Hunt the Poem Geocache
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Durham Research Online
CORE Metadata, citation and similar papers at core.ac.uk Provided by Durham Research Online Durham Research Online Deposited in DRO: 25 June 2008 Version of attached file: Published Version Peer-review status of attached file: Peer-reviewed Citation for published item: Eddy, M. D. (2003) ’The University of Edinburgh natural history class lists 1782-1800.’, Archives of natural history., 30 (1). pp. 97-117. Further information on publisher’s website: http://www.shnh.org Publisher’s copyright statement: Additional information: The Archives of Natural History is published by the Society for the History of Natural History. Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-profit purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in DRO • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full DRO policy for further details. Durham University Library, Stockton Road, Durham DH1 3LY, United Kingdom Tel : +44 (0)191 334 3042 — Fax : +44 (0)191 334 2971 http://dro.dur.ac.uk Archives of natural history 30 (1): 97–117. 2003. © M. D. Eddy 2003 The University of Edinburgh natural history class lists 1782–1800 M. D. EDDY University of Durham, Department of Philosophy, Durham, DH1 3JP. ABSTRACT: In 1779 Revd Dr John Walker was appointed to be the University of Edinburgh’s Professor of Natural History. -
Thomas De Quincey
Thomas De Quincey: An Inventory of His Collection at the Harry Ransom Center Descriptive Summary Creator: De Quincey, Thomas, 1785-1859 Title: Thomas De Quincey Collection Dates: 1820-1851, undated Extent: 1 box (.21 linear feet) Abstract: Includes manuscripts and letters by the English essayist Thomas De Quincey, chiefly the extensively corrected and revised proofs for The Logic of Political Economy (1844) and 10 outgoing letters, including one written to Robert Southey. Call Number: Manuscript Collection MS-1132 Language: English Access: Open for research Administrative Information Processed by: Joan Sibley and Sara Saastamoinen, 2013 Note: This finding aid replicates and replaces information previously available only in a card catalog. Please see the explanatory note at the end of this finding aid for information regarding the arrangement of the manuscripts as well as the abbreviations commonly used in descriptions. Repository: The University of Texas at Austin, Harry Ransom Center De Quincey, Thomas, 1785-1859 Manuscript Collection MS-1132 2 De Quincey, Thomas, 1785-1859 Manuscript Collection MS-1132 Works: Untitled note on political economy/ Now I think that Mr. Fell..., handwritten Container manuscript/ incomplete, 4 pages, undated. 1.1 Cause of the novel's decline, handwritten manuscript with corrections, 2 pages, undated. The logic of political economy, bound page proofs with handwritten corrections and extensive revisions by De Quincey, some pasted on, and with printer's and Container publisher's notes and markings, 283 pages on 154 leaves, 6 November 1843. Two 1.2 sets of signature B are present. Lord Carlisle on Pope, handwritten manuscript/ draft fragment with revisions, 2 pages, undated. -
John W. Bilsland De Quincey's Opium Experiences As Every Reader of The
john W. Bilsland De Quincey's Opium Experiences As every reader of the Confessions of an English Opium-Eater knows, Thomas De Quincey made usc of opium throughout the whole of his adult life. As a student with a toothache he bought his first bottle of laudanum on a rainy Sunday afternoon in 1804, at a chemist's in Oxford Street. He returned to his lodgings, and there took the prescribed dose: ... in an hour, 0 heavens! what a revulsion! what a resurrection, from its lowest depths, of the inner spirit! what an apocalypse of the world within me! that my pains had vanished was now a trifle in my eyes; this negative effect was swallowed up in the immensity of those positive effects which had opened before me, in the abyss of divine enjoyment thus suddenly revealed. Here was a panacea ... for all human woes; here was the secret of happiness, about which philosophers had disputed for so many ages, at once discovered; happiness might now be bought for a penny, and carried in the waistcoat pocket; portable ecstasies might be had corked up in a pint-bottle; and peace of mind would be sent down by mail.1 More than half a century later he was to write to James Hogg, "I have been very ill (- all for want of laudanum) through 36 hours. But tomorrow morning I will put all to rights ...." 2 Between the dates of these two passages - one surging with the first delights of the drug, the other bleakly suggestive of the later effects - lies the history of an addict. -
Artymiuk, Anne
