscript with corrections, 2 pages, undated. The logic of political economy, bound page proofs with handwritten corrections and extensive revisions by De Quincey, some pasted on, and with printer's and Container publisher's notes and markings, 283 pages on 154 leaves, 6 November 1843. Two 1.2 sets of signature B are present. Lord Carlisle on Pope, handwritten manuscript/ draft fragment with revisions, 2 pages, undated. -
John W. Bilsland De Quincey's Opium Experiences As Every Reader of The
john W. Bilsland De Quincey's Opium Experiences As every reader of the Confessions of an English Opium-Eater knows, Thomas De Quincey made usc of opium throughout the whole of his adult life. As a student with a toothache he bought his first bottle of laudanum on a rainy Sunday afternoon in 1804, at a chemist's in Oxford Street. He returned to his lodgings, and there took the prescribed dose: ... in an hour, 0 heavens! what a revulsion! what a resurrection, from its lowest depths, of the inner spirit! what an apocalypse of the world within me! that my pains had vanished was now a trifle in my eyes; this negative effect was swallowed up in the immensity of those positive effects which had opened before me, in the abyss of divine enjoyment thus suddenly revealed. Here was a panacea ... for all human woes; here was the secret of happiness, about which philosophers had disputed for so many ages, at once discovered; happiness might now be bought for a penny, and carried in the waistcoat pocket; portable ecstasies might be had corked up in a pint-bottle; and peace of mind would be sent down by mail.1 More than half a century later he was to write to James Hogg, "I have been very ill (- all for want of laudanum) through 36 hours. But tomorrow morning I will put all to rights ...." 2 Between the dates of these two passages - one surging with the first delights of the drug, the other bleakly suggestive of the later effects - lies the history of an addict. -
Heroic Individualism: the Hero As Author in Democratic Culture Alan I
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2006 Heroic individualism: the hero as author in democratic culture Alan I. Baily Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Political Science Commons Recommended Citation Baily, Alan I., "Heroic individualism: the hero as author in democratic culture" (2006). LSU Doctoral Dissertations. 1073. https://digitalcommons.lsu.edu/gradschool_dissertations/1073 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. HEROIC INDIVIDUALISM: THE HERO AS AUTHOR IN DEMOCRATIC CULTURE A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of Political Science by Alan I. Baily B.S., Texas A&M University—Commerce, 1999 M.A., Louisiana State University, 2003 December, 2006 It has been well said that the highest aim in education is analogous to the highest aim in mathematics, namely, to obtain not results but powers , not particular solutions but the means by which endless solutions may be wrought. He is the most effective educator who aims less at perfecting specific acquirements that at producing that mental condition which renders acquirements easy, and leads to their useful application; who does not seek to make his pupils moral by enjoining particular courses of action, but by bringing into activity the feelings and sympathies that must issue in noble action. -
Ralph Waldo Emerson and Thomas Carlyle on Slavery
B093509 1 Examination Number: B093509 Title of work: Ralph Waldo Emerson and Thomas Carlyle on Slavery: Transatlantic Dissentions and Philosophical Connections Programme Name: MSc United States Literature Graduate School of Literatures, Languages & Cultures University of Edinburgh Word count: 15 000 Thomas Carlyle (1854) Ralph Waldo Emerson (1857) Source: archive.org/stream/pastandpresent06carlgoog#page/n10/mode/2up Source: ebooks.adelaide.edu.au/e/emerson/ralph_waldo/portrait.jpg B093509 2 Ralph Waldo Emerson and Thomas Carlyle on Slavery: Transatlantic Dissentions and Philosophical Connections Table of Contents Introduction 3 Chapter One: On Slavery and Labor: Racist Characterizations and 7 Economic Justifications Chapter Two On Democracy and Government: Ruling Elites and 21 Moral Diptychs Chapter Three On War and Abolition: Transoceanic Tensions and 35 Amicable Resolutions Conclusion 49 Bibliography 51 B093509 3 Introduction In his 1841 essay on “Friendship”, Ralph Waldo Emerson defined a “friend” as “a sort of paradox in nature” (348). Perhaps emulating that paradoxical essence, Emerson’s essay was pervaded with constant contradictions: while reiterating his belief in the “absolute insulation of man” (353), Emerson simultaneously depicted “friends” as those who “recognize the deep identity which beneath these disparities unites them” (“Friendship” 350). Relating back to the Platonic myth of recognition, by which one’s soul recognizes what it had previously seen and forgotten, Emerson defined a friend as that “Other” in which one is able to perceive oneself. As Johannes Voelz argued in Transcendental Resistance, “for Emerson, friendship … is a relationship from which we want to extract identity. Friendship is a relationship from which we seek recognition” (137). Indeed, Emerson was mostly concerned with what he called “high friendship” (“Friendship” 350) - an abstract ideality, which inevitably creates “a tension between potentiality and actuality” (Voelz 136). -
LM Findlay in the French Revolution: a History
L. M. Findlay "Maternity must forth": The Poetics and Politics of Gender in Carlyle's French Revolution In The French Revolution: A History ( 1837), Thomas Carlyle made a remarkable contribution to the history of discourse and to the legiti mation and dissemination of the idea of history qua discourse.' This work, born from the ashes of his own earlier manuscript, an irrecover able Ur-text leading us back to its equally irrecoverable 'origins' in French society at the end of the eighteenth century, represents a radical departure from the traditions of historical narrative.2 The enigmas of continuity I discontinuity conveyed so powerfully by the events of the Revolution and its aftermath are explored by Carlyle in ways that re-constitute political convulsion as the rending and repair of language as cultural fabric, or. to use terms more post-structuralist than Carlyl ean, as the process of rupture/suture in the rhetoric of temporality.3 The French Revolution, at once parodic and poetic, provisional and peremptory, announces itself as intertextual, epigraphic play, before paying tribute to the dialogic imagination in a series of dramatic and reflective periods which resonate throughout the poetry and prose of the Victorian period. In writing what Francis Jeffrey considered "undoubtedly the most poetical history the world has ever seen- and the most moral also,"4 Carlyle created an incurably reflexive idiom of astonishing modernity. And an important feature of this modernity indeed, a feature that provides a salutary reminder of the inevitably relative, historically mediated modernity of the discourse of periods earlier than our own - is the employment of countless versions of human gender to characterize and to contain the phenomenon of revolution. -
THOMAS DE QUINCY Thomas De Quincey, Confessions of an English
THOMAS DE QUINCY Thomas De Quincey, Confessions of an English Opium-Eater, ed. J.E. Jordan (London, 1960 and reprinted); or ed. A. Hayter (Penguin English Library, Harmondsworth, Middx, 1971 and reprinted); or ed. G. Lindop (World's Classics; Oxford, 1985 and reprinted). Thomas De Quincey, Recollections of the Lakes and of the Lake Poets, ed. David Wright (Penguin English Library; Harmondsworth, 1970 and re- printed); see also Paul Magnuson, 'The Lake School: Wordsworth and Coleridge' in Thomas Keymer and Jon Mee (eds), The Cambridge Com- panion to English Literature, 1740-1830 (Cambridge, 2004), pp. 227-43. Bromwich (David) (ed.), Romantic Critical Essays (Cambridge, 1987). McFarland (Thomas), Romantic Cruxes: The English Essayists and the Spirit of the Age (Oxford, 1987). Lindop (Grevel), The Opium Eater; A Life of Thomas De Quincey (Oxford, 1985). Berridge (Virginia) and Edwards (Gareth), Opium and the People; Opiate Use in Nineteenth-Century England (New Haven, 1987). Keymer (Thomas) and Mee (Jon) (eds), The Cambridge Companion to English Literature, 1740-1830 (Cambridge, 2004). Roe (Nicholas) (ed.), Romanticism; An Oxford Guide (Oxford, 2005). O'Neill (Michael) (ed.), Literature of the Romantic Period; A Bibliographical Guide (Oxford, c.1998 and reprinted). Barrell (John), The Infection of Thomas De Quincey; A Psychopathology of Imperialism (New Haven and London, 1991). Bate (Jonathan), 'The Literature of Power: Coleridge and De Quincey', in Tim Fulford and Morton Paley (eds), Coleridge's Visionary Languages: Essays in Honour of J.B. Beer (Cambridge, 1993). Beer (John), 'The Englishness of De Quincey's Ideas', in James Pipkin (ed.), English and German Romanticism; Cross-Currents and Controversies (Heidelberg, 1985), pp. -
The Carlyle Society Papers
