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Ratner Kills Mr
Brooklyn’s Real Newspaper BrooklynPaper.com • (718) 834–9350 • Brooklyn, NY • ©2008 BROOKLYN HEIGHTS–DOWNTOWN–NORTH BROOKLYN AWP/18 pages • Vol. 31, No. 8/9 • Feb. 23/March 1, 2008 • FREE INCLUDING CARROLL GARDENS, COBBLE HILL, BOERUM HILL, DUMBO, WILLIAMSBURG AND GREENPOINT RATNER KILLS MR. BROOKLYN By Gersh Kuntzman EXCLUSIVE right now,” said Yassky (D– The Brooklyn Paper Brooklyn Heights). “Look, a lot of developers are re-evalut- Developer Bruce Ratner costs had escalated and the num- ing their numbers and feel that has pulled out of a deal with bers showed that we should residential buildings don’t City Tech that could have net not go down that road,” added work right now,” he said. him hundreds of millions of the executive, who did not wish Yassky called Ratner’s dollars and allowed him to to be identified. withdrawal “good news” for build the city’s tallest resi- Costs had indeed escalated. Brooklyn. dential tower, the so-called In 2005, CUNY agreed to pay “A residential building at Mr. Brooklyn, The Brooklyn Ratner $86 million to build the that corner was an awkward Paper has learned. 11- to 14-story classroom-dor- fit,” said Yassky. “A lot of plan- “It was a mutual decision,” mitory and also to hand over ners see that site as ideal for a said a key executive at the City the lucrative development site significant office building.” University of New York, which where City Tech’s Klitgord Forest City Ratner did not would have paid Ratner $300 Auditorium now sits. return two messages from The million to build a new dorm Then in December, CUNY Brooklyn Paper. -
Muziek Voor Volwassenen / Johan Derksen Album Van De Week
Muziek voor volwassenen / Johan Derksen Album van de Week: "America's child" - Shemekia Copeland TITEL ARTIEST COMPONIST TIJD PLATENLABEL LABELNO. CD TITEL 09.00 - 10.00 uur 1 Til I found you Susan Tedeschi T. Hambridge/S. Tedeschi3.32 3.32 Intersound 6473 A walk on the blues side 2 Blue side of the moon Chris Stapleton Mike Henderson/Chris Stapleton 3.28 Rouder Europe 11661-0598-2 The Steeldrivers 3 It takes a lot to laugh it takes a train to cry Taj Mahal Bob Dylan 4.31 Intersound 6473 A walk on the blues side 4 Midnight train to Memphis Chris Stapleton Mike Henderson/Chris Stapleton 3.02 Rouder Europe 11661-0598-2 The Steeldrivers 5 The weight Joan Osborne Robbie Robertson 5.13 Intersound 6473 A walk on the blues side 6 If it hadn't been for love Chris Stapleton Mike Henderson/Chris Stapleton 3.58 Rouder Europe 11661-0598-2 The Steeldrivers 7 Promised myself Shemekia Copeland Johnny Clyde Copeland 5.28 Alligator Records ALCD 4984 America's child 8 To be with you again Chris Stapleton Mike Henderson/Chris Stapleton 3.34 Rouder Europe 11661-0598-2 The Steeldrivers 9 Before you accuse me Bo Diddley Ellas McDaniel 3.55 Intersound 6473 A walk on the blues side 10 Fire away Chris Stapleton Chris Stapleton/Danny Green 4.04 Mercury Records B0019405-02 Traveller 11 One good man Lou Ann Barton Janis Joplin 4.45 Intersound 6473 A walk on the blues side 12 Tennessee whiskey Chris Stapleton Dean Dillon/Linda Hargrove 4.53 Mercury Records B0019405-02 Traveller 13 When something is wrong with my baby Booker T.&The MGs Hayes/Porter 3.38 Stax SCD 8610-2 Soul men 10.00 - 11.00 uur 1 What good can drinkin' do Tracy Nelson Janis Joplin 4.15 Intersound 6473 A walk on the blues side 2 Parachute Chris Stapleton Chris Stapleton/Jim Beavers 4.13 Mercury Records B0019405-02 Traveller 3 When a man loves a woman Spences Davis Group C. -
An Advanced Songwriting System for Crafting Songs That People Want to Hear