UHI Thesis - pdf download summary Today's No Ground to Stand Upon A Study of the Life and Poetry of George Campbell Hay Artymiuk, Anne DOCTOR OF PHILOSOPHY (AWARDED BY OU/ABERDEEN) Award date: 2019 Awarding institution: The University of Edinburgh Link URL to thesis in UHI Research Database General rights and useage policy Copyright,IP and moral rights for the publications made accessible in the UHI Research Database are retained by the author, users must recognise and abide by the legal requirements associated with these rights. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement, or without prior permission from the author. Users may download and print one copy of any thesis from the UHI Research Database for the not-for-profit purpose of private study or research on the condition that: 1) The full text is not changed in any way 2) If citing, a bibliographic link is made to the metadata record on the the UHI Research Database 3) You may not further distribute the material or use it for any profit-making activity or commercial gain 4) You may freely distribute the URL identifying the publication in the UHI Research Database Take down policy If you believe that any data within this document represents a breach of copyright, confidence or data protection please contact us at [email protected] providing details; we will remove access to the work immediately and investigate your claim. Download date: 29. Sep. 2021 ‘Today’s No Ground to Stand Upon’: a Study of the Life and Poetry of George Campbell Hay Anne Artymiuk M.A. -
The Literary and Historical Origins of the Burns Myth
, A. M. Kinghorn THE LITERARY AND HISTORICAL ORIGINS OF THE BURNS MYTH ON JANUARY 25, 1959, we arrived at the two hundredth birthday of Robert Burns, whose literary life-span has far exceeded his own modest expectations. In his own time he sought fame as a poet and writer of Scottish songs for reasons partly per sonal and partly patriotic, and the story of his brief appearance in the Edinburgh limelight is well-known. In our own age the name of Burns is still a familiar one throughout the civilized world, and his songs have been rendered into more than a score of foreign languages, including Afrikaans, Hebrew, Hindustani and, let it be added, English. We occasionally hear of an unrewarding comparison being made between Burns and Shakespeare, sometimes to the disadvantage of the latter, and making the point that Burns is supreme among the poets as a symbol of national character. In the words of the late Edwin Muir, Burns "is a myth evolved by the popular imagination, a communal poetic creation. He is a Protean figure; we can all shape him to our own likeness, for a myth is endlessly adaptable."1 This is why people all over the world celebrate "Burns Nicht" on January 25 and not "Byron Night" on January 22, "Poe Nite" on January 19 or "Schiller Nacht" (in 1959 another two-hundredth anniversary) on November 10. I think that Burns himself would be surprised to know that his name is still a familiar one, even though the reasons for this survival have generally but a remote connection with poetry as artifact. -
Hugh Macdiarmid and Sorley Maclean: Modern Makars, Men of Letters
Hugh MacDiarmid and Sorley MacLean: Modern Makars, Men of Letters by Susan Ruth Wilson B.A., University of Toronto, 1986 M.A., University of Victoria, 1994 A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY in the Department of English © Susan Ruth Wilson, 2007 University of Victoria All rights reserved. This dissertation may not be reproduced in whole or in part, by photo-copying or other means, without the permission of the author. ii Supervisory Committee Dr. Iain Higgins_(English)__________________________________________ _ Supervisor Dr. Tom Cleary_(English)____________________________________________ Departmental Member Dr. Eric Miller__(English)__________________________________________ __ Departmental Member Dr. Paul Wood_ (History)________________________________________ ____ Outside Member Dr. Ann Dooley_ (Celtic Studies) __________________________________ External Examiner ABSTRACT This dissertation, Hugh MacDiarmid and Sorley MacLean: Modern Makars, Men of Letters, transcribes and annotates 76 letters (65 hitherto unpublished), between MacDiarmid and MacLean. Four additional letters written by MacDiarmid’s second wife, Valda Grieve, to Sorley MacLean have also been included as they shed further light on the relationship which evolved between the two poets over the course of almost fifty years of friendship. These letters from Valda were archived with the unpublished correspondence from MacDiarmid which the Gaelic poet preserved. The critical introduction to the letters examines the significance of these poets’ literary collaboration in relation to the Scottish Renaissance and the Gaelic Literary Revival in Scotland, both movements following Ezra Pound’s Modernist maxim, “Make it new.” The first chapter, “Forging a Friendship”, situates the development of the men’s relationship in iii terms of each writer’s literary career, MacDiarmid already having achieved fame through his early lyrics and with the 1926 publication of A Drunk Man Looks at the Thistle when they first met. -