THE CARLYLE SOCIETY SESSION 2013-2014 OCCASIONAL PAPERS 26 • Edinburgh 2013 1 2 President’s Letter 2013-14 will be a year of changes for the Carlyle Society of Edinburgh. Those of you who receive notification of meetings by email will already have had the news that, after many years, we are leaving 11 Buccleuch Place. We have enjoyed the hospitality of Lifelong Learning for decades but they, too, are moving. So we are meeting – for this year – in the seminar room on the first floor of 18 Buccleuch Place. There is one flight of stairs (I used it for decades! It’s not bad) and we will be comfortably housed there. Usual time. The Carlyle Letters are moving steadily towards the completion of the correspondence of Thomas and Jane; with Jane’s death in 1866 we will have published all the known letters between them, and we plan to tidy off the process with some papers from the months immediately following her death, and papers more recently come to light, namely volumes 43-44. The Carlyle Letters Online are also moving steadily to catch up with the published volumes. Volume 40 was celebrated with a public lecture in Autumn 2012; volume 41 will appear in printed form in about a month’s time, and the materials for volume 42 will be going to Duke in about a week’s time from when these words are written. We are grateful to the English Literature department for access to our new premises in 18 Buccleuch Place; to Andy Laycock of the University’s printing department for Herculean efforts with our annual papers; to those members who now accept their annual mailing in electronic form, a huge saving in time and money. -
The Romanticism of Dequincey
NIVERSITY OF ILLINOIS LIBRARY Book Volume mi Digitized by the Internet Archive in 2013 http://archive.org/details/romanticismofdeqOOrupp • THE ROMANTICISM OF DEQUINCEY f BY I FWTS WTI I TA"M RUPP A. B. CARTHAGE COLLEGE, 1910 THESIS Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS w IN ENGLISH IM Of THE UNIVERSITY OF ILLINOIS 1911 raw UNIVERSITY OF ILLINOIS THE GRADUATE SCHOOL 194 ( 1 HEREBY RECOMMEND THAT THE THESIS PREPARED UNDER MY SUPERVISION BY ENTITLED BE ACCEPTED AS FULFILLING THIS PART OF THE REQUIREMENTS FOR THE DEGREE OF In Charge of Major Work Head of Department Recommendation concurred in: Committee on Final Examination 1 97722 INTRODUCTION. This thesis is presented with the complete realisation that neither does it ©over adequately all the ramifications of the subject, nor does it approach in any sense an adequate treatment of the few topics that have Been selected. It will amply deserve criticise for the too apparent biographical tinge, and for the lack of that disinterested review in the light of contemporary romanticism which would lift it. more nearly into the proper sphere of the thesis. In apology the author of this paper can claim only to have followed those things which appealed to his own individual mood while reading De Quincey's works. The time required to read and to collate the entire body of essays and papers from De Quincey's pen alone, all suggestive, precluded any attention to outside criticism and comment, such as might be found in the papers of Hazlitt, Coleridge, and other contemporaries of De Quincey, or in critical estimates and biographies. -
Thomas De Quinceys Portrait of the Lake Poets
69 Thomas De Quincey’s Portrait of the Lake Poets: Individual Reality and Universal Ideal Akira Fujimaki Introduction: Pictorial versus Literary Portraits As David Piper (120) and Richard Holmes (12) concurrently mention, Washing- ton Allston, the American painter of arguably the best portrait of Samuel Taylor Coleridge (1772-1834) [Figure 1], confessed to feeling incompetent to paint the poet in 1814: So far as I can judge of my own production the likeness of Coleridge is a true one, but it is Coleridge in repose; and, though not unstirred by the perpetual ground-swell of his ever-working intellect, and shadowing forth something of the deep philosopher, it is not Coleridge in his highest mood, the poetic state, when the divine affl atus of the poet possessed him. When in that state, no face I ever saw was like his; it seemed almost spirit made visible without a shadow of the physical upon it. Could I then have fi xed it upon canvas! but it was beyond the reach of my art. (Flagg 104) Morton D. Paley, who has studied the portraits of the poet, suggests one of the 70 reasons why it is not easy to paint him: “it does seem as if Coleridge’s personal appearance could vary dramatically within short periods, and this may have been one of the effects of his opium ad- diction” (45). We have to consider other effects as well. According to Frances Blanshard, who has done thorough research on all the extant portraits of William Words- worth (1770-1850), portrait painters of these Romantic poets, under the re- maining infl uence of Sir Joshua Reyn- olds’s classicist theory of art, usually did not pursue the likeness or singu- Fig. -
Malecka, Joanna Aleksandra (2013) Between Herder and Luther