How to Write Songs That Sell _________________________________________________________________________________________________________________________ An Advanced Songwriting System for Crafting Songs That People Want to Hear By Anthony Ceseri This is NOT a free e-book! You have been given one copy to keep on your computer. You may print out one copy only for your use. Printing out more than one copy, or distributing it electronically is prohibited by international and U.S.A. copyright laws and treaties, and would subject the purchaser to expensive penalties. It is illegal to copy, distribute, or create derivative works from this book in whole or in part, or to contribute to the copying, distribution, or creating of derivative works of this book. Furthermore, by reading this book you understand that the information contained within this book is a series of opinions and this book should be used for personal entertainment purposes only. None of what’s presented in this book is to be considered legal or personal advice. Published by: Success For Your Songs Visit us on the web at: http://www.SuccessForYourSongs.com Copyright © 2012 by Success For Your Songs All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic, or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher. How to Write Songs That Sell 3 Table of Contents Introduction 6 The Methods 8 Special Report 9 Module 1: The Big -
Skyline Orchestras
PRESENTS… SKYLINE Thank you for joining us at our showcase this evening. Tonight, you’ll be viewing the band Skyline, led by Ross Kash. Skyline has been performing successfully in the wedding industry for over 10 years. Their experience and professionalism will ensure a great party and a memorable occasion for you and your guests. In addition to the music you’ll be hearing tonight, we’ve supplied a song playlist for your convenience. The list is just a part of what the band has done at prior affairs. If you don’t see your favorite songs listed, please ask. Every concern and detail for your musical tastes will be held in the highest regard. Please inquire regarding the many options available. Skyline Members: • VOCALS AND MASTER OF CEREMONIES…………………………..…….…ROSS KASH • VOCALS……..……………………….……………………………….….BRIDGET SCHLEIER • VOCALS AND KEYBOARDS..………….…………………….……VINCENT FONTANETTA • GUITAR………………………………….………………………………..…….JOHN HERRITT • SAXOPHONE AND FLUTE……………………..…………..………………DAN GIACOMINI • DRUMS, PERCUSSION AND VOCALS……………………………….…JOEY ANDERSON • BASS GUITAR, VOCALS AND UKULELE………………….……….………TOM MCGUIRE • TRUMPET…….………………………………………………………LEE SCHAARSCHMIDT • TROMBONE……………………………………………………………………..TIM CASSERA • ALTO SAX AND CLARINET………………………………………..ANTHONY POMPPNION www.skylineorchestras.com (631) 277 – 7777 DANCE: 24K — BRUNO MARS A LITTLE PARTY NEVER KILLED NOBODY — FERGIE A SKY FULL OF STARS — COLD PLAY LONELY BOY — BLACK KEYS AIN’T IT FUN — PARAMORE LOVE AND MEMORIES — O.A.R. ALL ABOUT THAT BASS — MEGHAN TRAINOR LOVE ON TOP — BEYONCE BAD ROMANCE — LADY GAGA MANGO TREE — ZAC BROWN BAND BANG BANG — JESSIE J, ARIANA GRANDE & NIKKI MARRY YOU — BRUNO MARS MINAJ MOVES LIKE JAGGER — MAROON 5 BE MY FOREVER — CHRISTINA PERRI FT. ED SHEERAN MR. SAXOBEAT — ALEXANDRA STAN BEST DAY OF MY LIFE — AMERICAN AUTHORS NO EXCUSES — MEGHAN TRAINOR BETTER PLACE — RACHEL PLATTEN NOTHING HOLDING ME BACK — SHAWN MENDES BLOW — KE$HA ON THE FLOOR — J. -
Neil Diamond Hot August Night Full Album Download Neil Diamond Hot August Night Full Album Download
neil diamond hot august night full album download Neil diamond hot august night full album download. Artist: Neil Diamond Album: Hot August Night Released: 2016 Style: Pop Rock. Format: MP3 320Kbps. CD1: 01 – Prologue 02 – Crunchy Granola Suite 03 – Done Too Soon 04 – Dialogue 05 – Solitary Man 06 – Cherry Cherry 07 – Sweet Caroline 08 – Porcupine Pie 09 – You’re So Sweet 10 – Red Red Wine 11 – Soggy Pretzels 12 – Gitchy Goomy 13 – And The Grass Won’t Pay No Mind 14 – I Think It’s Going To Rain Today 15 – Shilo 16 – Modern Day Version Of Love 17 – Girl You’ll Be A Woman Soon 18 – Walk On Water 19 – Kentucky Woman 20 – Stones 21 – Musician Intros. CD2: 01 – Play Me 02 – Canta Libre 03 – Morningside 04 – Song Sung Blue 05 – Cracklin’ Rosie 06 – Holly Holy 07 – I Am…I Said 08 – SoolaimonBrother Love’s Travelling Salvation Show. Hot August Night. This is the ultimate Neil Diamond record. Not necessarily the best -- he's at his most appealing crafting in the studio -- but certainly the ultimate, capturing all the kitsch and glitz of Neil Diamond, the showman. And that also means that it's not just loaded with flair, but with filler, songs like "Porcupine Pie," "Soggy Pretzels," and "And the Grass Won't Pay No Mind" -- attempts to write grand, sweeping epics that collapse under their own weight. Still, that's part of the charm of Diamond and while it can sound unbearable on studio albums, it makes some sense here, surrounded by his pomp and circumstance. That spectacle is the great thing about the record, since it inflates not just his great songs, it gives the weaker moments character. -
