Bedales Association & Old Bedalian Newsletter 2015
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Preserving Professional Identity Through Networked Journalism at Elite News Media
Technological University Dublin ARROW@TU Dublin Doctoral Applied Arts 2019 Working the News: Preserving Professional Identity Through Networked Journalism at Elite News Media Jenny Hauser Technological University Dublin Follow this and additional works at: https://arrow.tudublin.ie/appadoc Part of the Film and Media Studies Commons Recommended Citation Hauser, J. (2019) Working the News: Preserving Professional Identity Through Networked Journalism at Elite News Media, Doctoral Thesis, Technological University Dublin. DOI: 10.21427/12h3-z337 This Theses, Ph.D is brought to you for free and open access by the Applied Arts at ARROW@TU Dublin. It has been accepted for inclusion in Doctoral by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License Working the news: Preserving professional identity through networked journalism at elite news media Jenny Hauser Supervisors: Dr. Harry Browne, Dr. Charlie Cullen, Prof. Michael Foley School of Media, TU Dublin Abstract The concept of journalism as a profession has arguably been fraught and contested throughout its existence. Ideologically, it is founded on a claim to norms and a code of ethics, but in the past, news media also held material control over mass communication through broadcast and print which were largely inaccessible to most citizens. The Internet and social media has created a news environment where professional journalists and their work exist side-by-side with non-journalists. In this space, acts of journalism also can be and are carried out by non-journalists. -
CHAN 10110 BOOK.Qxd 20/4/07 4:19 Pm Page 2
CHAN 10110 Front.qxd 20/4/07 4:19 pm Page 1 CHAN X10110 CHANDOS CLASSICS CHAN 10110 BOOK.qxd 20/4/07 4:19 pm Page 2 John Ireland (1879–1962) 1 Vexilla Regis (Hymn for Passion Sunday)* 11:54 2 Greater Love Hath No Man† 6:51 3 These Things Shall Be‡ 22:12 Lebrecht Collection Lebrecht 4 A London Overture 13:36 5 The Holy Boy (A Carol of the Nativity) 2:43 6 Epic March 9:13 TT 67:11 Paula Bott soprano*† Teresa Shaw contralto* James Oxley tenor* Bryn Terfel bass-baritone*†‡ Roderick Elms organ* London Symphony Chorus*†‡ John Ireland London Symphony Orchestra Richard Hickox 3 CHAN 10110 BOOK.qxd 20/4/07 4:19 pm Page 4 and Friday before Easter – and what we cannot sketch was ready during April. Ireland Ireland: Orchestral and Choral Works have – the ceremonies on the Saturday before remarked that he felt the words were ‘an Easter as practised by the Roman Church – expression of British national feeling at the something absolutely agelong & from present time’. In fact he had earlier made a John Nicholson Ireland was born near nineteen-year-old Ireland was then still a everlasting – the rekindling of Fire – Lumen quite different setting of these words for Manchester and spent most of his life in student of Stanford’s, and was assistant Christi. The Motherland Song Book published in London, though with interludes in the Channel organist at Holy Trinity Church, Sloane Square, 1919. The composer made a few adjustments Islands and Sussex. His was a life of restricted London. -
Open Research Online Oro.Open.Ac.Uk
Open Research Online The Open University’s repository of research publications and other research outputs Making memory work: Performing and inscribing HIV/AIDS in post-apartheid South Africa Thesis How to cite: Doubt, Jenny Suzanne (2014). Making memory work: Performing and inscribing HIV/AIDS in post-apartheid South Africa. PhD thesis The Open University. For guidance on citations see FAQs. c [not recorded] https://creativecommons.org/licenses/by-nc-nd/4.0/ Version: Version of Record Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.21954/ou.ro.0000eef6 Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk Making Memory Work: Performing and Inscribing HIV I AIDS in Post-Apartheid South Africa Jenny Suzanne Doubt (BA, MA) Submitted towards a PhD in English Literature at the Open University 5 July 2013 1)f\"'re:. CC ::;'.H':I\\\!:;.SIOfl: -::\ ·J~)L'I ..z.t.... L~ Vt',':·(::. 'J\:. I»_",i'~,' -: 21 1'~\t1~)<'·i :.',:'\'t- IMAGING SERVICES NORTH Boston Spa, Wetherby West Yorkshire, LS23 7BQ www.bl,uk PAGE NUMBERING AS ORIGINAL Jenny Doubt Making Memory Work: Performing and Inscribing HIV/AIDS in Post-Apartheid South Africa Submitted towards a PhD in English Literature at the Open University 5 July 2013 Abstract This thesis argues that the cultural practices and productions associated with HIV/AIDS represent a major resource in the struggle to understand and combat the epidemic. -
