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And the Band Played on Pdf
And the band played on pdf Continue Music fans were sad to learn that Tom Petty passed away at the age of 66 on Monday night. The musician became famous for his successful career as a solo artist, but worked with several bands, including The Heartbreakers. Who the Heartbreakers were Tom Petty showed they were more than a band. They were the longest-running group Petty had worked with, playing together since 1976. Since then, Petty has released more than a dozen albums, either in collaboration with The Heartbreakers or prominently. Together, the band is recognizable for some of Petty's favorite hits, including Mary Jane's Last Dance and American Girl. The introduction to American Girl has probably stuck in your head since the first time you heard it, but for some reason, you just never get tired of it. You have Tom Petty and the Heartbreakers to thank for that. Petty also collaborated with the following bands: Mudcrutch (1970-1975), the supergroup The Traveling Willburys (1988-1990). On Petty's solo albums, The Heartbreakers served as studio musicians, and were additionally supported by Petty's collaborator stable. This stable famously included musicians like Jeff Lynne and George Harrison, who were also two of the petty bandmates in Willburys Travel. Petty recorded with Bob Dylan, Stevie Nicks and countless other industry icons, but The Heartbreakers were his constant. According to Petty's official website, the 2017 Heartbreakers included Campbell, Trench, bassist Ron Blair, rhythm guitarist Scott Thurston and percussionist Steve Ferrone. Ferrone joined in 1994 after drummer Stan Lynch left to work on other projects. -
06-Feb-21 SHOW NAME HOST NAME CRTC TIME START TIME
06-Feb-21 SHOW NAME HOST NAME CRTC TIME START TIME FINISH ARTIST/PSA SONG ALBUM Revolution Rock Dave Konstantino CODE & Adam Peltier 12 19:01 19:06 Talking The Kid With The Replaceable Head 21 Richard Hell & The Voidoids (Destiny Street Remaster) Destiny Street Complete Staring In Her Eyes (Destiny Street 21 Richard Hell & The Voidoids Repaired) Destiny Street Complete 21 Richard Hell & The Voidoids Time (Destiny Street Remixed) Destiny Street Complete 21 Richard Hell & The Voidoids Don't Die (Single Version) Destiny Street Complete 12 19:20 19:25 Talking 12 19:25 19:44 Richard Hell Interview Part One 21 Richard Hell & The Voidoids Love Comes In Spurts Blank Generation 21 Richard Hell & The Voidoids I'm Your Man Time 21 Richard Hell The Hunter Was Drowned Time 21 Dim Stars Baby Huey (Let's Dance) Dim Stars 12 19:55 20:00 Talking 21 20:02 20:25 Richard Hell Interview Part Two 21 Richard Hell & The Voidoids You Gotta Lose Another World EP 21 Neon Boys That's All I Know (Right Now) Spurts: The Richard Hell Story 21 The Heartbreakers Hurt Me (Demo) Time 21 Television Blank Generation (Live) Spurts: The Richard Hell Story Funhunt: Live at CBGB's 21 Richard Hell & The Voidoids Ignore That Door (Live) & Max's 1978 and 1979 12 20:41 20:47 Talking Lowest Common Dominator (Destiny 21 Richard Hell & The Voidoids Street Remaster) Destiny Street Complete 21 Richard Hell & The Voidoids Going Going Gone (Demo) Destiny Street Complete 21 Richard Hell & The Voidoids Funhunt (Demo) Destiny Street Complete 12 20:55 20:57 Talking Destiny Street (Destiny Street 21 Richard Hell & The Voidoids Remixed) Destiny Street Complete *** If you do use this program please let me know that you are using it via email at [email protected] *** **This episode does not feature any Can Con. -
1982-07-17 Kerrville Folk Festival and JJW Birthday Bash Page 48
