INFORMATION ABOUT BALCLIS February SALE

Auction House BALCLIS Adress Calle Rossello 227, Post code 08008 Barcelona City Barcelona Country Spain URL of your website www.balclis.com your e-mail to receive absentee bids online [email protected] Title of the sale Balclis february Sale 2013 Place and date of the sale Place : Sala Balclis (Calle Rossello 227, Barcelona) Date : 27 – 28 of february Place and Dates of the exhibition (before the sale) Date : 18 – 26 February Balclis Barcelona Opening hours of the exhibition 9:30 - 14:00 16:00 - 19:00

817 An embroided white silk Manila shawl. From the first half of the 20th century. 176x176cm 700 700

818 Three Elezabethan fans with mother-of-pearl stickery. From the second quarter of the 19th century. Silken and litographed paper lands. Damages in some of them 27 cm long max 450 450

819 A printed "crèpe" Manila shawl. From the first half of the 20th century. 97x92 cm 250 250

820 Two "cristino" fans with ivory sticks, circa 1830. Grounds of kidskin and paper. Damage to the ground 19 cm long 150 150

821 English globe in lithographed paper with support with cast-iron cherub, second third of the 19th century. Marked "Harrison 1838" 49 cm high and 22 cm diam. 550 550

822 Set of damask silk curtains, second half of the 19th century. 305x107 cm 400 400

823 An embroided and ecru "crèpe" silk Manila shawl. From the secon third of the 20th century. 170x160 cm 350 350

824 Two Isabelline fans with ivory sticks, one with mother-of-pearl sticks and another with celluloid sticks, mid to late 19th century and circa 1930. Grounds in lithographed paper, painted cloth and organdy and lace. Flaws in the ground and sticks of some of them 27 cm max. length 350 350

825 A tulle Modernist blind with embroided silk decorations. From the early 20th century. Some open seams 366x125 cm 175 175

826 Three Spanish silk chasubles, first third of the 20th century. One of them with stole and two with rectangular Eucharistic altar cloths 100X61 cm, 100x70 cm and 100x64 cm, chasubles 300 300

827 A wood and mother-of-pearl Jerusalem desktop cross. From the late 19th century - early 20th century. Small damages 45x19x8,5 cm 250 250

828 Modernista dress, early 20th century. With lace for the hair. Torn. 144X117 cm, dress 250 250

829 Pair of Sèvres porcelain vases, late 19th century. 52 cm high 1.500 1.500

830 Cask in Meissen porcelain, bronze mounted, 18th century. 6 cm high 400 400

831 Three perfume bottles in Meissen and Chantilly porcelain and stained ivory, mid 18th century and circa 1800. Gilt-bronze mounted 12.5 cm max. 550 550

832 A "bleu du roi" porcelain French vase with bronze mount. From the late 19th century 66,5 cm high 750 750

833 Pair of vases in Capodimonte porcelain, early decades of the 20th century. 32.5 cm high 475 475

834 Pair of Napoleon III gilt-bronze mounted vases-oil lamps in "bleu du roi" porcelain, second half of the 19th century. 52 cm high 600 600 835 A vase with a Saxony porcelain cover. From the first decades of the 20th century. Restored breakage on the top 82 cm high 450 450

836 "Dios romano, probablemente Júpiter". A Buen Retiro soft porcelain bust. From the late 18th century. 16 cm high 900 900

837 Porcelain snuff box, probably from Berlin, and Meissen porcelain case, mid 18th century. Gilt- bronze mounted 5x5.8x4.5 cm, box, and 9 cm high, case 400 400

838 A center and a pair of vases with Sèvres porcelain cover and with gold-plated bronze mounts. From the late 19th century - first decades of the 20th century. 22x23 cm diam. center and 27,5 cm high vases 450 450

839 A Sèvres porcelain French box. From the first decades of the 20th century. With a gold-plated bronze mount and a cover with a fishermen scene 4x15x8,5 cm 150 150

840 A pair of marble French vases with bronze mounts. From the first decades of the 20th century. 38 cm high 1.500 1.500

841 "San Antonio de Padua". A Catalan tiles panel of the 18th century. With frame and some restorations 56,5x44 cm with frame 500 500

842 Five pharmacy jars with "de Banyoles" china cover. From the late 18th century. Hair, breakage and some spalling 27,5 cm high max 800 800

843 "San Onofre penitente". A tiles Valencian panel from the 18th century. With frame and a small damage 86x66 cm with frame 550 550

844 Talavera ceramic spice rack with filigree decoration, 18th century. Decorated with three lion masks in relief. Chips and breakage restored. Bibliografía de referencia: Bertrán, J.A., Seseña, N., Mañueco, C., Pleguezuelo, A., Casanovas, M.A., "Cerámica de Talavera de la Reina y Puente del Arzobispo in la colección Bertrán y Musitu", Catàleg de l’exposició (novembre, 2001 - gener, 2002), p.78 5x16x16 cm 400 400

845 Two Catalan pharmacy jars with "de Banyoles" and "de faixes i cintes" china. From the 18th century. With hair and a reintegrated restoration on the top of one of them 26,5 cm high max 450 450

846 A panel with twenty-five Catalan tiles. From the first half of the 19th century. Damages. With frames 70x70 cm with frame 600 600

847 "Santo mercedario". A Catalan tiles panel from the 18th century. With frame 70x56,5 cm with frame 500 500

848 Four pharmacy jars with "de Banyoles" china cover. From the late 18th century. Some spalling and a breakage in one of them 28 cm high max 650 650 849 "San Fermín". A Valencian tiles panel. From the last third of the 18th century. With inscription "A debocion del Dr. Fermin Ximenez Dueño de esta casa, Marido de Ana Hernandez" 81x81 cm 900 900

850 Two Manises china Valencian dishes and a basin. From the 19th century. The biggest dish and the basin with hair, repaired and restored. The smallest dish with hair and spalling 28,5 cm diam. max. dish and 27 cm diam. basin 500 500

851 Ten Catalan tiles from the 16th century. Representing shields of different abbots. Badly damaged. With frames 57,5x67 cm with frame 900 900

852 A Valencian tiles panel. From the 18th century. 4 "de muestra" tiles of open motive. With frame. Damages 50x50 cm with frame 200 200

853 A "d'arts i oficis" of twenty-five Catalan tiles panel. From the 18th century. With frame and little restorations 74x74 cm with frame 1.600 1.600

854 Alcora ceramic serving dish, first period, series "Bérain", circa 1727-1749. Centred with coat of arms of the Franciscan order 32 cm diam. 900 900

855 Manises ceramic serving dish, first half of the 19th century. Crack and chipped. 34 cm long 400 400

856 Catalan ceramic apothecary jar series " faixes i cintes", late 17th century-first third of the 18th century. Bibliografía de referencia: Josep A. Cerdà i Mellado, "La loza catalana de la colección Mascort",Torroella de Montgrí, Fundación Mascort, 2012, p.342 28.3 cm high 2.000 2.000

857 "Jarrón flanqueado por aves". A Catalan tiles panel. Circa 1630. With frame. Reference bibliography: Albert Telese, Jordi Llorens and Ulrike Voigt, "La ceràmica catalana datada com a punt de referència. Catàleg de la pisa (1533-1863)", Barcelona, Associació Catalana de Ceràmica, 2012, p.102 62x88,5 cm with frame 4.000 4.000

858 A "d'arts i oficis" of thirty Catalan tiles panel. From the 18th century. With frame 78x92,5 cm with frame 2.000 2.000

859 A "de la corbata" china Catalan dish. From the second half of the 17th century. Centered by a lady. Wear and a restored breakage. Reference bibliography: Josep A. Cerdà i Mellado, "La loza catalana de la colección Mascort",Torroella de Montgrí, Fundación Mascort, 2012, p.165 36,5 cm diam 1.300 1.300

860 A Triana china dish. From the 16th century. Spalling 33 cm diam 1.500 1.500

861 Catalan ceramic apothecary jar series " faixes i cintes", late 17th century-first third of the 18th century. Bibliografía de referencia: Josep A. Cerdà i Mellado, "La loza catalana de la colección Mascort",Torroella de Montgrí, Fundación Mascort, 2012, p.342 28.3 cm high 2.000 2.000

862 Three dishes from Teruel and a china Italian little dish. From the 17th-18th century. 15,5 cm diam. Italian dish and 19 cm and 27,5 cm diam. Teruel dishes 450 450 863 Pair of altar flower holders in tinplate, late 18th century-early 19th century 41x23.5 cm 300 300

864 Four "de influencia francesa", "de faixes i cintes" and "de la cirereta" china Catalan dishes, a saucer and a cup and plate for chocolate. From the 18th century. Spalling and wear. Restored breakage in one of them 20,5 cm diam. max. dishes, 25 cm diam. saucer and 16,5 cm diam. plate 750 750

865 Aragonese ceramic apothecary jar, 18th century. From the series "esponjada y salpicada". Chipped 19.5 cm high 200 200

866 Twelve china Levantine dishes. From the 19th century and from the first third of the 20th century Some of them with spalling and wear. One of them repaired 34,5 cm diam. max 300 300

867 Copper water pitcher and wash basin, 18th century. 58 cm high, pitcher, and 14 cm high and 37.5 cm long, basin 500 500

868 Five "de faixes i cintes" china Catalan dishes. From the 18th century. Spalling and wear 20 cm diam 800 800

869 Catalan glass drinking jug, late 18th century-first decades of the 19th century. 22 cm high 750 750

870 Three Triana ceramic greyhounds and Catalan glazed ceramic plate, 19th century. Chipped, restored breakages and staple 9 cm high and 27 cm diam., 14 cm high and 50 cm diam., 15 cm high and 67 cm diam., greyhounds, and 10 cm high and 47 cm diam., plate 700 700

871 A "de faixes i cintes" china Catalan pharmacy jar. From the 18th century. With damages and restored 22 cm high 150 150

872 Seven pharmacy jars in blue china from Talavera and from Aragon, three china Levantine vintner jugs and a wall jardiniere. From the 18th and 19th centuries. With some hair. Spalling and wear. The jardiniere has a restoration with reintegration on the base 29 cm high max. jars, 24 cm high. jugs and 16x20,5 cm jardiniere 600 600

873 A bronze Central European weight. From the 19th century. 10x11x8 cm 300 300

874 A bronze bell. From 1844. Made in Girona. With inscription "Esteva Puig 1844 Gerum me fecit" 48 cm high and 42 cm diam 750 750

875 Catalan glass drinking jug, 18th century. Cresting in blue glass. Two slight breakages at two ends and one restored breakage on the handle 20 cm high 1.000 1.000

876 Black marble dish, probably Byzantine. From the 6th-9th century. 28,5 cm diam 2.250 2.250

877 An iron Spanish mortar with pestle. From the 17th century 25 cm high and 35 cm diam. mortar and 44 cm long pestle 1.000 1.000

878 Catalan glass water sprinkler decorated with laticinio rods, 18th century. 24.5 cm high 1.000 1.000 879 Pax, black, from Santiago de Compostela, late 15th-early 16th century. Silver mounted. Crack in the jet 22.5 cm high with pedestal 4.000 4.000

880 Ramon Sarsanedas. Barcelona 1896 - 1996 A dish with the coat of arms of Barcelona. 'Urushi' enameled copper Signed on the back, with coat of arms and initials of the 'Escola Massana' and initial of the artist 32,5 cm diam 150 150

881 Liqueur set in Murano glass by Venini, circa 1930-1940. Figures modelled in opaline glass on the stems and on the inside of the decanter. Comprises decanter and six glasses 21 cm high, decanter, and 9.5 cm high, glass 350 350

882 Art Déco vase with mermaids by the firm Verlys in smoked, matt, moulded glass, circa 1930. Signed 23 cm high 400 400

883 René Lalique. Ay, Marne 1860 - Paris 1945. Plate. Clear crystal, moulded and cut Signed 39 cm diam. 500 500

884 1924 Catalan school. Vase. Enameled china With "MC" monogram and dated in 1924. Little spalling 20 cm high 300 300

885 Pere Torné Esquius. Barcelona 1879 - Flavancourt 1936 Boys. Set of 4 terracotta glazed tiles in relief Circa 1920. Part of the same series on the wainscoting in the Municipal Music Conservatory of Barcelona 20x20 cm 900 900

886 A pair of Art Déco French blinds with Egyptian fabric decoration with sewing applications. Circa 1930. Small defects 193x70 cm 400 400

887 Flavio Poli. Chioggia 1900 - Venice 1984. Four vases, ashtray and bottle. Polychrome cut crystal Seguso factory. Mid 20th century 29.5 cm max. Height, vases, 12 cm diam., ashtray, and 29.5 cm high, bottle 675 675

888 Daum Frères and Guy Petitfils. Peacock. A "pâte de cristal" sculpture Signed and numbered 195- 300. Damages on the front side 36 cm high and 30,4 cm diam 600 600

889 René Lalique. Ay, Marne 1860 - Paris 1945 A "Chevreuse" vase. Moulded and frosted glass Signed. Model made in 1930. Model reference number 1081. Reference bibliography: Félix Marcilhac, "René Lalique: catalogue raisonné de l'oeuvre de verre" , Les éditions de l'amateur, Paris, 1989 (1st edition), 1994 (2nd edition), p.456. Two spallings on the base 16 cm high and 18 cm diam. 500 500

890 Josep Aragay. Barcelona 1889 - Breda 1969 Flute player. China dish Signed. Circa 1917-1920. Little spalling and restored breakage 44 cm diam 400 400

891 Art Déco vase with nymphs in frosted, matt, moulded glass, by Edouard & David Cazaux & Gueron, circa 1920. Signed "Gueron" 30 cm high 750 750 892 Josep Llorens Artigas. Barcelona 1892 - Gallifa 1980 A stoneware vase. Green enameled stoneware Firmado y con horóscopos 20 cm high 1.800 1.800

893 Antoni Cumella Serret. GranOilers 1913 - 1985 Vase. Stoneware Signed and dated in 1973 41 cm high 650 650

894 Antoni Cumella Serret. Granollers 1913 - 1985 Vase. Glazed stoneware Signed and dated in 1973 24 cm high 750 750

895 Rafael Masó i Valentí. Girona 1880 - 1935 Coat-umbrella stand Wrought iron and brass ring Made for the hall of the Salieti house of Girona, circa 1910-1911. The Masó design was made by the blacksmith-artisan Nonito Cadenas. Bibliography: Joan Tarrús y Narcís Comadira, "Rafael Masó, arquitecte noucentista", Brau edicions, Girona, 2007, p.371. In the Arxiu Mas from Barcelona there is a picture from 1916, ordered by the architect Masó, where this coat stand can be seen, dominating the hall of the Casa Salieti. 204 cm alt 3.500 3.500

896 Esteve Monegal. Barcelona 1888 - 1970 "La cullidora". A bronze sculpture-center Signed. Bronze model made from the original model in marble (1914), preserved in the Colección Myrurgia, Barcelona. Bibliography: F. Fontbona, 'Esteve Monegal, artista noucentista (1888-1970)', "D'Art", Nº 1, Barcelona, 1972, p. 99, nº 5 21x11x9 cm 850 850

897 Fidel Aguilar. Girona 1894 - 1917 "Testa femenina". Ceramic bust in "argerata de Quart" clay with wooden pedestal Signed. Piece done circa 1929, from the original model in Girona stone (1919), conserved in the Massó COilection. Hair restored. Bibliografía de referencia: E. Jardí, "El Noucentisme", Barcelona, Aymá, 1980, p. 127, nº 94; "El Noucentisme. Un projecte de modernitat", Barcelona, p. 248, nº 356. 38 cm bust and 40 cm total 900 900

898 Josep Viladomat Massanes. Manlleu 1899 - Andorra 1989 Portrait of Josefina Lombardi. A black- patinated bronze bust Signed and dated in 1925. With inscription: "Josephina Lombardi. Josep Viladomat. Invenit. Sculpsitque. Sanctus Martinus. A. Serdaniola. MCMXXV". Reference bibliography: "Josep Viladomat escultor", Barcelona, Fundació "la Caixa", 2001, p. 91 and 132 (nº cat. 14) 47,5x39x25 cm 2.000 2.000

899 Carmelo Vicent. Carpesa 1890 - Valencia 1957 Naked girl. Patinated stucce sculpture Signed and dedicated 22x12,5x20,5 cm 200 200

