Larry Chance and the Earls Concert Schedule
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Ratner Kills Mr
Brooklyn’s Real Newspaper BrooklynPaper.com • (718) 834–9350 • Brooklyn, NY • ©2008 BROOKLYN HEIGHTS–DOWNTOWN–NORTH BROOKLYN AWP/18 pages • Vol. 31, No. 8/9 • Feb. 23/March 1, 2008 • FREE INCLUDING CARROLL GARDENS, COBBLE HILL, BOERUM HILL, DUMBO, WILLIAMSBURG AND GREENPOINT RATNER KILLS MR. BROOKLYN By Gersh Kuntzman EXCLUSIVE right now,” said Yassky (D– The Brooklyn Paper Brooklyn Heights). “Look, a lot of developers are re-evalut- Developer Bruce Ratner costs had escalated and the num- ing their numbers and feel that has pulled out of a deal with bers showed that we should residential buildings don’t City Tech that could have net not go down that road,” added work right now,” he said. him hundreds of millions of the executive, who did not wish Yassky called Ratner’s dollars and allowed him to to be identified. withdrawal “good news” for build the city’s tallest resi- Costs had indeed escalated. Brooklyn. dential tower, the so-called In 2005, CUNY agreed to pay “A residential building at Mr. Brooklyn, The Brooklyn Ratner $86 million to build the that corner was an awkward Paper has learned. 11- to 14-story classroom-dor- fit,” said Yassky. “A lot of plan- “It was a mutual decision,” mitory and also to hand over ners see that site as ideal for a said a key executive at the City the lucrative development site significant office building.” University of New York, which where City Tech’s Klitgord Forest City Ratner did not would have paid Ratner $300 Auditorium now sits. return two messages from The million to build a new dorm Then in December, CUNY Brooklyn Paper. -
Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS FEBRUARY 24, 2020 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE [email protected] It’s Sam Hunt, Country Radio Seminar: An Older Folks >page 4 Medium Looks For Youthful Passion Positive Thoughts From CRS Mickey Guyton has yet to earn a hit record, but she still reaches the masses, remaining the most-listened-to media, >page 10 commandeered a standing ovation from broadcasters with a but the actual time spent listening is dwindling, and 18- to new song that was widely regarded as the stand-out musical 34-year-old country fans now devote more time to streaming moment of Country Radio Seminar. in an average week than they do to traditional broadcast radio. Was it a breakthrough moment? That can only be assessed by Additionally, programmers’ beliefs about the audience have not A Drink And A Nod programmers’ responses in the weeks and months ahead, but it kept up with changes in the playing field, or even their customers’ To Warner subtly pointed to radio’s current challenge: Do broadcasters play definition of radio. >page 11 it safe in a crowded media field? Or do they take a chance on a Younger listeners no longer view radio as a place that transmits talented artist who took her own risk on a song music from a tower, researcher Mark Ramsey that has the potential to change a listener’s life? said while unveiling a study of how consumers’ Guyton belted a gut-wrenching piano ballad, perceptions of broadcasting differ with PDs’ Big Machine’s New “What Are You Gonna Tell Her,” during the expectations. -
Program of the 75Th Anniversary Meeting