Malecka, Joanna Aleksandra (2013) Between Herder and Luther: Carlyle’s literary battles with the devil in his Jean Paul Richter Essays (1827, 1827, 1830) and in Sartor Resartus (1833-34). MPhil(R) thesis http://theses.gla.ac.uk/4343/ Copyright and moral rights for this thesis are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Glasgow Theses Service http://theses.gla.ac.uk/ [email protected] Between Herder and Luther: Carlyle’s literary battles with the devil in his Jean Paul Richter Essays (1827, 1827, 1830) and in Sartor Resartus (1833-34). A thesis presented for the degree of Master of Philosophy in the Department of Scottish Literature at the University of Glasgow, November 2012 by Joanna Aleksandra Malecka. (c) Joanna Malecka 2012 If you want to see his monument, look at this dunghill. Thomas Carlyle, Sartor Resartus1 1 Thomas Carlyle, Sartor Resartus in Sartor Resartus, Heroes and Hero Worship, Past and Present (London: Ward, Lock & Bowden) undated c1900, p. 93: ‘Si monumentum quaeris, fimetum adspice’; subsequently referred to as SR. 1 Abstract ‘Between Herder and Luther: Carlyle’s literary battles with the devil in his Jean Paul Richter essays (1827, 1827, 1830) and in Sartor Resartus (1833-34)’ examines the position allocated to the representation of the devil in Carlyle’s early religious thought. -
Alexis De Tocqueville, John Stuart Mill and Thomas Carlyle on Democracy
ALEXIS DE TOCQUEVILLE, JOHN STUART MILL AND THOMAS CARLYLE ON DEMOCRACY GEORGE HENRY WILLIAM CURRIE SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS OF THE DEGREE OF DOCTOR OF PHILOSOPHY 1 STATEMENT OF ORIGINALITY I, George Henry William Currie, confirm that the research included within this thesis is my own work or that where it has been carried out in collaboration with, or supported by others, that this is duly acknowledged below and my contribution indicated. Previously published material is also acknowledged below. I attest that I have exercised reasonable care to ensure that the work is original, and does not to the best of my knowledge break any UK law, infringe any third party’s copyright or other Intellectual Property Right, or contain any confidential material. I accept that the College has the right to use plagiarism detection software to check the electronic version of the thesis. I confirm that this thesis has not been previously submitted for the award of a degree by this or any other university. The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without the prior written consent of the author. Signature: Date: 2 ABSTRACT The aim of this thesis is to examine and compare the thought of Alexis de Tocqueville, John Stuart Mill and Thomas Carlyle on modern democracy. Throughout their works, Tocqueville, Mill and Carlyle showed a profound engagement with the phenomenon of democracy in their era. It was the crux around which their wider reflections on the period revolved. -
Hunt the Poem Geocache
Hunt the Poem Geocache This puzzle is a geocache. Geocaching is an outdoor activity in which the participants use a Global Positioning System (GPS) to seek containers (called "geocaches" or "caches"). This cache is a small waterproof lock and lock box containing a logbook and a line from the poem. This geocache is of the type that would normally be described as a multicache. A set of waypoints (co-ordinates) will lead you around some of the cemeteries of Edinburgh centre finding information about poets buried there. Once you have collected all the information, substituting the numbers collected for the letters will allow you to create the final waypoint which will lead you to the hidden cache containing a line from Elisabeth's poem. The final cache is hidden at: 55° 5A.(B-C)D(E-C) North 003° 1(F-G).(G+H)(I-G)H West In order to collect the numbers to complete the co-ordinates listed above you will need to follow the instructions below. Remember to take a pencil and paper or something else to keep a note of the numbers as you collect them. A handy table has been included at the end of these instructions. The individual parts can be done in any order; the order listed below is just a suggested route to take you around the city. Greyfriars Kirkyard A number of notable poets are interred in Greyfriars The first grave we will find is of Duncan Ban MacIntyre His grave can be found at 55° 56.848N, 003° 11.593W Directly behind this grave is a grave dedicated to William Bertram, He died aged 7 A Donnchadh Bàn Mac an t-Saoir (usually Duncan Ban MacIntyre in English) is one of the most renowned of Scottish Gaelic poets and formed an integral part of one of the golden ages of Gaelic poetry in Scotland during the 18th century.