900 Spanish or French school from the late 19th century - early 20th century. Sleeping girl. Marble sculpture Signed with initials "G. H." 34x40x34 cm 600 600

901 Manolo Hugué. Barcelona 1872 - Caldes de Montbui 1945 "Torero". Sculpture in bronze with dark patina Signed. Original model of 1931. Bibliografía de referencia: M. Blanch, "Manolo", Barcelona, Polígrafa, 1972, p. 98, nº 151 34 cm high 1.000 1.000 902 French school from the last quarter of the 19th century. Bending down Venus. A brown patinated bronze sculpture Signed by the smelter Ferdinand Barbedienne and with a stamp of his company 34x16,5x19 cm 900 900

903 Eudald Serra. Barcelona 1911 - 2002 Girl. Terracotta bust Signed. Done circa 1930 37x20x17 cm 900 900

904 French school from the late 19th century. Centaur. A dark patinated bronze sculpture With illegible signature 30 cm high 600 600

905 Martí Llauradó Mariscot. Barcelona 1903 - 1957 Francesc Macià. Bronze bust Signed. With stamp of the Bechini foundation. Made in 1933 for the Propaganda Department of the Generalitat of Catalonia. Reference bibliography: "Martí Llauradó", Barcelona, Generalitat de Catalunya, 1993, pp. 12, 25 y 44, nº 10 28x17x21 cm 400 400

906 Jaume Duran i Castellanos. Barcelona 1891 - 1983 Triptych. Three metal reliefs, mounted in triptych Signed. With fine wood marquetry on the outside doors 87x55.5x11 cm (closed) y 87x114x11 cm (open) 175 175

907 Manolo Hugué. Barcelona 1872 - Caldes de Montbui 1945 "Campesina catalana 'La Llovera' ". Bronze sculpture with marble base Signed and numbered 8/10. Original model of 1910-1911. Bibliografía de referencia: M. Blanch, "Manolo", Barcelona, Polígrafa, 1972, p. 29, nº 15 36.5x13.5x13.5 cm (without base) and 40 cm high (with base) 1.200 1.200

908 Zsolnay factory. Boy with fruit. Porcelain box with lid Stamp in relief on the base. Art Nouveau, early 20th century 22.5 cm high and 14.5 cm diam.. 600 600

909 Lambert Escaler. Vilafranca del Penedés 1874 - Barcelona 1957 Young woman. Bust in stucco with marbled patina and pedestal Signed. Another piece with a bronze patina is conserved in the Museum of Catalan Modernisme, Barcelona. Bibliografía de referencia: "Museu del Modernisme Català", Barcelona, 2010, p. 203 40x17x14 cm 1.000 1.000

910 Émile Gallé. Nancy 1846 - 1904 Vase with clematises. Glass, several layers, cameo engraved Art Nouveau, circa 1920. Signed 13 cm high 600 600

911 Centrepiece and vase in iridescent marbled glass by Loetz and Palme-König. Art Nouveau, early 20th century. 6.5 cm high and 20.5 cm diam., centrepiece, and 27 cm high, vase 450 450

912 Eugène Mariotton. Paris 1854 - 1933 "Le couvre-feu". Chryselephantine sculpture in gilt and dark patina bronze, and carved ivory Signed and titled. Slight damage. Bibliografía de referencia: Pierre Kjellberg, "Les bronzes du XIXe siècle", París, Les Éditions de l'Amateur, 1987, p. 460 35 cm high 900 900

913 Modernista jardinière in polychrome terracotta, early 20th century. 23x47x21.5 cm 425 425 914 Cristallerie de Pantin. Vase with clematises. Glass, several layers, cameo engraved and gilded Art Nouveau, early 20th century. Signed "de Vez". Bibliografía de referencia: Giuseppe Cappa, Le Géneie Verrier de l'Europe, Térmoignages de l'Historicisme à la modernité (1840-1998), Bélgica, Mardaga, 1998, p.361, núm. 625 y p. 362, núm. 628 8 cm high 650 650

915 Josep Llimona Bruguera. Barcelona 1864 - 1934 "Modèstia". Plaster bust with bronze patina Signed. With two stamps of Casa Esteva y Cia., Barcelona. An original model of 1891, it was commercialized by this firm in the early 20th century. Bibliografía de referencia: "La Ilustración Artística", 19-10-1891, nº 512, p. 656 y 666; M. Monedero, "José Llimona, escultor", Madrid, National, 1966, p. 54, nº8; "El Modernismo", Barcelona, Lunwerg-Olimpíada Cultural, 1990, p. 55, nº 111 (Vol. II) 41.5x32.5x18 cm 750 750

916 Émile Gallé. Nancy 1846 - 1904 Vase con wisterias. Folded glass, several layers, cameo engraved Art Nouveau, early decades of the 20th century. Signed 15 cm high 1.400 1.400

917 Loetz factory. Two vases. Iridescent marbled glass Art Nouveau, early 20th century 19 cm high and 18 cm high 475 475

918 French Art Nouveau centrepiece in calamine and mottled glass, circa 1900. 44 cm high 275 275

919 Miquel Blay. Olot 1866 - Madrid 1936 "Forma". A biscuit bas-relief medal Signed, titled and dated in 1904. It is a medal of which several models for the magazine "Forma" were made. Made on the factory of Antoni Serra. Reference bibliography: "Forma", Vol. I, Barcelona, 1904, p. 38; F. X. Puig Rovira, "Els Serra i la ceràmica d'art a Catalunya", Barcelona, Selecta, 1978, p. 40; "El Modernisme", Barcelona, Lunwerg-Olimpíada Cultural, 1990, p. 142, nº 342 (Vol. II); and "Miquel Blay i Fàbrega 1866-1936. L'escultura del sentiment", Olot, Fundació Caixa Girona, 2000, p. 177, nº 196 21,5 cm diám 500 500

920 Spanish school of the late 17th century-first third of the 18th century. Saint Francis and Saint Dominic. Two carved wooden busts. Head of Saint Francis can be detached 35x45x20 cm and 30x41x18 cm 1.000 1.000

921 17th century Spanish school. Angel A carved, gold-plated and polychromed wood sculpture Defects on the polychromy 72 cm high 450 450

922 Spanish school of the 19th century. Our Lady of the Sorrows. Sculpture "de vestir" in carved and polychrome wood with original clothes. Crown, halo and pierced radiant heart in silver In mahogany display case 179x83x51 cm urn 800 800

923 19th century Andalusian school. Virgin. A carved and polychromed wood "de vestir" sculpture with original clothing in silk and embroided velvet Glass eyes 80x36x20 cm 750 750

924 Catalan school from the late 16th century. The Annunciation. Carved and polychromed wood bas- relief. Geometrical carving on the back. Originally could be the cover of a bridal chest 48,3x130,5 cm 900 900 925 18th century Spanish school. Saint Anthony of Padua. A carved, polychromed and gold-plated wood sculpture. Silver-plated metal halo Defects and polychromy losses 33 cm high 375 375

926 18th century Spanish school. Angel. A carved and polychromed sculpture Small fissures and some damages 60 cm high 550 550

927 Spanish school of the 19th century. The Child Jesus. Sculpture "de vestir" with original clothes in carved wood, with bell jar 66x50x33 cm 400 400

928 Spanish school of the 19th century. Virgin. Sculpture "de vestir" with original clothes 43x18x14.5 cm 400 400

929 Mechelen school, circa 1500. The Child Jesus. Sculpture in carved wood Some restorations 24.5 cm high 1.800 1.800

930 Spanish-colonial school of the 18th century. Saint Joseph. Image "de vestir" in carved wood with natural hair, hands and face in ivory, with wooden pedesta. Slight restoration 39.5 cm high 900 900

931 19th century German school. Cup with cover High relief carved ivory with a bacchanal decoration 68 cm high 2.250 2.250

932 Hispano-Philippine school of the 16th century. Virgin with the Child. Group in carved ivory with wooden pedestal from later period 12 cm high without pedestal 600 600

933 17th century Spanish-Phillippine school. Sleeping Baby Jesus. A carved ivory sculpture on a wooden stand 6x11 cm 500 500

934 19th century German school. Tankard. High relief carved ivory with a war scene Small defect in the cover's clasp 52 cm high 4.000 4.000

935 Pair of columns in carved and gilded wood, second half of the 17th century. With structures of cornices and plinths. Flaws in the gilding 72 cm high 475 475

936 Spanish school, 19th century. Our Lady of Sorrows. Sculpture in high relief in carved, gilded, polychrome wood Crack 51x33x2.5 cm 700 700

937 Spanish school from the late 18th century. Baby Jesus. A carved and polychromed wood scupture Glass eyes 54x34x19 cm 1.300 1.300

938 "Escena campestre", Flemish or French tapestry in wool and silk, early 16th century. Flaws on the edge 211x233 cm 7.500 7.500

939 Spanish school of the 18th century. Our Lady of the Sorrows. Sculpture in carved and polychrome wood With painted glass eyes 34 cm high (without pedestal) and 46 cm high (with pedestal) 400 400

940 Pair of Empire carved and gilded wooden candlesticks, early 19th century. Original plates in tin. Damage and flaws in the gilding 65 cm high 550 550 941 Spanish school of the 17th century. Saint Sebastian. Sculpture in carved and polychrome wood Flaws 106 cm high 2.000 2.000

942 Norther Spain school from the XIV century. Virgin with the Baby. A carved and polychromed wood group on a wooden stand An arm of the Virgin is missing, and looses on the polychromy 72x29x25 cm 3.000 3.000

943 Hispano-Philippine school of the late 17th century. The Child Jesus Asleep. Group in carved ivory with frame, probably Hispano-American, in carved and gilded wood with eagle and pelican 69x48x10 cm 5.000 5.000

944 German school, late 15th century. Circle of Tilman Riemenschneider. Holy Pope. Bust in carved lime wood with silver-mounted rock-crystal cabochon incrustation 52x22x13 cm 7.500 7.500

945 Spanish school of the early 17th century. Immaculate Virgin. Sculpture in carved, gilded and polychrome wood with wooden pedestal Slight flaws in the polychromy 114 cm high and 144 cm high total 5.000 5.000

946 French school from the last quarter of the 19th century. The Rape of the Sabine Women. A bronze sculptural group on a marble stand From the original by Giambologna (1574-1580), preserved in the Loggia dei Lanzi, Florence 87x31x31 cm 1.800 1.800

947 Probably Spanish school, second half of the 19th century. Wagner and Beethoven. Pair of terracotta busts, painted ivory colour afterwards Wooden pedestals. Some phylacteries identify the models 66x44x28 cm 1.000 1.000

948 French school of the 19th century. Marly's Horse. Sculpture group in dark patina bronze From the original by Guillaume Coustou (1739-1745), now conserved in the Musée du Louvre, Paris (inv. no. M.R. 1802) 45x37x17 cm 750 750

949 French school from the early 20th century. Child. A white marble sculpture on an alabaster stand Restorations 47,5x16x18 cm 1.300 1.300

950 Émile Louis Picault. Paris 1833 - 1915 "Honor y Patria". Sculpture in calamine with bronze patina Titled. With another inscription: "Pro Arts et Forcis" 60x25.5x16 cm 500 500

951 Agapit Vallmitjana i Abarca. Barcelona 1850 - 1915 Pair of lions. Sculpture group in terracotta Signed 25x24x18 cm 450 450

952 French school from the last third of the 19th century. Diane of Poitiers. A silver-plated bust With signature and stamp of the smelter Barbedienne 55x26 cm 1.500 1.500

953 Ramón Álvarez Prieto. Coreses 1825 - Zamora 1889 Hand. White marble sculpture Signed 7x30x15 cm 500 500 954 Emmanuel de Santa Coloma. Bordeaux 1826 - 1886 The Hussar's Return. Sculpture group in bronze with brown patina Signed 40x38.5x15 cm 1.400 1.400

955 French school from the early 20th century. Young girl. White marble sculpture Restorations 49 cm high 1.300 1.300

956 Jean Jules B. Salmson. France 1823 - 1902 Indian. Sculpture in calamine with polychrome bronze patinas Signed 66 cm high 600 600

957 French school from the last third of the 19th century. Ceres. A gold-plated bronze sculptural group on a marble stand 42x50x20 cm 1.200 1.200

958 French Empire-Restoration gilt-bronze table clock, first third of the 19th century. Topped by a cherub with allegorical elements of the arts. Paris movement. Needs servicing 42x29.5x12 cm 900 900

959 A Napoleon III French setting in Louis XVI style, consisting of a clock and a pair of gold-plated bronze and grey marble candlesticks. From the second half of the 19th century. Sculptural models by Mathurin Moreau, signed. Paris machinery. In running order 80x50x29 cm clock and 96 cm high candlesticks 18.000 18.000

960 Large Napoleon III Empire-style tableclock, gilt and blued bronze and red marble, second half of the 19th century. With the figures of Psyche and Cupid. Paris movement. Needs servicing 77x49x19 cm 3.500 3.500

961 A ceiling lamp with strings of carved glass beads. From the first third of the 19th centur 4 lights 70 cm high 275 275

962 Pair of French Louis XV-style gilt-bronze wall lamps, first half of the 20th century. 72 cm high 500 500

963 A carved glass ceiling lamp. From the first third of the 20th century. 12 lights. With alterations 79 cm high 300 300

964 Modernista ceiling light in brass with pink glass lampshades, early 20th century. Probably designed by Gaspar Homar. 6 lights 72 cm high 400 400

965 A bronze and glass ceiling lamp. From the first decades of the 20th century. 18 lights 110 cm high 750 750

966 A La Granja style carved glass ceiling lamp. From the 19th century 7 lights. Damages 98 cm high 200 200

967 Brass ceiling light with strings of beads and glass lampshades, early decades of the 20th century. 14 lights. Later transformations. Some flaws 126 cm high 500 500

968 Pair of French Louis XV-style gilt-bronze wall lamps, 19th century. 38 cm high 300 300 969 A carved glass ceiling lamp. From the first decades of the 20th century. 14 lights. Some damages 95 cm high 550 550

970 Ceiling light in Saxony porcelain, first decades of the 20th century. 5 lights 50 cm high 900 900

971 A carved glass ceiling light. From the early 20th century 10 lights 58 cm high 300 300

972 Cut-crystal ceiling light, early decades of the 20th century. 1 light 50 cm high 250 250

973 Genís Cirera Casanovas. Badalona 1890 - Barcelona 1970. A vase with legendary figures. Enameled glass Signed. Circa 1950-1960 22x23,5 cm diam 275 275

974 "Chardons" crystalware, six covers, in Saint-Louis cut and gilt crystal, third quarter of the 20th century. 9 pieces per diner. Comprises 6 cups and plates, 6 bowls, 6 white wine glasses, 6 red wine glasses, 4 cava flutes, 3 for spirits, 1 water. 12 red and green wine glasses added. Total 44 pieces. One of them with restored breakage 14.8 cm diam., plate, 10.6 cm diam., bowl, 9.5 cm high, small glass, and 18.7 cm high, large glass 1.000 1.000

975 Val-Saint-Lambert centrepiece and vase in cobalt blue folded crystal, carved and gilded, and vase in silver-mounted Moser type glass, second third of the 20th century. The base of one vase has Spanish silver addition. Signed 18 cm high and 23.5 cm diam. and 39 cm high, larger vase 500 500

976 Val-Saint-Lambert centrepiece-fruit bowl and two vases in ruby-red folded and carved crystal, second third of the 20th century. Signed 11.5 cm high and 40.5 cm diam., fruit bowl, 36 cm high, larger vase 500 500

977 Vase in cobalt blue, folded, cut crystal from Val-Saint-Lambert, second third of the 20th century. Signed 30 cm high 275 275

978 Glass from Bohemia in enamelled and gilt glass, late 19th century. 26 cm high 225 225

979 E. Riera. Center with fantasy animals. Enameled glass with vegetable motifs and fantasy animals Signed. From the mid 20th century. 18,5 cm high and 27 cm diam 150 150

980 A Murano glassware of ten services by Carlo Moretti. From the second half of the 20th century. Consisting of water, wine and cava cups . Total 30 pieces 25 cm high cava cups, 15,3 cm high water cups and 10,7 cm high wine cups 650 650