BB049GREENLYMONT3O MARLk3 MONTY GREENLY 0 3 I! uc Y NEWSPAPER 374 0 E: L. M LONG RE ACH CA 9 0807 ewh m $3 A Billboard PublicationDilisoar The International Newsweekly Of Music & Home Entertainment July 17, 1982 (U.S.) AFTER `GOOD' JUNE AC Formats Hurting On AM Dial Holiday Sales Give Latest Arbitron Ratings Underscore FM Penetration By DOUGLAS E. HALL Billboard in the analysis of Arbitron AM cannot get off the ground, stuck o Retailers A Boost data, characterizes KXOK as "being with a 1.1, down from 1.6 in the win- in ter and 1.3 a year ago. ABC has suc- By IRV LICHTMAN NEW YORK -Adult contempo- battered" by its FM competitors formats are becoming as vul- AC. He notes that with each passing cessfully propped up its adult con- NEW YORK -Retailers were while prerecorded cassettes contin- rary on the AM dial as were top book, the age point at which listen - temporary WLS -AM by giving the generally encouraged by July 4 ued to gain a greater share of sales, nerable the same waveband a ership breaks from AM to FM is ris- FM like call letters and simulcasting weekend business, many declaring it according to dealers surveyed. 40 stations on few years ago, judging by the latest ing. As this once hit stations with the maximum the FCC allows. The maintained an upward sales trend Business was up a modest 2% or spring Arbitrons for Chicago, De- teen listeners, it's now hurting those result: WLS -AM is up to 4.8 from evident over the past month or so. -
ROBERT Quinerenowned Punk Rock Guitarist
ROBERT QUINERenowned punk rock guitarist http://www.thestate.com/mld/thestate/news/local/8875187.htm?template=contentModules/print... Posted on Wed, Jun. 09, 2004 ROBERT QUINERenowned punk rock guitarist NEW YORK — Robert Quine, a versatile punk rock guitarist who appeared on albums by Lou Reed, Marianne Faithfull and Tom Waits, has died. He was 61. Police found Quine dead in his apartment Saturday, said James Marshall, a friend. The medical examiner’s office did not immediately release the cause of death, but a note found with his body indicated suicide, police said. Marshall said he believes Quine died May 31. “He was an extraordinary mixture of taste, intelligence and rock ‘n’ roll abilities, coupled with major technique and a scholar’s memory for every decent guitar lick ever played under the musical sun,” Reed said in a statement. Quine’s playing appeared on the 1977 Richard Hell and the Voidoids’ album “Blank Generation,” as well as 1979’s “Destiny Street.” Quine also appeared on Reed’s “The Blue Mask” in 1982 and Tom Waits’ “Rain Dogs” in 1985. In the 1990s, Quine played with such artists as Matthew Sweet and Lloyd Cole. Quine also worked with Brian Eno, Ikue Mori, John Zorn and They Might Be Giants. Quine, who was older than most of his punk-rock peers and nearly bald, typically wore button-down shirts and sport coats. He once said he looked like a “deranged insurance salesman.” He was born in Akron, Ohio, and graduated from Earlham College in Richmond, Ind. He received a law degree from Washington University law school in St. -
Price Record Store Day 2021 Drop1 Releases Price Follow Us on Twitter @Piccadillyrecs for Updates on Items Selling out E
Fill In Your Name Here: Follow us on twitter @PiccadillyRecs for updates on items Price ✓ Record Store Day 2021 Drop1 Releases Price ✓ Price ✓ selling out etc. LP's 2xLP 36.99 Noel Gallagher's High Flying Birds : Back The Way We Came: Vol 12xLP (2011-2021)24.99 - ColouredRoisin Double Murphy LP : HandCrooked Pressed Machine With (RSD21 Exclusive EDITION) Art Print (RSD21 EDITION) LP 25.99 Kamal Abdul-Alim : Dance (RSD21 EDITION) LP 24.99 Garbage : No Gods No Masters (RSD21 EDITION) LP 24.99 Nada Surf : Cycle Through (RSD21 EDITION) LP 21.99 Asian Dub Foundation : Access Denied (RSD21 EDITION) LP 19.99 Howe Gelb : Hisser (RSD21 EDITION) LP 21.99 Molly Nilsson : The Travels Reissue (RSD21 EDITION) LP 28.99 Banda Black Rio : Super Nova Samba Funk (RSD21 EDITION) LP 25.99 Freddie Gibbs & Madlib : Pinata: The 1984 Version (RSD21 EDITION) 2xLP 40.99 The Notorious B.I.G. : Duets: The Final Chapter (RSD21 EDITION) LP 19.99 Bardo Pond : Volume 1 (RSD21 EDITION) LP 17.99 Girls In Synthesis : Shift In State (RSD21 EDITION) 2xLP 24.99 Conor Oberst : Ruminations (RSD21 EDITION) LP 19.99 Bardo Pond : Volume 2 (RSD21 EDITION) LP Box 97.99 Grateful Dead : Olympia Theatre, Paris, France 5/3/72 (RSD21 EDITION) 2xLP 22.99 Ocean Colour Scene : Saturday (RSD21 EDITION) 2xLP 25.99 BC Camplight : Hide, Run Away / Blink Of A Nihilist (RSD21 EDITION) LP 16.99 Owen Gray : Sings (RSD21 EDITION) 2xLP 39.99 Oh Sees : Live At The Chapel SF (RSD21 EDITION) LP 25.99 Beastie Boys : Aglio E Olio (RSD21 EDITION) LP 20.99 Al Green : Give Me More Love (RSD21 EDITION) LP -