Location and Destination in Alasdair Mac Mhaigshstir Alasdair's 'The
Riach, A. (2019) Location and destination in Alasdair mac Mhaigshstir Alasdair’s ‘The Birlinn of Clanranald’. In: Szuba, M. and Wolfreys, J. (eds.) The Poetics of Space and Place in Scottish Literature. Series: Geocriticism and spatial literary studies. Palgrave Macmillan: Cham, pp. 17-30. ISBN 9783030126445. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/188312/ Deposited on: 13 June 2019 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Location and Destination in Alasdair mac Mhaigshstir Alasdair’s ‘The Birlinn of Clanranald’ Alan Riach FROM THE POETICS OF SPACE AND PLACE IN SCOTTISH LITERATURE, MONIKA SZUBA AND JULIEN WOLFREYS, EDS., (CHAM, SWITZERLAND: PALGRAVE MACMILLAN, 2019), PP.17-30 ‘THE BIRLINN OF CLANRANALD’ is a poem which describes a working ship, a birlinn or galley, its component parts, mast, sail, tiller, rudder, oars and the cabes (or oar-clasps, wooden pommels secured to the gunwale) they rest in, the ropes that connect sail to cleats or belaying pins, and so on, and the sixteen crewmen, each with their appointed role and place; and it describes their mutual working together, rowing, and then sailing out to sea, from the Hebrides in the west of Scotland, from South Uist to the Sound of Islay, then over to Carrickfergus in Ireland. The last third of the poem is an astonishing, terrifying, exhilarating description of the men and the ship in a terrible storm that blows up, threatening to destroy them, and which they pass through, only just making it to safe harbour, mooring and shelter. -
The Daniel Wilson Scrapbook
The Daniel Wilson Scrapbook Illustrations of Edinburgh and other material collected by Sir Daniel Wilson, some of which he used in his Memorials of Edinburgh in the olden time (Edin., 1847). The following list gives possible sources for the items; some prints were published individually as well as appearing as part of larger works. References are also given to their use in Memorials. Quick-links within this list: Box I Box II Box III Abbreviations and notes Arnot: Hugo Arnot, The History of Edinburgh (1788). Bann. Club: Bannatyne Club. Beattie, Caledonia illustrated: W. Beattie, Caledonia illustrated in a series of views [ca. 1840]. Beauties of Scotland: R. Forsyth, The Beauties of Scotland (1805-8). Billings: R.W. Billings, The Baronial and ecclesiastical Antiquities of Scotland (1845-52). Black (1843): Black’s Picturesque tourist of Scotland (1843). Black (1859): Black’s Picturesque tourist of Scotland (1859). Edinburgh and Mid-Lothian (1838). Drawings by W.B. Scott, engraved by R. Scott. Some of the engravings are dated 1839. Edinburgh delineated (1832). Engravings by W.H. Lizars, mostly after drawings by J. Ewbank. They are in two series, each containing 25 numbered prints. See also Picturesque Views. Geikie, Etchings: Walter Geikie, Etchings illustrative of Scottish character and scenery, new edn [1842?]. Gibson, Select Views: Patrick Gibson, Select Views in Edinburgh (1818). Grose, Antiquities: Francis Grose, The Antiquities of Scotland (1797). Hearne, Antiquities: T. Hearne, Antiquities of Great Britain illustrated in views of monasteries, castles and churches now existing (1807). Heriot’s Hospital: Historical and descriptive account of George Heriot’s Hospital. With engravings by J. -
Download Northwords Now to an E-Reader
The FREE literary magazine of the North Northwords Now Issue 29, Spring 2015 What Do We Think We Are? Robert Davidson on Writing, Territory and Identity New fiction and poetry including Robin Fulton Macpherson, Regi Claire, Pàdraig MacAoidh, Lesley Harrison and Hugh McMillan Interviews and Reviews including Christopher Brookmyre, Ian Stephen and Michel Faber EDITORIAL Contents Changing Times 3 The Morning After: Interview with Christopher Brookmyre his is the last issue of Northwords Now in its current form. At the time of writing this editorial I am waiting to hear from 4 Poems by Eileen Carney Hulme, William Bonar, Catherine Wylie, Tour principal financial partners, Creative Scotland and Bòrd na Anna Danskin, Stuart A. Paterson, & Kate Hendry Gàidhlig, about applications for funding for 2015/16. I am confident the news will be good but even if our applications are successful some 5 Marta’s Last Wish – Short Story by Regi Claire changes need to be made. Northwords Now will now be published just twice a year - in March 5 Poems by Stephen Keeler and September. This means that, at a time of acute financial pressure, we can save money on printing and distribution costs. However the 6 What Do You Think You Are? – Essay by Robert Davidson impact on writers and readers will not, I hope, be felt too keenly. The magazine will grow in size from 24 to 32 pages per issue. In other words 8 Imprint – Short Story by Mairi Sutherland we will publish almost the same amount of fiction, poetry, articles and reviews. Importantly, Northwords Now, will also remain free to its readers, 9 Poems by Andy Allan, Frances Robson, Coinneach Lindsay, whether online or on good, old fashioned paper. -
