DOCSLIB.ORG

Revealing the Deconstruction of Modern People’S Time

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Revealing the Deconstruction of Modern People’S Time REVEALING THE DECONSTRUCTION OF MODERN PEOPLE’S TIME CONCEPT IN MITCH ALBOM’S THE TIME KEEPER A THESIS Presented as Partial Fulfillment of the Requirements of the Attainment of a Sarjana Sastra Degree in English Literature By DEWI PUTRI PRASETIAWATI 10211144001 ENGLISH LITERATURE STUDY PROGRAM ENGLISH EDUCATION DEPARTMENT FACULTY OF LANGUAGES AND ARTS YOGYAKARTA STATE UNIVERSITY 2017 ii iii iv DEDICATIONS This thesis is dedicated to: My dearest Mom and Dad, and my most beloved family v MOTTO Apa gunanya ilmu kalau tidak memperluas jiwa seseorang sehingga ia berlaku seperti samudra yang menampung sampah-sampah? (Emha Ainun Nadjib) vi ACKNOWLEDGEMENTS All praise be to the Almighty Allah SWT for the endless blessings, guidance, and mercies that always enlighten me in finishing this thesis, which cannot be accomplished without the assistance from other people. Therefore, my sincere gratitude is delivered to: 1. Dr. Widyastuti Purbani, M.A., as my first supervisor, and Niken Anggraeni, M.A., as my second supervisor, who have given me precious knowledge, guidance, and support so that this thesis can finally be accomplished; 2. Yosa Abduh Alzuhdy, M. Hum., my academic supervisor, who has so patiently guided me through my academic years; 3. all lecturers of the English Language and Literature Study Program of Yogyakarta State University for their precious knowledge and experiences and also the staffs who have offered me supportive help; 4. Bapak and Ibu who give me unconditional, irreplacable, and endless love so I can keep my faith in accomplishing my responsibilities in life; 5. Mas Bayu and Mas Pras who have been the best brothers on earth, especially Mas Pras who has always taught me the precious life lessons so I can live my life wiser and wiser; 6. Damast and Ninis, who have been great partners in my life through the priceless love and empowerment; 7. Tom, who has given me a total support, and from whom I have I learnt a lot; 8. Uli Rima, who has helped me a lot in the process of finisihing this thesis; 9. my triangulators: Damast and Dita for their time and support; 10. all classmates in Class G 2010 and Literature Class for being incredible best friends and for giving me memorable and lovable lessons and experiences of life; and 11. All people, whom I cannot mention one by one, who helped me in the process of writing this thesis. vii viii TABLE OF CONTENTS Page TITLE .......................................................................................................... i APPROVAL SHEET .................................................................................. ii RATIFICATION SHEET ........................................................................... iii SURAT PERNYATAAN ............................................................................... iv DEDICATIONS ........................................................................................... v MOTTO ....................................................................................................... vi ACKNOWLEDGEMENTS ......................................................................... vii TABLE OF CONTENTS ............................................................................. x LIST OF FIGURE ....................................................................................... xii LIST OF TABLES ....................................................................................... xiii ABSTRACT .................................................................................................. xiv CHAPTER I INTRODUCTION ........................................................ 1 A. Background of the Research .............................................................. 1 B. Focus of the Research ........................................................................ 6 C. Formulation of the Problem ............................................................... 8 D. Objectives of the Research ................................................................ 8 E. Significance of the Research ............................................................. 9 CHAPTER II LITERATURE REVIEW ................................................. 10 A. Post-Structuralism ............................................................................. 10 1. Logocentrism ................................................................................... 12 2. The Unstbale Center ......................................................................... 15 3. Deconstruction .................................................................................. 18 a. The Concept of Deconstruction ................................................... 18 b. The Urgency to Deconstruct ....................................................... 20 ix c. The Method to Deconstruct ......................................................... 21 1) Finding the Binary Opposition Operation ............................... 21 2) Reversing the Old Binary Opposition Hierarchy ...................... 22 3) Dismantling the Old Held Views .............................................. 23 4) Welcoming the New Perspectives of the New Structure of Binary Opposition .................................................................. 23 5) Accepting Meaning as Undecidable ....................................... 24 B. Modern People’s Time Concept ........................................................... 24 1. How Modern People Use Their Time ........................................ 25 2. Modern People’s View on Their Used Time .................................. 27 C. Review of Previous Studies ............................................................... 