Detroit Rock & Roll by Ben Edmonds for Our Purposes, The
"KICK OUT THE JAMS!" Detroit Rock & Roll by Ben Edmonds For our purposes, the story of Detroit rock & roll begins on September 3, 1948, when a little-known local performer named John Lee Hooker entered United Sound Studios for his first recording session. Rock & roll was still an obscure rhythm & blues catchphrase, certainly not yet a musical genre, and Hooker's career trajectory had been that of the standard-issue bluesman. A native of the Mississippi Delta, he had drifted north for the same reason that eastern Europeans and Kentucky hillbillies, Greeks and Poles and Arabs and Asians and Mexicans had all been migrating toward Michigan in waves for the first half of the 20th Century. "The Motor City it was then, with the factories and everything, and the money was flowing," Hooker told biographer Charles Shaar Murray." All the cars were being built there. Detroit was the city then. Work, work, work, work. Plenty work, good wages, good money at that time."1 He worked many of those factories, Ford and General Motors among them, and at night he plied the craft of the bluesman in bars, social clubs and at house parties. But John Lee Hooker was no ordinary bluesman, and the song he cut at the tail of his first session, "Boogie Chillen," was no ordinary blues. Accompanied only by the stomp of his right foot, his acoustic guitar hammered an insistent pattern, partially based on boogie-woogie piano, that Hooker said he learned from his stepfather back in Mississippi as "country boogie." Informed by the urgency and relentless drive of his Detroit assembly line experiences, John Lee's urban guitar boogie would become a signature color on the rock & roll palette, as readily identifiable as Bo Diddley's beat or Chuck Berry's ringing chords. -
On Tom Petty's
SUMMER 2017 // ISSUE 4 Production Crew Joins the Trip Down Memory Lane on Tom Petty’s 40th Anniversary Tour Tour Link Magazine 1 2 Tour Link Magazine Britannia Row Productions Goes Global with Clair Global Following a successful strategic alliance which About Clair Global: has been in place since the beginning of the year, Britannia Row Productions recently announced Building on over 50 years of experience, Clair its acquisition by Clair Global, Inc. Global continues to boldly advance the entertain- ment experience in the touring, festival, broad- Clair Global has a long-established history and is cast, and corporate markets. Our clients are ex- one of the most respected entertainment industry traordinary. We strive every day, at any hour, to suppliers with serval international operations. exceed their expectations. Our employees’ crea- tivity, talents, problem-solving skills and commit- Britannia Row Productions is one of the leading ment to service set us apart. Our passion is to UK audio companies with links throughout the provide our clients with solutions that meet their world. “Both companies see this as the perfect needs in audio, communications, backline, and way to expand and strengthen their worldwide data services. client base, allowing them to offer consistent ser- vice in all major territories,” said Britannia Row www.clairglobal.com Directors Bryan Grant and Mike Lowe in a joint statement. “The synergies we’ve experienced with the entire Britannia Row team have been over- whelmingly positive. Culturally and profes- sionally, we are on the same page. We are excited to bring this new level of global sup- port to our clients and better serve their pas- sions to advance this industry.” Troy Clair, President/CEO, Clair Global. -
Download the PDF!