Chart Book Template
Real Chart Page 1 become a problem, since each track can sometimes be released as a separate download. CHART LOG - F However if it is known that a track is being released on 'hard copy' as a AA side, then the tracks will be grouped as one, or as soon as known. Symbol Explanations s j For the above reasons many remixed songs are listed as re-entries, however if the title is Top Ten Hit Number One hit. altered to reflect the remix it will be listed as would a new song by the act. This does not apply ± Indicates that the record probably sold more than 250K. Only used on unsorted charts. to records still in the chart and the sales of the mix would be added to the track in the chart. Unsorted chart hits will have no position, but if they are black in colour than the record made the Real Chart. Green coloured records might not This may push singles back up the chart or keep them around for longer, nevertheless the have made the Real Chart. The same applies to the red coulered hits, these are known to have made the USA charts, so could have been chart is a sales chart and NOT a popularity chart on people’s favourite songs or acts. Due to released in the UK, or imported here. encryption decoding errors some artists/titles may be spelt wrong, I apologise for any inconvenience this may cause. The chart statistics were compiled only from sales of SINGLES each week. Not only that but Date of Entry every single sale no matter where it occurred! Format rules, used by other charts, where unnecessary and therefore ignored, so you will see EP’s that charted and other strange The Charts were produced on a Sunday and the sales were from the previous seven days, with records selling more than other charts. -
H a I N E S G a L L E
H A I N E S G A L L E R Y DAVID NASH BORN 1945, England Lives and works in Blaenau Ffestiniog, North Wales SELECTED SOLO EXHIBITIONS 2016 David Nash: Columns, Peaks and Torso, Galerie Lelong, Paris, France 2014 David Nash, Kukje Gallery, Seoul, South Korea David Nash: From Kew Gardens to Meijer Gardens, Frederik Meijer Gardens & Sculpture Park, Grand Rapids, MI 2013 David Nash at Kew: A Natural Gallery, Kew Royal Botanical Gardens, London, United Kingdom 2012 David Nash, Kew Gardens, Queens, NY Black & Red: Bronze & Wood, Galerie Lelong, Paris, France 2011 Red, Black, Other, Mostyn Oriel, Llandudno, United Kingdom 2010 Recent Sculptures and Colour Works, Annely Juda Fine Art, London, United Kingdom Traces, Yorkshire Sculpture Park, United Kingdom 2009 Drawings and Sculptures, Abbot Hall Art Gallery, Cumbria, United Kingdom Monumental Sculpture, Mannheim Kunsthalle, Mannheim, Germany David Nash - January’09, Galeria Alvaro Alcazar, Madrid, Spain 2008 David Nash: New Work, Haines Gallery, San Francisco, CA David Nash – Retrospective, Kunsthalle in Emden, Germany Naturformen, Atlana Sinclair Haus, Bad Homburg, Germany 2007 With the Grain: Wood Sculpture, Lewes Town Hall, East Sussex, United Kingdom With the Grain: A New Sculpture, Southover Grange Gardens, Lewes, United Kingdom David Nash, Kukje Gallery, Seoul, South Korea 2006 David Nash, Konstruktiv Tendens, Stockholm, Sweden Im Kleinen Format, Galerie Scheffel, Bad Homburg, Germany Trunks Thicken, Branches Lengthen, Roots Deepen, Gallerie Scheffel, Bad Homburg, Germany; Museum Galerie -
Ensino Individualizado E Escolas De Área Aberta Em Portugal 13