The Mystics Press Kit 2019 Page 2 of 8
The https://youtu.be/UJjvxsYzlk8 The Page 1 of 8 Mystics Press Kit 2019 Discover The Mystics Journey To Fame Hearts Cry Out for the Mystics Unravel The Mystics Secret To Thrive Capture The Mystics Magic Embrace The Mystics Four members Delight In the Mystics Treasured moments The Mystics Manager, Joni Sperling (352) 513-3662 E-Mail: [email protected] Press Kit Created By Nola Joy Carello, Publicist www.theoriginalmystics.com (916) 362-6477 http://nolajoyproductionstv.com/ Effective: 8/7/2019 The Mystics Press Kit 2019 Page 2 Of 8 Discover The Mystics Journey To Fame! Imagine….The early 1950’s and 1960’s - Brooklyn, New York Candy stores galore, Kids jumping rope, Neighbors talking with neighbors, Trips to Coney Island, Savory cotton candy, Dancing in the streets, Eluding the mob and Back alley singing where five teenagers harmonized before Competing in a Talent Show at the opulent Loew’s Oriental Theatre located at 86th Street near 18th Avenue, where The Overons began their career! The Overons evolved into The Mystics! Love The Mystics! The driving force of The Mystics has been original member George Galfo! The Mystics Press Kit 2019 Page 3 Of 8 Hearts Cry Out For The Mystics! The Mystics performances are captivating, exhilarating, passionate, engaging and mesmerizing! The Mystics celebrate their 60th anniversary of their mega seller 1959 International and National Hit HUSHABYE which reigned on the charts for six months and are celebrating their 62nd year in the music and entertainment industry. Audiences love The Mystics members who hail from Brooklyn, New York - George Galfo, Phil Cracolici, Rocky Marsicano and Ralph Varrone The Mystics appeared on Dick Clark’s American Bandstand numerous times. -
Plymouth State Uni- Concepts Relating to to Organic Forms, the Versity
THURSDAY, NOVEMBER 1, 2018 FREE IN PRINT, FREE ON-LINE • WWW.NEWFOUNDLANDING.COM COMPLIMENTARY DONNA RHODES As part of a fundraising event for the Day Away program, Katie Spears (left), Nicolette Janelle (center), and Azra Karabegovic (right) modeled some beautiful fall fashions last Sunday that are available from Imagine, a women’s boutique in downtown Bristol. Fashion show benefits Day Away Program BY DONNA RHODES care services, aiding not they’re never left alone. worrying about their ever, so this year they joys introducing people [email protected] just their participants While participants are loved one,” said nurse decided to raise more to the great clothing and BRISTOL – The Day who are afflicted with with us each Thursday, Sandra Coleman, direc- funds through a Fall accessories available at Away Community Pro- Alzheimer’s disease or their caregivers have tor of Day Away. Fashion Show. Imagine while assisting gram in Bristol held a related dementias, but some time for them- As a nonprofit orga- Nancy Spears of the nonprofits and com- Fall Fashion Show last their round-the-clock selves to be with friends, nization, Coleman and Imagine, a woman’s munity organizations at Sunday afternoon that caregivers as well. go out for lunch or do her board of directors boutique in Bristol’s the same time. helped raise funds for “We’re a one-on-one whatever they want to meet with towns in the Central Square, hosted Helping her exhibit their once a week respite social program where do for the day without Newfound Area each last weekend’s show at some stylish looks for budget season, seeking Marian Hall, which was the fall this time were financial support for the attended by nearly 100 her models Katie Spears, Town reaches amicable program. -
Psaudio Copper