“All the News RS1299That Fits” The Photo Issue 50 Years of Images That Defined Rock & Roll The stories behind our magazine’s most legendary shots, from Annie Leibovitz’s Fleetwood Mac bedroom party to Kurt Cobain’s acerbic T-shirt and more ...............24 TRIBUTE Tom Petty 1950-2017 He was a genius craftsman with a dark side – and he never stopped believing in the power of rock & roll. By David Fricke ....14 DEPARTMENTS Online ...................... 8 Letters .................... 10 Playlist .....................12 ON THE COVER Tom Petty photographed in Los Angeles in June 1991 Ice-T Fights Back by Mark Seliger. Petty was about to release Into A contact sheet from the rapper’s ROLLING STONE cover shoot, taken after 1992’s ultra- the Great Wide Open. controversial “Cop Killer,” which George H.W. Bush called “sick.” By Mark Seliger November 2, 2017 RollingStone.com | Rolling Stone | 5 ROLLINGSTONE.COM EDITOR AND PUBLISHER: Jann S. Wenner MANAGING EDITOR: Jason Fine DEPUTY MANAGING EDITOR: Sean Woods ASSISTANT MANAGING EDITORS: Christian Hoard, MUSIC Alison Weinflash SENIOR WRITERS: David Fricke, Andy Greene, Brian Hiatt, Peter Travers JAY-Z’S 50 SENIOR EDITORS: Patrick Doyle, Rob Fischer, Thomas Walsh ASSOCIATE EDITOR: Hannah Murphy ASSISTANT EDITORS: Rick Carp, Jason Maxey, Phoebe Neidl GREATEST ASSISTANT TO THE MANAGING EDITOR: Ellen Nelson EDITORIAL STAFF: Betsy Hill CONTRIBUTING EDITORS: Matthieu Aikins, Mark Binelli, SONGS David Browne, Rich Cohen, Jonathan Cott, Cameron Crowe, Anthony DeCurtis, Tim Dickinson, Jon Dolan, Raoul Duke (Sports), Josh Eells, Mikal Gilmore, Jeff Goodell, As Jay begins Vanessa Grigoriadis, Erik Hedegaard, Will Hermes, 4:44 Robert F. Kennedy Jr., Steve Knopper, David Kushner, his tour, Greil Marcus, Alex Morris, Charles Perry, Janet Reitman, we list his top Stephen Rodrick, Rob Sheffield, Paul Solotaroff, Ralph Steadman (Gardening), Neil Strauss, Matt Taibbi, cuts, from Touré, Jonah Weiner, Christopher R. -
The Final Cut Plotting World Domination from Altoona
NOVEMBER 15, 1999 VOLUME 14 #4 The Final Cut Plotting world domination from Altoona Otherwise,CD/Tape/Culture analysis and commentary with D'Scribe, D'Drummer, Da Boy, D'Sebastiano's Doorman, Da Common Man, D' Big Man, Al, D'Pebble, Da Beer God and other assorted riff raff, D'RATING SYSTEM: 9.1-10.0 Excellent - BUY OR DIE! 4.1-5.0 Incompetent - badly flawed 8.1-9.0 Very good - worth checking out 3.1-4.0 Bad - mostly worthless 7.1-8.0 Good but nothing special 2.1-3.0 Terrible - worthless 6.1-7.0 Competent but flawed 1.1-2.0 Horrible - beyond worthless 5.1-6.0 Barely competent 0.1-1.0 Bottom of the cesspool abomination! I GUESS THIS ISSUE IS A LITTLE BIT LATE… I can’t offer any excuses, except that things at Cut headquarters have been hellaciously busy over the past few months, affording yours truly very little time to sit down and get this tome written up. But do not despair, this rag will continue on, even if only 3 or 4 times a year. But we’ll try to get it out a little more frequently, if our schedules allow us. Hopefully the contents within this issue are worth the long wait. SINCE IT HAS BEEN A LONG TIME BETWEEN ISSUES, I have built up a ton of takes I have to get out of my system, so please bear with me and deal with it… FIRST, MEMO TO THE ALTOONA CLUB SCENE: Stop the DAMN FIGHTING! Just about every ‘Toona live music nightspot has endured at least one slobberknocker in recent months, and it has to end! The post -Halloween Party free-for-all at Pellegrine’s was total BULLS**T!!! Because of idiots fighting, one nightspot is facing a -
Richard Hell» Palabra Y Música En El Ateneo De Madrid
ATENEO DE MADRID Calle del Prado, 21 Madrid 28019 Ateneo de Madrid. Prensa. 91.429.17.50, ext.5 «SPOKEN WORD: RICHARD HELL» PALABRA Y MÚSICA EN EL ATENEO DE MADRID Vestido de negro, desgarbado, con sus inconfundibles gafas de concha apareció Richard Hell, una leyenda viviente de la música reconvertido a escritor, en el escenario del Salón de Actos del Ateneo de Madrid, donde le esperaba un micrófono, una gran pantalla y una guitarra eléctrica. Pocos artificios para un artista reposado, amable y que resultó increíblemente cercano. El primer impacto se produjo cuando Hell comenzó la lectura de fragmentos de una de sus novelas. La segunda mitad de los setenta no fue precisamente el mejor momento de la historia para ser joven, y las letras de Hell describen con crudeza el desencanto, la adicción a la heroína y la