PROGRAM OF THE 75 TH ANNIVERSARY MEETING April 14−April 18, 2010 St. Louis, Missouri THE ANNUAL MEETING of the Society for American Archaeology provides a forum for the dissemination of knowledge and discussion. The views expressed at the sessions are solely those of the speakers and the Society does not endorse, approve, or censor them. Descriptions of events and titles are those of the organizers, not the Society. Program of the 75th Anniversary Meeting Published by the Society for American Archaeology 900 Second Street NE, Suite 12 Washington DC 20002-3560 USA Tel: +1 202/789-8200 Fax: +1 202/789-0284 Email: [email protected] WWW: http://www.saa.org Copyright © 2010 Society for American Archaeology. All rights reserved. No part of this publication may be reprinted in any form or by any means without prior permission from the publisher. Program of the 75th Anniversary Meeting 3 Contents 4............... Awards Presentation & Annual Business Meeting Agenda 5……….….2010 Award Recipients 10.................Maps of the America’s Center 12 ................Maps of Renaissance Grand St. Louis 14 ................Meeting Organizers, SAA Board of Directors, & SAA Staff 15 .............. General Information 18. ............. Featured Sessions 20 .............. Summary Schedule 25 .............. A Word about the Sessions 27............... Program 161................SAA Awards, Scholarships, & Fellowships 167............... Presidents of SAA . 168............... Annual Meeting Sites 169............... Exhibit Map 170................Exhibitor Directory 180................SAA Committees and Task Forces 184………….Index of participants 4 Program of the 75th Anniversary Meeting Awards Presentation & Annual Business Meeting America’s Center APRIL 16, 2010 5 PM Call to Order Call for Approval of Minutes of the 2009 Annual Business Meeting Remarks President Margaret W. -
Het Verhaal Van De 340 Songs Inhoud
Philippe Margotin en Jean-Michel Guesdon Rollingthe Stones compleet HET VERHAAL VAN DE 340 SONGS INHOUD 6 _ Voorwoord 8 _ De geboorte van een band 13 _ Ian Stewart, de zesde Stone 14 _ Come On / I Want To Be Loved 18 _ Andrew Loog Oldham, uitvinder van The Rolling Stones 20 _ I Wanna Be Your Man / Stoned EP DATUM UITGEBRACHT ALBUM Verenigd Koninkrijk : Down The Road Apiece ALBUM DATUM UITGEBRACHT 10 januari 1964 EP Everybody Needs Somebody To Love Under The Boardwalk DATUM UITGEBRACHT Verenigd Koninkrijk : (er zijn ook andere data, zoals DATUM UITGEBRACHT Verenigd Koninkrijk : 17 april 1964 16, 17 of 18 januari genoemd Verenigd Koninkrijk : Down Home Girl I Can’t Be Satisfi ed 15 januari 1965 Label Decca als datum van uitbrengen) 14 augustus 1964 You Can’t Catch Me Pain In My Heart Label Decca REF : LK 4605 Label Decca Label Decca Time Is On My Side Off The Hook REF : LK 4661 12 weken op nummer 1 REF : DFE 8560 REF : DFE 8590 10 weken op nummer 1 What A Shame Susie Q Grown Up Wrong TH TH TH ROING (Get Your Kicks On) Route 66 FIVE I Just Want To Make Love To You Honest I Do ROING ROING I Need You Baby (Mona) Now I’ve Got A Witness (Like Uncle Phil And Uncle Gene) Little By Little H ROLLIN TONS NOW VRNIGD TATEN EBRUARI 965) I’m A King Bee Everybody Needs Somebody To Love / Down Home Girl / You Can’t Catch Me / Heart Of Stone / What A Shame / I Need You Baby (Mona) / Down The Road Carol Apiece / Off The Hook / Pain In My Heart / Oh Baby (We Got A Good Thing SONS Tell Me (You’re Coming Back) If You Need Me Goin’) / Little Red Rooster / Surprise, Surprise. -
Skyline Orchestras
PRESENTS… SKYLINE Thank you for joining us at our showcase this evening. Tonight, you’ll be viewing the band Skyline, led by Ross Kash. Skyline has been performing successfully in the wedding industry for over 10 years. Their experience and professionalism will ensure a great party and a memorable occasion for you and your guests. In addition to the music you’ll be hearing tonight, we’ve supplied a song playlist for your convenience. The list is just a part of what the band has done at prior affairs. If you don’t see your favorite songs listed, please ask. Every concern and detail for your musical tastes will be held in the highest regard. Please inquire regarding the many options available. Skyline Members: • VOCALS AND MASTER OF CEREMONIES…………………………..…….…ROSS KASH • VOCALS……..……………………….……………………………….….BRIDGET SCHLEIER • VOCALS AND KEYBOARDS..………….…………………….……VINCENT FONTANETTA • GUITAR………………………………….………………………………..