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Wwe Q3 2018 Results – October 25, 2018 Forward-Looking Statements
WWE Q3 2018 RESULTS – OCTOBER 25, 2018 FORWARD-LOOKING STATEMENTS This presentation contains forward-looking statements pursuant to the safe harbor provisions of the Securities Litigation Reform Act of 1995, which are subject to various risks and uncertainties. These risks and uncertainties include, without limitation, risks relating to: entering, maintaining and renewing major distribution agreements; WWE Network (including the risk that we are unable to attract, retain and renew subscribers); our need to continue to develop creative and entertaining programs and events; the possibility of a decline in the popularity of our brand of sports entertainment; the continued importance of key performers and the services of Vincent K. McMahon; possible adverse changes in the regulatory atmosphere and related private sector initiatives; the highly competitive, rapidly changing and increasingly fragmented nature of the markets in which we operate and greater financial resources or marketplace presence of many of our competitors; uncertainties associated with international markets; our difficulty or inability to promote and conduct our live events and/or other businesses if we do not comply with applicable regulations; our dependence on our intellectual property rights, our need to protect those rights, and the risks of our infringement of others’ intellectual property rights; the complexity of our rights agreements across distribution mechanisms and geographical areas; potential substantial liability in the event of accidents or injuries occurring -
Warren Ganues, Et Al. V. World Wrestling Entertainment, Inc., Et Al
Case 3:14-cv-01070-AWT Document 1 Filed 07/25/14 Page 1 of 22 UNITED STATES DISTRICT COURT DISTRICT OF CONNECTICUT WARREN GANUES and DOMINIC Case No. VARRIALE, on Behalf of Themselves and All Others Similarly Situated, CLASS ACTION COMPLAINT FOR Plaintiffs, VIOLATIONS OF FEDERAL SECURITIES LAWS v. WORLD WRESTLING ENTERTAINMENT, INC., VINCENT K. MCMAHON, and July 24, 2014 GEORGE A. BARRIOS, Defendants. ) DEMAND FOR JURY TRIAL Case 3:14-cv-01070-AWT Document 1 Filed 07/25/14 Page 2 of 22 Plaintiffs Warren Ganues and Dominic Varriale ("Plaintiffs"), by their attorneys, submit this Class Action Complaint against the Defendants (as defined herein) named herein. NATURE AND SUMMARY OF THE ACTION 1. This is a securities class action on behalf of all persons who purchased or otherwise acquired the securities of World Wrestling Entertainment, Inc. ("WWE" or the "Company") between October 31, 2013, and May 16, 2014, inclusive (the "Class Period"), against WWE and certain of its officers and/or a director for violations of the Securities Exchange Act of 1934 (the "Exchange Act") 2. WWE is an integrated media and entertainment company that was founded in Stamford, Connecticut in 1980 and focuses on the wrestling entertainment business worldwide. Today, WWE primarily operates in four core segments: Live and Televised Entertainment, Consumer Products, Digital Media, and WWE Studios. The Company's flagship televised entertainment includes its Monday Night Raw and Friday Night Smackdown properties which air in the United States on Comcast Corporation's USA Network and Syfy Channel, respectively. 3. This matter arises out of false and misleading statements about the WWE's much publicized ability to transform the Company's earnings profile through, among other things, the negotiation of a lucrative new long-term television license deal. -
Ha Mam: Concerns Will Be Heard'