28 D. Conceptual Framework ......................................................................... 30 CHAPTER III RESEARCH METHOD .................................................. 33 A. Research Design ................................................................................ 33 B. Data and Sources of Data ................................................................... 33 C. Research Instruments ......................................................................... 34 D. Technique of Data Collection ............................................................ 35 E. Data Analysis ..................................................................................... 37 F. Trustworthiness .................................................................................. 38 CHAPTER IV FINDINGS AND DISCUSSION ..................................... 40 A. Findings ............................................................................................. 40 1. The Logocentrism of Modern People’s Time Concept Exposed in The Time Keeper ...................................................................... 40 a. Valuable Time Concept ............................................................ 41 1) Being Out of the Present Moment ....................................... 42 2) Measuring Time ................................................................... 45 3) Controlling Time .................................................................. 48 4) Having an Endless Time ........................................................ 51 x 2. The Methods Used to Deconstruct the Logocentrism of Modern People’s Time Concept in The Time Keeper ................................. 54 a. Exposing Irony .......................................................................... 55 b. Through the Preaching of the Mythical Charcaters ................... 59 1. Preaching for Breaking the Logocentric Idea of Being Out of the Present Moment ......................................................... 60 2. Preaching for Breaking the Logocentric Idea of Measuring Time ..................................................................................... 62 3. Preaching for Breaking the Logocentric Idea of Controlling Time .................................................................. 64 4. Preaching for Breaking the Logocentric Idea of Having an Endless Time ........................................................................ 66 B. Discussion ......................................................................................... 67 CHAPTER V CONCLUSIONS AND SUGGESTIONS ........................ 74 A. Conclusions ....................................................................................... 74 B. Suggestions ....................................................................................... 77 REFERENCES ............................................................................................ 79 APPENDICES ............................................................................................. 82 Appendix I Synopsis of the Novel .................................................................. 82 Appendix II The Data ...................................................................................... 84 Appendix III Surat Pernyataan Triangulasi ...................................................... 112 xi LIST OF FIGURE Page Figure 1. The Framework of Thinking of the Research ................................. 32 xii LIST OF TABLES Page Table 1. The Data Sheet of the Logocentrism of Modern People’s Time Concept that are Exposed ............................................................................... 35 Table 2. The Data Sheet of the Method Used to Deconstruct ........................ 36 xiii REVEALING THE DECONSTRUCTION OF MODERN PEOPLE’S TIME CONCEPT IN MITCH ALBOM’S THE TIME KEEPER by Dewi Putri Prasetiawati 10211144001
Load more

Recommended publications
  • Season 5 Article
    N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s.
    [Show full text]
  • TWILIGHT ZONE Di Fabio Giovannini
    ROD SERLING’S THE TWILIGHT ZONE di Fabio Giovannini “C’è una quinta dimensione, oltre a quelle conosciute dall’uomo: è una dimensione grande come lo spazio e smisurata come l’infinito, è a mezza strada fra la luce e l’ombra, fra la scienza e la superstizione, fra la sommità delle cognizioni dell’Uomo ed il fondo dei suoi smarrimenti. È la dimensione della fantasia, è una zona che noi chiamiamo: ‘Il confine della realtà’. Dal 1959 milioni di schermi televisivi hanno trasmesso queste parole introduttive per una serie di telefilm che prometteva di condurre lo spettatore nella “quinta dimensione”. Le pronunciava, almeno nella versione originale americana, un serio personaggio dal naso schiacciato, Rod Serling. Nel 1959, quando iniziò The Twilight zone, era un personaggio del tutto sconosciuto, ma dopo un solo anno gli americani riconoscevano immediatamente la voce e i tratti di questo ospite che accompagnava nel territorio tra la luce e le tenebre, tra la scienza e la superstizione. Rod Serling in Italia non ha avuto alcuna fama, ma le sue parole “introduttive” sono egualmente entrate nelle tranquille case del bel- paese, per qualche anno. Le persone normali di Ai confini della realtà sempre precipitate in situazioni straordinarie, erano cesellate sul modello del cittadino medio statunitense, ma anche l’uomo comune italiano poteva identificarsi nelle fobie umane portate agli eccessi dall’abile Rod Serling. Twilight Zone (letteralmente la zona del crepuscolo) il serial televisivo che in Italia è stato trasmesso dalla RAI all’inizio degli anni Sessanta con il titolo Ai confini della realtà è stata la più lunga serie Tv di argomento fantastico prodotta negli Stati Uniti, se si eccettua la soap-opera Dark Shadows (le avventure del vampiro buono Barnabas Collins).
