European Fascism, 1919 to the Present
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John Gunther
january 1934 Dollfuss and the Future of Austria John Gunther Volume 12 • Number 2 The contents of Foreign Affairs are copyrighted.©1934 Council on Foreign Relations, Inc. All rights reserved. Reproduction and distribution of this material is permitted only with the express written consent of Foreign Affairs. Visit www.foreignaffairs.com/permissions for more information. DOLLFUSS AND THE FUTURE OF AUSTRIA By John G?nther two VIRTUALLY unknown years ago, Dr. Engelbert Doll fuss has become the political darling of Western Europe. Two have seen him in the chambers years ago you might ? of the Austrian which he killed his parliament subsequently ? cherubic little face gleaming, his small, sturdy fists a-flutter career a and wondered what sort of awaited politician so per as as sonally inconspicuous. This year London and Geneva well Vienna have done him homage. Whence this sudden and dramatic are rise? Partly it derives from his personal qualities, which events considerable; partly it is because made him Europe's first a sort bulwark against Hitler, of Nazi giant-killer. And stature came to him paradoxically because he is four feet eleven inches high. Dollfuss was born a peasant and with belief in God. These are two facts paramount in his character. They have contributed much to his popularity, because Austria is three-fifths peasant, a with population 93 percent Roman Catholic. Much of his comes extreme personal charm and force from his simplicity of and amount to manner; his modesty directness almost na?vet?. no no Here is iron statue like Mustapha Kemal, fanatic evangelist a like Hitler. -
Chapter One: Introduction
CHANGING PERCEPTIONS OF IL DUCE TRACING POLITICAL TRENDS IN THE ITALIAN-AMERICAN MEDIA DURING THE EARLY YEARS OF FASCISM by Ryan J. Antonucci Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the History Program YOUNGSTOWN STATE UNIVERSITY August, 2013 Changing Perceptions of il Duce Tracing Political Trends in the Italian-American Media during the Early Years of Fascism Ryan J. Antonucci I hereby release this thesis to the public. I understand that this thesis will be made available from the OhioLINK ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: Ryan J. Antonucci, Student Date Approvals: Dr. David Simonelli, Thesis Advisor Date Dr. Brian Bonhomme, Committee Member Date Dr. Martha Pallante, Committee Member Date Dr. Carla Simonini, Committee Member Date Dr. Salvatore A. Sanders, Associate Dean of Graduate Studies Date Ryan J. Antonucci © 2013 iii ABSTRACT Scholars of Italian-American history have traditionally asserted that the ethnic community’s media during the 1920s and 1930s was pro-Fascist leaning. This thesis challenges that narrative by proving that moderate, and often ambivalent, opinions existed at one time, and the shift to a philo-Fascist position was an active process. Using a survey of six Italian-language sources from diverse cities during the inauguration of Benito Mussolini’s regime, research shows that interpretations varied significantly. One of the newspapers, Il Cittadino Italo-Americano (Youngstown, Ohio) is then used as a case study to better understand why events in Italy were interpreted in certain ways. -
SS-Totenkopfverbände from Wikipedia, the Free Encyclopedia (Redirected from SS-Totenkopfverbande)
Create account Log in Article Talk Read Edit View history SS-Totenkopfverbände From Wikipedia, the free encyclopedia (Redirected from SS-Totenkopfverbande) Navigation Not to be confused with 3rd SS Division Totenkopf, the Waffen-SS fighting unit. Main page This article may require cleanup to meet Wikipedia's quality standards. No cleanup reason Contents has been specified. Please help improve this article if you can. (December 2010) Featured content Current events This article needs additional citations for verification. Please help improve this article by adding Random article citations to reliable sources. Unsourced material may be challenged and removed. (September 2010) Donate to Wikipedia [2] SS-Totenkopfverbände (SS-TV), rendered in English as "Death's-Head