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Reactionary Postmodernism? Neoliberalism, Multiculturalism, the Internet, and the Ideology of the New Far Right in Germany
University of Vermont ScholarWorks @ UVM UVM Honors College Senior Theses Undergraduate Theses 2018 Reactionary Postmodernism? Neoliberalism, Multiculturalism, the Internet, and the Ideology of the New Far Right in Germany William Peter Fitz University of Vermont Follow this and additional works at: https://scholarworks.uvm.edu/hcoltheses Recommended Citation Fitz, William Peter, "Reactionary Postmodernism? Neoliberalism, Multiculturalism, the Internet, and the Ideology of the New Far Right in Germany" (2018). UVM Honors College Senior Theses. 275. https://scholarworks.uvm.edu/hcoltheses/275 This Honors College Thesis is brought to you for free and open access by the Undergraduate Theses at ScholarWorks @ UVM. It has been accepted for inclusion in UVM Honors College Senior Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. REACTIONARY POSTMODERNISM? NEOLIBERALISM, MULTICULTURALISM, THE INTERNET, AND THE IDEOLOGY OF THE NEW FAR RIGHT IN GERMANY A Thesis Presented by William Peter Fitz to The Faculty of the College of Arts and Sciences of The University of Vermont In Partial Fulfilment of the Requirements For the Degree of Bachelor of Arts In European Studies with Honors December 2018 Defense Date: December 4th, 2018 Thesis Committee: Alan E. Steinweis, Ph.D., Advisor Susanna Schrafstetter, Ph.D., Chairperson Adriana Borra, M.A. Table of Contents Introduction 1 Chapter One: Neoliberalism and Xenophobia 17 Chapter Two: Multiculturalism and Cultural Identity 52 Chapter Three: The Philosophy of the New Right 84 Chapter Four: The Internet and Meme Warfare 116 Conclusion 149 Bibliography 166 1 “Perhaps one will view the rise of the Alternative for Germany in the foreseeable future as inevitable, as a portent for major changes, one that is as necessary as it was predictable. -
The Changing Face of American White Supremacy Our Mission: to Stop the Defamation of the Jewish People and to Secure Justice and Fair Treatment for All
A report from the Center on Extremism 09 18 New Hate and Old: The Changing Face of American White Supremacy Our Mission: To stop the defamation of the Jewish people and to secure justice and fair treatment for all. ABOUT T H E CENTER ON EXTREMISM The ADL Center on Extremism (COE) is one of the world’s foremost authorities ADL (Anti-Defamation on extremism, terrorism, anti-Semitism and all forms of hate. For decades, League) fights anti-Semitism COE’s staff of seasoned investigators, analysts and researchers have tracked and promotes justice for all. extremist activity and hate in the U.S. and abroad – online and on the ground. The staff, which represent a combined total of substantially more than 100 Join ADL to give a voice to years of experience in this arena, routinely assist law enforcement with those without one and to extremist-related investigations, provide tech companies with critical data protect our civil rights. and expertise, and respond to wide-ranging media requests. Learn more: adl.org As ADL’s research and investigative arm, COE is a clearinghouse of real-time information about extremism and hate of all types. COE staff regularly serve as expert witnesses, provide congressional testimony and speak to national and international conference audiences about the threats posed by extremism and anti-Semitism. You can find the full complement of COE’s research and publications at ADL.org. Cover: White supremacists exchange insults with counter-protesters as they attempt to guard the entrance to Emancipation Park during the ‘Unite the Right’ rally August 12, 2017 in Charlottesville, Virginia. -
Antwort Der Bundesregierung
Deutscher Bundestag Drucksache 12/8362 12. Wahlperiode 08. 08. 94 Antwort der Bundesregierung auf die Kleine Anfrage der Abgeordneten Ulla Jelpke und der Gruppe der PDS/Linke Liste — Drucksache 12/8042 — Das „Ostpreußenblatt" und der Rechtsextremismus (II) In einer Kleinen Anfrage zum „Ostpreußenblatt" und dem Rechtsextre- mismus vom Mai 1991 hatte die Gruppe der PDS/Linke Liste darauf hingewiesen, — daß in dieser Zeitung rechtsextreme Autoren wie Gerd-Klaus Kalten- brunner, Emil Schlee, Hendrik van Bergh, Martin Jenke, u. v. m. publizieren können, — daß in dieser Zeitung für rechtsextreme Bücher von Autoren wie Adolf von Thadden, Pierre Krebs, Richard W. Eichler, Max Klüver, Dietmar Munier, Emil Schlee, Eckhart Knaul, Alain de Benoist, Hamilton Fish, Michael Bolle, Herbert Taege, H.