981 Charles Schneider. Chateau-Thierry, 1881-1953 Vase. Polychrome mottled glass Signed. Art Déco, circa 1930 51.5 cm high 750 750

982 Three decanters in cut crystal and silver, chocolate box, centrepiece vase in cut and gilded crystal and set of two French jugs, third quarter of the 20th century. 38 cm high, largest decanter, 23 cm high, chocolate box, 18 cm high and 24 cm diam., centrepiece vase, 26 cm high, largest jug 550 550

983 Large French vase in cobalt blue folded and cut crystal, third quarter of the 20th century. 50.5 cm high 300 300 984 Catalan glass and vase in enamelled glass, circa 1950. Glass signed: "Royo". Chipped 20 cm high, glass, and 28 cm high, vase 325 325

985 Manuel Benedicto. Barcelona 1895 -1964 Boys with Basket of Fruit. Centrepiece in two-tone veined marble and bronze with a dark patina Signed. With bronze tortoises as feet. Circa 1930 51.5 cm high (total) 1.500 1.500

986 Attributed to Josef Lorenzl. Vienna 1892 - 1950 Cabaret lady. A bronze and ivory cryselephantine sculpture on an onix stand Art Déco, circa 1925. Restored head 16,5 cm high 350 350

987 Central Europe school circa 1925. Young person. A gold-plated and bluing bronze and carved ivory cryselephantine sculpture on an onix stand Art Déco 16,5 cm high 350 350

988 S. Omerth. Germany, 19th century Warrior. Chryselephantine sculpture in bronze and ivory with onyx pedestal Signed 41x12x11 cm 1.300 1.300

989 Manolo Hugué. Barcelona 1872 - Caldes de Montbui 1945 "Manola". Bronze Sculpture with black patina and black marble pedestal Signed. Original model of 1932. Bibliografía de referencia: M. Blanch, "Manolo", Barcelona, Polígrafa, 1972, p. 98, nº 152 25 cm high (without pedestal) and 32 cm high (with pedestal) 1.600 1.600

990 Enric Casanovas. Barcelona 1882 - 1948 Young Woman. Terracotta bust with wooden pedestal Done circa 1923. Bibliografía de referencia: "Enric Casanovas". Barcelona, Palau de la Virreina, 1984- 1985, núm.24, p.63 (versión in bronce) 30.5 cm bust and 36 cm total 2.750 2.750

991 French school, circa 1925. Young Girl with Doves. Art Déco sculpture group in bronze with greenish patina and veined marble base 27x51.5x17.5 cm 400 400

992 E. Battiglia. Active in Italy during the second half of the 19th century Medieval lady. White marble sculpture Signed 48,5x11,5x12 cm 900 900

993 French school, circa 1900. Nymph with Sunflowers. Art Nouveau polychrome terracotta vase Signed: "Martinez" 54.5 cm high 275 275

994 Franz Peleschka-Lunard. Vienna 1873 - ? Girl. Chryselephantine sculpture in bronze and ivory, with marble pedestal Signed 21.5x13x7.7 cm 1.450 1.450

995 Aristide de Ranieri. Italy 1880 - 1914 Nymph. Bust in terracotta with Art Nouveau bronze patina, circa 1900. Signed 40 cm high 450 450

996 Enric Casanovas. Barcelona 1882 - 1948 Young Woman. Bronze bust with black marble pedestal Signed. Bibliografía de referencia: T. Camps, "E. Casanovas", Barcelona, Àmbit, 1988, p. 52-53 44x18x15.8 cm (with pedestal) 2.250 2.250 997 Claire Jeanne Colinet. Brussels 1880 - 1950 Oriental dancer. A gold-plated bronze and Art Déco ivory cryselephantine sculpture, circa 1925, on a red marble stand Signed on the stand. Restored breakage in a finger of the right hand 58x24,5x14,5 cm 12.000 12.000

998 Viktor Seifert. Döbling 1870 - Berlin 1953 Bacchus and Bacchante. Pair of sculptures in calamine with gilt-bronze patina, with painted wooden pedestals. Signed. Some damage 153 cm max. height (sculptures) and 188 cm high (with pedestals) 6.000 6.000

999 Mathurin Moreau. Dijon 1822 - Paris 1912 Diana the Huntress. Sculpture-cup in gilt bronze with black marble base 80.5x29x24.5 cm 3.000 3.000

1000 Emilio Fiaschi. Italy 1858 - 1941 Naked young girl. A white marble sculpture on a wooden stand Signed and located in Florence 116x52x28 cm (sculpture) and 91x48,5x48,5 cm (with stand) 6.000 6.000

1001 Fernando Bernad. Lecera 1913 - Barcelona 2005 Maternity A carved marble sculptural group Signed 36x25x18 cm 475 475

1002 English school of the early 20th century. Sadldle and riding boots. Two sculptures in bronze with a dark patina 12.5 cm high (saddle) and 8 cm high (boots) 250 250

1003 Paul Ludwig Kowalczewski. Gniezno 1865 - Berlin 1910 Boy with basket. Sculpture in grey-brown patina bronze Signed 21x7.5x7.5 cm 275 275

1004 Two African walking sticks in ebonized wood, first half of the 20th century. 92 cm max. Length 450 450

1005 Two carved and inked ivory canes with hands. From the late 19th century. One of them has a dog's head-shaped hand. Wooden sticks. 93 cm long max 575 575

1006 Staff of office with gold handle and tortoiseshell shaft, early 20th century. With case 85.5 cm long, the staff, and 99.5 cm long, the case 200 200

1007 Two walking sticks with silver handles, first third of the 20th century. One of them masonic with two-faced lion's head 84 cm max. length 300 300

1008 Two pairs of neo-Gothic gilt-bronze candlesticks, late 19th century. 107 cm high, biggest, and 74.5 cm high, smallest 750 750

1009 Spanish school from the first half of the 19th century. Ladies. Three gouache on ivory miniature portraits. Two of them with partially illegible signatures 6x5 cm the biggest one 250 250

1010 French, English and Spanish schools from the 19th century. Portrait of a cardinal, Francisco de Goya and ladies. Four gouache on ivory, metal and paper miniature portraits. 9x7,2 cm the biggest one 475 475 1011 Dionís Renart (Barcelona 1878 - 1946), Jaume Martrús Riera (Manresa 1889 - Barcelona 1966) and Giovanni MOilica (Italy, 19th-20th century). Sculpture, Virgin with the Child and Roman Emperor. Three sculptures in patina paste and terracotta Signed, the last one rubber stamped. The first, dated in 1913 and with the fOilowing inscription: "Renart y Ca. Barcelona" 25.5x9x5.5 cm, 36x6.8x7 cm and 31.3x10x7.4 cm 400 400

1012 French school of the second half of the 19th century. Pitbull and French bulldog. Sculpture group in bronze and bronze sculpture with book Signed: "Palliati" 14.5x14x10 cm, pitbull, and 6x12x18 cm, bulldog 475 475

1013 Rafael Solanic. Barcelona 1895 - 1990 Virgin with the Baby and blessing Christ. Two terracotta and terracotta-patinated stucco reliefs The first one, with frame and signature 40 cm high (the first with frame) and 34 cm high (the first without frame) and 43 cm high (the second) 400 400

1014 A Lenci type rag doll, with five exchangeable faces. Circa 1930. Original dressing with damages 67 cm high doll and 17 cm long max. faces 275 275

1015 Walking stick with ivory handle carved with bust of Spanish lady, first third of the 20th century. 94 cm long 500 500

1016 Marine mercury barometer, second half of the 19th century. With inscription "Ernsts rue de Lille nº 11 à Paris (Nº 7)". with wooden frame 106 cm long, barometer, and 120x20.5 cm, with frame 450 450

1017 Walking stick with ivory handle carved with the bust of Abraham Lincoln, first third of the 20th century. With mechanism that makes him stick his tongue out 89.5 cm long 550 550

1018 Isabelline seashell display, second half of the 19th century. With different-sized urn 58 cm high 350 350

1019 1850 Catalan school. "Santa Eulalia". Embroided panel Signed, titled and dated in 1850 on the passe-partout. Also dedicated: "A su querida mama Dolores Vila Mataró 21 Sbre 1850" 63,3x75,6 cm 200 200

1020 18th century Central European school. Battle.Gouache on ivory miniature With illegible signature 4,9x5 cm 275 275

1021 French table clock in bronze and black marble, late 19th century. Topped by the group of Venus and Cupid by Blèzer. Paris movement. In working order 57x42x18 cm 450 450

1022 French Louis XVI-style gilt-bronze mounted white marble mantel clock and pair of candlesticks, early 20th century. Candlesticks with reversible top. Paris movement. In working order 36.5x22x12.5 cm, clock, and 25 cm high, and 10 cm max. diam., candlesticks 600 600

1023 German clock in Stizendorf porcelain, late 19th century. Decorated with a young woman and a cherub. Paris movement. In working order. Small flaws 38.5x31x18 cm 450 450 1024 A gold-plated bronze Napoleon III desktop clock. From the second half of the 19th century. Paris machinery. Revision needed. The needles are missing 46x37x17 cm 1.800 1.800

1025 French calamine wall clock, late 19th century. Clock held by cherub, on wooden base. Paris movement. Needs servicing 58x24x13 cm, clock, and 75x27 cm, with support 500 500

1026 Napoleon III calamine table clock, mid 19th century. Spherical clock held by classical young women. Paris movement. Needs servicing 53x41x17 cm 650 650

1027 A gold-plated and bluing bronze French desk clock in empire style. From the second half of the 19th century Dominated by the firgure of Leonidas. Watchmaker Isac de Toulouse. Paris machinery. In running order. The pendulum is missing 54x36x13 cm 700 700

1028 Napoleon III mantel clock and pair of calamine candlesticks, second half of the 19th century. Paris movement. Needs servicing 46x54x18 cm, clock, and 54 cm high, candlesticks 800 800

1029 French Napoleon III mantel clock and pair of candlesticks in gilt bronze and Sèvres "bleu du roi" porcelain, second half of the 19th century. Paris movement. Needs servicing. One hand missing 69x49x14 cm, clock, and 62 cm high, candlesticks 3.500 3.500

1030 French Louis XV-style gilt-bronze and "en cloisonné" enamelled table clock, late 19th century. Paris movement. In working order. Bell missing 35x21x22.5 cm 850 850

1031 A Napoleon III portico clock. Ebony wood and metallic marquetry. From the second half of the 19th century. Paris machinery. Damages on the marquetry 49x24,5x13,5 cm 250 250

1032 A gold-plated bronze and marble Louis XIV desktop clock. From the last decades of the 18th century. Watchmaker Charles Rolland from Paris. Revision needed. One needle and the bell are missing 54x32,5x10 cm 1.800 1.800

1033 Italian Lenci felt dOil, circa 1925. Original Dutch girl's costume 43 cm high 300 300

1034 Nine painted iron and silver-plated metal Amercian money boxes. From the late 19th century to the first third of the 20th century. 15 cm high the biggest and 8,5 cm high the smallest 350 350

1035 Two French walking sticks with ivory handles carved in the shape of a dog, late 19th century. 90 cm long 700 700

1036 Three French or English walking sticks with antler handles carved in the shape of animals, late 19th century. 91 cm max. Length 700 700

1037 "Ariston" organette with ebonized and lacquered wooden box decorated with fleurs-de-lis, circa 1880. Cardboard disks incorporated. With system of silver-plated metal crank and varnished wood handle. Invented in Lepizig by Paul Ehrlich in 1877 based on another model by him, the Orchestrionette 24x40x40 cm 600 600 1038 Two French walking sticks with ivory handles carved in the shape of a dog's head, late 19th century. 88.5 cm max. length 700 700

1039 A big Dep doll with porcelain head and composition body. From the first decades of the 20th century. Damages 95 cm high 750 750

1040 A "papier maché" and wood Barcelona Paluzie globe. From the mid 20th century. 82 cm high and 40 cm diam. approx 200 200

1041 Japanese Meiji walking stick in engraved ivory, early 20th century. 94 cm long 400 400

1042 Three French or English walking sticks with deer antler handles carved in the shape of animals and of a claw, late 19th century. 92 cm long. máx 650 650

1043 A boat model. From the first half of the 20th century On a glass case 51x71,5x27,5 cm case 200 200

1044 Two English or French walking stick handles in ivory carved in the shape of dog's heads, early decades of the 20th century. 7 cm max. length 350 350

1045 An Elizabethan wall clock. Ebony wood and painted interior. From the late 19th century. Marble face. Paris machinery. Revision needed 58x51x13 cm 475 475

1046 Isabelline composition with birds, third quarter of the 19th century. In bell jar 50 cm high 550 550

1047 Large French music box, last third of the 19th century. Inlaid wooden box. In good condition, with slight damage 38x73x51 cm 1.750 1.750

1048 French cage with three bird automata attributed to Blaise Bontems (1814-1893), second half of the 19th century. Mechanism of motion and song. Base in gilded wood and stucco. Needs servicing 49.5x33x26 cm 650 650

1049 17th century Dutch school. Tavern's interior. Oil on canvas. Music carillon box on the inside. Disassembled mechanism. Paris machinery. Revision needed 77x90x19,5 cm 1.400 1.400

1050 Large Isabelline composition with birds, third quarter of the 19th century. In bell jar 87 cm high 1.500 1.500

1051 Isabelline wall clock with acrobat automaton, third quarter of the 19th century. Marble face. Paris movement. The automaton's mechanism needs repairing. Slight damage to the wood 62x50x16.5 cm 800 800

1052 A pair of porcelain Elizabethan vases with gold-plated metal flowers. From the second half of the 19th century. With glass chimneys 59 cm high and 23 cm diam 550 550 1053 French cage and bird automaton attributed to Blaise Bontems (1814-1893), second half of the 19th century. Mechanism of motion and song. Base in gilt wood and stucco 55x38x25.5 cm 1.000 1.000

1054 French Napoleon III diorama with animated Italian landscape and clock, mid 19th century. Motion of boats and fountain. The music mechanism and the automaton's mechanism are missing. Paris movement. Needs repairing. Damage to the frame 81.5x82x19 cm 1.800 1.800

1055 Spanish surgeon's case from Chinchilla (Albacete) in engraved steel, circa 1733-1734. 4 instruments. Inscriptions engraved "Josefa Monroi/Chinchilla/1733", "Dña Josefa Monroi/Chinchilla 1733", "Gutierrez in Chinchilla a 1734/de Don Miguel de Otondo". Original case in painted and gilded cardboard imitating leather with gold fasteners 12x5x2.5 cm, case, and 9.5 cm max. length, piece 150 150

1056 Ottoman "Shasmir" dignitary's sabre with gold and ivory hilt and steel blade, late 19th century. Silver and leather sheath 99 cm long 8.500 8.500

1057 A "bracket" desk clock with a "chinoiseries" lacquered wood case. Circa 1930. Watchmaker Guillermo Puig de Barcelona. Carillón sound system, which can be activated or desactivated. External running adjustment. In running order 44x32x28 cm 1.000 1.000

1058 Two French walking sticks with ivory handles carved in the shape of figures, late 19th century. 93 cm max. Length 700 700

1059 Morez wall clock with edge of face embossed in brass, second half of the 19th century. Chimes the hour and half-hour. Needs servicing 39x25.5x14 cm 300 300

1060 Architect's measuring instrument, 19th century. 33x14x14 cm 350 350

1061 Two walking sticks in ivory and silver, first third of the 20th century. One of them with bamboo shaft topped by silver eagle's head 90.5 cm max. Length 300 300

1062 Morez longcase clock in painted wood, with embossed brass face, second half of the 19th century. 240x52x22 cm 500 500

1063 Two French walking sticks with ivory handles carved in the shape of a dog's head and a hand, second half of the 19th century. 93 cm max. length 700 700

1064 A marble Catalan sundial. From 1830. 25x25x1,5 cm 350 350

1065 Morez wall clock with edge of face in embossed brass, 19th century. Face with calendar, lunar phase, and chimes on the hour and half hour. In working order 44x28x14 cm 350 350