VOLUME Llll, NUMBER 38 DREXEL UNIVERSITY, PHILADELPHIA, PA. FRIDAY, MAY 26. 1978 Coming next fall: More PM classes by Mary McGuiness have their schedules adjusted when The plan was developed after a b’aced with the largest sections are balanced. three year study by Dr. M. Jerry enrollment in Drexel’s historv, the Neal feels that this plan will Kenig. Assistant to the President, administration will institute a new relieve overcrowding without in the Registrar's office and by the scheduling plan designed to better creasing costs and still give up- Academic Deans. It has also been utilize available classroom space. fKTclass students the perrogative of discussed with Student Congress Starting with the Fall Quarter of section selection. He appealed to the faculty, and the Board of next year, each academic depart the students for their coop>eration to Trustees ment will offer more classes during "help us hold the line on tuition and A number of ideas were con the aftern<x»n and at 8:00 AM. avoid Saturday classes ” sidered before this solution was Students will be asked to schedule The plan also includes shifting the advanced. A new classroom at least half their classes during traditional 3:30 activities period building was rejected because the these non-peak hours. According to from Wednesday to Tueaday. This cost of land, construction, debt John W. Neal, Registrar, students adjustment will allow better use of service, and maintenance would who do not observe these the three hour Monday-Wcdnesday- increase tuition The feasibility of requirements will be the first to Friday scheduling block Saturday and even Sunday classes was al.so considered and rejected. -
Available from TCG Books: I’Ll Eat You Last and Peter and Alice by John Logan
FOR IMMEDIATE RELEASE CONTACT: Dafina McMillan May 21, 2013 [email protected] | 212-609-5955 Available from TCG Books: I’ll Eat You Last and Peter and Alice by John Logan NEW YORK, NY – Theatre Communications Group (TCG) is pleased to announce the availability of two new plays by John Logan: I’ll Eat You Last: A Chat with Sue Mengers and Peter and Alice, both published by Oberon Books (London). The three-time Oscar-nominated screenwriter of such films as Skyfall and Hugo returns with two new plays on Broadway and in London’s West End, respectively. I’ll Eat You Last is a one-woman show about legendary Hollywood super-agent Sue Mengers, whose clients included Barbra Streisand, Cher, Gene Hackman and Mike Nichols. Currently on Broadway, starring Bette Midler, I’ll Eat You Last is nominated for the 2013 Drama League awards for Outstanding Production of a Broadway or Off-Broadway Play. Based on the real individuals that inspired J.M. Barrie’s Peter Pan and Lewis Carroll’s Alice in Wonderland, Peter and Alice tells the story of when Alice Liddell Hargreaves met Peter Llewelyn Davies at the opening of a Lewis Carroll exhibition in 1932. Currently playing to acclaim in the West End, Judi Dench stars as Alice and Ben Whishaw as Peter in this new play where enchantment and reality collide. “A delectable soufflé of a solo show… It’s a heady sensation, thanks to the buoyant, witty writing of Mr. Logan… Tangy and funny.” — New York Times on I’ll Eat You Last “A haunting play that sounds profound notes of loss and grief.. -
Relational Labor and Audience Engagement in the Wwe
Selected Papers of #AoIR2020: The 21st Annual Conference of the Association of Internet Researchers Virtual Event / 27-31 October 2020 IN THE RING AND ONLINE: RELATIONAL LABOR AND AUDIENCE ENGAGEMENT IN THE WWE Jessa Lingel University of Pennsylvania Introduction Professional wrestling has long been of interest to cultural and media theorists (Barthes, 2015; Canella, 2016; Olson, 2018). Long before reality TV, the performativity and scripted drama of professional wrestling allowed theorists to unpack questions of fictionality and narrative authenticity. In the context of internet studies, professional wrestling raises additional questions: How do performers use social media to maintain relationships with fans? How do gender norms manifest in on-stage versus online performances of professional identity? In this extended abstract, I present key concepts and guiding research questions for an investigation of fan culture and gender norms. I then provide a brief overview of related work and describe my mixed-methods approach. As this research project is ongoing, I present preliminary findings and implications as a concluding section. Key frameworks and concepts: Relational labor and kayfabe Following Baym’s (2018) work on how musicians maintain relationships with their fans, I use the concept of relational labor to