Units" (literally SS-TV meaning "Skull Units"), was the SS organization responsible for administering the Nazi SS-Totenkopfverbände Interaction concentration camps for the Third Reich. Help The SS-TV was an independent unit within the SS with its own ranks and command About Wikipedia structure. It ran the camps throughout Germany, such as Dachau, Bergen-Belsen and Community portal Buchenwald; in Nazi-occupied Europe, it ran Auschwitz in German occupied Poland and Recent changes Mauthausen in Austria as well as numerous other concentration and death camps. The Contact Wikipedia death camps' primary function was genocide and included Treblinka, Bełżec extermination camp and Sobibor. It was responsible for facilitating what was called the Final Solution, Totenkopf (Death's head) collar insignia, 13th Standarte known since as the Holocaust, in collaboration with the Reich Main Security Office[3] and the Toolbox of the SS-Totenkopfverbände SS Economic and Administrative Main Office or WVHA. -
Printed Covers Sailing Through the Air As Their Tables Are REVIEWS and REFUTATIONS Ipped
42 RECOMMENDED READING Articles Apoliteic music: Neo-Folk, Martial Industrial and metapolitical fascism by An- ton Shekhovtsov Former ELF/Green Scare Prisoner Exile Now a Fascist by NYC Antifa Books n ٻThe Nature of Fascism by Roger Gri Modernism and Fascism: The Sense of a Beginning under Mussolini and Hitler by Roger n ٻGri n ٻFascism edited by Roger Gri Black Sun: Aryan Cults, Esoteric Nazism, and the Politics of Identity by Nicholas Go- A FIELD GUIDE TO STRAW MEN odrick-Clarke Gods of the Blood: The Pagan Revival and White Separatism by Mattias Gardell Modernity and the Holocaust by Zygmunt Bauman Sadie and Exile, Esoteric Fascism, and Exterminate All the Brutes by Sven Lindqvist Confronting Fascism: Discussion Documents for a Militant Movement by Don Hamerquist, Olympias Little White Lies J. Sakai, Anti-Racist Action Chicago, and Mark Salotte Baedan: A Journal of Queer Nihilism Baedan 2: A Queer Journal of Heresy Baedan 3: A Journal of Queer Time Travel Against His-story, Against Leviathan! by Fredy Perlman Caliban and the Witch: Women, the Body, and Primitive Accumulation by Silvia Federici Witchcraft and the Gay Counterculture by Arthur Evans The Many-Headed Hydra: Sailors, Slaves, Commoners, and the Hidden History of the Revo- lutionary Atlantic by Peter Linebaugh and Marcus Rediker Gone to Croatan: Origins of North American Dropout Culture edited by Ron Sakolsky and James Koehnline The Subversion of Politics: European Autonomous Social Movements and the Decolonization of Everyday Life by Georgy Katsia cas 1312 committee // February 2016 How the Irish Became White by Noel Ignatiev How Deep is Deep Ecology? by George Bradford Against the Megamachine: Essays on Empire and Its Enemies by David Watson Elements of Refusal by John Zerzan Against Civilization edited by John Zerzan This World We Must Leave and Other Essays by Jacques Camatte 41 total resistance mounted to the advent of industrial society. -
Tyranny Could Not Quell Them
ONE SHILLING , By Gene Sharp WITH 28 ILLUSTRATIONS , INCLUDING PRISON CAM ORIGINAL p DRAWINGS This pamphlet is issued by FOREWORD The Publications Committee of by Sigrid Lund ENE SHARP'S Peace News articles about the teachers' resistance in Norway are correct and G well-balanced, not exaggerating the heroism of the people involved, but showing them as quite human, and sometimes very uncertain in their reactions. They also give a right picture of the fact that the Norwegians were not pacifists and did not act out of a sure con viction about the way they had to go. Things hap pened in the way that they did because no other wa_v was open. On the other hand, when people acted, they The International Pacifist Weekly were steadfast and certain. Editorial and Publishing office: The fact that Quisling himself publicly stated that 3 Blackstock Road, London, N.4. the teachers' action had destroyed his plans is true, Tel: STAmford Hill 2262 and meant very much for further moves in the same Distribution office for U.S.A.: direction afterwards. 