1066 English longcase clock in lacquered wood, circa 1770-1790. Decoration of "chinoiseries". Clockmaker Francis Perígal of London. Face with second hand in 12 o'clock position and calendar. Needs servicing 246x49x25 cm 1.200 1.200 1067 John Taylor. An English high grandfather clock with a mahogany case. From the second half of the 18th century. Signed in London. Face with seconds hand, calendar and sound system selector. In running order 250x50x26 cm 1.600 1.600

1068 "Scene from Roman History", French wool tapestry by Felletin, 18th century. Flaws on the right- hand side 5.000 5.000

1069 Robert Deacon Launceston, English mahogany longcase clock, late 18th century. Face with second hand and calendar 236.5x58.2x27 cm 2.000 2.000

1070 "Landscape with birds", French wool tapestry by Aubusson or Beauvais, 18th century. 292x230 cm 6.000 6.000

1071 Six French cut-crystal double perfume bottles, late 19th century. Stoppers in silver-plated and gilded metal 13.5 cm max. length 700 700

1072 Spanish school circa 1940. Triptych of the Crucifixion with scenes of the Christ's Calavary and childhood. Wood and carved and polychromed relief ivory in Gothic style 75,5x33x14 cm closed and 75,5x49x14 cm opened 800 800

1073 French school from the 19th century and from the first decades of the 20th century. Crucifixed Christ. Four carved ivory sculptures, mounted on minerals in the 20th century Some damages 20 cm high max 600 600

1074 French silver-gilt mounted ivory dance card, late 19th century. 11x6.5x cm 300 300

1075 Attributed to the Viennese school of the 19th century. The Baptism of Christ in the Jordan. Enamelled porcelain plaque This porcelain appeared as part of the set design in the film "The House of the Spirits" (1993), by Bille August (minute 9:00-11:00) 43.6x27.7 cm 500 500

1076 Three "de Banyoles" china dishes. From the 18th century. Little wear and spalling 20 cm diam. max 500 500

1077 Two walking sticks with carved ivory handles, first third of the 20th century. 92.5 cm max. length 550 550

1078 Standard lamp in carved and polychrome wood with column, late 17th century. Later turned into a lamp 180 cm high 275 275

1079 A painted wood lamp and leg in Pierre Lottier Baroque style. Circa 1940. Shade included. Damages 200 cm high 250 250

1080 Two Napoleon III and Art Nouveau snuff boxes. Porcelain, gouache on ivory and bronze. From the second half of the 19th century and circa 1900. The miniature with the signature "Ross" and the porcelain box with mark of Sèvres. 4x7,7 cm diam and 5x9,5x6,8 cm 275 275 1081 A carved and engraved glass cup and Bohemian bottle. From the 18th century. 23 cm high bottle and 16,7 cm high cup 400 400

1082 Cartier, pair of gilt-bronze and lacquered alarm clocks, mid 20th century. Swiss string wound, 8 days' duration. Needs servicing 7.5x7.5x2.5 cm 250 250

1083 German school, 19th century. Erotic scene. Group in carved ivory 13 cm high 1.400 1.400

1084 An ivory and silver French dancing card. From the late 19th century The angle clasp of one of the sheets is missing 11x6,5x1,5 cm 350 350

1085 Dieppe French school. Crucifixed Christ. A carved ivory sculpture. With frame and velvet background 21x15 cm sculpture and 41,5x32 cm with frame 750 750

1086 Josep Clarà. Olot 1878 - Barcelona 1958 "La force au service du droit à Joffre" and "Pompeu Fabra". Two plaster and stoneware slabs Signed and dated in 1914 and 1938. One framed 29.5 cm diam. (plaster) 11.5x11.5 cm (stoneware) and 18.5x 18.5 cm (with frame) 600 600

1087 Salvador Dalí. Figueres 1904 - Barcelona 1989 The Kiss of Fire, The Guitars, The Sun Planet, The Starfish, Doves and Arrows. Complete double set of six tiles each. Done in Valencia by Adex, for Maurice Duchin of New York, 1954. With original boxes. Total 12 tiles 20x20 cm 950 950

1088 A metal and deer horn desktop lamp. From the mid 20th century. 84 cm high 250 250

1089 Pablo Gonzalvo. Rubielos de Mora 1929 - Valencia 2010 Aragonese Man. Bronze sculpture with black patina Signed and numbered 1/7 45x17.4x10.5 cm 800 800

1090 Three Royal Dux porcelain Art Nouveau centers. From the early 20th century. 25,5x31x22 cm max 750 750

1091 Greek-style Danish urn "de figuras rojas" in Ibsen terracotta, early 20th century. 39 cm high 500 500

1092 Royal Dux porcelain Art Nouveau jardiniere and center. From the early 20th century. 23x33x16 cm jardiniere and 30x29x27 cm center 475 475

1093 Berthe Lassieur. Australia 1882 - 1919 Cleopatra. Ceramic plate Signed and dated. Circa 1900. Based on a model by Alphonse Mucha. Chipped 31.5 cm diam. 300 300

1094 Pair of Art Nouveau vases in Royal Dux porcelain, early 20th century. 36 cm high 525 525

1095 Spanish school from the first third of the 20th century. Saint Sebastian. A carved ivory sculpture in German Baroque style on a wooden stand 49 cm high without stand 2.000 2.000

1096 Italian school of the first decades of the 20th century. Urn. Carved marble Medusa's head in the centre 64 cm high and 40 cm diam. 2.750 2.750 1097 Two Royal Dux porcelain Art Nouveau vases. From the early 20th century. 42 cm high max 475 475

1098 Émile Gallé. Nancy 1846 - 1904 Chinese-style vase. Gilt-bronze mounted glazed ceramic Signed. Circa 1880-1890 64 cm high 1.500 1.500

1099 French school from the first third of the 20th century. 15th century lady. A carved ivory sculpture on a wooden stand 18 cm high without stand 800 800

1100 French and Germanic schools of the 18th century. Saint Anthony the Abbot and a Hunter. Two figures in carved ivory Some flaws in the hunter 10 cm max. height 500 500

1101 An Oriental hall runner. From the first half of the 20th century 385x93 cm 175 175

1102 Pair of Empire gilt-bronze candelabra, first third of the 19th century. Subsequently electrified 49 cm high 1.200 1.200

1103 Two woollen and silken Oriental carpets. From the second third of the 20th century. 205x148 cm the biggest one 325 325

1104 Pair of Spanish wall lamps in iron and tinplate, late 18th century. 95.5 cm high 750 750

1105 Four woollen Oriental carpets. From the 20th century. 122x107 cm, 215x87 cm, 130x78 cm and 130x78 cm 600 600

1106 A woollen Spanish carpet. From the second third of the 20th century. 280x300 cm 600 600

1107 A Persian carpet. From the first half of the 20th century. 397x297 cm 450 450

1108 Pair of gilt-bronze candelabra with porcelain flowers and crystal teardrops, circa 1930. 62 cm max. height 550 550

1109 A woollen Persian carpet. From the second half of the 20th century. 250x250 cm 300 300

1110 Seashell with marble pedestal, late 19th century. 600 600

1111 Ceiling light with strings of crystal beads, 19th century. 1 light. Damaged and some crystal beads broken 75 cm high 250 250

1112 Persian carpet, wool, 20th century. 300x200 cm 600 600

1113 A gold-plated bronze Napoleon III desk clock. From the second half of the 19th century. Paris machinery. In running order 60x33x16 cm 550 550

1114 Four sculptures and centrepiece in German Meissen porcelain, early 20th century. 19 cm max. Height, sculptures, and 13.5 cm high and 21 cm long, centrepiece 950 950 1115 Table lamp, polychrome and metal, Baccarat crystal, early decades of the 20th century. Slight damage to the crystal decoration 21x28x11 cm 450 450

1116 Pair of French Louis XVI-style gilt-bronze mounted lights in "bleu du roi" porcelain, early decades of the 20th century. 37 cm high and 53 cm total 1.100 1.100

1117 A set of four platters and a dish in Italian porcelain from Ginori. From the second third of the 20th century. Medallions with grisaille landscapes decoration 40,5 cm long biggest plate adn 22,4 cm diam dish 750 750

1118 "Grand Tour" French bronze 'Arche de l'Etoile', 19th century. Wooden base 26.5x24.5x16 cm 1.500 1.500

1119 Napoleon III "papier maché" gilt table clock, third quarter of the 19th century. Face and frame in gilt bronze. Paris movement. Needs servicing 48x38x21 cm 450 450

1120 Porcelain pharmacy jar, mid 19th century. 34 cm high 300 300

1121 A gold-plated bronze Restoration French desk clock. from the second quarter of the 19th century. Representing a battle and finished with a figure of a Roman-like dressed soldier. Paris machinery. Revision needed. Small damage in the top decoration. The pendulum, the handles and the key are missing. 45,5x33,5x11 cm 950 950

1122 A Murano glass candlestick. From the first half of the 20th century. 3 lights. Small damages 55 cm high 200 200

1123 A carved ivory Central European big jug, with a silver mount with enamel and lapis lazuli plaques. Circa 1940. Finished by a Bacchic figure 77 cm high 14.000 14.000

1124 A Charles IV bed and two bedside tables. Partially carved and gold-plated mahogany. From the late 18th century. Bedside tables from a later period 197x156 cm bed and 50x50,5x33 cm bedside tables 850 850

1125 A carved and gold-plated wood Elizabethan mirror. From the third quarter of the 19th century. Damages 220x135 cm 475 475

1126 A lacquered, gold-plated and polychromed wood Spanish canape in Regency style. From the early 20th century. Wickerwork sit 77x133x44 cm 600 600

1127 An "à abattant" Elizabethan writing desk. Mahogany and rosewood and carved and ebony wood. From the third quarter of the 19th century. 164x104x52 cm 500 500

1128 A mahogany Victorian dining room table. From the second half of the 19th century. With extensions 71x155x144 cm 950 950

1129 A Maria Cristina Regency console. Mahogany and satin wood marquetry. Circa 1830-1840. 84x127x57,5 cm 400 400 1130 A mahogany wood and rosewood Elizabethan bed. From the mid 19th century. 150x193 cm headboard 500 500

1131 A gold-plated wood Elizabethan mirror in Neoclassical style. From the third quarter of the 19th century Small damages 85x60 cm 200 200

1132 A mahogany English folding playing table in Victorian style. From the early 20th century. On leather 77x90,5x90 cm 550 550

1133 An Elizabethan chest of drawers. Mahogany, rosewood and carved and gold-plated wood with metallic marquetry. From the second third of the 19th century. Damages 86x96x46 cm 400 400

1134 A set of eleven Victorian chairs. Mahogany, rosewood and carved beech. From the second half of the 19th century. Damages 87 cm high 800 800

1135 Isabelline chest of drawers in mahogany and fine wood marquetry, and carved and gilded wood, mid 19th century. 107.5x120x63.5 cm 850 850

1136 A painted and partially carved and gold-plated wood Fernandine bench. From the first third of the 19th century. Enea upholstery. Small damages 92x140x42 cm 375 375

1137 Empire-style sideboard-chiffonier in crotch mahogany with gilt bronze applications, second third of the 19th century. Black marble top 113x51x41 cm 800 800

1138 Pair of mirrors with Louis XV-style gilt-bronze frames, first third of the 20th century. 41x28 cm high 275 275

1139 Isabelline bed, mahogany and carved and gilded wood with satinwood marquetry, mid 19th century. 157x150cm 600 600

1140 A mahogany and satin wood Spanish "à abattant" secretary desk in English style. From the first quarter of teh 20th century 111,5x79x38,5 cm 400 400

1141 A walnut French wardrobe-cabinet in Louis XVI style. From the mid 19th century. Doors with wickerwork 212x108x55,5 cm 850 850

1142 Louis XV-style display cabinet in carved and gilded wood, late 19th century. On pedestal 179x64x32 cm 1.200 1.200

1143 Transition-style side table in fine wood marquetry with gilt-bronze applications, late 19th century. 80x56.5x39 cm 275 275

1144 Set of four Isabelline-Alfonsine corner console tables in carved wood, gilded in two tones, second half of the 19th century. 53x54x37 cm and 108.5 cm total 2.250 2.250

1145 A mahogany, mahogany palm, satin wood and carved and gold-plated wood Fernandine bed. Circa 1825. 203x135x187 cm 800 800 1146 A mahogany, rosewood and carved and gold-plated wood Fernandine chest of drawers with satin wood marquetry. Circa 1820. Some spalling on the wood. 233x127x60 cm 1.200 1.200

1147 A Regency cylindrical bureau. Mahogany palm, rosewood and satin wood. From the second quarter of the 19th century. Decorated with orientalist and vegetable marquetry and columns with capitals in gold-plated carvings. Small damages 129x118x63 cm 850 850

1148 A brass Neoclassical style cabinet. From the early 20th century. 143x160x80 cm 500 500

1149 Marcel Breuer. Pécs 1902 - New York 1981 Pair of "Wassily" armchairs. Chrome steel and leather 72x78x65 cm 600 600

1150 Erik Buch. Denmark 1923-1972 Set of six chairs. Palisander and leather upholstery Model designed in 1956. Edition "Oddense Masrinsnedkeri AS" 80.5 x 47.5 x 43 cm 950 950

1151 Bruno Mathsson. Värnamo 1907 - 1988 Low table. Beech Rubber stamped 52.5 cm high and 110 cm diam. 380 380

1152 Jaime Tresserra Clapés. Barcelona 1943 "Carpett"secretary desk. Walnut, sycamore, silver-plated ironwork and peccary belts 13x94x52 cm 1.000 1.000

1153 Oscar Tusquets. Barcelona 1841 "Gaulino" set of six chairs. Ash and leather seat Design of 1987, certifying mark stamped. Some have tear and wear 83 cm high 1.800 1.800

1154 Set of four Spanish chairs in chrome steel tubing, circa 1970. Original upholstery in velvety fabric 80x52x47 cm 300 300

1155 Pair of Danish armchairs in palisander, mid 20th century. Back upholstered 78x56x49 cm 450 450

1156 Set of four Danish chairs in ash and palisander, circa 1960. Original nap upholstery 80x45x47 cm 475 475

1157 Catalano-Aragonese small chest in walnut with bone incrustations, first half of the 17th century. Slightly damaged. Bibliografía de referencia: Maria Paz Aguiló Alonso, "El mueble in España. Siglos XVI- XVII", Ediciones Antiqvaria S.A., Madrid, 1993, p.240 34x46x25.5 cm 1.500 1.500

1158 A pair of mahogany Central Europeal swivel armchairs. From the early 20th century. 74,5x57,5x70 cm 300 300

1159 White lacquered folding screen with decoration in relief, second third of the 20th century. 165x264 cm 500 500

1160 Onyx and gilt-bronze pedestal, early decades of the 20th century. 112.5x29.5x30 cm 1.000 1.000

1161 A Modernist side table. Mahogany, walnut, oak and oak root. From the early 20th century. 80x75x55,5 cm 375 375 1162 Set of ten Louis XIV-style walnut chairs by Antonio Mataró, mid 20th century. Brown leather upholstery 110x49x44 cm 900 900

1163 Mahogany couch, early 20th century. 28x130.5x58 cm 300 300

1164 A painted wood cot-jardiniere in Pierre Lottier neoclassical style. Circa 1940. Interior with two zinc plates compartments. Damages 58x98x45 cm 400 400

1165 An Italian pedestal table with marble cover with hard stones marquetry and ebony, tourning and carved wood leg. From the second half of the 19th century. Cover with draughtboard 68 cm high and 59 cm diam 1.300 1.300

1166 Venetian-type mirror with frame of engraved mirrors, late 19th century. 98x61 cm 500 500

1167 Pair of English oak "Arts & Craft" armchairs, early 20th century. Back upholstered in cloth of the period, probably designed by William Morris 95.5x60x50 cm 400 400

1168 White marble Spanish fireplace. From the late 19th century. Disassembled 190x120 cm 2.200 2.200

1169 English-style mahogany armchair, early 20th century. Leather upholstered 100x58x66 cm 225 225

1170 A lacquered and gold-plated wood English corner cabinet in Georgian style. From the first half of the 19th century. Decorated with "chinoiseries". Subsequent restorations 193x114x54 cm 2.500 2.500

1171 Spanish half moon console table in carved pine, second half of the 19th century. 74.5x138x56 cm 500 500

1172 A pair of engraved Spanish mirrors, probably from La Granja. From the last third of the 18th century. With representations of Saint Joseph and the Immaculate. With frame 40x39 cm 600 600