…….JOHN HERRITT • SAXOPHONE AND FLUTE……………………..…………..………………DAN GIACOMINI • DRUMS, PERCUSSION AND VOCALS……………………………….…JOEY ANDERSON • BASS GUITAR, VOCALS AND UKULELE………………….……….………TOM MCGUIRE • TRUMPET…….………………………………………………………LEE SCHAARSCHMIDT • TROMBONE……………………………………………………………………..TIM CASSERA • ALTO SAX AND CLARINET………………………………………..ANTHONY POMPPNION www.skylineorchestras.com (631) 277 – 7777 DANCE: 24K — BRUNO MARS A LITTLE PARTY NEVER KILLED NOBODY — FERGIE A SKY FULL OF STARS — COLD PLAY LONELY BOY — BLACK KEYS AIN’T IT FUN — PARAMORE LOVE AND MEMORIES — O.A.R. ALL ABOUT THAT BASS — MEGHAN TRAINOR LOVE ON TOP — BEYONCE BAD ROMANCE — LADY GAGA MANGO TREE — ZAC BROWN BAND BANG BANG — JESSIE J, ARIANA GRANDE & NIKKI MARRY YOU — BRUNO MARS MINAJ MOVES LIKE JAGGER — MAROON 5 BE MY FOREVER — CHRISTINA PERRI FT. ED SHEERAN MR. SAXOBEAT — ALEXANDRA STAN BEST DAY OF MY LIFE — AMERICAN AUTHORS NO EXCUSES — MEGHAN TRAINOR BETTER PLACE — RACHEL PLATTEN NOTHING HOLDING ME BACK — SHAWN MENDES BLOW — KE$HA ON THE FLOOR — J. -
Neil Diamond Hot August Night Full Album Download Neil Diamond Hot August Night Full Album Download
neil diamond hot august night full album download Neil diamond hot august night full album download. Artist: Neil Diamond Album: Hot August Night Released: 2016 Style: Pop Rock. Format: MP3 320Kbps. CD1: 01 – Prologue 02 – Crunchy Granola Suite 03 – Done Too Soon 04 – Dialogue 05 – Solitary Man 06 – Cherry Cherry 07 – Sweet Caroline 08 – Porcupine Pie 09 – You’re So Sweet 10 – Red Red Wine 11 – Soggy Pretzels 12 – Gitchy Goomy 13 – And The Grass Won’t Pay No Mind 14 – I Think It’s Going To Rain Today 15 – Shilo 16 – Modern Day Version Of Love 17 – Girl You’ll Be A Woman Soon 18 – Walk On Water 19 – Kentucky Woman 20 – Stones 21 – Musician Intros. CD2: 01 – Play Me 02 – Canta Libre 03 – Morningside 04 – Song Sung Blue 05 – Cracklin’ Rosie 06 – Holly Holy 07 – I Am…I Said 08 – SoolaimonBrother Love’s Travelling Salvation Show. Hot August Night. This is the ultimate Neil Diamond record. Not necessarily the best -- he's at his most appealing crafting in the studio -- but certainly the ultimate, capturing all the kitsch and glitz of Neil Diamond, the showman. And that also means that it's not just loaded with flair, but with filler, songs like "Porcupine Pie," "Soggy Pretzels," and "And the Grass Won't Pay No Mind" -- attempts to write grand, sweeping epics that collapse under their own weight. Still, that's part of the charm of Diamond and while it can sound unbearable on studio albums, it makes some sense here, surrounded by his pomp and circumstance. That spectacle is the great thing about the record, since it inflates not just his great songs, it gives the weaker moments character. -
Aftershocks Rock Nepal As Quake Toll Tops 2,500
SUBSCRIPTION MONDAY, APRIL 27, 2015 RAJJAB 8, 1436 AH www.kuwaittimes.net Turkey seeks Violence mars Sweets, soup Kipchoge to boost trade Baltimore vanish as Pak adds London cooperation protest over aims for halal Marathon title with Kuwait custody death export14 boost to18 collection 2Aftershocks9 rock Nepal Min 21º Max 36º as quake toll tops 2,500 High Tide 07:20 & 17:45 Amir expresses sorrow over casualties Low Tide 00:10 & 12:35 40 PAGES NO: 16503 150 FILS KATHMANDU/KUWAIT: Powerful aftershocks rocked Nafisi acquitted, Nepal yesterday, panicking survivors of a quake that killed more than 2,500 and triggering new avalanches at Everest base camp, as mass cremations were held in Saudi embassy the devastated capital Kathmandu. Terrified residents, many forced to camp out in the capital after Saturday’s sues MP Dashti 7.8-magnitude quake reduced buildings to rubble, were jolted by a 6.7-magnitude aftershock that compounded By B Izzak the worst disaster to hit the impoverished Himalayan nation in more than 80 years. KUWAIT: In a series of court decisions, the court of At overstretched hospitals, where medics were also cassation yesterday upheld the acquittal of Islamist treating patients in hastily erected tents, staff were academic and activist Abdullah Al-Nafisi from forced to flee buildings for fear of further collapses. charges of insulting Shiites. Nafisi, a former MP, was “Electricity has been cut off, communication systems charged with insulting Shiites under the national uni- are congested and hospitals are crowded and are run- ty law, which stipulates several years of imprison- ning out of room for storing dead bodies,” Oxfam ment for those convicted. -
