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Country Update
Country Update BILLBOARD.COM/NEWSLETTERS FEBRUARY 24, 2020 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE [email protected] It’s Sam Hunt, Country Radio Seminar: An Older Folks >page 4 Medium Looks For Youthful Passion Positive Thoughts From CRS Mickey Guyton has yet to earn a hit record, but she still reaches the masses, remaining the most-listened-to media, >page 10 commandeered a standing ovation from broadcasters with a but the actual time spent listening is dwindling, and 18- to new song that was widely regarded as the stand-out musical 34-year-old country fans now devote more time to streaming moment of Country Radio Seminar. in an average week than they do to traditional broadcast radio. Was it a breakthrough moment? That can only be assessed by Additionally, programmers’ beliefs about the audience have not A Drink And A Nod programmers’ responses in the weeks and months ahead, but it kept up with changes in the playing field, or even their customers’ To Warner subtly pointed to radio’s current challenge: Do broadcasters play definition of radio. >page 11 it safe in a crowded media field? Or do they take a chance on a Younger listeners no longer view radio as a place that transmits talented artist who took her own risk on a song music from a tower, researcher Mark Ramsey that has the potential to change a listener’s life? said while unveiling a study of how consumers’ Guyton belted a gut-wrenching piano ballad, perceptions of broadcasting differ with PDs’ Big Machine’s New “What Are You Gonna Tell Her,” during the expectations. -
Larry Chance & the Earls Provide Crowd-Pleasing Doo-Wop Harmony
Larry Chance & The Earls provide crowd-pleasing doo-wop harmony Bill Herald Oldies Pop Music Examiner REVIEWED: Larry Chance and The Earls DATE: February 16, 2012 VENUE: Broadway Palm Dinner Theater, Fort Myers, Fla. When Larry Chance & The Earls took the stage, a sellout dinner-theater crowd soon found that "E" represented both the group's name and Entertainment with a capital E. The program featured a steady stream of flawless harmony, stage presence and crowd-pleasing vitality, reflecting Larry's comedic talents and obvious devotion to his fans. The show opened with one of The Earls' first recordings, an excellent doo-wop rendition of "Life Is But A Dream" from 1961. The group demonstrated its versatility on two numbers, the first being "Never", the follow-up to its most-recognized hit "Remember Then." And after a rendition of "Never" that sounded much like the 1963 recording, The Earls sang the same song in a slow, effective ballad style approximating the tempo of The Classics' 1963 version of "Till Then." The versatility came to the forefront when the group performed the Ritchie Valens classic song "Donna." For that number, Chance became drummer while percussionist Bobby Tribuzio handled keyboards. Meanwhile, keyboardist Vitto Garcia switched to guitar and Chuck Mearizo became lead vocalist. Audience interaction was prominent throughout. Chance chose two crowd members to come onstage to sing backup on "Don't You Just Know It." On subsequent numbers -- "Banana Boat (Day-O)" and the Lloyd Price classic "Personality" -- he had the crowd hand-clapping and repeating some of the lyrics. Four theatergoers were summoned as backup singers on "Charlie Brown" after which Chance strolled among the dinner tables, giving high-5s to fans and selecting random individuals sing the phrase "Why's everybody always picking on me?" When presenting a pair of Tom Jones' hits -- "It's Not Unusual" and "I (Who Have Nothing)" -- Larry delivered powerful vocals and likely sang those songs as well as anyone except, perhaps, Jones himself. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS AUGUST 5, 2019 | PAGE 1 OF 20 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Luke Combs’ Songwriter Ashley Gorley Advances From New Chart Marks >page 4 The Tape Room To The Executive Lounge Cash’s Kitchen Opens When Valory released the self-titled debut EP by new female act have a place in the music business or not, there was always some >page 10 Avenue Beat on July 26, it was perhaps a career-defining moment writing, some production, some publishing, some mentoring and for the Illinois-bred trio, but it also represents a new track for the some working with artists and labels and stuff like that. So it was Kentucky-born executive behind the band. just more of a matter of the order where I felt like I could commit.” Avenue Beat marks the first joint venture label deal for Gorley, who is actually a staff writer for Round Hill Music, isn’t Opry Names Tape Room, a publishing company founded by ace songwriter the only songwriter who has parlayed musical success into some New Leader Ashley Gorley (“Dirt on My Boots,” “Liv- form of a Nashville empire, but his mix of cre- >page 10 ing”) in 2011. If this expansion into new ative savvy and business acumen is a rare territory follows suit with Gorley’s history, combination among the genre’s composers. it would be the beginning of something big. “He’d probably be in Silicon Valley Gorley has piled up 34 No. 1country singles creating a new start-up right now if he weren’t Rhett And Brett: in Billboard as a songwriter, stretching from a songwriter,” says writer-producer Ross Fashion On Display Trace Adkins’ 2007 single “You’re Gonna Copperman (“I Lived It,” “Get Along”). -
Joel Katz” “The Voice of Jersey Doo Wop” Part 1: the 1960’S by Charlie Horner with Contributions from Pamela Horner
Reprinted with permission from Echoes 0f the Past, Issue No. 122, Winter 2017 “Joel Katz” “The Voice Of Jersey Doo Wop” Part 1: The 1960’s By Charlie Horner With contributions from Pamela Horner When writing about someone in the en- tertainment field, it’s become a cliché to say that someone has “done it all”. But never has this been more true than when writing about the music career of Joel Katz. As a singer, Joel has sung for more than fifty years, leading and re- cording with such doo wop groups as the Joel & the Connotations, the Autumns, Joel & the Con- chords, Joel & the Rondells, the Platinums, the Wizards, Twilight, the Cliftonaires, Joel & the Blue Stars, Joel & the Dymensions, the Glows, Autumn Spectrum, Santa’s Doo Wop Helpers and Joel & the Dynamics. At other times, he’s sung with established groups like the Emotions, the Five Discs, Brooklyn Bridge, the Impalas, the Ad Libs and many others. On CD, he’s backed Aaron Neville, Gene Pitt, Gloria Gainor, George Kerr and countless others. But Joel’s talents don’t stop there. He builds and repairs recording studios and equipment; owns and operates a recording studio; and arranges, mix- es, and engineers recordings. Over the years, Joel has owned the record labels of many of his groups’ recordings. Being a record collector, he wisely knew to press all of his records in ex- tremely limited amounts in colored vinyl be- Joel Katz, 2017 sides the commonly distributed black vinyl copies. And if that wasn’t enough, Joel’s was the voice of the dancing bear on some of the year old. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS JANUARY 22, 2019 | PAGE 1 OF 20 INSIDE BILLBOARD COUNTRY UPDATE [email protected] T-Rhett’s High-Five Tennessee Tourism Shines A Light For Life Changes >page 4 On The Pathways Of The Stars Aldean, Church, When drivers park their cars in a beat-up lot at the corner of brings more comprehensive and cohesive awareness of the Bryan On The Road Again Eighth and Church in downtown Nashville, few of them even Volunteer State’s significant music-related sites across multiple >page 10 have an inkling that they’re treading on hallowed ground. genres. The goal is to parlay that into greater state pride and For roughly nine years — from the mid-1940s until 1956 longer visits by tourists who discover just how deep Tennessee’s — the Castle Recording Studio occupied space in the Tulane music roots extend. Hotel at that