1173 Spanish walnut friar's-chair, 17th century. Seat and backrest in velvet with cloth applications. Slight flaws 110x60x54 cm 400 400

1174 A pair of carved and gold-plated wood Elizabethan cornucopias, in Charles III style. From the mid 19th century. Small defects 74x39 cm 1.200 1.200

1175 A Catalan bridal chest. Walnut with bone "pinyonet" inlaid. From the 16th-17th century. It has many alterations 67x135x54 cm 2.000 2.000

1176 Chinese-style display cabinet, probably Andalusian, in painted and gilded wood, 18th century. Later adaptations 187x96x45 cm 2.750 2.750

1177 A walnut and oak Castillian short table with catches. From the 17th century. Subsequent alterations and some dameges 60X65x44 cm 450 450 1178 Pair of Venetian engraved mirrors with pine frames, second half of the 18th century. Lights from a later period 52x25 cm and 52x42 cm with lights 600 600

1179 Two "Olot" bedheads in patinated and gilded wood, 19th century-early 20th century. Repaints and flaws 160x155 cm, the bigger one 200 200

1180 A pair of carved and gold-plated wood Elizabethan cornucopias. From the mid 19th century. One of them regilded 74x39 cm 500 500

1181 A walnut Catalan "canterano" with satin wood inlays. From the second half of the 18th century. 120x110x54 cm 1.400 1.400

1182 A carved, polychromed and gold-plated wood Venetian stand with an acrobat doe. From the second half of the 19th century. 103x50x40 cm 2.750 2.750

1183 A polychromed wood Felipe V Majorcan chest of drawers in Venetian style, with cut engravings and "lacca povera" illuminations. From the first third of the 18th century. Decorations of erotic scenes and landscapes. Damages on the polychromy 116x148x69 cm 11.000 11.000

1184 A carved and gold-plated wood Italian console. From the mid 18th century. Decorated with side masks and skirts with asymmetrical elements 81,5x111x67 cm 3.750 3.750

1185 A pair of carved, painted and gold-plated wood Venetian "grotto" chairs. From the second half of the 19th century. Shell-shaped on rock formations with leaves. Collapsible backrests. Damasc "capitonné" silk upholstery with "C G" monogram and marquis crown. Small defects on the upholstery. Origin: Palace of the Duques de Montpensier in Sanlúcar de Barrameda; acquired by the antique dealer Andrés Moro from Seville, circa 1960-1970; acquired by the present owner to his heirs, circa 2005. 55 cm high closed, 86 cm hight total and 48 cm diam 9.000 9.000

1186 An English library globe. Wood, bronze, "papier maché" and lithographed paper of George Philip & Son, London & Liverpool. From the second third of the 19th century. According to Smith's mapping. Some damages 45 cm high and 25 cm diam 1.500 1.500

1187 A walnut Spanish writing desk with bone and engraved ivory inlays. From the 17th century. Little table with wrought iron catches from a later period 57x97x30 cm writing desk and 85x100x40 cm little table 2.750 2.750

1188 Catalan chest of drawers in walnut, second half of the 18th century. With transformations in the writing desk from a later date 115x86x46 cm 120 120

1189 Baroque-style Spanish column, mid 20th century. Later turned into a lamp 170x30x30 cm 350 350

1190 Mirror with Chinese-style English frame in polychrome and gilt wood, late 18th century-early deacdes of the 19th century. Slight flaws in the polychromy 35x22.5 cm 375 375 1191 A carved chestnut chest from northern Spain. From the 17th century. Small damages 88x155x58 cm 400 400

1192 A rosewood Majorcan bed. From the mid 18th century. Decorated with spiral turnings. Fabric canopy. 220x160 cm headboard 1.000 1.000

1193 A walnut Spanish writing desk with carved and inked bone inlays. From the late 19th century. Decorated with mythological scenes. Carved walnut table in neorenaissance style 55,5x97x31,5 cm writing desk and 91x104x37 cm table 1.800 1.800

1194 Spanish bureau in walnut, late 19th century. 94x65x77 cm 600 600

1195 Baroque-style mirror in carved and polychrome wood, 19th century. Slight damage 110x75 cm 550 550

1196 Pair of Spanish small decorative mirrors in carved and gilded wood, late 19th century. Some damage 55 cm high 450 450

1197 A carved walnut Catalan chest, probably from Lérida. From the 18th century. Vegetables and architectural decoration 64x150x54 cm 350 350

1198 Isabelline small decorative mirror in carved and gilded wood, mid 19th century. 98x57 cm 400 400

1199 Spanish secretary desk in ebonized and satinwood, tortoiseshell and with gilt-bonze applications, late 19th century. Decorated with landscapes and scenes on painted glass. One broken and another restored 74x106x35 cm, secretary desk, and 90x115x45 cm, writing table 1.500 1.500

1200 Catalan "castellet" chest of drawers in walnut with satinwood fillets, second half of the 18th century. 167x120x60 cm 1.000 1.000

1201 A wooden chest covered by studded leather. From the 18th century. 39x107x51 cm 300 300

1202 Carved oak dining table by Antonio Mataró, mid 20th century. Iron catches 80x285x80 cm 700 700

1203 Catalan bridegroom's chest in carved walnut, 19th century. Renaissance-style carved decoration 55x100x40 cm 500 500

1204 Pair of mirrors with Philip V-style frames in carved and gilded wood, late 19th century. In the form of two-headed eagles with mitred inner outlines 56x42 cm 750 750

1205 "Castellet" chest of drawers and 19th-century style mirror in carved, gilded and polychrome wood, circa 1930-1940. Damaged 94x89x49 cm, chest of drawers, and 104x55.5 cm, mirror 400 400

1206 Spanish chest in studded leather, second half of the 17th century-first half of the 18th century. Damaged 22x45x33.5 cm 950 950 1207 A carved and polychromed wood Spanish cabinet. From the second half of the 18th century. Inside part, painted subsequently. 136x98x56 cm 1.500 1.500

1208 Spanish "taquillón" (sideboard) in carved pine, 19th century. 85x88x43 cm 475 475

1209 A carved wood and gold-plated stucco Elizabethan mirror. From the third quarter of the 19th century 166x103 cm 500 500

1210 A mahogany and walnut Majorcan chest of drawers in Charles IV style with fine wood marquetry. From the late 19th century. 86,5x123,5x61 cm 3.000 3.000

1211 A pair of beech Spanish armchairs in Louis XV style. From the early 20th century. 94x63x55,5 cm 800 800

1212 An "à abattant" secretary desk with a mahogany Fernandine cabinet. From the second quarter of the 19th century. 220x115x56 cm 800 800

1213 Set of four Alfonsine neo-Renaissance chairs in carved and gilded wood, circa 1870-1880. 102x48x44 cm 700 700

1214 A mahogany and satin wood English piano. From the first third of the 19th century. Revision needed. Subsequent workings. 88,5x190x77 cm 500 500

1215 A carved and gold-plated wood Louis XVI mirror with frame. From the first quarter of the 20th century. 78x60 cm 400 400

1216 A mahogany and oak Dutch writing-desk. From the last quarter of the 18th century. 110x95x53 cm 1.800 1.800

1217 A pair of carved and gold-plated wood chairs in Louis XVI style. From the early 20th century. Small defects on the gold-plate 88,5x47 cm 475 475

1218 A mahogany Fernandine bed headboard with satin wood marquetry. From the first third of the 19th century. 179x163 cm 750 750

1219 A pair of carved and gold-plated wood Modernist corner chairs. Circa 1900. 80x40x40 cm 200 200

1220 A Majorcan corner console. Mahogany and walnut with satin wood marquetry. From the 18th century. 64,5x86x50 cm 400 400

1221 Louis XV-style sofa and pair of armchairs in carved and gilded wood, late 19th century-early 20th century. Tapestry upholstery probably by Abusson with chivalrous scenes armchair 97x70x56 cm 1.200 1.200

1222 A mahogany and mahogany palm Fernandine titlting mirror, with gold-plated bronze decorations. From the first third of the 19th century. 200x110x60 cm 500 500 1223 A pair of carved wood Louis XVI French armchairs with gold-plated remains. From the last quarter of the 18th century. 96,5x65,5 cm 3.000 3.000

1224 A mahogany Charles IV console with satin wood marquetry. From the first decades of the 19th century. Canes, lyres and furrows decorations. Marble from a later period. 92,5x116x56,5 cm 3.500 3.500

1225 English Chinese-style corner cupboard in lacquered and gilded oak, late 18th century-early 19th century. 102x55x35 cm 850 850

1226 Isabelline neoclassical-style mirror with carved and gilt wooden frame, second half of the 19th century. 130x60 cm 750 750

1227 A mahogany, walnut and satin wood French office desk in Louix XVI style. From the late 19th century. 84x129,5x71 cm 600 600

1228 French Transition-style chest of drawers in fine wood marquetry with gilt-bronze applications, mid 19th century Marble top 98x100x53 cm 1.500 1.500

1229 A pair of carved, gold-plated and polychromed wood Catalan benches. Made with 18th century pieces during the first half of the 20th century. 45x60x40 cm 500 500

1230 A mahogany palm and rosewood Elizabethan chest of drawers-writing desk, with boxwood marquetry and gold-plated carving. From the second quarter of the 19th century. Restorations 110x118x86 cm 500 500

1231 A lacquered and gold-plated wood desk-bookcase in English Chinese style. From the mid 20th century. 240x117,5x52 cm 3.000 3.000

1232 Pair of 19th century-style small decorative mirrors in carved and gilded wood, circa 1920. Done by the sculptor Pere Jou. Losses of gilt and cracks 32x22 cm 300 300

1233 A mahogany French chest of drawers in Louis XVI style, with geometric marquetry of fine wood with gold-plated bronze decorations. From the early 20th century. On rose marble. 94x116x50,5 cm 2.000 2.000

1234 A rosewood French office desk with gold-plated bronze decorations, in Louis XVI style. From the first half of the 20th century. 82x143x74 cm 1.200 1.200

1235 Isabelline mahogany armchair, leather upholstered, third quarter of the 19th century. 105x62x55 cm 300 300

1236 A mahogany Elizabethan bookcase. From the mid 19th century. Origin: Grenzner-Fellner collection, Barcelona 210x145x45 cm 600 600 1237 A rosewood, walnut, ebony wood and tortoiseshell Spanish writing desk, in Napolitan style, with gold-plated bronze decorations. From the 19th century. Walnut, root and ebony wood table in Baroque style 80x113x34 cm writing desk and 127x80x42 cm table 3.000 3.000

1238 Pair of columns in carved and gilded wood, second half of the 18th century. Slight cracks and flaws in the gilding 102.5 cm high 1.000 1.000

1239 A Flemish style Spanish little ark. Ash, walnut, tortoiseshell and brass. From the late 17th century. Restored legs 47x86x26 cm 900 900

1240 An ebony, walnut, jacaranda and fruit tree wood Italian writing desk, with boxwood, tortoiseshell plaques and engraved and inked ivory marquetry and gold-plated bronze decorations. From the 17th century. Decoration in architectural type. Subsequent restorations 75x103x34 cm 4.000 4.000

1241 Set of four candelabra in carved and gilded wood and metal, made with pieces from an 18th- century altarpiece in the mid 20th century. 190x34x34 cm 1.700 1.700

1242 An ebony wood, walnut and tortoiseshell Spanish little ark with gold-plated bronze inlays. From the second half of the 19th century. 29x43,5x25 cm 1.000 1.000

1243 A wood and gold-plated stucco Napoleon III big mirror with frame. From the third quarter of the 19th century. 250x145 cm 1.250 1.250

1244 A jacaranda Elizabethan set consisting of a canape and two armchairs. From the mid 19th century. 111x192x90 cm canape 500 500

1245 Pair of Alfonsine mahogany shelves, last quarter of the 19th century. With mirrors 51x51x16 cm 300 300

1246 A pair of sapele and carved mahogany Spanish consoles-dressers in English style. Circa 1940. 83x102,5x54 cm 500 500

1247 An "à abattant" Central European Biedermeier secretary desk. Mahogany palm and carved mahogany. From the mid 19th century. 153x106x47 cm 750 750

1248 A Transition style French sewing case. Fine wood marquetry with gold-plated bronze decorations. From the early 20th century. Mirror in the inside. Damages. 72x50x45 cm 350 350

1249 Napoleon III box in Boulle marquetry in brass and tortoiseshell with gilt-bronze mountings, second half of the 19th century. Interior cloth-lined, chipping in one corner. With key 6.5x32.5x25 cm 600 600

1250 A root and rosewood French liquor box with brass and mother-of-pearl marquetry. From the last quarter of teh 19th century. With a set of 4 decanters and 10 cups. Damages and some defects. Key included 26x32,5x24 cm box 450 450

1251 Victorian desk in mahogany and crotch mahogany, mid 19th century. 76x152.5x105 cm 1.300 1.300 1252 Francisco de Goya y Lucientes. Fuendetodos 1746 - Bordeaux 1828. "Los desastres de la guerra". 80 plates "Colección de ochenta láminas inventadas y grabadas al agua-fuerte por Don Francisco de Goya. Publícala la Real Academia de Bellas Artes de San Fernando", Madrid, 1903 (date changed subsequently). Bound in half leather 23.5x30 cm (each print) 5.000 5.000

1253 G. Delisle, W. Blaeu and others. Maps of France, the Iberian Peninsula, Andalusia, Asturias and Catalonia. Nine engravings, three of them illuminated Those of Blaeu belong to an edition of the Maior Atlas made circa 1660 50,5x67 cm aprox 450 450

1254 Willem Blaeu. Uitgeest or Alkmaar 1571- Amsterdam 1638 "Granata et Murcia regna". Illuminated engraving Probably edited in 1635 54x60 cm 175 175

1255 "C. Plinii secundi historiae mundi libri XXXVII ex postrema ad vetustos codiges collatione cum annotationibus, et indice". Paris, Andream Berthelin, 1543. 18th century leather bookbinding. With exlibris of Marquis de Fortia 37,5x24,5 cm 225 225

1256 Erasmus and Saint Augustine, "Enarrationes in Psalmos mysticos". Basel, Frobeniana office, 1529. Bound in period parchment. Damages 36,5x26,5 cm 200 200

1257 Pedro Galindo, “Verdades morales en que se reprehenden, y condenan los trages vanos, superfluos, y profanos”. "con otros vicios, y abusos que oy se usan: mayormente los escotados deshonestos de las mugeres", Madrid, Francisco Sanz, 1678. Modern Dutch binding 20,5x15 cm 400 400

1258 "Biblia diligentissime emendata concordotis". Iacobi Saccon, 1522. The cover is missing. 500 coded pages. More than nine hundred woodcut capitals, some of them representing different Biblical figures. Bound in modern parchment 17,7x14 cm 700 700

1259 Yemeni Qur'an, 19th century. Contemporary binding in goffered full leather. Damaged 22x16x5 cm 400 400

1260 Brother Juan Bautista Sicardo, “Juizio theologico moral que haze de las galas, escotados y afeites de las mugeres”. Madrid, Francisco Sanz, 1677. Bound in parchment 19,5x15,5 cm 400 400

1261 "Fuero juzgo en latín y castellano, cotejado con los mas antiguos y preciosos códices por la Real Academia Española". Madrid, Ibarra, 1815. Rustic bookbinding 34,5x23 cm 200 200

1262 A set of Spanish manuscripts. From the 16th to 19th century. "Censo y subrogación en favor de este Colegio de Nº P. Sa Ignacio de Valladolid", bound in parchment from the 18th century; wills, sales, receipts, entailed estates and a set of deeds of a house in the Comadre Granadina street from Madrid (nowadays Amparo street). More than 300 sheets. 31,5x22,5 cm max 180 180

1263 “Ordenanzas con que se han de labrar en estos Reinos los Texidos de Seda todos generos, y los de Plata y Oro”. Madrid, 1684. With three autograph signatures of Sebastián Castillo y Peralta, secretary of the Trade Board. Modern binding in parchment 30x20 cm 300 300 1264 "Flabio Iosephi. Hebraei antiquitatum Iudaicarum". Colonia, E. Cerviconi, 1540. Leather bookbinding with nerves and dry engraving. From the 20th century. Cover and first pages with restorations 30,5x21 cm 350 350