describe the work that professional wrestlers do to connect with their audience through social media. Relational labor refers to the “ongoing, interactive, affective, material and cognitive work of communicating with people over time to create structures that can support continued work” (p. 19). I use the concept as a framework for analyzing the socio-technical labor conducted by WWE performers on Instagram. I am particularly interested in thinking about how gender shapes the work of relational labor: How do professional wrestlers manage relationships with fans online? What are the gendered constraints and affordances of a platform like Instagram for fan engagement? Suggested Citation (APA): Lingel, J. -
This March... Biff's Bit... Novel Ideas
ILLUMINATIONS THIS MARCH... JAN 2016 INTERNATIONAL IRON MAN PREDATOR: LIFE AND DEATH SPIDERFLY EFFECT RIVERS OF LONDON INDEPENDENCE DAY BENDIS & MALEEV BIFF’S BIT... ARE BACK! DAVID BOWIE INTERNATIONAL NOVEL IDEAS IRON MAN AND MORE! X-Men 92 (Marvel) CONTENTS: PAGE 03... New Series and One-Shots for March: Dark Horse PAGE 04... New Series and One-Shots for March: DC Comics PAGE 05... New Series and One-Shots for March: IDW Publishing PAGE 06... New Series and One-Shots for March: Image Comics PAGE 07... New Series and One-Shots for March: Marvel Comics PAGE 08... New Series and One-Shots for March: Marvel Comics PAGE 09... New Series and One-Shots for March: Indies PAGE 10... New Series and One-Shots for March: Indies PAGE 11... Novel Ideas - Part One PAGE 12... Novel Ideas - Part Two SIGN UP FOR THE ACE COMICS MAILOUT PAGE 13... Biff’s Bit: David Bowie 1947 to 2016 AND KEEP UP TO DATE PAGE 14... Top 20 Graphic Novels: December’s Bestselling Books WITH THE LATEST RELEASES, SUBSCRIPTIONS, CHARTS, ILLUMINATIONS, EVENTS acecomics.co.uk AND MORE! 02 DARK HORSE NEW SERIES AND ONE�SHOTS FOR MARCH AW YEAH COMICS: PREDATOR: ACTION LIFE AND CAT #1 DEATH #1 Art Baltazar, Dan Abnett, Franco Brian Thies Fresh from the creative minds at Aw Colonial Marines on the planet Yeah Comics-a brand-new series Tartarus battle extraterrestrial hunters starring the valiant Action Cat and over the possession of a mysterious his trusty sidekick, Adventure Bug! As horseshoe-shaped spaceship of Evil Cat lurks behind the scenes, our unknown origin. -
The Alberta Gazette
The Alberta Gazette Part I Vol. 101 Edmonton, Saturday, April 30, 2005 No. 8 APPOINTMENTS (Provincial Court Act) Provincial Court Judge Appointed April 12, 2005 The Honourable Judge James Alexander Watson RESIGNATIONS AND RETIREMENTS (Provincial Court Act) Death of Provincial Court Judge April 9, 2005 The Honourable Judge Roger Phillip Smith, of High Prairie ORDERS IN COUNCIL O.C. 142/2005 (Municipal Government Act) Approved and ordered: Norman Kwong Lieutenant Governor. March 15, 2005 The Lieutenant Governor in Council (a) changes the status of the Village of Irricana from a village to a town, and (b) changes the name of the Village of Irricana to the “Town of Irricana”, effective June 9, 2005. Ralph Klein, Chair. ______________ THE ALBERTA GAZETTE, PART I, APRIL 30, 2005 O.C. 169/2005 (Municipal Government Act) Approved and ordered: Norman Kwong Lieutenant Governor. April 5, 2005 The Lieutenant Governor in Council amends Order in Council numbered O.C. 486/2004 by striking out Appendix A and substituting the attached Appendix A, effective January 1, 2005. Ralph Klein, Chair. APPENDIX A DETAILED DESCRIPTION OF THE LANDS SEPARATED FROM THE MUNICIPAL DISTRICT OF ROCKY VIEW NO. 44 AND ANNEXED TO THE CITY OF CALGARY THOSE PORTIONS OF THE EAST HALF OF SECTION SEVEN (7), TOWNSHIP TWENTY-FIVE (25), RANGE TWO (2), WEST OF THE FIFTH MERIDIAN AND THE NORTHEAST QUARTER OF SECTION SIX (6), TOWNSHIP TWENTY-FIVE (25), RANGE TWO (2), WEST OF THE FIFTH MERIDIAN DESCRIBED AS: PLAN 7510139 BLOCK A CONTAINING 55.9 HECTARES (138.21 ACRES) MORE OR LESS INCLUDING -
Donald Baldwin Associates Washington, D