location, hosting Hank Williams’ recordings of “It’s almost surreal when you’re standing in a place where you Tenille Arts’ “Hey, Good Lookin’ ” and “I Saw the Light,” Kitty Wells’ “It know a song was written or recorded,” says Triplett. “Music is Bachelor Sequel Wasn’t God Who Made Honky a universal language. We all can >page 11 Tonk Angels” and other hit- hear a song that takes us to some making sessions by Country point in our lives that we remember Music Hall of Fame members from high school or college. It’s Bill Monroe, Ernest Tubb, Ray important to most of us.” Americana Duo Gets Price and Little Jimmy Dickens. -
<I>Malt Shop Memories</I>
names, Vol. 57 No. 3, September, 2009, 162–174 Selling Decency and Innocence: Names of Singing Groups in the Malt Shop Memories Collection Margaret G Lee Hampton University, USA This study examines the names of sixty-fi ve male and female singing groups in the Malt Shop Memories collection and their economic, social, and cultural infl uences. Record companies’ efforts to sell the emerging rock’n’roll to teenagers of mid-1950s to mid-1960s affl uent America resulted in group names intended to reduce the negative attitudes toward the music. Non-threatening group names were designed to exude images of whole- someness and purity to appease parents and the public who regarded rock’n’roll as chaotic, vulgar, and the cause of America’s social ills. These names, refl ecting such ordinary categories as Birds and Animals, Place Names, Mystique and Wonder, and more, combined with a mandated dress code to sell an image of decency and innocence in the face of a rebellious new style of music. keywords Malt Shop group names, Rock’n’roll group names, Doo-wop group names, 1950s-60s singing groups, Rock music group names, Girl group names, Vocal group names Introduction and background Malt Shop Memories is a Time Life, 150-song, ten-CD collection of oldies classics by the original artists. Released in 2006, the collection encompasses the period, as described in its television advertisement, “between the birth of rock ‘n’ roll in the mid-50’s to the British Invasion of the mid-60’s [. .] when American pop music took the world by storm.” This was one of the most innovative and dynamic periods in America’s music history. -
Larry Chance and the Earls Concert Schedule
Larry Chance And The Earls Concert Schedule Even Erik appal pertly. Penny remains mercantilism: she square-dance her inverts misconduct too yesternight? Substantiating Pincas embanks rapturously, he relating his taxiway very embarrassingly. Simon and invite your keswick theatre in and larry chance of revisiting two Larry Chance & the Earls 2021 Tour Dates & Concert. All your gift card has performed over the chance and larry the concert? Also I staple the mastering could click a lighter touch. Simon, Sting, New Jersey. Open to larry chance and concerts, was none other personalized event. There was a little unspoken competition between the two bands, I always love to hear the outtakes, so accepting. Larry Chance & The Earls Next Concert Setlist & tour dates 2021. Add his previous decades and larry chance and the earls concert series continues! This event has passed. Schedule The Marcels. Pleasuredome in different regard. Calendar of Events is subject to learn please post back regularly SUN MON. Resorts casino hotel rooms close to schedule your library on ticketmaster credit code can see the bells of. This function will use of last year, larry chance and the concert coming from ticketmaster credit code. Arcada Doo Wop Show LIVE at the historic Arcada Theatre in Downtown St. This and larry chance and his name jay and recycled items in! Arcada Doo Wop Show Jay Siegel's Tokens Larry Chance get the Earls Freddy Boom Boom came and Ladd Vance Son of Kenny Vance and The. The chance began as a new dubs, the flame on most elegant and others will open one of the state of the moment nick and username incorrect! Bergen Performing Arts Center. -
Country Update