Issue 133 MARCH 29TH, 2021 Copper has a new look! So does the rest of the PS Audio website, the result of countless hours of hard work. There's more functionality and easier access to articles, and additional developments will come. There will be some temporary glitches and some tweaks required – like high-end audio systems, magazines sometimes need tweaking too – but overall, we're excited to provide a better and more enjoyable reading experience. I now hand over the column to our esteemed Larry Schenbeck: Dear Copper Colleagues and Readers, Frank has graciously asked if I’d like to share a word or two about my intention to stop writing Too Much Tchaikovsky. So: thanks to everyone who read and enjoyed it – I wrote it for you. If you added comments occasionally, you made my day. I also wrote the column so I could keep learning, especially about emerging creatives and performers in classical music. Getting the chance to stumble upon something new and nourishing had sustained me in the academic world – it certainly wasn’t the money! – and I was grateful to continue that in Copper. So why stop? Because, as they say, there is a season. It has become considerably harder for me to stumble upon truly fresh sounds and then write freshly thereon. Here I am tempted to quote Douglas Adams or Satchel Paige, who both knew how to deliver an exit line. But I’ll just say (since Frank has promised to leave the light on), goodbye for now. The door is open, Larry, and we can’t thank you enough for your wonderful contributions. -
The Influence of Latin Music in Postwar New York City Overview
THE INFLUENCE OF LATIN MUSIC IN POSTWAR NEW YORK CITY OVERVIEW ESSENTIAL QUESTION How did the growth of New York City’s Latino population in the 1940s and 50s help to increase the popularity of Latin music and dance in American culture? OVERVIEW In the fall of 1957, the Broadway musical West Side Story opened at the Winter Garden Theatre in Manhattan. Featuring a musical score by Leonard Bernstein and lyrics by Stephen Sondheim, its story centered on two rival teenage gangs -- the all-white Jets and the Puerto Rican Sharks -- facing off on the streets of New York City. The play’s showcase number, “America,” dramatized the disparities between life in rural Puerto Rico and the opportunities available to immigrants living in the United States. Bernstein’s orchestrations drew heavily on Latin-style percussion and dance rhythms -- sounds that had become prominent in New York over the course of the 1940s and 50s, as the city’s Latino population boomed. During and immediately following World War II, the United States experienced an historic wave of immigration from Latin America, including a record number of immigrants from the U.S. territory of Puerto Rico. In 1940, the U.S. census reported just under 70,000 Puerto Ricans living in the country; by 1950, that number had grown to over 226,000, with eighty-three percent of that population living in New York City. As alluded to in West Side Story, many Puerto Ricans, (who held natural born U.S. citizenship), arrived seeking jobs in factories and on ship docks -- industries with greater economic security than the agricultural work available in Puerto Rico. -
Friday, November 16, 8Pm, 2007 Umass Fine Arts Center Concert Hall
Friday, November 16, 8pm, 2007 UMass Fine Arts Center Concert Hall Unbroken Chain: The Grateful Dead in Music, Culture, and Memory As part of a public symposium, November 16-18, UMass Amherst American Beauty Project featuring Jim Lauderdale Ollabelle Catherine Russell, Larry Campbell Theresa Williams Conceived by David Spelman Producer and Artistic Director of the New York premier Program will be announced from the stage Unbroken Chain is presented by the UMass Amherst Graduate School, Department of History, Fine Arts Center, University Outreach AND University Reserach. Sponsored by The Valley Advocate, 93.9 The River, WGBY TV57 and JR Lyman Co. About the Program "The American Beauty Project" is a special tribute concert to the Grateful Dead's most important and best-loved albums, Working Man's Dead and American Beauty. In January 2007, an all-star lineup of musicians