The original documents are located in Box 18, folder “New River Legislation” of the Loen and Leppert Files at the Gerald R. Ford Presidential Library. Copyright Notice The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Gerald Ford donated to the United States of America his copyrights in all of his unpublished writings in National Archives collections. Works prepared by U.S. Government employees as part of their official duties are in the public domain. The copyrights to materials written by other individuals or organizations are presumed to remain with them. If you think any of the information displayed in the PDF is subject to a valid copyright claim, please contact the Gerald R. Ford Presidential Library. Digitized from Box 18 of the Loen and Leppert Files at the Gerald R. Ford Presidential Library an affiliate of SUITE 906, 162!5 EYE STREET, N.W. DONALD BALDWIN ASSOCIATES WASHINGTON, D. C. 20006 Government Relations Consultants 202-223.66!50 July 13, 1976 The Honorable Charles Leppert, Jr. Deputy Assistant to the President The White House Washington, D. c. JUL 14 1976 Dear Charlie: I enjoyed seeing you Friday morning. We visited with Jack Marsh after our visit with Jim Cannon. It was a real pleasure to be so graciously remembered by friends when you have a client in toe. The only one I missed seeing was the President. We did see them bringing the President a gift from Saudi Arabia and if I had been a little more quick on my feet we could have seen the tea set before it was taken into the President•s office. -
The Big Goodbye
Robert Towne, Edward Taylor, Jack Nicholson. Los Angeles, mid- 1950s. Begin Reading Table of Contents About the Author Copyright Page Thank you for buying this Flatiron Books ebook. To receive special offers, bonus content, and info on new releases and other great reads, sign up for our newsletters. Or visit us online at us.macmillan.com/newslettersignup For email updates on the author, click here. The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy. For Lynne Littman and Brandon Millan We still have dreams, but we know now that most of them will come to nothing. And we also most fortunately know that it really doesn’t matter. —Raymond Chandler, letter to Charles Morton, October 9, 1950 Introduction: First Goodbyes Jack Nicholson, a boy, could never forget sitting at the bar with John J. Nicholson, Jack’s namesake and maybe even his father, a soft little dapper Irishman in glasses. He kept neatly combed what was left of his red hair and had long ago separated from Jack’s mother, their high school romance gone the way of any available drink. They told Jack that John had once been a great ballplayer and that he decorated store windows, all five Steinbachs in Asbury Park, though the only place Jack ever saw this man was in the bar, day-drinking apricot brandy and Hennessy, shot after shot, quietly waiting for the mercy to kick in. -
Wwe Network Expands Throughout South East Asia
For Immediate Release WWE® NETWORK EXPANDS THROUGHOUT SOUTH EAST ASIA TO INCLUDE THAILAND AND THE PHILIPPINES STAMFORD, Conn., March 2, 2016 – Beginning today, fans in Thailand and Philippines can order WWE Network online by going to WWENetwork.com and receive their first month of service free. WWE Network in Thailand and Philippines will cost $9.99 USD per month, with no commitment and the ability to cancel any time. Subscribers will have access to the U.S. English language version of WWE Network and get all 12 WWE pay-per-view events at no additional cost including WWE’s biggest event of the year, WrestleMania, as well as 24/7 scheduled programming and the most comprehensive video-on-demand library with more than 4,700 hours of content, including Raw® and SmackDown® re-airs, and every WWE, WCW™ and ECW™ pay- per-view. WWE Network is available now in Thailand and Philippines on desktop, laptop and mobile devices. It will become available through Apple TV, Amazon Fire TV, Sony PlayStation 3, Sony PlayStation 4, Xbox One, Xbox 360, Roku and Smart TVs in time for WrestleMania 32. “WWE is committed to the global growth of our brand,” said George Barrios, WWE Chief Strategy & Financial Officer. “We are thrilled to offer WWE Network to our fans in Thailand and Philippines in time for our biggest event of the year, WrestleMania.” In addition to the 12 live WWE pay-per-view events, WWE Network original programming in 2016 includes: The Edge & Christian Show That Totally Reeks of Awesomeness – A half- hour variety show starring the talented duo, Edge and Christian that will take a look back at all the highs and lows of sports entertainment, while offering a unique and humor filled perspective to the WWE Universe. -