1265 Thiers,"Atlas de l'histoire de Consulat et de l'Empire". Paris, Lhereux et Cie, 1864. Press bookbindin 43,5x29 cm 120 120

1266 Pierre-Frédéric Bonneville, "Traité des monnaies d'or et d'argent qui circulent chez les différens peuples". Paris, Chez l'auteur & Duminil-Lesueur, 1806. Several engraved plates 40x27 cm 450 450

1267 Spanish school of the 17th century. Saint Catherine of Alexandria. OIl on wood 37.6x24.4 cm 400 400

1268 Spanish school of the 17th century. Immaculate Virgin. OIl on canvas 153x87.3 cm 900 900

1269 Attributed to the 18th century Spanish school. Christ on the column. Oil on canvas glued to board 33,5x20,6 cm 350 350

1270 Spanish school of the 17th century. Saint James the Lesser. Oil on copper With inscription: "S. Jacobo" 21x17 cm 400 400

1271 French school from the first third of the 18th century. François Lemoyne follower. Girl, probably a frugal or Aracné. Oil on canvas On the back above the stretcher, an inscription: "Bayeu" 41,7x32,8 cm 700 700

1272 Spanish school of the 17th century. Japanese Holy Martyr. Oil on copper 42.2x31 cm 450 450

1273 Spanish school of the 18th century. Saint Michael the Archangel. OIl on canvas 57x44 cm 300 300

1274 Attributed to the 17th century Spanish school. The Virgin with the Baby. Oil on canvas 97,3x83,6 cm 600 600

1275 17th century Flemish school. The Holy Family in Bethlehem. Oil on copper 22x16,5 cm 400 400

1276 Spanish school of the 18th century. Saint Raymond Nonnatus. OIl on canvas stuck to wood Identified through partial inscription: "S. Ramó. Non." 56x43.7 cm 350 350

1277 Attributed to the Hispanic colonial school from the 18th century. Portrait of a young girl. Oil on canvas glued subsequently to canvas On the frame, an inscription: "Condesa de Mancilla (...) Zaragoza" 34x25,5 cm (original painting) and 49x36,5 cm (the stand) 700 700

1278 French school of the late 18th century. Portrait of a Friar. OIl on canvas 61x75.5 cm 600 600

1279 Spanish school, probably from Seville, first half of the 17th century. The Good Shepherd With the Young Saint John. OIl on canvas 81.3x117.5 cm 1.000 1.000 1280 Andalusian school, late 17th century or first third of the 18th century. Saint Joachim, Saint Anne, the Virgin and the Holy Ghost. OIl on canvas 104.5x80.5 cm 2.250 2.250

1281 Flemish school of the 18th century. Tavern Scene. OIl on canvas 22.4x30.5 cm 450 450

1282 French school of the 18th century. Travellers Ink and watered-down ink drawing on paper Inscription: "Composition d'après Berchem". From an original by Nicolas Berchem 23.5x30.5 cm 225 225

1283 Attributed to Antoni Viladomat i Manalt. Barcelona 1678 - 1755 Bust of a holy woman, probably Saint Anne. Oil on canvas 23,7x20,2 cm 500 500

1284 Bolognese school of the 17th century. FOilower of Annibale Carracci. The Mocking of Christ. OIl on canvas From the original by Annibale Carracci (1596), conserved in the Pinacoteca Nazionale, Bologna. Comes from the important cOilection that in the mid 19th century was built up by the doctor of law and parliamentary deputy D. Sebastián Antón Pascual (Vilanova i La Geltrú, 1807 - Bagnères de Luchon, 1872) 51x46 cm 600 600

1285 Spanish school of the 17th century. The Virgin and the Child Comforted by Angels. OIl on canvas On the back, a label indicates the provenance and a restoration in 1984 77.7x108 cm 900 900

1286 17th century Spanish school. Virgin with the Baby. Oil on canvas With a carved, gold-plated and gilded wood frame in Baroque style. Previously attributed to Pedro de Villegas Marmolejo 60x78 cm 2.500 2.500

1287 18th century Dutch school. Gottfried Schalcken follower. Palmistry scene. Oil on board 28x24 cm 700 700

1288 Spanish school, last third of the 17th century. Lot and his Daughters. OIl on canvas 92.7x72.8 cm 1.300 1.300

1289 Spanish school from the late 18th century. Inmaculate. Oil on canvas With a carved and gold- plated wood Spanish period frame 74x58,5 cm 1.500 1.500

1290 José Vásquez. Active in Mexico during the 18th century Guadalupe Virgin Oil on canvas Signed 55x37 cm 3.500 3.500

1291 Flemish school, first quarter of the 17th century. Circle of Gillis Mostaert. Christ on the Cross. Oil on copper 41.4x27.5 cm 2.500 2.500

1292 Spanish school of the 17th century. Virgin with the Child. Oil on copper On the back, several 17th-century inscriptions in ink, some illegible: "Benitez Palma", "Vega". With 19th-century Spanish frame in carved and gilded wood 22.5x16.8 cm 800 800 1293 José Antonio de Ayala. Active in Mexico, second half of the 18th century Virgin of El Carmen with Saint Joseph, Saint Francis and the Souls in Purgatory. Oil on copper Signed. With Baroque-style frame in painted, carved and gilded wood 43x33 cm 5.000 5.000

1294 French school of the first third of the 18th century. Circle of Nicolas de Largillière. Portrait of a knight of the Order of the Saint-Esprit. OIl on canvas With noble coat of arms added later 81.2x65.5 cm 1.300 1.300

1295 Attributed to Jacob Willemsz from Wet. Haarlem, active circa 1633-after 1674 Crucifixion. Oil on board 83x60 cm 2.000 2.000

1296 Spanish school of the 17th century. Tobias and the Angel. Oil on copper 24.9x32.4 cm 700 700

1297 18th century Spanish school. Flower vases on balusters. A pair of oils on canvas With mould and gold-plated wood frames from the 19th century 56x72 cm 1.200 1.200

1298 Mexican school of the 18th century. The Good Shepherd. OIl on canvas With contemporary frame in carved and gilded wood 27x20.8 cm 3.000 3.000

1299 17th century Flemish school. Willem van Herp circle. Taking of Christ. Oil on copper 55,4x72,6 cm 1.500 1.500

1300 18th century Habsburger school. Pastoral scenes. A pair of paintings below glass With carved and gold-plated wood frames from the 19th century 29x39 cm 900 900

1301 Spanish school from the first third of the 17th century. A holy bishop, probably Saint Blas. Oil on board 128,8x71,5 cm 1.500 1.500

1302 Spanish school of the 17th century. Moses and the Israelites in the Desert. OIl on canvas 85x101 cm 800 800

1303 Spanish school, first third of the 18th century. Baptism of Christ. OIl on canvas 90.5x123.7 cm 1.300 1.300

1304 18th century Neapolitan school. Still life. Oil on canvas It has been suggested an attribution to Giacomo Nani (Porto Ercole h. 1700 - Naples 1770) 82,7x111 cm 2.000 2.000

1305 Attributed to Francisco Antolínez y Sarabia. Seville h. 1645 - 1700 Saint Joseph's dream. Oil on canvas A carved, gold-plated and painted wood frame in Baroque style 51,3x78,7 cm 2.500 2.500

1306 Attributed to Francisco Antolínez y Sarabia. Seville c. 1645 - 1700 Jacob and Isaac. OIl on canvas 99.8x156.2 cm 4.000 4.000

1307 Attributed to the 17th century Venetian school. Francesco Bassano circle. Christ's entrance to Jerusalem. Oil on canvas 161x213 cm 4.000 4.000 1308 Andalusian school of the 17th century. Balaam's Ass. OIl on canvas An attribution has been suggested to the circle of Antonio del Castillo. On the back, a label of the Junta de Incautación y Patrimonio 116.1x167.2 cm 4.000 4.000

1309 Attributed to Francisco Antolínez y Sarabia. Seville c. 1645 - 1700 Jacob and the Angel. OIl on canvas 99.5x157 cm 4.000 4.000

1310 Spanish school, circa 1890. Ladies' Mascarade and Scene from Zarzuela. Two photographs Damaged 29.5x41.5 cm and 29.5x40.5 cm 300 300

1311 Eusebi Planas. Barcelona 1833 - 1897 "Felices". Pencil and watercolour drawing on cardboard Signed, titled and dated in 1862 28,7x20,8 cm 275 275

1312 Ramon Martí Alsina. Barcelona 1826 - 1894 Young person and a child. Watercolour on paper Signed 20,4x14,8 cm 150 150

1313 French school of the 19th century. FOilower of François Boucher. Pastoral scene. OIl on canvas 80.7x71.3 cm 400 400

1314 Joan Llimona Bruguera. Barcelona 1860 - 1926 A Girl Charcoal and pastel on paper Signed 44x35 cm 400 400

1315 Joan Junyer. Barcelona 1904 - 1994 Costume for the set of "The Minotaure". Mixed technique and pochoir on paper Signed and dated in 1947. Done for The Ballet Society of New York, with these drawings he was hugely successful. Bibliografía de referencia: Lucía García de Carpi, "Joan Junyer y Esteban Francés: escenógrafos de balanchine", Miguel Cabañas Bravo (coord.), "El arte español fuera de España", Madrid, CSIC, 2003, pp. 112-113 48x36 cm 200 200

1316 Richard Julius Hermann Krebs, "Jan Valtin". Maguncia 1905 - Betterton 1951 Male nude. Mixed media and ink on paper Signed 26,7x20,7 cm 200 200

1317 Enrique Serra Auque. Barcelona 1859 - Rome 1918 "Apuntes artísticos". Charcoal on paper Signed, located and dated in Rome in 1886. On the back, inscription: "Año 1886 Nº 229". Bibliografía: A. Fernández Merino, "Apuntes artísticos. Enrique Serra", 'La Ilustración Artística', Barcelona, 17-5-1886, p. 171 (reproduced) 22.8x19.4 cm 175 175

1318 Pere Pruna. Barcelona 1904 - 1977 Young Female Nude. Ink drawing on pape. Signed, dedicated and dated in 1951: "El ex. al titular de gracias "Espirituosas"" 28x21.5 cm 300 300

1319 Ramón Alorda Pérez. Barcelona 1848 - 1899 Sketches. Fifteen drawings in charcoal, ink, pencil and watercolour on paper Many of them signed, located in Venice and dated Various sizes (the largest 45.5x30 cm) 700 700

1320 Emili Casals i Camps. Barcelona 1843 - 1928 Female portrait. Charcoal on paper glued to paper Signed. On the back, another drawing 35,9x31 cm 150 150 1321 Joan Junyer. Barcelona 1904 - 1994 Costume design for the set of "The Minotaure". Mixed technique and pochoir on paper Signed and dated in 1947. Done for The Ballet Society of New York, with these drawings he was hugely successful. Bibliografía de referencia: Lucía García de Carpi, "Joan Junyer y Esteban Francés: escenógrafos de balanchine", Miguel Cabañas Bravo (coord.), "El arte español fuera de España", Madrid, CSIC, 2003, pp. 112-113 48x36 cm 200 200

1322 Spanish school from the first third of the 20th century. Naked young girl Oil on canvas 68x42,5 cm 200 200

1323 Pere Pruna. Barcelona 1904 - 1977 Young person. Gouache and pencil on paper Signed 22,5x16,6 cm 150 150

1324 Manuel Humbert Esteve. Barcelona 1890 - 1975 Harlequin. Gouache on paper Signed 70x49.5 cm 250 250

1325 Apel·les Mestres. Barcelona 1854 - 1936 Illustration for the eighth song of "Liliana", "Les granotes". Ink drawing on paper Bibliography: Apel·les Mestres, "Liliana", Vilanova i La Geltrú, Oliva, 1907, p. 127 (reproduced) 21,7x15 cm 450 450

1326 Ricard Opisso. Tarragona 1880 - Barcelona 1966 "Hombre de fuerza desaprensivo". Ink drawing on paper Signed and titled. On the back side, handwritten markings for the editor 28x25 cm 400 400

1327 Eusebi Planas. Barcelona 1833 - 1897 Family scene. Pencil drawing on paper Signed and dated in 1861 24,8x33,5 cm 200 200

1328 Shigeyoshi Koyama. Japan 1940 Female nude. Gouache on paper Signed and dated in 1982 40,5x30,5 cm 300 300

1329 Attributed to Claudi Lorenzale. Barcelona 1816 - 1889 Male academies. Four charcoal and clarion drawings on paper Made probably during his stay in Rome, between 1837 and 1840 43,5x29 cm 400 400

1330 Attributed to the Catalan school from the late 19th century. A young girl. Pencil, watercolour and gouache drawing on paper 27x20 cm 125 125

1331 Jean-Louis Paguenaud. Coussac-Bonneval 1876 - Limoges 1952 Bullfight. Watercolour on paper Signed and dedicated 36.5x54.4 cm 225 225

1332 Pere Pruna. Barcelona 1904 - 1977 A girl. Ink and watercolour drawing on paper Signed and dated in 1936 29x37,5 cm 600 600

1333 Ramon Martí Alsina. Barcelona 1826 - 1894 Notes. Thirteen pencil, charcoal, gouache and ink drawings on paper glued to paper With stamped signature and with the signature of his son, Ricardo Martí Different sizes 500 500 1334 Gabriel García Maroto. La Solana 1889 - Mexico 1969 Landscape. Watercolour and charcoal on paper Signed and dated in 1923 49x62 cm 400 400

1335 Joaquim Mir Trinxet. Barcelona 1873 - 1940 Landscapes. Two charcoal drawings on paper On the back of one of them, charcoal landscape study 36x47cm and 46x62 cm 1.500 1.500

1336 Josep Mestres Cabanes. Manresa 1898 - Barcelona 1990 "La Plaça de la Llana de Barcelona" and "Establo de la calle Llàstics. Barcelona". A pair of watercolours on paper Signed. On the back, titled and dated in 1949 18x24,5 cm 1.200 1.200

1337 Giovanni Battista Piranesi. Mogliano 1720 - Rome 1778 "Veduta del tempio di Giove Tonante". Engraving Signed on plate. Paris edition by Firmin-Didot 40x60 cm 400 400

1338 Joan Colom Agustí. Arenys de Mar 1879 - 1969 Landscape with figures. Watercolour on paper Signed 32x46 cm 300 300

1339 Joaquim Mir Trinxet. Barcelona 1873 - 1940 Landscapes. Pair of pencil drawings on paper Signed. The first one, with inscription 2/3. The second one, on the back with inscription confirming its authenticity, signed by the artist's son, José Mir Estalella, on 27 June 1974 12x16.8 cm and 14x21 cm 400 400

1340 Ceferino Olivé. Reus 1907 - 1995 Train station Watercolour on paper Signed and dated in 1971 49,5x65 cm 600 600

1341 Catalan school from the second half of the 19th century. Male academy. Oil on canvasWith apocryfal signature: "R. Martí" 43x31 cm 500 500

1342 Julio Vila Prades. Valencia 1873 - 1930 Portrait of a girl. Oil on canvas Signed 64x46 cm 700 700

1343 Julio Borrell Pla. Barcelona 1877 - 1957 Female portraits. Oil on canvas and pastel on paper Signed. With wood period frames. Origin: artist's family collection 37,7x29,7 cm and 63x49 cm 350 350

1344 Probably French school from the second half of th 19th century. Saint John the Baptist. Oil on canvas 77x60 cm 1.200 1.200

1345 Attributed to the French school from the late 19th century. Portrait of a girl. Oil on canvas With two signatures 50,5x40,5 cm 400 400

1346 Ricard Opisso. Tarragona 1880 - Barcelona 1966 Originals for a TBO cutout. Seven ink and watercolour drawings on paper Signed 22,5x15,3 cm 900 900

1347 Joan Ponç. Barcelona 1927 - Saint Paul de Vence 1984 No title. Ink and gouache drawing on paer Signed, dated and located in Brazil in 1958-1959 50x69 cm 750 750

1348 Ramon Casas Carbó. Barcelona 1866 - 1932 Figures Dressed in Regional Costume. Ink drawing on paper With rubber-stamped signature of the estate. With registry number "D-158". Done circa 1910- 1920. Provenance: cOilection of Julia Peraire Ricarte, Barcelona. Enclosed report by the Institut Amatller d'Art Hispànic, dated July 2004 11.8x17 cm 1.000 1.000

