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THOMAS DE QUINCY

Thomas De Quincey, of an English Opium-Eater, ed. J.E. Jordan (London, 1960 and reprinted); or ed. A. Hayter (, Harmondsworth, Middx, 1971 and reprinted); or ed. G. Lindop (World's Classics; Oxford, 1985 and reprinted). Thomas De Quincey, Recollections of the Lakes and of the , ed. David Wright (Penguin English Library; Harmondsworth, 1970 and re- printed); see also Paul Magnuson, 'The Lake School: Wordsworth and Coleridge' in Thomas Keymer and Jon Mee (eds), The Cambridge Com- panion to English Literature, 1740-1830 (Cambridge, 2004), pp. 227-43. Bromwich (David) (ed.), Romantic Critical (Cambridge, 1987). McFarland (Thomas), Romantic Cruxes: The English Essayists and (Oxford, 1987).

Lindop (Grevel), The Opium Eater; A Life of Thomas De Quincey (Oxford, 1985). Berridge (Virginia) and Edwards (Gareth), Opium and the People; Opiate Use in Nineteenth-Century (New Haven, 1987).

Keymer (Thomas) and Mee (Jon) (eds), The Cambridge Companion to English Literature, 1740-1830 (Cambridge, 2004). Roe (Nicholas) (ed.), ; An Oxford Guide (Oxford, 2005). O'Neill (Michael) (ed.), Literature of the Romantic Period; A Bibliographical Guide (Oxford, c.1998 and reprinted).

Barrell (John), The Infection of Thomas De Quincey; A Psychopathology of Imperialism (New Haven and London, 1991). Bate (Jonathan), 'The Literature of Power: Coleridge and De Quincey', in Tim Fulford and Morton Paley (eds), Coleridge's Visionary Languages: Essays in Honour of J.B. Beer (Cambridge, 1993). Beer (John), 'The Englishness of De Quincey's Ideas', in James Pipkin (ed.), English and ; Cross-Currents and Controversies (Heidelberg, 1985), pp. 323-47. Beer (J.B.), 'De Quincey and the Dark Sublime: The Wordsworth-Coleridge Ethos', in Robert Lance Snyder (ed.), Thomas De Quincey; Bicentenary Studies (London, 1985), reprinted in his Romantic Consciousness; Blake to (Houndmills, 2003). Bourke (Richard), 'De Quincey's Pure Practice of Sublimity', in his Romantic Discourse and Political Modernity; Wordsworth, The Intellectual and Cultural Critique (Hemel Hempstead, 1993), pp. 202-20. Clej (Alina), A Genealogy of the Modern Self; Thomas De Quincey and the 2 Intoxication of Writing (Stanford, Cal., 1995). Copley (Stephen) and John Whale (eds), Beyond Romanticism; New Ap- proaches to Texts and Contexts, 1780-1832 (London, 1992). Devlin (D.D.), De Quincey, Wordsworth and the Art of Prose (London, 1983), esp. Chap. 4: 'Power and Knowledge'. Eagleton (Terry), The Ideology of the Aesthetic (Oxford, 1990). Fulford (Tim), Romanticism and Masculinity; Gender Politics and Poetics in the Writings of Burke, Coleridge, Cobbett, Wordsworth, De Quincey, and Hazlitt (New York, 1999). Goldman (Albert), The Mine and the Mint; Sources for the Writings of Thomas De Quincy (Carbondale, Ill., 1965). Hayden (John O.), 'De Quincey's Confessions and the Reviewers', Wordsworth Circle, 6 (1975), 273-79. Hayter (Alethea), Opium and the Romantic Imagination (London, 1968). Jordan (John E.), De Quincey to Wordsworth; A Biography of a Relationship, With the Letters of Thomas De Quincey to the Wordsworth Family (Berkeley, 1962). Kearns (Sheila M.), Coleridge, Wordsworth, and Romantic Autobiography; Reading Strategies of Self-Representation (Madison, N.J., 1995). Kermode (Frank), The Sense of an Ending; Studies in the Theory of Fiction (Oxford, 1966). Leask (Nigel), 'Towards a Universal Aesthetic: De Quincey on Murder as Carnival and Tragedy', in John Beer (ed.), Questioning Romanticism (Baltimore, Md, 1995), 92-120. Luca (V.A.), Thomas De Quincy; The Prose of Vision (Toronto, 1980). McDonagh (Josephine), De Quincey's Disciplines (Oxford, 1994). Miller (J. Hillis), The Disappearance of God; Five Nineteenth-Century Writers (Cambridge, Mass., 1963). Russett (Margaret), De Quincey's Romanticism; Canonical Minority and the Forms of Transmission (Cambridge, 1997). Rzepka (Charles), Sacramental Commodities; Gift, Text, and the Sublime in De Quincey (Amherst, Mass., 1995). Whale (J.C.), 'De Quincey's Anarchic Moments', Essays in Criticism, XXXIII (1983), 273-93.

J.H. Prynne, July 2006

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