Larry Chance & the Earls Provide Crowd-Pleasing Doo-Wop Harmony
Larry Chance & The Earls provide crowd-pleasing doo-wop harmony Bill Herald Oldies Pop Music Examiner REVIEWED: Larry Chance and The Earls DATE: February 16, 2012 VENUE: Broadway Palm Dinner Theater, Fort Myers, Fla. When Larry Chance & The Earls took the stage, a sellout dinner-theater crowd soon found that "E" represented both the group's name and Entertainment with a capital E. The program featured a steady stream of flawless harmony, stage presence and crowd-pleasing vitality, reflecting Larry's comedic talents and obvious devotion to his fans. The show opened with one of The Earls' first recordings, an excellent doo-wop rendition of "Life Is But A Dream" from 1961. The group demonstrated its versatility on two numbers, the first being "Never", the follow-up to its most-recognized hit "Remember Then." And after a rendition of "Never" that sounded much like the 1963 recording, The Earls sang the same song in a slow, effective ballad style approximating the tempo of The Classics' 1963 version of "Till Then." The versatility came to the forefront when the group performed the Ritchie Valens classic song "Donna." For that number, Chance became drummer while percussionist Bobby Tribuzio handled keyboards. Meanwhile, keyboardist Vitto Garcia switched to guitar and Chuck Mearizo became lead vocalist. Audience interaction was prominent throughout. Chance chose two crowd members to come onstage to sing backup on "Don't You Just Know It." On subsequent numbers -- "Banana Boat (Day-O)" and the Lloyd Price classic "Personality" -- he had the crowd hand-clapping and repeating some of the lyrics. Four theatergoers were summoned as backup singers on "Charlie Brown" after which Chance strolled among the dinner tables, giving high-5s to fans and selecting random individuals sing the phrase "Why's everybody always picking on me?" When presenting a pair of Tom Jones' hits -- "It's Not Unusual" and "I (Who Have Nothing)" -- Larry delivered powerful vocals and likely sang those songs as well as anyone except, perhaps, Jones himself. -
Family Recalls DWI Tragedy Cops Eye Drug Dealers
THIS WEEK IN CROOKED JUDGE COPS PLEA FOR 3-TO-9 IN BRIBE CASE: P.3 COOL BITES Chill out with these ceviche concoctions WWW Our neighborhood’s independent voice .BROOKLYN INSIDE Published weekly by PAPERS Brooklyn Paper Publications Inc, .COM 26 Court St., Brooklyn 11242 Phone 718-834-9350 AD fax 718-834-1713 • N EWS fax 718-834-9278 © 2002 Brooklyn Paper Publications • 16 pages Cops eye drug dealers including 4 pages GO BROOKLYN • Vol. 25, No. 31 BRG • August 12, 2002 68th Pct, Narcotics respond to Dahlgren Place complaints • FREE By Heather J. Wilson The Brooklyn Papers Police are keeping a close eye according to the commanding offi- on the streets near the northern cer of the 68th Precinct, Deputy Inspector Matthew Pontillo. Pontillo said, police have not discov- edge of the Fort Hamilton Army ered anything out-of-the-ordinary. Base after residents complained of Pontillo said both the 68th Precinct Pontillo could not say whether the and Brooklyn South Narcotics have “Some of this could just be that local drug dealing youths in the vicinity youths are displaced,” Pontillo said. “It’s narcotics team from Brooklyn South been patrolling the area, which is near was conducting an undercover inves- of Dahlgren Place and 90th Street a private-home area, very residential, at a July 31 neighborhood meeting, Victory Memorial Hospital and the tigation. Brooklyn South Narcotics Dyker Beach Golf Course, since the but very safe. We had a meeting last refused to comment on the matter. complaints came in last week. So far, week with the community and Council- Pontillo, however, cautioned that the man [Marty] Golden and since they re- worries are not baseless. -