1349 Will Faber. Saarbrücken 1901 - Barcelona 1987 Lyon streets. Ink and gouache on paper drawing glued on paper Signed and located. On the back side, a label: "W. Faber. Nº 35" 25x31 cm 200 200

1350 Josep Maria Subirachs. Barcelona 1927 No title. Ink drawing on paper Signed 23x32 cm 1.100 1.100

1351 Manuel Humbert Esteve. Barcelona 1890 - 1975 Garden. Gouache on paper Signed 52.5x31 cm 175 175

1352 Emili Grau Sala. Barcelona 1911 - Sitges 1975 Landscape With Windmill. Watercolour on paper Signed, dedicated, located and dated in Paris, June 1949 18x22.5 cm 1.200 1.200

1353 Josep Triadó Mayol. Barcelona 1870 - 1929 Triumphal Cavalcade. Ink drawing on paper Signed and dated in 1917. With inscription on a phylactery: "Macti Animo Este, Victoria Ducit Fidentes" 22x31 cm 400 400

1354 Russian school from the early 20th century. Allegorical scene. Oil on canvas glued to cardboard With the signature "Pavlov" and dated in 1919 60,5x95,5 cm 400 400

1355 Benjamín Palencia. Barrax 1894 - Madrid 1980 Untitled. Ink drawing on paper Signed and dated in 1934 18.7x21.7 cm 1.200 1.200

1356 Ramon Casas Carbó. Barcelona 1866 - 1932 View With Chimney. Pencil drawing on paper With rubber-stamped signature. With registry number "D-113". On the back, another pencil drawing. Done in Sant Benet de Bages, circa 1880-1881. Provenance: cOilection of Julia Peraire Ricarte, Barcelona. Enclosed report by the Institut Amatller d'Art Hispànic, dated July 2004 18.6x26.7 cm 900 900

1357 19th century Central European school. Children playing. A pair of oils on board 71,2x26,7 cm 500 500

1358 Attributed to Joseph Anton Koch. Obergiblen 1768 - Rome 1839 Landscape with cascade. Oil on canvas On the back, an inscription: "Joseph A. Koch" 61,2x45,5 cm 1.200 1.200

1359 Carlos Vázquez Úbeda. Ciudad Real 1869 - Barcelona 1944 "Las rosas tienen espinas". Oil on paper glued to tablex Signed. Made circa 1911. There is another variation of the same theme. Reference bibliography: Joaquín Ciervo, "Carlos Vázquez Úbeda" ('Los grandes artistas contemporáneos'), Barcelona, [1931-1932], p. 99 47x24 cm 400 400

1360 Spanish school from the early 20th century. Pier in the Guadalquivir river. Oil on canvas With signature remains 33x46 cm 350 350

1361 Juan Gil García. Madrid 1876 - La Habana 1932 Cuban landscape. Oil on canvas Signed 35x71 cm 1.200 1.200 1362 Italian school from the late 19th century. The Crucifixion. Oil on board Signed. On the back, the inscription: "Scolaro Giotto" and a label attributing the work to Sebastiano Spagnoli, a painter from Padua who was active in the early 16th century. Following the original by Giotto de la Cappella degli Scrovegni from Padua (1304-1306) 34,7x44 cm 600 600

1363 Eduardo Laforet. Seville 1850 - Barcelona 1941 Charles V fountain in La Alhambra. OIl on wood Signed and located in Granada 46x32 cm 900 900

1364 Emilio Obón. Ciudad Real, active during the second half of the 19th century and the first third of the 20th century. Drunk musketeer. Oil on canvawsw Signed and dated in 1880 60x45,6 cm 225 225

1365 Aureli Tolosa. Barcelona 1861 - 1938 Angels. OIl on canvas stuck to cardboard Signed. On the back, various inscriptions by the framer 30x31 cm 225 225

1366 Guillermo de Juan Gutiérrez. Madrid 1963 "Monasterio in marzo". OIl on wood Signed. On the back, title on a label 84x122 cm 1.700 1.700

1367 Italian school from the first third of the 20th century. "La batalla de San Romano". Oil on board From the original by Paolo Uccello (h. 1438-1440), preserved in the National Gallery, London (inventory number NG583) 51x87 cm 700 700

1368 Ramon Pichot Soler. Figueres 1925 - 1996 Cadaqués. Oil on board Signed 33x55 cm 1.000 1.000

1369 Segundo Matilla. Madrid 1862 - Teià 1937 Marine. Oil on board Signed. On the back, some oil flowers 18,6x21,2 cm 1.200 1.200

1370 Eustaquio Segrelles. Albaida 1936 "Barcas in el puerto". OIl on canvas Signed. On the back, titled and located in Valencia 41.9x57.7 cm 750 750

1371 Joan Vives Llull. Mahón 1901 - 1982 Mahón harbour. Oil on tablex Signed 23.6x32.6 cm 650 650

1372 James Clarke Hook. London 1819 - Surrey 1907 Port view. Oil on canvas Signed 50,8x76 cm 800 800

1373 European school of the 19th century. Landscape. OIl on canvas 110.6x160 cm 400 400

1374 Lluís Maria Güell. Vilafranca del Penedés 1909 - Barcelona 2001 "El Duero en Zamora". Oil on canvas Firmado. Made in 1979. Bibliography: "Lluís Maria Güell", Vilafranca del Penedès, Ramon Nadal Editor, 2004, p. 134, number 209 (reproduced) 88x107 cm 1.000 1.000

1375 Gabriel García Maroto. La Solana 1889 - Mexico 1969 Landscape. Watercolour and charcoal on paper Signed and dated in 1923. With inscription: "Por la mañana desde las 6. Al lado de la portilla del vaden higho. Hacer un poco de sombra. Sol y mar revuelto. Estudios de oleos aparte, pues no existen in el natural" 47.5x61 cm 700 700

1376 Hans Hansen. Denmark 1864 - 1948 Cliffs. OIl on canvas Signed and dated in 1925 36.6x55.6 cm 400 400 1377 Joan Vives Llull. Mahón 1901 - 1982 Mahón harbour. Oil on tablex Signed 23.7x32.7 cm 650 650

1378 Adolfo Giráldez. Cádiz 1840 - Barcelona 1920 Marina. Oil on canvas Signed 79x140 cm 1.500 1.500

1379 19th century English school. Sailboat of the British merchant shipping. Oil on canvas 57,5x86 cm 1.200 1.200

1380 Georges Stein. Paris 1870 - 1955 Paris view. Watercolour on paper Signed and located in Paris 49x39 cm 1.000 1.000

1381 José Martí Garcés de Marcilla. Lleida 1880 - Barcelona 1932 Interior. Oil on canvas Signed. On the back, located: "Basea 40 Barcelona" 90x75,5 cm 1.500 1.500

1382 Víctor Wehrle Anfruns. Active in Barcelona in the second half of the 19th and early 20th century Boy in an Interior. OIl on canvas Signed 125x89 cm 900 900

1383 Ramon de Capmany. Canet de Mar 1899 - 1992 L'Arc de Tamborers, Barcelona. Oil on canvas Signed. On the back, located and dated in 1959; label of the Sala Parés, Barcelona 116x81,5 cm 2.250 2.250

1384 Catalan school from the late 19th century. Interior. Oil on canvas 91x72 cm 150 150

1385 Joaquim Terruella Matilla. Barcelona 1891 - 1956 Flamenco venue. Oil on board Signed 46,8x38,5 cm 1.300 1.300

1386 Mariano Andreu Estany. Mataró 1888 - Biarritz 1976 Young woman. Watercolour and gouache on paper Signed and dated in 1916 39.5x31.5 cm 1.200 1.200

1387 Gabriel Puig Roda. Tirig 1865 - Vinarós 1919 Bullfighter. Watercolour on paper glued to passe- partout Signed, located and dated in Madrid in 1887 42,5x25 cm 1.500 1.500

1388 Ramon Casas Carbó. Barcelona 1866 - 1932 Young Man Sitting. Pencil drawing on paper With registry number "D-141". On the back, another drawing. Done circa 1884-1888. Two more similar drawings are conserved in the MNAC, Barcelona. Provenance: cOilection of Julia Peraire Ricarte, Barcelona. Enclosed report by the Institut Amatller d'Art Hispànic, dated July 2004 15x10.2 cm 1.000 1.000

1389 Alex Katz. New York 1927 "Profile of Vincent". Dry point engravingSigned and numbered 2/62. Done in 1974. Bibliografía de referencia: Nicholas P. Maravell, "Alex Katz. The Complete Prints", Nueva York-Londres, Alpine Fine Arts COilection, 1983, nº 70 38.5x57 cm 700 700

1390 Ricard Opisso. Tarragona 1880 - Barcelona 1966 Bather. Watercolour on paper Signed 21x26.2 cm 1.200 1.200

1391 Ramon Casas Carbó. Barcelona 1866 - 1932 "El gos d'en M". Pencil and gouache drawing on paper Signed with initials and titled. With registry number inscribed "D-359". Done circa 1890-1915. Provenance: cOilection of Julia Peraire Ricarte, Barcelona. Enclosed report by the Institut Amatller d'Art Hispànic, dated July 2004 13.1x21.2 cm 1.000 1.000

1392 Will Faber. Saarbrücken 1901 - Barcelona 1987 Portrait of a young woman. Gouache on paper stuck to paper Signed 33x24 cm 225 225

1393 Filippo Indoni. Active in Rome in the 19th century Countryman. Watercolour on paper Signed 25.5x19 cm 450 450

1394 Ramon Casas Carbó. Barcelona 1866 - 1932 Roman Soldier. Pencil drawing on paper With registry number "D-86". On the back, various handwritten annotations. Done circa 1884-1888. Other similar drawings are conserved in the MNAC, Barcelona. Provenance: colection of Julia Peraire Ricarte, Barcelona. Enclosed report by the Institut Amatller d'Art Hispànic, dated July 2004 15x10 cm 1.000 1.000

1395 School of Seville, 19th century. Saint Justa. OIl on canvas On the back, numbered "Nº 20" 60.2x36.5 cm 900 900

1396 Pere Creixams. Barcelona 1893 - 1965 Boy With Dogs. OIl on canvas Signed 92.2x60 cm 1.500 1.500

1397 Francesc Sans Castaño. Barcelona 1868 - 1937 A young girl. Oil on canvas Signed and dated in 1897 35x27 cm 125 125

1398 Ernest Edouard Martens. Paris 1865 - Plessis Robinson 1926 Portrait of Alice Sisco. OIl on canvas stuck to wood On the back, inscription that identifies the painter, the subject and its participation in the Salon des Artistes Français in 1907. Bibliografía: Ludovic Baschet (dir.), "Société des Artistes Français. Catalogue illustré du Salon de 1907", París, Bibliotheque des Annales, 1907, nº 1098 (como "Retrato de Mlle. A. N.") 118x87.5 cm 800 800

1399 19th century Sevillian school. The Virgin with the Baby. Oil on canvas With a carved and gol- plated wood Spanish frame in Baroque style 95x73,5 cm 1.750 1.750

1400 French school of the early 19th century. Portrait of a Young Soldier. OIl on canvas With original moulded and gilt wooden frame 65.1x54 cm 1.500 1.500

1401 Jaume Pons Martí. Barcelona 1885 - Girona 1931 Villager. Oil on canvas Signed 43,2x27,3 cm 200 200

1402 Spanish school of the 19th century. Saint Hugh, Bishop of Lincoln. OIl on canvas From the original by Zurbarán conserved in the Museum of Cádiz (inv. No. CE20068) 120x64 cm 200 200

1403 Attributed to Jean-Gabriel Domergue. Bordeaux 1889 - Paris 1962 A young girl. Oil on tablex With signature 24x19 cm 200 200 1404 Josep Coll Bardolet. Campdevánol 1912 - Valldemossa 2007 Majorca landscape. Oil on canvas Signed 50,5x61,5 cm 2.500 2.500

1406 Joan Colom Agustí. Arenys de Mar 1879 - 1969 Landscape. Oil on canvas Signed. On the back, inscription with inventory number "57952 2ª col.lecció Plandiura". On the frame, a label of the Sala Parés, Barcelona 54x73 cm 1.000 1.000

1407 Josep Ventosa Domènech. Barcelona 1897 - Port d'Andratx 1982 "El Molino". Oil on canvas Signed. On the back, titled, located and dated in Bagà in 1942 58,3x74,9 cm 450 450

1408 Eveli Palà Bofill. Barcelona 1886 - 1961 A Pyrenean village view. Oil on canvas Signed. On the back, stand's manufacturer stamps, Vicente Piera, from Barcelona 54x65 cm 300 300

1409 Gabriel Amat Pagès. Barcelona 1899 - 1984 Landscape. Oil on canvas Signed 49,5x64 cm 150 150

1410 Ramon Rogent. Barcelona 1920 - Plan d'Orgon 1958 "Barcelona desde Pedralbes". Oil on canvas Signed. On the back, titled and dated in 1939 55,4x65,6 cm 1.500 1.500

1411 Lluís Maria Güell. Vilafranca del Penedés 1909 - Barcelona 2001 Landscape. Oil on canvas Signed 60x74 cm 900 900

1412 Iu Pascual. Vilanova i la Geltrú 1883 - Riudarenes 1943 "Camí de La Deu. Olot". Oil on canvas Signed. The back side, titled and numbered "Nº 48" 50x60 cm 450 450

1413 Attributed to José Luis Pascual. Barcelona 1947 No title. A cut and painted iron sculpture 200 cm high approx (with base) 1.000 1.000

1414 Joaquín Camín. Gijón 1929 - 2007 Untitled. Bronze sculpture with dark patina and white marble base Signature rubber-stamped and numbered 0/9 38x9.7x9.7 cm 200 200

1415 Antoni Clavé. Barcelona 1913 - Saint Tropez 2005 Untitled. Print Signed and numbered 42/50 77.5x56.5 cm 750 750

1416 Ángel Ferrant Vázquez. Madrid 1891 - 1961 No title. Crayon drawing on paper Signet and dated in 1957. With inscription: "A Juan Ramón Masoliver, muy cordialmente" 27x20 cm 1.500 1.500

1417 Modest Cuixart. Barcelona 1925 - Barcelona 2007 Composition. Oil on paper glued to cardboard Signed and dated in 1984. It includes a certificate of NOTAR -representative of the painter's artistic work -, dated in Barcelona on 15th September 1995 46x38 cm 650 650

1418 Rafael Canogar. Toledo 1935 Untitled. Print Signed, dated in 1990 and numbered 52/75 55.5x75 cm 400 400

1419 Xavier Medina-Campeny. Barcelona 1943 Horse. Bronze sculpture with aluminium base Signed and numbered 4/75. Done circa 1974 24.3x15.6x11.8 cm with base 250 250 1420 Marcel Martí Bádenes. Alvear 1925 Composition. A bronze sculptural group Signed and dated in 1959 46,8x19x9,3 cm 750 750

1421 Josep Maria Riera i Aragó. Barcelona 1954 No title. Mixed media on paper glued to cardboard Signed and dated in 1985 77x61 cm 1.000 1.000

1422 Antoni Clavé. Barcelona 1913 - Saint Tropez 2005 "Alumini i cordill blau". Engraving on aluminium sheed and collage Signed and numbered XI/XV. Made in 1991. On the back, a label with the piece's card 40x18 cm 1.000 1.000

1423 Hsiao Chin. Shanghai 1935 "Pintura V". OIl on canvas Signed and dated in 1959. On the back, titled 139.2x65 cm 900 900

1424 Antoni Clavé. Barcelona 1913 - Saint Tropez 2005 Untitled. Print Signed and numbered E. A. II/VI 49,5x65.5 cm 450 450

1425 Josep Maria Riera i Aragó. Barcelona 1954 No title. Mixed media on board Signed and dated in 1985 61x75 cm 1.000 1.000 0

1426 Augusto Torres. Terrassa 1913 - Barcelona 1992 "Composición con frutero blanco y cuchillo". Oil on canvas Signed and dated in 1989. On the back, titled on a label of Sala Parés, Barcelona 80x92 cm 2.000 2.000