    [Show full text]
  • POCKET PROGRAM May 24-27, 2019
    BALTICON 53 POCKET PROGRAM May 24-27, 2019 Note: Program listings are current as of Monday, May 20 at 1:00pm. For up-to-date information, please pick up a schedule grid, the daily Rocket Mail, or see our downloadable, interactive schedule at: https://schedule.balticon.org/ LOCATIONS AND HOURS OF OPERATION Locations and Hours of Operation 5TH FLOOR, ATRIUM ENTRANCE: • Volunteer/Information Desk • Accessibility • Registration o Fri 1pm – 10pm o Sat 8:45am – 7pm o Sun 8:45am – 5pm o Mon 10am – 1:30pm 5TH FLOOR, ATRIUM: • Con Suite: Baltimore A o Friday 4pm – Monday 2pm Except from 3am – 6am • Dealers’ Rooms: Baltimore B & Maryland E/F o Fri 2pm – 7pm o Sat 10am – 7pm o Sun 10am – 7pm o Mon 10am – 2pm • Artist Alley & Writers’ Row o Same hours as Dealers, with breaks for participation in panels, workshops, or other events. • Art Show: Maryland A/B o Fri 5pm – 7pm; 8pm – 10pm o Sat 10am – 8pm o Sun 10am – 1pm; 2:15pm – 5pm o Mon 10am – noon • Masquerade Registration o Fri 4pm – 7pm • LARP Registration o Fri 5pm – 9pm o Sat 9am – 10:45am • Autographs: o See schedule BALTICON 53 POCKET PROGRAM 3 LOCATIONS AND HOURS OF OPERATION 5TH FLOOR: • Con Ops: Fells Point (past elevators) o Friday 2pm – Monday 5pm • Sales Table: outside Federal Hill o Fri 2pm – 6:30pm o Sat 10:30am – 7:30pm o Sun 10:30am – 7:30pm o Mon 10:30am – 3pm • Hal Haag Memorial Game Room: Federal Hill o Fri 4pm – 2am o Sat 10am – 2am o Sun 10am – 2am o Mon 10am – 3pm • RPG Salon: Watertable A 6TH FLOOR: • Open Filk: Kent o Fri 11pm – 2am o Sat 11pm – 2am o Sun 10pm – 2am o Mon 3pm – 5pm • Medical: Room 6017 INVITED PARTICIPANTS ONLY: • Program Ops: Fells Point (past elevators) o Fri 1pm – 8pm o Sat 9am – 3pm o Sun 9am – Noon o Other times: Contact Con Ops • Green Room: 12th Floor Presidential Suite o Fri 1pm – 9pm o Sat 9am – 7pm o Sun 9am – 4pm o Mon 9am – Noon Most convention areas will close by 2am each night.