The Influence of Latin Music in Postwar New York City Overview
THE INFLUENCE OF LATIN MUSIC IN POSTWAR NEW YORK CITY OVERVIEW ESSENTIAL QUESTION How did the growth of New York City’s Latino population in the 1940s and 50s help to increase the popularity of Latin music and dance in American culture? OVERVIEW In the fall of 1957, the Broadway musical West Side Story opened at the Winter Garden Theatre in Manhattan. Featuring a musical score by Leonard Bernstein and lyrics by Stephen Sondheim, its story centered on two rival teenage gangs -- the all-white Jets and the Puerto Rican Sharks -- facing off on the streets of New York City. The play’s showcase number, “America,” dramatized the disparities between life in rural Puerto Rico and the opportunities available to immigrants living in the United States. Bernstein’s orchestrations drew heavily on Latin-style percussion and dance rhythms -- sounds that had become prominent in New York over the course of the 1940s and 50s, as the city’s Latino population boomed. During and immediately following World War II, the United States experienced an historic wave of immigration from Latin America, including a record number of immigrants from the U.S. territory of Puerto Rico. In 1940, the U.S. census reported just under 70,000 Puerto Ricans living in the country; by 1950, that number had grown to over 226,000, with eighty-three percent of that population living in New York City. As alluded to in West Side Story, many Puerto Ricans, (who held natural born U.S. citizenship), arrived seeking jobs in factories and on ship docks -- industries with greater economic security than the agricultural work available in Puerto Rico. -
Media Contact for Interviews, Review Copies: Gail Parenteau, Parenteau Guidance 212-532-3934 [email protected] Managem
Media contact for Interviews, Review copies: Gail Parenteau, Parenteau Guidance 212-532-3934 [email protected] Management contact for Bookings: Rainbow Management Co. Paul Kasofsky 845-292-5126 [email protected] SONGS FOR LOVERS Offers Timeless Soundtrack for Romance Awareness Month NEW YORK, NY (August, 2016) – August may be the month for vacations, but it’s also Romance Awareness Month— perfect timing for SONGS FOR LOVERS, the latest album from Doo Wop legend Larry Chance and The Earls and Steve Michaels , the accomplished lead singer best known for his work with the Velvatones, who grew up idolizing the '60s icons. Joining forces to select and perform classic love songs that resonate with their cross- generational fan base, Chance and Michaels cover the power and nuances of romance with their timeless style and nods to the decades of love-driven music that audiences have cherished. The two Bronx-based singers have collaborated in the past, but this project brings even more positive messages to the mix. Michaels couldn’t be more thrilled about SONGS FOR LOVERS. “It’s not every day that you get to do a CD with your idol…I was that kid that used to turn on the radio and listen to all those hit records that Larry and the Earls had. It’s almost like a dream come true to get to work with one of your idols years later.” The music of Larry Chance and the Earls (Remember Then) was an influential force in Michaels’ life and would help inspire his successful 1986 release of his version of the Del-Vikings’ classic ‘Come Go With Me’.