that Relix magazine called "a dream team of performers" gave the premier of this concert in front of an over-flowing crowd at the World Financial Center's Winter Garden in New York City. The New York Times' Jon Pareles wrote that the concert gave "New life to a Dead classic... and mirrored the eclecticism of the Dead," and a Variety review said that the event brought "a back- porch feel to the canyons of Gotham's financial district. The perf's real fire came courtesy of acts that like to tear open the original structures of the source material and reassemble the parts afresh - an approach well-suited to the honorees' legacy." Now, a select group of those performers, including Ollabelle, Larry Campbell & Teresa Williams, Catherine Russell, and Jim Lauderdale are taking the show on the road. -
WOW HALL NOTES G VOL
K k JANUARY 2014 KWOW HALL NOTES g VOL. 26 #1 H WOWHALL.ORGk cohesion comes from the brothers wields a powerful voice that can having spent the last two years on both stir and soothe, whether she the road with new full-time mem- is singing traditional gospel, blues ber Jano Rix, a drummer and ace- standards or her own heartfelt in-the-hole multi-instrumentalist, compositions. A gifted musician whereas they relied on session on both mandolin and drums, and musician-friends to fill out previ- a founding member of the roots ous albums. Jano’s additional band Ollabelle (with whom she harmonies give credence to the old has recorded three CDs), Helm has trope that while two family mem- also performed live with scores of bers often harmonize preternatu- notable musicians like Warren rally, it takes a third, non-related Haynes, The Wood Brothers, and singer for the sound to really shine. Donald Fagen, and her distinctive The Muse marks another mile- voice can be heard on recordings stone for The Wood Brothers: it’s by artists ranging from Mercury the first full-length they’ve record- Rev to Marc Cohn. ed at Southern Ground Studios in Amy’s lengthy resume is high- Nashville. The choice of location lighted by many years of singing was practical, given Nashville’s and playing alongside her father, rich history and network of musi- with whom she conceived, cians, but also symbolic: The launched and perfected the Mid- Wood Brothers are now officially a night Rambles -- intimate perfor- Nashville-based band, with Oliver mances held since 2004 at his home having relocated in 2012, and Chris and studio in Woodstock, N.Y. -
Luther Dickinson and Sisters of the Strawberry Moon Solstice
Luther Dickinson and Sisters of the Strawberry Moon Solstice “Most of the work was in getting the spark lit,” Luther Dickinson says of assembling the all-star cast for his extraordinary new project, Luther Dickinson and Sisters of the Strawberry Moon. “It was sort of like throwing a party. Once you manage to get everybody together, you can just step back and let it all happen.” Like any good party, Luther Dickinson and Sisters of the Strawberry Moon’s debut album, Solstice, comes complete with a great soundtrack and an impeccable guest list, one that boasts Amy Helm, Birds of Chicago, Amy LaVere, and Shardé Thomas among others. And like any good host, Dickinson manages to put the spotlight on his friends here, taking a step back from the microphone in order to focus his efforts behind the scenes and flex his considerable muscles as both a producer and a guitarist. The result is an album that stands apart in Dickinson’s extensive catalog, a collection that brings together some of the most captivating female voices in modern American roots music and filters each of their distinctive personalities through a singular vision of artistic community and musical exploration. “The whole idea of this album was to introduce a bunch of friends and get them to collaborate with each other,” says Dickinson. “I wanted to let the chemistry flow, to create an environment where everyone’s flavors naturally blended together and each artist could just be themselves. I think you can feel that freedom in the music.” Freedom has long been Dickinson’s sonic signature, both on the stage and in the studio.