    [Show full text]
  • University of California Riverside
    UNIVERSITY OF CALIFORNIA RIVERSIDE Omega Men The Masculinist Discourse of Apocalyptic Manhood in Postwar American Cinema A Dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English by Ezekiel Crago June 2019 Dissertation Committee: Dr. Sherryl Vint, Co-Chairperson Dr. Derek Burrill, Co-Chairperson Dr. Carole-Anne Tyler Copyright by Ezekiel Crago 2019 The Dissertation of Ezekiel Crago is approved: __________________________________________ __________________________________________ Committee Co-Chairperson __________________________________________ Committee Co-Chairperson University of California, Riverside Acknowledgments I wish to thank my committee chairs, Sherryl Vint and Derek Burrill, for their constant help and encouragement. Carole-Anne Tyler helped me greatly by discussing gender and queer theory with me. Josh Pearson read drafts of chapters and gave me invaluable advice. I was able to work out chapters by presenting them at the annual conference of the Science Fiction Research Association, and I am grateful to the members of the organization for being so welcoming. I owe Erika Anderson undying gratitude for meticulously aiding me in research and proofreading the entire project. iv ABSTRACT OF THE DISSERTATION Omega Men The Masculinist Discourse of Apocalyptic Manhood in Postwar American Cinema by Ezekiel Crago Doctor of Philosophy, Graduate Program in English University of California, Riverside, June 2019 Dr. Sherryl Vint, Co-Chairperson Dr. Derek Burrill, Co-Chairperson This study investigates anxieties over the role of white masculinity in American society after World War Two articulated in speculative films of the post-apocalypse. It treats the nascent genre of films as attempts to recenter white masculinity in the national imagination while navigating the increased visibility of this subject position, one that maintains dominance in society through its invisibility as superordinate standard of manhood.
    [Show full text]
  • C:\Documents and Settings\Owner\Desktop
    The Twilight Zone Checklist SEASON ONE (1959-60) Episode Aired Stars U Where Is Everybody? 10/2/59 Earl Holliman, James Gregory One for the Angels 10/9/59 Ed Wynn, Murray Hamilton Mr. Denton on Doomsday 10/16/59 Dan Duryea, Martin Landau The 16-Millimeter Shrine 10/23/59 Ida Lupino, Martin Balsam Walking Distance 10/30/59 Gig Young, Frank Overton Escape Clause 11/06/59 David Wayne, Thomas Gomez The Lonely 11/13/59 Jack Warden, Jean Marsh Time Enough at Last 11/20/59 Burgess Meredith, Jacqueline DeWitt Perchance to Dream 11/27/59 Richard Conte, Suzanne Lloyd Judgment Night 12/04/59 Nehemiah Persoff, Ben Wright, Patrick Macnee And When The Sky Was Opened 12/11/59 Rod Taylor, Charles Aidman, Jim Hutton What You Need 12/25/59 Steve Cochran, Ernest Truex, Arlene Martel The Four of Us Are Dying 01/01/60 Harry Townes, Ross Martin Third from the Sun 01/08/60 Fritz Weaver, Joe Maross I Shot An Arrow Into the Air 01/16/60 Dewey Martin, Edward Binns The Hitch-Hiker 01/22/60 Inger Stevens, Leonard Strong The Fever 01/29/60 Everett Sloane, Vivi Janiss The Last Flight 02/05/60 Kenneth Haigh, Simon Scott The Purple Testament 02/12/60 William Reynolds, Dick York Elegy 02/19/60 Cecil Kellaway, Jeff Morrow, Kevin Hagen Mirror Image 02/26/60 Vera Miles, Martin Milner The Monsters Are Due on Maple St 03/04/60 Claude Atkins, Barry Atwater, Jack Weston A World of Difference 03/11/60 Howard Duff, Eileen Ryan, David White Long Live Walter Jameson 03/18/60 Kevin McCarthy, Estelle Winwood People Are Alike All Over 03/25/60 Roddy McDowall, Susan Oliver The Twilight Zone Checklist SEASON ONE - continued Episode Aired Stars UUU Execution 04/01/60 Albert Salmi, Russell Johnson The Big Tall Wish 04/08/60 Ivan Dixon, Steven Perry A Nice Place to Visit 04/15/60 Larry Blyden, Sebastien Cabot Nightmare as a Child 04/29/60 Janice Rule, Terry Burnham A Stop at Willoughby 05/06/60 James Daly, Howard Smith The Chaser 05/13/60 George Grizzard, John McIntire A Passage for Trumpet 05/20/60 Jack Klugman, Mary Webster Mr.