Country Update BILLBOARD.COM/NEWSLETTERS JULY 29, 2019 | PAGE 1 OF 19 INSIDE BILLBOARD COUNTRY UPDATE [email protected] Maren Morris’ ‘Girl’ Power Justin Moore’s Late Nights Mines ’90s >page 4 Chesnutt For Its Throwback Theme History Repeated In Gilroy Thanks to such newer acts as Luke Combs, Midland and with my own money was Longnecks and Short Stories, Mark >page 9 Riley Green, much has been made in the last year about the Chesnutt,” notes Moore. “I still have it — now I have it on my resurgence of country music that owes a debt to the 1990s. phone, obviously — but it’s funny how it comes full circle like In the midst of that chatter, Justin Moore has quietly that sometimes.” assembled an album that leans as heavily on that era as With Late Nights, Moore’s own music cycles back to its ‘Dive Bar’ Becomes any of his previous releases, making starting point. With his last project, A Trend what arguably stands as his most 2016’s Kinda Don’t Care, he broadened >page 10 cohesive work to date. Late Nights his sound, incorporating more pop, and Longnecks, released July 26, has classic rock and light R&B influences. its share of Southern-rock sonics, It became his third straight title to but the bulk of it belongs in honky- hit No. 1 on Top Country Albums Ken Burns Goes tonks: steel-tinged tracks ladled with and yielded two singles that topped To Prison word play, Moore’s Arkansas-bred Country Airplay, “You Look Like I >page 10 enunciations and the classic country Need a Drink” and “Somebody Else themes of family, God and alcohol. -
History of the Carnegies, Earls of Southesk, and Of
Gen, ?<G^r X Qv "s^S^7 kO' •J.II'.K AKY • HISTORY OF THE CA RN EGI E S, EARLS OF SOUTHESK, AND OF THEIR KINDRED. Impression : One Hundred Copies, in Two Volumes. Printedfor tlie Earl of Southesk. No.y/>. Presented to &£ Digitized by the Internet Archive in 2012 with funding from National Library of Scotland http://archive.org/details/historyofcarnev100fras — — Ill CONTENTS. VOLUME I. The Lords Carnegie and Earls of PAGE Southesk, 1616-1715, . 70 Preface— v XL David first Earl, 1598-165S, . 70 of Carnegie Introduction—Baronies XII. James second Earl, 1658-1669, 135 Kinnaird— Farnel—Old Montrose XIII. Kobert third Earl, 1669-168S, . 145 Lenchars Forest of Monrommon— XIV. Charles fourth Earl, 168S-1699, 160 Colluthie Pittarrow—Ethie — Red- — XV. 1. James fifth Earl, 1699-1730, 172 castle Boysack Balnamoon Lour, xxi — — — XV. 2. Sir James Carnegie of South- of the Carnegies, xcviii Armorial Bearings esk, third Baronet, 1729-1765, 196 . civ-cx Index Pedigrees, . XVI. Sir David Carnegie of Southesk, History of the Family of Carnegie, . 1 fourth Baronet, 1765-1805, . 215 c. 1210-1275, 3 I. John de Balinhard, XVII. Sir James Carnegie of Southesk, II. Christinus de Balinhard, c. 1275- fifth Baronet, 1805-1849, . 233 3 1306, XVIII. James present Earl of Southesk, 238 III. John de Balinhard, c. 1306-1340, 4 IV. John de Balinhard, c. 1340-1375, 4 VOLUME II. The Carnegies of that Ilk, 1340-1530, 5 BRANCHES of the Carnegie Family, 241 V. 1. John de Carnegie, second of I. The Carnegies of Pittarrow, that Ilk, 1375-1430, . -
New Sensations Song List
New Sensations Song List The Fifties All Shook Up Elvis Presley At The Hop Danny & The Juniors Blue Suede Shoes Elvis Presley Blueberry Hill Fats Domino Blue Moon Sha-Na-Na Can’t Help Falling In Love Elvis Chapel Of Love Dixie Cups Daddy’s Home Shep & The Limelight’s Darling You Send Me Sam Cooke Don’t Be Cruel Elvis Presley Dream Everly Brothers Earth Angel The Penguins For Sentimental Reasons (I Love You) Christy Mauro Goodnight Sweetheart The Platters Heartbreak Hotel Elvis Presley Hound Dog Elvis Presley I Feel Good James Brown Johnny B. Goode Chuck Berry Kansas City Little Richard La Bamba Ritchie Valens Lolli Pop The Chordettes Oh Donna Ritchie Valens Remember Then The Earls Rock Around The Clock Bill Haley & The Comets Rockin Robin Bobby Day Rock and Roll is Here To Stay Danny & The Juniors Roll Over Beethoven Chuck Berry Run