-D. Sander, Michael Braga (alias Hans-Michael Fiedler) u. v. m. geworben wird. Die Bundesregierung hatte in ihrer Antwort vom 27. Juni 1991 diese aufgeführten Fakten als „Unterstellungen" zurückgewiesen. Auf dieser Beurteilung basierend hat die Bundesregierung festgestellt, daß ihr „keine Informationen" vorliegen, nach denen im „Ostpreußenblatt" für rechtsextreme Bücher geworben wird. „Anhaltspunkte für Bestrebun- gen im Sinne der §§ 3, 4 BVerfSchG" waren der Bundesregierung nicht bekannt (Antwort der Bundesregierung auf die Kleine Anfrage der Abgeordneten Ulla Jelpe und der Gruppe der PDS/Linke Liste, „Rechts- extremismus und das Publikationsorgan ,Ostpreußenblatt"', Drucksache 12/864). Inwieweit es sich hierbei tatsächlich um „Unterstellungen" handelt, wurde von der Bundesregierung nicht belegt. Ferner wurde auch nicht belegt, daß die Gruppe der PDS/Linke Liste falsche Fakten vorgetragen hätte. Tatsache ist, daß im Schutze der behaupteten „Unterstellungen" die Bundesregierung dem „Ostpreußenblatt" vorerst weiterhin eine Förde- rung aus Mitteln des Bundeshaushaltes gewährte und eine Prüfung über eventuelle rechtsextreme Bestrebungen unterließ. -
Germany: Baffled Hegemon Constanze Stelzenmüller
POLICY BRIEF Germany: Baffled hegemon Constanze Stelzenmüller Since the fall of the Berlin Wall, Germany has transformed into a hegemonic power in Europe, but recent global upheaval will test the country’s leadership and the strength of its democracy. EXECUTIVE SUMMARY are challenging Europe’s cohesion aggressively, as does the Trump administration’s “America First” The fall of the Berlin Wall in 1989 turned reunified policy. The impact of this on Germany is stark. No Germany into Europe’s hegemon. But with signs of country in Europe is affected so dramatically by this a major global downturn on the horizon, Germany new systemic competition. Far from being a “shaper again finds itself at the fulcrum of great power nation,” Germany risks being shaped: by events, competition and ideological struggle in Europe. And competitors, challengers, and adversaries. German democracy is being challenged as never before, by internal and external adversaries. Germany’s options are limited. It needs to preserve Europe’s vulnerable ecosystem in its own The greatest political challenge to liberal democracy enlightened self-interest. It will have to compromise within Germany today is the Alternative für on some issues (defense expenditures, trade Deutschland (Alternative for Germany, or AfD), the surpluses, energy policy). But it will also have to first far-right party in the country’s postwar history push back against Russian or Chinese interference, to be represented in all states and in the federal and make common cause with fellow liberal legislature. While it polls nationally at 12 percent, its democracies. With regard to Trump’s America, disruptive impact has been real. -
Indecent by PAULA VOGEL Directed by WENDY C
McGuire Proscenium Stage / Feb 17 – Mar 24, 2018 Indecent by PAULA VOGEL directed by WENDY C. GOLDBERG PLAY GUIDE Inside THE PLAY Synopsis • 3 Characters and Setting • 4 Inspiration for Indecent • 5 Responses to Indecent • 6 Responses to The God of Vengeance • 7 THE PLAYWRIGHT On Paula Vogel • 8 Paula Vogel on Indecent • 9 Paula Vogel on Sholem Asch • 10-11 Glossary: Concepts, Words, Ideas • 12-15 ADDITIONAL INFORMATION For Further Reading and Understanding • 16 Play guides are made possible by Guthrie Theater Play Guide Copyright 2018 DRAMATURG Jo Holcomb GRAPHIC DESIGNER Akemi Graves CONTRIBUTORS Jo Holcomb Guthrie Theater, 818 South 2nd Street, Minneapolis, MN 55415 All rights reserved. With the exception of classroom use by teachers and individual personal use, no part of this Play Guide ADMINISTRATION 612.225.6000 may be reproduced in any form or by any means, electronic BOX OFFICE 612.377.2224 or 1.877.44.STAGE TOLL-FREE or mechanical, including photocopying or recording, or by an information storage and retrieval system, without permission in guthrietheater.org • Joseph Haj, artistic director writing from the publishers. Some materials published herein are written especially for our Guide. Others are reprinted by permission of their publishers. The Guthrie Theater receives support from the National The Guthrie creates transformative theater experiences that ignite the imagination, stir Endowment for the Arts. This activity is made possible in part by the Minnesota State Arts Board, through an appropriation the heart, open the mind, and build community through the illumination of our common by the Minnesota State Legislature. The Minnesota State Arts Board received additional funds to support this activity from humanity. -