Universidade de Aveiro Departamento de Ciências da Educação 2007 Maria de Lurdes Ensino individualizado e Carvalho Figueiredo escolas de área aberta em Portugal Silva Universidade de Aveiro Departamento de Ciências da Educação 2007 Maria de Lurdes Ensino individualizado e Carvalho Figueiredo escolas de área aberta em Portugal Silva Dissertação apresentada à Universidade de Aveiro para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Ciências da Educação na área de especialização de Formação Pessoal e Social, realizada sob a orientação científica do Dr. Carlos Meireles Coelho, professor associado do Departamento de Ciências da Educação da Universidade de Aveiro o júri presidente Prof. Dr. Luís de Jesus Ventura de Pinho professor associado da Universidade de Aveiro Prof. Dr. Carlos Alberto Pereira de Meireles Coelho professor associado da Universidade de Aveiro Prof. Dr. José Augusto Branco Palhares professor auxiliar da Universidade do Minho Prof. Dra. Irene da Purificação Gonçalves professora coordenadora da Escola Superior de Educação de Coimbra Ao meu pai e à memória de minha mãe pelo exemplo de força de vida. Ao meu marido Bruno, o meu grande companheiro. Ao meu filho Tiaguinho, um amor incondicional. Aos meus alunos. agradecimentos Ao meu orientador, Prof. Dr. Carlos Meireles Coelho, pela sua amizade, disponibilidade e contributo fundamental, mas também pelo seu exemplo da prática da individualização, assente na dignidade de cada pessoa humana. A todos os professores e colaboradores deste mestrado, pela dedicação e apoio, em particular aos Professores António Vítor Carvalho e Manuel Ferreira Rodrigues. Às Dras. Maria Helena Mendes e Filomena Beja e à Arquitecta Júlia Serra pela amabilidade, disponibilidade, ajuda e testemunho, bem como pelos materiais gentilmente cedidos, que se revelaram essenciais à realização deste trabalho. -
UK-Films-For-Sale-TIFF-2017.Pdf
10X10 TAltitude Film Sales Cast: Luke Evans, Kelly Reilly Vicki Brown Genre: Thriller [email protected] Director: Suzi Ewing Market Office: UK Film Centre Status: Post-Production Home Office tel: +44 20 7478 7612 Synopsis: After meticulous planning and preparation, Lewis snatches Cathy off the busy streets and locks her away in a soundproofed room measuring 10 feet by 10 feet. His motive - to have Cathy confess to a dark secret that she is determined to keep hidden. But, Cathy has no intention of giving up so easily. All The Devil's Men TGFM Films Cast: Milo Gibson, Gbenga Akinnagbe, Sylvia Hoeks, Morgan Spector, Edoardo Bussi +44 7511 816295 William Fichtner [email protected] Genre: Action/Adventure Market Office: UK Film Centre Director: Matthew Hope Home Office tel: +44 20 7186 6300 Status: Post-Production Synopsis: A battle-scarred War on Terror bounty hunter is forced to go to London on a manhunt for a disavowed CIA operative, which leads him into a deadly running battle with a former military comrade and his private army. Apostasy Discovery TCornerstone Films Genre: Drama David Charles +44 7827 948 674 Director: Daniel Kokotajlo [email protected] Status: Completed Market Office: UK Film Centre Home Office tel: +44 20 3457 7257 Synopsis: Family and faith come into conflict for two Jehovah’s Witness sisters in Manchester, when one is condemned for fornication and the other pressured to shun her sibling. This fresh, unadorned first feature from director Dan Kokotajlo carries an unmistakable note of authenticity from its very first scenes. Set in a Jehovah's Witness community in England, the film's strength and power lies in its directness. -
Text Pages Layout MCBEAN.Indd