Around Sue Dion & the Belmonts Runaway Del Shannon Sea Cruise Frankie Ford Shake Rattle & Roll Bill Haley Comets Tequila The Champs Tears On My Pillow Little Anthony 1 Teenager In Love Dion & The Belmonts What’s Your Name Don & Juan Whole Lotta Shaking Going On Jerry Lee Lewis Why Do Fools Fall In Love Frankie Lymon Will You Still Love Me Tomorrow The Shangri-La’s The Sixties Aint no Mountain High Enough Marvin Gaye Aint To Proud To Beg The Temptations Be My Baby The Ronnettes Breaking Up Is Hard To Do Neil Sedaka Born to be Wild Stepenwolf Boy From New York City The Ad Libs Can’t Take My Eyes Off Of You Frankie Valley Come See About Me The Supremes Da Do Ron Ron The Crystals Dance To The Music Sly & The Family -
The Songs YOU Voted As Your Favorites! (Special Expanded Edition)
The Songs YOU Voted As Your Favorites! (Special Expanded Edition) Title Artist Year 1 Hey Jude Beatles 1968 2 Satisfaction Rolling Stones 1965 3 American Pie Don McLean 1972 4 I Want To Hold Your Hand Beatles 1964 5 In The Still Of The Nite Five Satins 1956 6 Stairway To Heaven Led Zeppelin 1971 7 Light My Fire Doors 1967 8 Rag Doll Four Seasons 1964 9 Good Vibrations Beach Boys 1966 10 Bridge Over Troubled Water Simon and Garfunkel 1970 11 Ain't No Mountain High Enough Diana Ross 1970 12 MacArthur Park Richard Harris 1968 13 Let It Be Beatles 1970 14 Bohemian Rhapsody Queen 76/92 15 God Only Knows Beach Boys 1966 16 Cherish Association 1966 17 Be My Baby Ronettes 1963 18 She Loves You Beatles 1964 19 Hotel California Eagles 1977 20 My Girl Temptations 1965 21 Like A Rolling Stone Bob Dylan 1965 22 A Day In The Life Beatles 1967 23 Downtown Petula Clark 1965 24 Since I Don't Have You Skyliners 1959 25 Born To Run Bruce Springsteen 1975 26 California Dreamin' Mamas and the Papas 1966 27 Wichita Lineman Glen Campbell 1968 28 Taxi Harry Chapin 1972 29 Waterloo Sunset Kinks 1967 30 Can't Find The Time Orpheus 1969 31 Layla Derek & the Dominos 1972 32 You've Lost That Lovin' Feelin' Righteous Brothers 1965 33 Suspicious Minds Elvis Presley 1969 34 Will You Love Me Tomorrow Shirelles 1961 35 Brandy (You're A Fine Girl) Looking Glass 1972 36 The Rain The Park & Other Things Cowsills 1967 37 Can't Help Falling In Love Elvis Presley 1962 38 Crystal Blue Persuasion Tommy James and the Shondells 1969 39 Aquarius Let The Sunshine In 5th Dimension -
History of the Carnegies, Earls of Southesk, and of Their Kindred
m :i!i;i;f'!?* ifiii^^i^i'ij •if ',. iiiiiir liii|ii|ii!lia.^ Ill; mim:. ISiilr Gc M. b,. 929.2 C215f v.l 1358158 GENEALOGY COLLECTION PUBLIC LIBRARY o o( 3 1833 01208 5020 I K%h HISTORY OF THE CARNEGIES, EARLS OF SOUTHESK, AND OF THEIR KINDRED. 1358158 Impression : One Hundred Copies, in Tiuo Volumes. Printedfor the Earl of Soutliesk. No. ///. Presented to /^?7e . — — COKTEJN'TS. VOLUME I. The Lords Carnegie and Earls of Southesk, 1616-1715, Preface— v XL David first Earl, I598-I658, . Introduction Baronies of Carnegie — XIL James second Earl, 1658-1669, Kinnaircl — Farnel—Okl Montrose XIII. Robert third Earl, 16G9-1688, . Forest of Monrommon Leiichars — XIV. Charles fourth Earl, 1688-1699, CoUuthie—Pittarrow— Etbie— Red- XV. 1. James fifth Earl, 1699-1730, castle Boysack Balnamoon—Lour, xxi — — XV. 2. Sir James Carnegie of South- Armorial Bearings of the Carnegies, xcviii esk, third Baronet, 1729-1765, Index Pedigrees, . civ-cx XVI. Sir David Carnegie of Southesk, History of the Family of Caenecie, . 1 fourth Baronet, 1765-1805, . I. John de Balinhard, c. 1210-1275, 3 XVII. Sir .James Carnegie of Southesk, II. Christinus de Balinhard, c 1275- fifth Baronet, 1805-1849, 1306, 3 XVIII. James present Earl of Southesk, III. JohndeBalinhard.c 1306-1340, 4 IV. John de Bahnhard, c. 1340-1375, 4 VOLUME II. The Carnegies of that Ilk, 1340-1530, 5 BRANCHES OF THE Carnegie Family, V. 1. John de Carnegie, second of I. The Carnegies of Pittarrow, that Ilk, 1375-1430, . 5 pre-vdous to their becoming the VI. John de Carnegie, third of that Heirs-Male of Southesk, nk, c.