210 Interview with Adam Nevill Dawn Keetley
210 Interview with Adam Nevill Dawn Keetley (Lehigh University) Adam Nevill, author of such folk horror fare as Banquet for the Damned (2004), The Ritual (2011), House of Small Shadows (2013), and The Reddening (2019), graciously agreed to an interview in August 2018. Below are his thoughts on writing horror—and folk horror specifically—as well as on The Ritual in the time of its writing (2008) and in the present moment. DK: What were your influences—whether film, literature, TV and did you see yourself writing in a particular genre—drawing from several genres? Extending or deviating from particular genres? AN: Always a tangle when attempting definition and classification, but I'm definitely writing horror fiction; a specific aesthetic aim is to transport the reader imaginatively through feelings of dread, horror, terror, wonder and awe, by use of the numinous, supernatural or supernormal. But my small contribution to a long and varied tradition of horror has been informed by books from many different fields. I've read widely and so much has inspired me, and made me want to write; fiction within and outside of horror. For example, the dominant forms of popular novel in my time have undoubtedly been the crime novel and the thriller—the major differences between them I'll leave to others—and as I have read a fair bit in these fields, they have certainly influenced my books in terms of story arrangement: Last Days (that is chiefly inspired by popular true crime and is a ‘what happened’ investigation and a ‘why dunnit’), No One Gets Out Alive (again specifically inspired by true crime investigations into the psychopaths who become 211 sadistic killers of women), Lost Girl (very much a near-future thriller about, amongst other things, a missing child and the story of a parent-turned-vigilante, engaged in a semi-official criminal investigation), and Under a Watchful Eye is also close to a thriller in terms of its plot— an ordinary life invaded by a mysterious ‘other’ that pursues its unscrupulous self-interest and revenge for past slights. -
Jews and Hollywood
From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life From Shtetl to Stardom: Jews and Hollywood The Jewish Role in American Life An Annual Review of the Casden Institute for the Study of the Jewish Role in American Life Volume 14 Steven J. Ross, Editor Michael Renov and Vincent Brook, Guest Editors Lisa Ansell, Associate Editor Published by the Purdue University Press for the USC Casden Institute for the Study of the Jewish Role in American Life © 2017 University of Southern California Casden Institute for the Study of the Jewish Role in American Life. All rights reserved. Production Editor, Marilyn Lundberg Cover photo supplied by Thomas Wolf, www.foto.tw.de, as found on Wikimedia Commons. Front cover vector art supplied by aarows/iStock/Thinkstock. Cloth ISBN: 978-1-55753-763-8 ePDF ISBN: 978-1-61249-478-4 ePUB ISBN: 978-1-61249-479-1 KU ISBN: 978-1-55753-788-1 Published by Purdue University Press West Lafayette, Indiana www.thepress.purdue.edu [email protected] Printed in the United States of America. For subscription information, call 1-800-247-6553 Contents FOREWORD vii EDITORIAL INTRODUCTION ix Michael Renov and Vincent Brook, Guest Editors PART 1: HISTORIES CHAPTER 1 3 Vincent Brook Still an Empire of Their Own: How Jews Remain Atop a Reinvented Hollywood CHAPTER 2 23 Lawrence Baron and Joel Rosenberg, with a Coda by Vincent Brook The Ben Urwand Controversy: Exploring the Hollywood-Hitler Relationship PART 2: CASE STUDIES CHAPTER 3 49 Shaina Hammerman Dirty Jews: Amy Schumer and Other Vulgar Jewesses CHAPTER 4 73 Joshua Louis Moss “The Woman Thing and the Jew Thing”: Transsexuality, Transcomedy, and the Legacy of Subversive Jewishness in Transparent CHAPTER 5 99 Howard A.