    [Show full text]
  • An Atlas of Armageddon: Interpreting Cultural
    AN ATLAS OF ARMAGEDDON: INTERPRETING CULTURAL HISTORY IN A NUCLEAR MISSILE SILO by ERIC BAUGHER (Under the Direction of Ian Firth) ABSTRACT Conventional historic preservation of military artifacts and sites is typically limited to presenting technological context and/or official military history. Cultural context is usually ignored in developing preservation strategies for these sites. This thesis explores ways in which the Atlas F Intercontinental Ballistic Missile (ICBM) came to embody cultural fears and concerns about nuclear technology, including ways in which these fears were expressed in cultural media. It then goes on to argue for a more culturally inclusive, dynamic, interpretive approach to preservation of historic military landscapes and architecture. Using a specific Atlas F ICBM silo, three possible design alternatives are generated as examples of how to present relevant cultural history on such a site. INDEX WORDS: historic preservation, landscape architecture, military landscapes, public history, cultural history, Cold War, ICBM, Atlas F, nuclear missile silos, nuclear weapons, cultural museums AN ATLAS OF ARMAGEDDON: INTERPRETING CULTURAL HISTORY IN A NUCLEAR MISSILE SILO by ERIC BAUGHER BA, St. Mary's College of MD, 1998 A Thesis Submitted to the Graduate Faculty of The University of Georgia in Partial Fulfillment of the Requirements for the Degree MASTER OF LANDSCAPE ARCHITECTURE ATHENS, GEORGIA 2003 © 2003 Eric Baugher All Rights Reserved AN ATLAS OF ARMAGEDDON: INTERPRETING CULTURAL HISTORY IN A NUCLEAR MISSILE SILO by ERIC BAUGHER Major Professor: Ian Firth Committee: Marianne Cramer James Dowd Henry Parker Electronic Version Approved: Maureen Grasso Dean of the Graduate School The University of Georgia May 2003 iv ACKNOWLEDGEMENTS I would like to thank a few folks who helped keep me sane through the process of writing this thesis.
    [Show full text]
  • Cbs Collection 072 Ucla
    CBS COLLECTION 072 UCLA by Bill Wrobel [NOTE: I first worked on the CBS Collection 072 (Deed of Gift # 1) when it was officially opened to researchers, perhaps in May 1989. I did not make note of the exact day. On April 18, 1995 I had an unexpected opportunity to look at the Deed of Gifts document information dated July 1, 1991. Here Robert Drasnin, Head of Music CBS/MTM Studios in North Hollywood, stated that the music section will close soon, so he authorized to send the rest of the old CBS materials to UCLA. The 1st Deed of Gift was in late November/early December 1988. This 2nd Deed of Gift is dated November 1991. CBS Studios at that time was purchased by Sony Corporation that was initiating a belt-tightening policy. So manuscript music scores, timing sheets, log books of original recording sessions, business records, correspondence, reels, etc., were donated to UCLA. I believe there were 466 boxes in Deed of Gift # 2. Boxes 1-36 (the numbering is different now) had scores, timing sheets, etc. Boxes 37-300 had CBS records of recording sessions in three-ring binders. Boxes 326-8 are foreign library recordings. Boxes 329-342 had miscellaneous production correspondence & other documents. Boxes 343-347 had misc. scores with production documents. Boxes 348-9 had photocopies of scores in three- ring binders. Boxes 350-353 had mix productions, some scripts. Boxes 354-374 contained music on tapes in 10 inch hubs or 7 inch reels. Boxes 357-389 had production documents. Boxes 390-393 had published popular sheet music.