20 S. Twelfth Street, Philadelphia 7, Pa. The action of the parents, only briefly mentioned in this pamphlet, had a very important influence. It IF YOU BELIEVE IN reached almost every home in the country and every FREEDOM, JUSTICE one reacted spontaneously to it. AND PEACE INTRODUCTION you should regularly HE Norwegian teachers' resistance is one of the read this stimulating most widely known incidents of the Nazi occu paper T pation of Norway. There is much tender feeling concerning it, not because it shows outstanding heroism Special postal ofler or particularly dramatic event§, but because it shows to new reuders what happens where a section of ordinary citizens, very few of whom aspire to be heroes or pioneers of 8 ~e~~ 2s . -
Appendix: More on Methodology
Appendix: More on Methodology Over the years my fi rst monograph, The Nature of Fascism (1991), has been charged by some academic colleagues with essentialism, reductionism, ‘revisionism’, a disinterest in praxis or material realities, and even a philosophical idealism which trivializes the human suffering caused by Hitler’s regime. It is thus worth offering the more methodologically self-aware readers, inveterately sceptical of the type of large-scale theorizing (‘metanarration’) that forms the bulk of Part One of this book, a few more paragraphs to substantiate my approach and give it some sort of intellectual pedigree. It can be thought of as deriving from three lines of methodological inquiry – and there are doubtless others that are complementary to them. One is the sophisticated (but inevitably contested) model of concept formation through ‘idealizing abstraction’1 which was elaborated piece-meal by Max Weber when wrestling with a number of the dilemmas which plagued the more epistemologically self-aware academics engaged in the late nineteenth-century ‘Methodenstreit’. This was a confl ict over methodology within the German human sciences that anticipated many themes of the late twentieth-century debate over how humanities disciplines should respond to postmodernism and the critical turn.2 The upshot of this line of thinking is that researchers must take it upon themselves to be as self-conscious as possible in the process of constructing the premises and ‘ideal types’ which shape the investigation of an area of external reality. Nor should they ever lose sight of the purely heuristic nature of their inquiry, and hence its inherently partial, incomplete nature. -
A British Reflection: the Relationship Between Dante's Comedy and The
A British Reflection: the Relationship between Dante’s Comedy and the Italian Fascist Movement and Regime during the 1920s and 1930s with references to the Risorgimento. Keon Esky A thesis submitted in fulfilment of requirements for the degree of Doctor of Philosophy, Faculty of Arts and Social Sciences. University of Sydney 2016 KEON ESKY Fig. 1 Raffaello Sanzio, ‘La Disputa’ (detail) 1510-11, Fresco - Stanza della Segnatura, Palazzi Pontifici, Vatican. KEON ESKY ii I dedicate this thesis to my late father who would have wanted me to embark on such a journey, and to my partner who with patience and love has never stopped believing that I could do it. KEON ESKY iii ACKNOWLEDGEMENTS This thesis owes a debt of gratitude to many people in many different countries, and indeed continents. They have all contributed in various measures to the completion of this endeavour. However, this study is deeply indebted first and foremost to my supervisor Dr. Francesco Borghesi. Without his assistance throughout these many years, this thesis would not have been possible. For his support, patience, motivation, and vast knowledge I shall be forever thankful. He truly was my Virgil. Besides my supervisor, I would like to thank the whole Department of Italian Studies at the University of Sydney, who have patiently worked with me and assisted me when I needed it. My sincere thanks go to Dr. Rubino and the rest of the committees that in the years have formed the panel for the Annual Reviews for their insightful comments and encouragement, but equally for their firm questioning, which helped me widening the scope of my research and accept other perspectives. -
" Triumph of the Will": a Limit Case for Effective-Historical Consciousness?