Introduction The great photographer Angus McBean has stage performers of this era an enduring power been celebrated over the past fifty years chiefly that carried far beyond the confines of their for his romantic portraiture and playful use of playhouses. surrealism. There is some reason. He iconised Certainly, in a single session with a Yankee Vivien Leigh fully three years before she became Cleopatra in 1945, he transformed the image of Scarlett O’Hara and his most breathtaking image Stratford overnight, conjuring from the Prospero’s was adapted for her first appearance in Gone cell of his small Covent Garden studio the dazzle with the Wind. He lit the touchpaper for Audrey of the West End into the West Midlands. (It is Hepburn’s career when he picked her out of a significant that the then Shakespeare Memorial chorus line and half-buried her in a fake desert Theatre began transferring its productions to advertise sun-lotion. Moreover he so pleased to London shortly afterwards.) In succeeding The Beatles when they came to his studio that seasons, acknowledged since as the Stratford he went on to immortalise them on their first stage’s ‘renaissance’, his black-and-white magic LP cover as four mop-top gods smiling down continued to endow this rebirth with a glamour from a glass Olympus that was actually just a that was crucial in its further rise to not just stairwell in Soho. national but international pre-eminence. However, McBean (the name is pronounced Even as his photographs were created, to rhyme with thane) also revolutionised British McBean’s Shakespeare became ubiquitous. -
The New World; Or Recent Visit to America
Library of Congress The new world; or recent visit to America. Ever yours fraternally W. G. Campbell The New World; OR, RECENT VISIT TO AMERICA. TOGETHER WITH Introductory Observations for Tourists, AND Four Appendices, CONTAINING ALL SUITABLE INFORMATION FOR EMIGRANTS, &c. BY THE REV. W. GRAHAM CAMPBELL, GENERAL MISSIONARY AND AUTHOR OF “THE APOSTLE OF KERRY.” “Many shall run to and fro, and knowledge shall be increased.”—DAN. xii.4. LONDON: ELLIOTT STOCK, 62 PATERNOSTER ROW, ALSO DUBLIN: JOHN ROBERTSON & CO. 3 GRAFTON STREET J. GOUGH, 6 EUSTACE STREET. AND OF THE AUTHOR, 96 CARYSFORT AVENUE, BLACKROCK, DUBLIN. 1871. 917 C192 CATHOLIC UNIVERSITY OF AMERICA LIBRARY WASHINGTON, D. C. CATHOLIC UNIVERSITY OF AMERICA RELEASED LIBRARY of E168 C2 227.181 CATHOLIC UNIVERSITY OF AMERICA RELEASED 227.181 The new world; or recent visit to America. http://www.loc.gov/resource/lhbtn.00506 Library of Congress DUBLIN: R. T. WHITE. STEAM PRESS PRINTER, 45 FLEET STREET 4/22/65 EWB TO ANDERSON FOWLER, ESQ. TIPPERARY, IRELAND, (LATE OF NEW YORK,) This Book is Dedicated, AS A SMALL TOKEN OF THE HIGHEST PERSONAL ESTEEM, AND ALSO, IN GRATEFUL REMEMBRANCE OF THE DEEP INTEREST WHICH HE, AND OTHER MEMBERS OF HIS FAMILY TOOK IN THE AUTHOR'S RECENT VISIT TO AMERICA, BY THE AUTHOR. CONTENTS CHAPTER I PAGE Voyage out, and reflections on the same 1 CHAPTER II. First week's journal and labours in New York, &c. 26 CHAPTER III. Centenary Celebration of John-street Church, New York. New York. 38 CHAPTER IV. Moral Heroes—Cenotaphs and Epitaphs. 47 CHAPTER V. Second week in New York—Irish affairs, &c. -
2017 Magdalen College Record
Magdalen College Record Magdalen College Record 2017 2017 Conference Facilities at Magdalen¢ We are delighted that many members come back to Magdalen for their wedding (exclusive to members), celebration dinner or to hold a conference. We play host to associations and organizations as well as commercial conferences, whilst also accommodating summer schools. The Grove Auditorium seats 160 and has full (HD) projection fa- cilities, and events are supported by our audio-visual technician. We also cater for a similar number in Hall for meals and special banquets. The New Room is available throughout the year for private dining for The cover photograph a minimum of 20, and maximum of 44. was taken by Marcin Sliwa Catherine Hughes or Penny Johnson would be pleased to discuss your requirements, available dates and charges. Please contact the Conference and Accommodation Office at [email protected] Further information is also available at www.magd.ox.ac.uk/conferences For general enquiries on Alumni Events, please contact the Devel- opment Office at [email protected] Magdalen College Record 2017 he Magdalen College Record is published annually, and is circu- Tlated to all members of the College, past and present. If your contact details have changed, please let us know either by writ- ing to the Development Office, Magdalen College, Oxford, OX1 4AU, or by emailing [email protected] General correspondence concerning the Record should be sent to the Editor, Magdalen College Record, Magdalen College, Ox- ford, OX1 4AU, or, preferably, by email to [email protected]. -