    [Show full text]
  • The Multiplayer Game: User Identity and the Meaning Of
    THE MULTIPLAYER GAME: USER IDENTITY AND THE MEANING OF HOME VIDEO GAMES IN THE UNITED STATES, 1972-1994 by Kevin Donald Impellizeri A dissertation submitted to the Faculty of the University of Delaware in partial fulfilment of the requirements for the degree of Doctor of Philosophy in History Fall 2019 Copyright 2019 Kevin Donald Impellizeri All Rights Reserved THE MULTIPLAYER GAME: USER IDENTITY AND THE MEANING OF HOME VIDEO GAMES IN THE UNITED STATES, 1972-1994 by Kevin Donald Impellizeri Approved: ______________________________________________________ Alison M. Parker, Ph.D. Chair of the Department of History Approved: ______________________________________________________ John A. Pelesko, Ph.D. Dean of the College of Arts and Sciences Approved: ______________________________________________________ Douglas J. Doren, Ph.D. Interim Vice Provost for Graduate and Professional Education and Dean of the Graduate College I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: ______________________________________________________ Katherine C. Grier, Ph.D. Professor in charge of dissertation. I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: ______________________________________________________ Arwen P. Mohun, Ph.D. Member of dissertation committee I certify that I have read this dissertation and that in my opinion it meets the academic and professional standard required by the University as a dissertation for the degree of Doctor of Philosophy. Signed: ______________________________________________________ Jonathan Russ, Ph.D.
    [Show full text]
  • Rod Serling Papers, 1945-1969
    http://oac.cdlib.org/findaid/ark:/13030/kt5489n8zx No online items Finding Aid for the Rod Serling papers, 1945-1969 Finding aid prepared by Processed by Simone Fujita in the Center for Primary Research and Training (CFPRT), with assistance from Kelley Wolfe Bachli, 2010. Prior processing by Manuscripts Division staff; machine-readable finding aid created by Caroline Cubé UCLA Library, Department of Special Collections Manuscripts Division Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2002 The Regents of the University of California. All rights reserved. Finding Aid for the Rod Serling 1035 1 papers, 1945-1969 Descriptive Summary Title: Rod Serling papers Date (inclusive): 1945-1969 Collection number: 1035 Creator: Serling, Rod, 1924- Extent: 23 boxes (11.5 linear ft.) Abstract: Rodman Edward Serling (1924-1975) wrote teleplays, screenplays, and many of the scripts for The Twilight Zone (1959-65). He also won 6 Emmy awards. The collection consists of scripts for films and television, including scripts for Serling's television program, The Twilight Zone. Also includes correspondence and business records primarily from 1966-1968. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Department of Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Department of Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research.
    [Show full text]
  • Romantic Poetologies: Collaboration and Interdisciplinarity in Early Anglo-German Romanticism
    Romantic Poetologies: Collaboration and Interdisciplinarity in early Anglo-German Romanticism Ammara Ashraf A thesis submitted for the degree of Doctor of Philosophy 2013 Department of English, School of English and Drama Queen Mary, University of London 1 Abstract This thesis reads seminal texts such as Wordsworth’s prose, Lyrical Ballads, The Prelude, and The Excursion alongside Coleridge’s poetic theory and practice and Novalis, Tieck and Friedrich Schlegel’s philosophical novels and fragments, as ‘poetologies’. My initial research aim is to test how successfully Wordsworth can be read as part of this Anglo-German comparative framework, from which criticism has tended to exclude him. This is done through demonstrating the centrality of irony and drama to the philosophical character of Wordsworth’s poetry. Drawing on the theory of the Frühromantiker, I demonstrate that Wordsworth’s revisionary habit and his use of ballads and epitaphs shape a poetics constantly ‘in the process of becoming’ (F. Schlegel), the vehicle of the poet’s aspirations to dramatize a potentially infinite self-consciousness. Secondly, my thesis investigates the ways of reading these seminal texts which give us a clearer idea of how Romantic writers internally situate their own work through their use of contrasting genres. This investigation expands to examine how the collaborative, interdisciplinary ventures proposed by Romantic writers elaborate the concept of ‘poetology’ as a practicable theory. This leads to my final research aim: to make apparent that these methodologies result in the Mischgedicht, the ‘mixed poem’ which Schlegel theorizes as the ultimate incarnation of modern, ‘Romantic’ literature. The thesis concludes by drawing theories, methodologies and texts together and making sense of that ultimate continuity sought by the Romantic project.