DOCUMENT RESUME ED 355 611 CS 508 146 AUTHOR Schwartzman, Roy TITLE "Triumph of the Will": A Limit Case for Effective-Historical Consciousness? PUB DATE Jan 93 NOTE 27p.; Paper presented at the Annual Florida State University Conference on Literature and Film (18th, Tallahassee, FL, January 1993). PUB TYPE Speeches/Conference Papers (150) Reports Evaluative /Feasibility (142) Guid'ts Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MFOI/PCO2 Plus Postage. DESCRIPTORS *Audience Awareness; *Critical Viewing; Documentaries; Film Criticism; *Film Study; Foreign Countries; Higher Education; *Mass Media Role; *Mass Media Use; Media Research; Nazism; *Persuasive Discourse; Propaganda IDENTIFIERS Film Genres; Film History; Film Viewing; Gadamer (Hans Georg); Germany; *Triumph of the Will ABSTRACT A film presented as factual may permit critical responses that question its purported factual objectivity and political neutrality. In class, Hans-Georg Gadamer's concept 3f effective-historical consciousness can be used to evaluate the allegedly propagandistic messages in Leni Riefenstahl's "Triumph of the Will." Analysis of this 1934 film reveals how it reinforced racial doctrines propagated by the Nazis and by scientists who sympathized with these racial views. Somewhat paradoxically, Riefenstahl's film may be considered a harbinger of twogenres in film whose essences seem contradictory: documentary and propaganda. "Triumph of the Will" contains no narration whatsoever after brief introductory remarks. Nat verbalized, these remarks are printedon successive screens in short phrases. This lack of narration reduces the critical distance between viewer and event. The opening scene features Adolf Hitler emerging from a plane to grace Nuremberg with his presence, and to rescue and transform Germany. -
Page 540 H-France Review Vol. 9 (October 2009), No. 129 Samuel
H-France Review Volume 9 (2009) Page 540 H-France Review Vol. 9 (October 2009), No. 129 Samuel Kalman, The Extreme Right in Interwar France: The Faisceau and the Croix de Feu. Hampshire and Burlington, VT: Ashgate, 2008. x+ 265 pp. Bibliography and index. $99.95 U.S. (cl). ISBN 978-0-7546- 6240-2. Review by Samual Huston Goodfellow, Westminster College. One of the greatest challenges in writing about fascism and the right in the interwar era is the problem of definition. What is fascism? How is it different from the extreme right or even conservatism? Is fascism an outgrowth of the left? The impulse towards differentiation, although it has its purposes, obscures the messy reality of the bundle of political and social organizations that operated on the right. Lack of a clear foundational ideology, the moral taint associated with fascism, and the often experimental quality of these new movements further complicate the task of creating clear categories. Samuel Kalman sidesteps many of these questions by resorting to a different terminology. Instead of dwelling on the now stale question of whether the Faisceau or the Croix de Feu/ Parti Social Français (CdF/PSF) was, or was not, fascist, Kalman simply refers to them as part of the extreme right and chooses to focus instead on the strands that ran through the groups as well as on the internecine struggles within the groups. This is not a book about the definitional purity of the term fascism or even the extreme right, but about two issues: the linkages over time and across issues and the discord within movements. -
Naples and the Nation in Cultural Representations of the Allied Occupation. California Italian Studies, 7(2)
Glynn, R. (2017). Naples and the Nation in Cultural Representations of the Allied Occupation. California Italian Studies, 7(2). https://escholarship.org/uc/item/1vp8t8dz Publisher's PDF, also known as Version of record License (if available): CC BY-NC Link to publication record in Explore Bristol Research PDF-document This is the final published version of the article (version of record). It first appeared online via University of California at https://escholarship.org/uc/item/1vp8t8dz . Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ UC Berkeley California Italian Studies Title Naples and the Nation in Cultural Representations of the Allied Occupation Permalink https://escholarship.org/uc/item/1vp8t8dz Journal California Italian Studies, 7(2) Author Glynn, Ruth Publication Date 2017-01-01 License CC BY-NC 4.0 Peer reviewed eScholarship.org Powered by the California Digital Library University of California Naples and the Nation in Cultural Representations of the Allied Occupation Ruth Glynn The Allied Occupation in 1943–45 represents a key moment in the history of Naples and its relationship with the outside world. The arrival of the American Fifth Army on October 1, 1943 represented the military liberation of the city from both Nazi fascism and starvation, and inaugurated an extraordinary socio-cultural encounter between the international troops of the Allied forces and a war-weary population. -
The Croatian Ustasha Regime and Its Policies Towards
THE IDEOLOGY OF NATION AND RACE: THE CROATIAN USTASHA REGIME AND ITS POLICIES TOWARD MINORITIES IN THE INDEPENDENT STATE OF CROATIA, 1941-1945. NEVENKO BARTULIN A thesis submitted in fulfilment Of the requirements for the degree of Doctor of Philosophy University of New South Wales November 2006 1 2 3 Acknowledgements I would like to thank my supervisor Dr. Nicholas Doumanis, lecturer in the School of History at the University of New South Wales (UNSW), Sydney, Australia, for the valuable guidance, advice and suggestions that he has provided me in the course of the writing of this thesis. Thanks also go to his colleague, and my co-supervisor, Günther Minnerup, as well as to Dr. Milan Vojkovi, who also read this thesis. I further owe a great deal of gratitude to the rest of the academic and administrative staff of the School of History at UNSW, and especially to my fellow research students, in particular, Matthew Fitzpatrick, Susie Protschky and Sally Cove, for all their help, support and companionship. Thanks are also due to the staff of the Department of History at the University of Zagreb (Sveuilište u Zagrebu), particularly prof. dr. sc. Ivo Goldstein, and to the staff of the Croatian State Archive (Hrvatski državni arhiv) and the National and University Library (Nacionalna i sveuilišna knjižnica) in Zagreb, for the assistance they provided me during my research trip to Croatia in 2004. I must also thank the University of Zagreb’s Office for International Relations (Ured za meunarodnu suradnju) for the accommodation made available to me during my research trip. -
Utopian Aspirations in Fascist Ideology: English and French Literary Perspectives 1914-1945
Utopian Aspirations in Fascist Ideology: English and French Literary Perspectives 1914-1945 Ashley James Thomas Discipline of History School of History & Politics University of Adelaide Thesis presented as the requirement for the degree of Doctor of Philosophy in the Faculty of Humanities and Social Sciences University of Adelaide March 2010 CONTENTS Abstract iii Declaration iv Acknowledgments v Chapter One: Introduction 1 Chapter Two: Interpreting Fascism: An Evolving 26 Historiography Chapter Three: The Fascist Critique of the Modern 86 World Chapter Four: Race, Reds and Revolution: Specific 156 Issues in the Fascist Utopia Chapter Five: Conclusion 202 Bibliography 207 ABSTRACT This thesis argues that utopian aspirations are a fruitful way to understand fascism and examines the utopian ideals held by a number of fascist writers. The intention of this thesis is not to define fascism. Rather, it is to suggest that looking at fascism’s goals and aspirations might reveal under-examined elements of fascism. This thesis shows that a useful way to analyse the ideology of fascism is through an examination of its ideals and goals, and by considering the nature of a hypothetical fascist utopia. The most common ways of examining fascism and attempting to isolate its core ideological features have been by considering it culturally, looking at the metaphysical and philosophical claims fascists made about themselves, or by studying fascist regimes, looking at the external features of fascist movements, parties and governments. In existing studies there is an unspoken middle ground, where fascism could be examined by considering practical issues in the abstract and by postulating what a fascist utopia would be like.