The Radical Roots of the Alt-Right
Gale Primary Sources Start at the source. The Radical Roots of the Alt-Right Josh Vandiver Ball State University Various source media, Political Extremism and Radicalism in the Twentieth Century EMPOWER™ RESEARCH The radical political movement known as the Alt-Right Revolution, and Evolian Traditionalism – for an is, without question, a twenty-first century American audience. phenomenon.1 As the hipster-esque ‘alt’ prefix 3. A refined and intensified gender politics, a suggests, the movement aspires to offer a youthful form of ‘ultra-masculinism.’ alternative to conservatism or the Establishment Right, a clean break and a fresh start for the new century and .2 the Millennial and ‘Z’ generations While the first has long been a feature of American political life (albeit a highly marginal one), and the second has been paralleled elsewhere on the Unlike earlier radical right movements, the Alt-Right transnational right, together the three make for an operates natively within the political medium of late unusual fusion. modernity – cyberspace – because it emerged within that medium and has been continuously shaped by its ongoing development. This operational innovation will Seminal Alt-Right figures, such as Andrew Anglin,4 continue to have far-reaching and unpredictable Richard Spencer,5 and Greg Johnson,6 have been active effects, but researchers should take care to precisely for less than a decade. While none has continuously delineate the Alt-Right’s broader uniqueness. designated the movement as ‘Alt-Right’ (including Investigating the Alt-Right’s incipient ideology – the Spencer, who coined the term), each has consistently ferment of political discourses, images, and ideas with returned to it as demarcating the ideological territory which it seeks to define itself – one finds numerous they share. -
SENATE—Wednesday, July 15, 2009
July 15, 2009 CONGRESSIONAL RECORD—SENATE, Vol. 155, Pt. 13 17757 SENATE—Wednesday, July 15, 2009 The Senate met at 9:30 a.m. and was Mr. REID. Mr. President, I suggest HOUSE, Ms. KLOBUCHAR, Mr. SPECTER, Mr. called to order by the Honorable RO- the absence of a quorum. FRANKEN, Ms. MIKULSKI, Mr. MERKLEY, Mrs. LAND W. BURRIS, a Senator from the The ACTING PRESIDENT pro tem- GILLIBRAND, Mr. MENENDEZ, Mrs. SHAHEEN, State of Illinois. pore. The clerk will call the roll. Mr. KERRY, Mr. UDALL of Colorado, Mr. DODD, Mr. HARKIN, Mr. WYDEN, Mr. CASEY, The assistant legislative clerk pro- Ms. CANTWELL, Mr. LAUTENBERG, Mr. LIEBER- PRAYER ceeded to call the roll. MAN, Mrs. BOXER, Mr. BROWN, Mr. AKAKA, The Chaplain, Dr. Barry C. Black, of- Mr. REID. Mr. President, I ask unan- Mr. SANDERS, Mrs. MURRAY, and Mr. REED, fered the following prayer: imous consent that the order for the proposes an amendment numbered 1511. Let us pray. quorum call be rescinded. Mr. REID. Mr. President, I ask unan- Our Eternal God, we lift grateful The ACTING PRESIDENT pro tem- imous consent that the reading of the hearts for the great heritage of our Na- pore. Without objection, it is so or- amendment be dispensed with. tion. Thank You for those who pur- dered. The ACTING PRESIDENT pro tem- chased our freedom with blood, toil, Mr. REID. Mr. President, my under- pore. Without objection, it is so or- and tears. Give us this day a vivid vi- standing is the clerk will report the dered. sion of what You expect our Nation to matter before the Senate at this time. -
FIGHT BACK the INVADERS 1.0.1 Italian Right Wing Tentacles on the Struggle for Animals and Environment INDEX Intro
FIGHT BACK THE INVADERS 1.0.1 Italian right wing tentacles on the struggle for animals and environment INDEX Intro ......................................................................................................... pag. 3 ANARCHO-NATIONALISTS....................................................................... pag. 5 RESISTENZA NAZIONALE and AUTONOMI NAZIONALISTI National Resistance and Autonomous Nationalist ....................................... pag. 6 I LUPI DANNO LA ZAMPA Wolves landing the paw .............................................................................. pag. 7 MASSIMO TURCI ..................................................................................... pag. 10 ROBERTA CAPOTOSTI ............................................................................ pag. 11 MICHELA VITTORIA BRAMBILLA ............................................................ pag. 12 IL ROSSOBRUNISMO Redbrownism ............................................................................................ pag. 13 LA FORESTA CHE AVANZA The forrest moving forward .................. pag. 20 MEMENTO NATURAE ........ ................. pag. 23 100% ANIMALISTI AND DERIVATES ..... pag. 26 RECOGNIZED AND ISOLATED in the No Muos movement ........................ pag. 31 PAE - European Animal-rights Party ....... pag. 35 Sources ................................................ pag. 39 2 ANTISPEFA – Antispeciecists Antifa- In this first work, we start exami- scist Milan wants to be a counter- ning some of these movements, information archive -
The Culture of Wikipedia
Good Faith Collaboration: The Culture of Wikipedia Good Faith Collaboration The Culture of Wikipedia Joseph Michael Reagle Jr. Foreword by Lawrence Lessig The MIT Press, Cambridge, MA. Web edition, Copyright © 2011 by Joseph Michael Reagle Jr. CC-NC-SA 3.0 Purchase at Amazon.com | Barnes and Noble | IndieBound | MIT Press Wikipedia's style of collaborative production has been lauded, lambasted, and satirized. Despite unease over its implications for the character (and quality) of knowledge, Wikipedia has brought us closer than ever to a realization of the centuries-old Author Bio & Research Blog pursuit of a universal encyclopedia. Good Faith Collaboration: The Culture of Wikipedia is a rich ethnographic portrayal of Wikipedia's historical roots, collaborative culture, and much debated legacy. Foreword Preface to the Web Edition Praise for Good Faith Collaboration Preface Extended Table of Contents "Reagle offers a compelling case that Wikipedia's most fascinating and unprecedented aspect isn't the encyclopedia itself — rather, it's the collaborative culture that underpins it: brawling, self-reflexive, funny, serious, and full-tilt committed to the 1. Nazis and Norms project, even if it means setting aside personal differences. Reagle's position as a scholar and a member of the community 2. The Pursuit of the Universal makes him uniquely situated to describe this culture." —Cory Doctorow , Boing Boing Encyclopedia "Reagle provides ample data regarding the everyday practices and cultural norms of the community which collaborates to 3. Good Faith Collaboration produce Wikipedia. His rich research and nuanced appreciation of the complexities of cultural digital media research are 4. The Puzzle of Openness well presented. -
Dead Master's Beat Label & Distro October 2012 RELEASES
Dead Master's Beat Label & Distro October 2012 RELEASES: STAHLPLANET – Leviamaag Boxset || CD-R + DVD BOX // 14,90 € DMB001 | Origin: Germany | Time: 71:32 | Release: 2008 Dark and weird One-man-project from Thüringen. Ambient sounds from the world Leviamaag. Black box including: CD-R (74min) in metal-package, DVD incl. two clips, a hand-made booklet on transparent paper, poster, sticker and a button. Limited to 98 units! STURMKIND – W.i.i.L. || CD-R // 9,90 € DMB002 | Origin: Germany | Time: 44:40 | Release: 2009 W.i.i.L. is the shortcut for "Wilkommen im inneren Lichterland". CD-R in fantastic handmade gatefold cover. This version is limited to 98 copies. Re-release of the fifth album appeared in 2003. Originally published in a portfolio in an edition of 42 copies. In contrast to the previous work with BNV this album is calmer and more guitar-heavy. In comparing like with "Die Erinnerung wird lebendig begraben". Almost hypnotic Dark Folk / Neofolk. KNŒD – Mère Ravine Entelecheion || CD // 8,90 € DMB003 | Origin: Germany | Time: 74:00 | Release: 2009 A release of utmost polarity: Sudden extreme changes of sound and volume (and thus, in mood) meet pensive sonic mindscapes. The sounds of strings, reeds and membranes meet the harshness and/or ambience of electronic sounds. Music as harsh as pensive, as narrative as disrupt. If music is a vehicle for creating one's own world, here's a very versatile one! Ambient, Noise, Experimental, Chill Out. CATHAIN – Demo 2003 || CD-R // 3,90 € DMB004 | Origin: Germany | Time: 21:33 | Release: 2008 Since 2001 CATHAIN are visiting medieval markets, live roleplaying events, roleplaying conventions, historic events and private celebrations, spreading their “Enchanting Fantasy-Folk from worlds far away”. -
" Triumph of the Will": a Limit Case for Effective-Historical Consciousness?