    [Show full text]
  • Super! Drama TV March 2021
    Super! drama TV March 2021 Note: #=serial number [J]=in Japanese 2021.03.01 2021.03.02 2021.03.03 2021.03.04 2021.03.05 2021.03.06 2021.03.07 Mon Tue Wed Thu Fri Sat Sun 06:00 06:00 THE TWILIGHT ZONE Season 3 06:00 THE TWILIGHT ZONE Season 3 06:00 THE TWILIGHT ZONE Season 3 06:00 THE TWILIGHT ZONE Season 3 06:00 THE TWILIGHT ZONE Season 3 06:00 06:00 THE TWILIGHT ZONE Season 3 06:00 TWILIGHT ZONE Season 4 06:00 #26「Little Girl Lost」 #28「The Little People」 #30「Hocus-Pocus and Frisby」 #32「The Gift」 #34「Young Man's Fancy」 #36「Cavender is Coming」 #1 「In His Image」 06:30 06:30 THE TWILIGHT ZONE Season 3 06:30 THE TWILIGHT ZONE Season 3 06:30 THE TWILIGHT ZONE Season 3 06:30 THE TWILIGHT ZONE Season 3 06:30 THE TWILIGHT ZONE Season 3 06:30 06:30 THE TWILIGHT ZONE Season 3 06:30 #27「Person or Persons Unknown」 #29「Four O'Clock」 #31「The Trade-Ins」 #33「The Dummy」 #35「I Sing the Body Electric」 #37「The Changing of the Guard」 07:00 07:00 CRIMINAL MINDS Season 7 07:00 CRIMINAL MINDS Season 7 07:00 CRIMINAL MINDS Season 7 07:00 CRIMINAL MINDS Season 7 07:00 CRIMINAL MINDS Season 7 07:00 07:00 STAR TREK Season 1 07:00 THUNDERBIRDS 07:00 #4 #5 #6 #7 #8 #16 #11 「Painless」 「From Childhood's Hour」 「Epilogue」 「There's No Place Like Home」 「Hope」 「The Galileo Seven」 「SUN PROBE」 07:30 07:30 07:30 08:00 08:00 SUPERNATURAL Season 13 08:00 SUPERNATURAL Season 13 08:00 SUPERNATURAL Season 13 08:00 SUPERNATURAL Season 13 08:00 SUPERNATURAL Season 13 08:00 08:00 ULTRAMAN towards the future 08:00 THUNDERBIRDS 08:00 #19 #20 #21 #22 #23 #4「the storm hunter」 #12 「Funeralia」
    [Show full text]
  • Twlight Zone Episode Guide
    a Ed Wynn in One For The Angels EPISODE GUIDE ESCAPE CLAUSE JUDGMENT NIGHT Writer: Rod Serling. Director: Mitch Leisen. Cast: Writer: Rod Serling. Director: John Brahm. Cast: Compiled by GARY GERANI, David Wayne, Virginia Christine, Wendell Holmes, Nehemiah Persoff, Ben Wright, Patrick McNee, Bradley Deirdre Owen, author of Fantastic Television Thomas Gomez. Hugh Sanders, Leslie James Franciscus. A hypochondriac makes a pact with the Devil Murky tale about a passenger aboard a war- for immortality. He then kills someone for First Season: 1959-60 time freighter who is certain the ship will be kicks, but instead of getting the electric chair, sunk at 1:15A.M. he is sentenced to life imprisonment! WHERE IS EVERYBODY? Writer: Rod Serling. Director: Robert Stevens. AND WHEN THE SKY WAS Cast: Earl Holliman, James Gregory. THE LONELY Writer: Rod Serling. Director: Jack Smight. Cast: Pilot show for the series concerns a man who OPENED Jack Warden, Jean Marsh, John Dehner, Ted Writer: Rod Serling. Director: Douglas Heyes. finds himself in a completely deserted city. In Knight, JimTurley. Cast: Rod Taylor, Charles Aidman, James Hutton, the end, we learn that it was all a test to ob- This classic episode concerns one James Maxine Cooper. serve how human beings will respond to ex- Corry (Warden), a man convicted of murder After three astronauts return from man's first treme loneliness during space flights. This and sentenced to spend forty years on a dis- space flight, each of them mysteriously dis- was the only episode shot at Universal tant asteroid. He has only one companion— appears.
    [Show full text]