marginalidad de aquella época. El lenguaje crudo y directo dejó al público absorto mientras leía en la pantalla la traducción simultánea al castellano de las palabras de Hell. El ritual se mantuvo durante todo el acto, incluso en los momentos en que Hell se conviritó en estrella de la música acompañado a la guitarra por Javier Alonso (del grupo Novak). Gestual, divertido y algo caótico el mito inspirador del punk, consiguió embaucar al público mostrando su faceta de perdedor y desmontando el aura de enfant terrible o artista endiosado. El espectáculo concluyó con el estreno en España de su cortometraje Meet Theresa Stern, realizado por el propio Hell con Tom Verlaine en los años 90. Richard Hell (1949) que se apodó Hell por el poeta Rimbaud al que siempre ha admirado ofreció en el Ateneo de Madrid un concierto sin aditivos en el que demostró que por encima de todo es escritor y la palabra es la protagonista, pero la música se convierte en un elemento indisoluble, sin el que la palabra no tiene el mismo sentido. -
Tom Petty Sample Page.Vp
G DEBUT PEAK WKS O ARTIST L DATE POS CHR D Album Title Label & Number PETTY, Tom, And The Heartbreakers 1980s: #25 / 1990s: #25 / All-Time: #79 Born on 10/20/1950 in Gainesville, Florida. Died of a heart attack on 10/2/2017 (age 66). Rock singer/songwriter/guitarist. Formed The Heartbreakers in Los Angeles, California: Mike Campbell (guitar; born on 2/1/1950), Benmont Tench (keyboards; born on 9/7/1953), Ron Blair (bass; born on 9/16/1948) and Stan Lynch (drums; born on 5/21/1955). Howie Epstein (born on 7/21/1955; died of a drug overdose on 2/23/2003, age 47) replaced Blair in 1982; Blair returned in 2002, replacing Epstein. Steve Ferrone replaced Lynch in 1995. Scott Thurston (of The Motels) joined as tour guitarist in 1991 and eventually became a permanent member of the band. Petty appeared in the movies FM, Made In Heaven and The Postman and also voiced the character of Elroy “Lucky” Kleinschmidt on the animated TV series King Of The Hill. Member of the Traveling Wilburys. Tom Petty & The Heartbreakers were the subject of the 2007 documentary film Runnin’ Down A Dream, directed by Peter Bogdanovich. One of America’s favorite rock bands of the past five decades; they had wrapped up a 40th Anniversary concert tour shortly before Petty’s sudden death. Also see Mudcrutch. AWARDS: R&R Hall of Fame: 2002 Billboard Century: 2005 9/24/77+ 55 42 G 1 Tom Petty & The Heartbreakers................................................................................................................................. Shelter 52006 6/10/78 23 24 G 2 You’re Gonna Get It! .................................................................................................................................................. -
Hell Remembers Quine
RollingStone.com http://www.rollingstone.com/news/story?id=6128328&pageid=rs.Home&pageregion=&rnd=1... Hell Remembers Quine Head Voidoid talks about his fallen guitar player Quine and Hell in '76 "Part of being a guitar player -- ninety-nine percent of it -- is being obsessive enough to spend thousands of hours listening to records and practicing," Robert Quine told me in 2001. "I've always believed in immersing yourself in good music. Sooner or later, if you have any personality or musical intelligence of your own, you'll come up with your own thing." Quine -- who was found dead in his Manhattan home on June 5th, an apparent suicide at sixty-one -- was thrilling proof of his own theory. Beginning with his epochal solo on Richard Hell and the Voidoids' 1976 single "Blank Generation," Quine challenged the accepted low-brow standards of punk and garage-rock guitar, inventing a singular fusion of terrorism and tonality rooted in his lifelong loves of 1950s rockabilly, jazz and the Velvet Underground. He looked more like a pro bono lawyer than a guitar hero (Quine actually held a degree in law from Washington University in Missouri), and he only made two albums under his own name, both collaborations: 1981's Escape, with guitarist Jody Harris, and 1984's Basic, with ex-Material drummer Fred Maher. But with the Voidoids on the mighty 1977 Blank Generation album, as the second guitarist on Lou Reed's 1982 LP, The Blue Mask, and as a sideman on records by artists as varied as Tom Waits, Lydia Lunch, Scritti Politti, John Zorn, Lloyd Cole and Matthew Sweet, Quine elevated and transformed the songs of others with a pure fury and incisive melodicism.