Roberts, Frederick Sleigh, Lord Roberts of Kandahar (1832-1914)
Roberts, Frederick Sleigh, Lord Roberts of Kandahar (1832-1914). Autograph Letter Signed, 18 February 1896. E 2009.12 Field Marshal Roberts was one of the great military figures in the British Empire of the late Victorian period, who did heroic service in the Indian Mutiny and achieved victories in the imperial wars in Afghanistan and South Africa. At the height of his fame, he was asked to stand as the Liberal Unionist candidate for the Lord Rectorship of Edinburgh University. In this letter he declines the offer on the grounds that it would not be suitable for a high-ranking officer like him to engage in an electoral contest. Good, William. The Measurer’s and Tradesman’s Assistant. Edinburgh: Printed for William Creech, 1788. RB.S.221 This guide for Edinburgh tradesmen gives a valuable insight into trade practices and prices in the city in the 18th century. This is an excellent copy of the reissue of this important Edinburgh-related work, first published in 1775. It gives guidelines for measurements in Scotland and particularly in Edinburgh, including details of “ordinary prices of masons, wrights, glasiers, slaters, and painters work”. This copy was used by one George Murdoch in the early 19th century, who has included five pages of manuscript annotations. Thomas Campbell, autograph letter signed, 22 February 1834. E 2009.18 The poet Thomas Campbell (1777-1844) had achieved much social and academic recognition by 1834, and had been Rector of Glasgow University. However, it had not been known that he sought the chair of Rhetoric and Belles Lettres at Edinburgh University, which ambition is revealed in this letter to Francis Jeffrey, the Lord Advocate. -
THOMAS DE QUINCY Thomas De Quincey, Confessions of an English
THOMAS DE QUINCY Thomas De Quincey, Confessions of an English Opium-Eater, ed. J.E. Jordan (London, 1960 and reprinted); or ed. A. Hayter (Penguin English Library, Harmondsworth, Middx, 1971 and reprinted); or ed. G. Lindop (World's Classics; Oxford, 1985 and reprinted). Thomas De Quincey, Recollections of the Lakes and of the Lake Poets, ed. David Wright (Penguin English Library; Harmondsworth, 1970 and re- printed); see also Paul Magnuson, 'The Lake School: Wordsworth and Coleridge' in Thomas Keymer and Jon Mee (eds), The Cambridge Com- panion to English Literature, 1740-1830 (Cambridge, 2004), pp. 227-43. Bromwich (David) (ed.), Romantic Critical Essays (Cambridge, 1987). McFarland (Thomas), Romantic Cruxes: The English Essayists and the Spirit of the Age (Oxford, 1987). Lindop (Grevel), The Opium Eater; A Life of Thomas De Quincey (Oxford, 1985). Berridge (Virginia) and Edwards (Gareth), Opium and the People; Opiate Use in Nineteenth-Century England (New Haven, 1987). Keymer (Thomas) and Mee (Jon) (eds), The Cambridge Companion to English Literature, 1740-1830 (Cambridge, 2004). Roe (Nicholas) (ed.), Romanticism; An Oxford Guide (Oxford, 2005). O'Neill (Michael) (ed.), Literature of the Romantic Period; A Bibliographical Guide (Oxford, c.1998 and reprinted). Barrell (John), The Infection of Thomas De Quincey; A Psychopathology of Imperialism (New Haven and London, 1991). Bate (Jonathan), 'The Literature of Power: Coleridge and De Quincey', in Tim Fulford and Morton Paley (eds), Coleridge's Visionary Languages: Essays in Honour of J.B. Beer (Cambridge, 1993). Beer (John), 'The Englishness of De Quincey's Ideas', in James Pipkin (ed.), English and German Romanticism; Cross-Currents and Controversies (Heidelberg, 1985), pp. -
Reconstruction of a Gaelic World in the Work of Neil M. Gunn and Hugh Macdiarmid
Paterson, Fiona E. (2020) ‘The Gael Will Come Again’: Reconstruction of a Gaelic world in the work of Neil M. Gunn and Hugh MacDiarmid. MPhil(R) thesis. http://theses.gla.ac.uk/81487/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] ‘The Gael Will Come Again’: Reconstruction of a Gaelic world in the work of Neil M. Gunn and Hugh MacDiarmid Fiona E. Paterson M.A. (Hons) Submitted in fulfilment of the requirements for the Degree of Master of Philosophy in Scottish Literature School of Critical Studies College of Arts University of Glasgow June 2020 Abstract Neil Gunn and Hugh MacDiarmid are popularly linked with regards to the Scottish Literary Renaissance, the nation’s contribution to international modernism, in which they were integral figures. Beyond that, they are broadly considered to have followed different creative paths, Gunn deemed the ‘Highland novelist’ and MacDiarmid the extremist political poet. This thesis presents the argument that whilst their methods and priorities often differed dramatically, the reconstruction of a Gaelic world - the ‘Gaelic Idea’ - was a focus in which the writers shared a similar degree of commitment and similar priorities.