DOCUMENT RESUME ED 355 611 CS 508 146 AUTHOR Schwartzman, Roy TITLE "Triumph of the Will": A Limit Case for Effective-Historical Consciousness? PUB DATE Jan 93 NOTE 27p.; Paper presented at the Annual Florida State University Conference on Literature and Film (18th, Tallahassee, FL, January 1993). PUB TYPE Speeches/Conference Papers (150) Reports Evaluative /Feasibility (142) Guid'ts Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MFOI/PCO2 Plus Postage. DESCRIPTORS *Audience Awareness; *Critical Viewing; Documentaries; Film Criticism; *Film Study; Foreign Countries; Higher Education; *Mass Media Role; *Mass Media Use; Media Research; Nazism; *Persuasive Discourse; Propaganda IDENTIFIERS Film Genres; Film History; Film Viewing; Gadamer (Hans Georg); Germany; *Triumph of the Will ABSTRACT A film presented as factual may permit critical responses that question its purported factual objectivity and political neutrality. In class, Hans-Georg Gadamer's concept 3f effective-historical consciousness can be used to evaluate the allegedly propagandistic messages in Leni Riefenstahl's "Triumph of the Will." Analysis of this 1934 film reveals how it reinforced racial doctrines propagated by the Nazis and by scientists who sympathized with these racial views. Somewhat paradoxically, Riefenstahl's film may be considered a harbinger of twogenres in film whose essences seem contradictory: documentary and propaganda. "Triumph of the Will" contains no narration whatsoever after brief introductory remarks. Nat verbalized, these remarks are printedon successive screens in short phrases. This lack of narration reduces the critical distance between viewer and event. The opening scene features Adolf Hitler emerging from a plane to grace Nuremberg with his presence, and to rescue and transform Germany. -
Film Propaganda: Triumph of the Willas a Case Study
Film Propaganda: Triumph of the Will as a Case Study Author(s): Alan Sennett Source: Framework: The Journal of Cinema and Media, Vol. 55, No. 1 (2014), pp. 45-65 Published by: Wayne State University Press Stable URL: http://www.jstor.org/stable/10.13110/framework.55.1.0045 . Accessed: 10/07/2014 11:40 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at . http://www.jstor.org/page/info/about/policies/terms.jsp . JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Wayne State University Press is collaborating with JSTOR to digitize, preserve and extend access to Framework: The Journal of Cinema and Media. http://www.jstor.org This content downloaded from 68.191.205.73 on Thu, 10 Jul 2014 11:40:03 AM All use subject to JSTOR Terms and Conditions Film Propaganda: Triumph of the Will as a Case Study Alan Sennett Until a reassessment by historians and film critics in the 1990s, Leni Riefenstahl’s cinematic “record” of the September 1934 Nazi party rally had generally been regarded as the quintessential example of the art of political film propaganda. Susan Sontag argued in a seminal article for the New York Review of Books that Riefenstahl’s “superb” films of the 1930s were powerful propaganda as well as important documentary art made by “a film-maker of genius.”1 She concluded that Triumph des Willens/Triumph of the Will (DE, 1935) was “a film whose very conception negates the possibility of the filmmaker’s having an aesthetic concep- tion independent of propaganda.”2 Although still an important source, Sontag’s assessment has been seriously challenged on a number of counts.