Title Artist Album Alice in the Wonderland Jimmy Jørgensen Dansk Melodi Grand Prix 2009 All Night Long Simon Mathew 13 Rigtige
Title Artist Album Alice In The Wonderland Jimmy Jørgensen Dansk Melodi Grand Prix 2009 All Night Long Simon Mathew 13 rigtige grand prix hits Believe Again Brinck Dansk Melodi Grand Prix 2009 Big Bang Baby Claus Christensen Dansk Melodi Grand Prix 2009 Boom Boom Mabel Kitsch Hits Danse I Måneskin Trine Dyrholm & The Moonlighters Kitsch Hits Denne gang Michael Teschl og Trine Jepsen 13 rigtige grand prix hits Der Står Et Billede Af Dig På Mit Bord Rollo & King Det nye Kuld Det' Lige Det Kirsten & Søren Kitsch Hits Det´ det Sukkerchok Dansk Melodi Grand Prix 2009 Disco Tango Tommy Seebach Kitsch Hits Donna Donna John Hatting Kitsch Hits Drama Queen (Vinder MGP 2007) Drama Queen (Peter Andersen) Drama Queen Du er fuld af løgn Trax Kitsch Hits Du Skælder Mig Hele Tiden Ud Tommy Seebach og A. Heick Kitsch Hits 2 En Lille Melodi Anne Cathrine & Drengene Kitsch Hits Gi'r Du Et Knus Snapshot Kitsch Hits Hallo Hallo Lonnie Devantier Kitsch Hits I'll Never Fall In Love Again Trine Jepsen Dansk Melodi Grand Prix 2009 In A Moment Like This Chanée & N'evergreen Dansk Melodi Grandprix 2010 Kloden Drejer Gry Kitsch Hits Little Yellow Radio Brødrene Olsen 13 rigtige grand prix hits New Tomorrow A Friend In London Dansk Melodi Grand Prix 2011 Only teardrops Emmelie de froest single Sig Det' Løgn Tomas Thordarson 13 rigtige grand prix hits Sindssyg Johnny Deluxe Dansk Melodi Grand Prix 2009 Sku' Du Spørg' Fra No'en Kirsten & Søren Kitsch Hits Smuk Som Et Stjerneskud Brødrene Olsen Wings of Love Someday Hera Björk Dansk Melodi Grand Prix 2009 Twist Of Love Sidsel Ben Semmane 13 rigtige grand prix hits Tænder På Dig Jakob Sveistrup Jakob Sveistrup Tænker Altid På Dig Bamses Venner Bamse´s Allerbedste Under Stjernerne På Himlen Tommy Seebach Band 13 rigtige grand prix hits Underneath My Skin Christina Undhjem Dansk Melodi Grand Prix 2009 Vi Danser Rock Og Rul Stig Rossen Kitsch Hits 3 Video Video Brixx Kitsch Hits . -
Passport to the Regency Era: Examining Early 19Th Century Society and Culture
NEWS RELEASE FOR IMMEDIATE RELEASE __________________________________ August 12, 2021 Contact: Diana L. Klink Office: 757.514.4104 Mobile: 757.359.1845 Tim Kelley Office: 757.514.4103 Mobile: 757.871.3039 PASSPORT TO THE REGENCY ERA: EXAMINING EARLY 19TH CENTURY SOCIETY AND CULTURE SUFFOLK, VA (August 12, 2021): In the wake of the worldwide success of Netflix’s popular Bridgerton series, Suffolk Tourism has partnered with several community organizations for Passport To The Regency Era, a series of events and activities focusing on early 19th century (1811-1820) culture. Event partners include the Regency Society of Virginia, Stillwater Tea House, Suffolk Art Gallery, Suffolk Art League, Suffolk Center for Cultural Arts, Suffolk- Nansemond Historical Society, Suffolk Public Library, and Suffolk Tourism. Passport to The Regency Era programs and activities are presented below: . REGENCY-ERA HAT MAKING CRAFT STATION AT THE SUFFOLK FARMERS’ MARKET Saturday, August 28 | 9 a.m. - 1 p.m. | Suffolk Farmers’ Market | 524 N. Main Street The Suffolk Art League will be onsite at the Suffolk Farmers’ Market, with an arts and crafts station, focusing on Regency-era hat making. Presented by the Suffolk Art League. Free. AFTERNOON TEA & FASHION SHOW Saturday, August 28 | 2 - 4 p.m. | Suffolk Center for Cultural Arts | 110 W. Finney Avenue Join us for a decadent afternoon tea, provided by Stillwater Tea House, along with a fashion show featuring historically accurate fashions from the Regency era, provided by members of the Regency Society of Virginia, and accompanied by period music. Limited tickets available at StillwaterTeaHouse.com for $30 per person and include two savories, two treats, a scone with jam and cream, and a variety of teas to try; guests will receive a souvenir ticket and parting gift.