1427 Hsiao Chin. Shanghai 1935 "Pintura 5". OIl on canvas Signed and dated in 1958. On the back, titled 49.6x60.1 cm 600 600

1428 Joan Josep Tharrats Girona 1918 - Barcelona 2001 Composition. Acrylic on paper glued on board Signed and dated in 1961 49x64 cm 1.400 1.400

1429 Antonio Alonso Martínez, "Martínez the Killer". Oeiras 1963 Kate Moss. Oil paint, acrylic, pastel, graphite and iron cOilage on canva Enclosed certificate of authenticity by the artist 61x50 cm 1.500 1.500

1430 Alfonso Fraile. Marchena 1930 - Madrid 1988 "Blanco n 2". Acrylic on canvasSigned. On the back, titled and dated in 1967. Origin: private collection, Albons; private collection, Barcelona 50x61 cm 2.000 2.000

1431 Augusto Torres. Terrassa 1913 - Barcelona 1992 "Constructivo (Barco)". Oil on cardboard On the back, a drawing by the artist, with inscription by Elsa Andrada, the painter's wife, confirming its authenticity and dated in January 1996; titled on a label of Sala Dalmau, Barcelona 52x74,5 cm 1.500 1.500

1432 Antoni Clavé. Barcelona 1913 - Saint Tropez 2005 Untitled. Print Signed and numbered 14/35 71x91.2 cm 750 750 1433 Josep Guinovart. Barcelona 1927 - 2007 Agramunt fields. Assemblage on cardboard Signed and dated in 1997 35x49 cm 600 600

1434 Albert Ràfols Casamada. Barcelona 1923 - 2009 No title. Mixed media on fabric Signed 288,5x121,7 cm 5.500 5.500

1435 Benjamín Palencia. Barrax 1894 - Madrid 1980 Face. Gouache and acrylic on paper Signed and dated in 1948 47x33 cm 2.500 2.500

1436 José María Sicilia. Madrid 1954 Untitled. Mixed technique on paper Signed and dated in 2001. Part of his series "Un despertar sin imagen". Bibliografía de referencia: "José María Sicilia, un despertar sense imatge", Barcelona, Galeria Joan Prats, 2001 99x100.5 cm 3.500 3.500

1437 Ricardo Mazal. Mexico D.F 1950 No title. Oil on linen On the back, signed, titled and dated in 1993. From the "Serie Cardinal" 110x100,5 cm 3.500 3.500

1438 Benjamín Palencia. Barrax 1894 - Madrid 1980 Landscape with flowers. Oil on canvas Signed and dated in 1948 40x50 cm 6.000 6.000

1439 Henry John Yeend King. London 1855 - 1924 Landscape. OIl on canvas Signed 21x28 cm 300 300

1440 Manuel Cuyàs Agulló. Barcelona, active in the second half of the 19th century Landscape. OIl on canvas Signed. With contemporary moulded and gilt wooden frame 77.5x136 cm 800 800

1441 Joan Abelló. MOilet del Vallés 1922 - Barcelona 2008 View of Can Roura, between Terrassa and Matadepera. Mixed technique on cardboard Signed and dated in 1960. On the back, located 55x80 cm 900 900

1442 Josep Mompou. Barcelona 1888 - Vic 1969 "Sant Julià de Vilatorta: ermita de Sant Martí". OIl on canvas Signed. On the back, titled, located and dated in 1966 60x73 cm 2.000 2.000

1443 Rafael Durancamps. Sabadell 1891 - 1979 Cadaqués and Venice. Two marker, pastel and gouache drawings on paper Signed 24x31 cm and 24x33,5 cm 900 900

1444 Francisco Gimeno. Tortosa 1858 - Barcelona 1927 Landscape. OIl on canvas Enclosed certificate by Marçal Barrachina 68.9x106.4 cm 1.200 1.200

1445 Joaquim Terruella Matilla. Barcelona 1891 - 1956 Landscape. Oil on canvas Signed 60x73 cm 1.300 1.300

1447 Juan Bautista Porcar. Castellón de la Plana 1888 - 1974 Urban view. Gouache on paper glued to cardboard Signed 23,5x32 cm 1.200 1.200

1448 Emili Bosch Roger. Barcelona 1894 - 1980 Urban View. Watercolour on paper Signed and dated in 1953 51x62 cm 1.100 1.100 1449 Andalusian school of the 19th century. Landscapes. Pair of oil paintings on canvas With contemporary frames in moulded and gilded wood 62x83 cm 500 500

1450 Andalusian school from the mid 19th century. Genre scenes A pair of oils on canvas 42,2x56,2 cm 800 800

1451 Catalan school from the early 19th century. Salvador Mayol circle. Popular scene. Oil on canvas glued to board 28x39 cm 400 400

1452 Catalan school from the first third of the 19th century. Spinner and peasant. Oil on canvas 35,8x41,5 cm 250 250

1453 Lluís Graner Arrufí. Barcelona 1863 - 1929 Nocturne. OIl on canvasSigned 116x52.5 cm 1.200 1.200

1454 Josep Armet. Barcelona 1843 - 1911 Rural views. A pair of charcoal and clarion drawings on paper Signed 140x90 cm 2.000 2.000

1455 Julio Borrell Pla. Barcelona 1877 - 1957 Corpus Christi Procession Pastel on paper Signed. Origin: artist's family collection 47,5x62 cm 225 225

1456 Adolfo Giráldez. Cádiz 1840 - Barcelona 1920 Port. OIl on wood Signed 32x16.5 cm 300 300

1457 Attributed to Jenaro Pérez Villaamil. Ferrol 1807 - Madrid 1854 Landscape. Oil on board 11,5x20 cm 1.000 1.000

1457 Attributed to Jenaro Pérez Villaamil. Ferrol 1807 - Madrid 1854 Landscape. OIl on wood 11.5x20 cm 1.000 1.000

1458 Enric Galwey. Barcelona 1864 - 1943 Poppies. Oil on canvas With signature. On the back, register number "358" 24x33 cm 500 500

1459 Seville school, h. 1860-1880. Eduardo Cano de la Peña circle. Murillo and the Cadiz capuchins. Oil on canvas 21,8x17,5 cm 800 800

1460 Alfredo Opisso Cardona. Barcelona 1907 - 1980 Fair. Pastel and charcoal on paper Signed and dated in 1957 63x46.5 cm 450 450

1461 Ramón Aguilar Moré. Barcelona 1924 A Paris park. Acrylic on paper Signed, dated and located in Paris in 1952 40,5x31 cm 600 600

1462 Josep Vicenç Solá Andreu. Barcelona 1879 - 1960 Barcelona view. Oil on canvas Signed 55x48 cm 150 150

1463 19th century French school. Landscape. Oil on cardboard Illegible signature. With a moulded and gold-plated wood period frame 23x28 cm 400 400 1464 Lola Anglada. Barcelona 1892 - 1985 Illustration. Drawing in ink, watercolour and gouache on paper stuck to paper Signed. Original for the front cover of the novel by Mary Phyllis Joan Morton, Concordia Merrel, "El amor y Diana", Barcelona, Juventud, 1928 13.5x13.5 cm 1.200 1.200

1465 Ramón Aguilar Moré. Barcelona 1924 Urban view Gouache and acrylic on paper glued to board Signed 62,7x41,4 cm 1.000 1.000

1466 Artur Carbonell i Carbonell. Sitges 1906 - 1973 Still life OIl on canvas Signed and dated in 1930 46x38.2 cm 450 450

1467 Pere Borrell Bertran. Barcelona 1905 - Madrid 1950 A bridge from Toledo. Oil on cardboard Signed. Origin: artist's family collection 32,5x27 cm 250 250

1468 Emili Bosch Roger. Barcelona 1894 - 1980 Montmartre, Paris. Watercolour and gouache on paper Signed 44.5x36.5 cm 900 900

1469 Ignasi Mundó. Barcelona 1918 - 2012 "Carrer Espaseria", Barcelona. OIl on canvas Signed. On the back, titled and dated in 1970. On the stretcher, label of the Sala Parés, Barcelona 132x81 cm 275 275

1470 Robert John Hammond. United Kingdom, active between 1879 - 1911 Rural views. A pair of oils on canvas Signed. On the back sides, the stands manufacturers stamps, Reeves & Sons from London 26x36 cm 1.200 1.200

1471 Xavier Serra de Rivera. Sant Joan Despí 1946 Still lives. Two oils on canvas Signed and dated in 1989 and 1991 33x41 cm and 16x24 cm 700 700

1472 Pere Gastó Vilanova. Barcelona 1908 - 1997 "Actores". OIl on canvas Signed. On the back, titled and dated in 1977 72.8x91.8 cm 550 550

1473 Emili Grau Sala. Barcelona 1911 - Sitges 1975 L'ou com balla. Gouache on fan groun Signed 26x48 cm 1.000 1.000

1474 Joan Abelló. Mollet del Vallés 1922 - Barcelona 2008 "Flors". Oil on canvas glued to cardboard Signed. On the back, titled and dated in 1988 41x33 cm 600 600

1475 Attributed to the French school from the last third of the 19th century. Beach. Oil on canvas With a carved, gold-plated and polychromed wood frame in Charles IV style 45x66,5 cm 500 500

1476 Julius Andersen. Denmark, late 19th century-early 20th century View of Copenhagen. Oil on paper stuck to canvas Signed with initials "J. A" . On the back, a label locates it and dates it in 1884, and indicates that it comes from the cOilection of Ove Brusendorffs 29.7x40.7 cm 600 600

1477 Francisco Ribera Gómez. Madrid 1907 - 1996 "Llegaron las barcazas". OIl on canvas Signed and dated in 1985. On the back, titled 97x130 cm 750 750

1478 Josep Serrasanta. Buenos Aires 1916 - Barcelona 1998 Landscape. OIl on canvas Signed 38x46 cm 1.000 1.000 1479 Attributed to the Spanish school from the last quarter of the 19th century. Young girls chained to a church's door. Oil on canvas On the back, a label and inscriptions attributing the work to the Fortuny school and to Germán Gómez (Nederleytner?) 23x34 cm 1.000 1.000

1480 Francisco Ribera Gómez. Madrid 1907 - 1996 "Marinada". OIl on canvas Signed and dated in 1974. On the back, titled 89.2x116 cm 750 750

1481 Joan Abelló. Mollet del Vallés 1922 - Barcelona 2008 "Bodegó i canari". Oil on canvas Signed. On the back, titled and with the laber of Sala Dalmau, Barcelona 59,7x91,8 cm 1.500 1.500

1482 English school of the 19th century. "Scene in the Olden Time at Bolton Abbey". OIl on canvas stuck to cardboard From the original painting by Edwin Landseer (c. 1834), conserved in Chatsworth House, Derbyshire 72x91 cm 1.000 1.000

1483 Ignacio Gil Sala. Barcelona 1913 - 2003 Ibizan Women. OIl on canvas Signed 38x46 cm 2.000 2.000

1484 Eustaquio Segrelles. Albaida 1936 "Rural (El Bierzo)". OIl on canvas Signed. On the back, titled, located in El Bierzo, León, and dated in 1995 81x99.8 cm 2.000 2.000

1485 Francisco Ribera Gómez. Madrid 1907 - 1996 The Hunt. OIl on canvas Signed and dated in 1960 115x190 cm 850 850

1486 Joaquim Terruella Matilla. Barcelona 1891 - 1956 Bullfight with Young Bulls.OIl on canvas Signed 46x55 cm 1.200 1.200

1487 Burkhard Flury, "Katzen-Flury". Hofstetten 1862 - Birsfelden 1928 Cats. OIl on woodSigned 41.1x72.3 cm 1.600 1.600

1488 European school, 1861. Boys Fighting. OIl on canvas Signed "H" and dated in 1861 73x90.5 cm 400 400

1489 Alfred Sisquella. Barcelona 1900 - Sitges 1964 Still life. OIl on canvas Signed. Done in 1959. On the back, different labels, among them several of the Sala Parés, Barcelona, including that of its participation in the exhibtion that was mounted as a tribute to the painter in 1965 65.2x81.4 cm 1.750 1.750

1490 French school of the 19th century. Venus and Cupid. Oil on paper stuck to woo With 18th- century frame in carved, painted and silvered wood, adapted 65.5x85.5 cm 400 400

1491 José Mongrell Torrent. Valencia 1870 - Barcelona 1937 Valencian scene. OIl on canvas Signed 27x33.3 cm 1.500 1.500

1492 Joaquim Terruella Matilla. Barcelona 1891 - 1956 Bullfighter. OIl on canvas Signed 46.5x55.7 cm 1.000 1.000

1493 19th century Spanish school. Pigeons. Oil on canvas 39x53 cm 450 450 1494 José Roig. Valencia 1898 - Firmat 1968 "Landscape matinal. Villa Brochero". OIl on canvas On the back, signed, titled and located in Córdoba, Argentina 54.3x65.5 cm 375 375

1495 Ramon Martí Alsina. Barcelona 1826 - 1894 Landscape Oil on canvas Signed 131,5x87 cm 2.500 2.500

1496 Joaquim Terruella Matilla. Barcelona 1891 - 1956 Landscape. Oil on board Signed 39x47 cm 1.400 1.400

1497 Iu Pascual. Vilanova i la Geltrú 1883 - Riudarenes 1943 "El Mercat" Olot. Oil on canvas Signed. On the back, titled and with the number "3" 55,5x75,5 cm 1.900 1.900

1498 Joan Roig Soler. Barcelona 1852 - 1909 Village street. Oil on canvas Signed. In the frame, a label of the Sala Parés, Barcelona 35x30 cm 1.500 1.500

1499 Ramon Martí Alsina. Barcelona 1826 - 1894 Landscape. Oil on cardboard With inventory number, "323". Comes from the important cOilection that in the mid 19th century was built up by the doctor of law and parliamentary deputy D. Sebastián Antón Pascual (Vilanova i La Geltrú, 1807 - Bagnères de Luchon, 1872) 26x57.5 cm 1.200 1.200

1500 Josep Amat Pagès. Barcelona 1901 - 1991 "Plaça Palau. Barcelona". Oil on canvas Signed. On the back, titled and dated in 1963 50x65,5 cm 4.000 4.000

1501 Francisco Gimeno. Tortosa 1858 - Barcelona 1927 Self-portraits. Two charcoal drawings on the same paper Signed on the back 55x44 cm 2.250 2.250

1502 Ramon Casas Carbó. Barcelona 1866 - 1932 Group with Self-portrait and Miquel Utrillo. Pencil drawing on paper With registry number "D-279". Done probably in the USA, circa 1908-1909. Provenance: cOilection of Julia Peraire Ricarte, Barcelona. Enclosed report by the Institut Amatller d'Art Hispànic, dated July 2004 21.2x13.1 cm 1.300 1.300

1503 Ismael Smith. Barcelona 1886 - New York 1972 Young person with fruits. An ink wash and watercolour drawing on paper With the artist's dry stamp 24,7x16 cm 250 250

1504 Ramon Martí Alsina. Barcelona 1826 - 1894 Landscape notes. Ten pencil, charcoal, gouache and ink drawings on paper glued to paper With stamped signature and with the signature of his son, Ricardo Martí Different sizes (45x31 cm the biggest one) 400 400

1505 Ramon Casas Carbó. Barcelona 1866 - 1932 Two Figures Wearing Coats in the Rain (Ramon Casas and Charles Deering?). Pencil drawing on paper With rubber-stamped signature of the estate. With registry number "D-67". Provenance: cOilection of Julia Peraire Ricarte, Barcelona. Enclosed report by the Institut Amatller d'Art Hispànic, dated July 2004 13.1x10.1 cm 1.300 1.300

1506 Santiago Rusiñol. Barcelona 1861 - Aranjuez 1931 Male Portrait. Charcoal drawing on paper Signed 60x38 cm 2.500 2.500 1507 Ricard Opisso. Tarragona 1880 - Barcelona 1966 Portrait of the Painter Joaquim Mir. Charcoal and watercolour on paper Signed, with inscription: "Apunt directe de Mir del natural. 1910" 17x11.2 cm 600 600

1508 Ramon Martí Alsina. Barcelona 1826 - 1894 Portrait of a Young Woman. OIl on canvas Signed. Comes from the important cOilection that in the mid 19th century was built up by the doctor of law and parliamentary deputy D. Sebastián Antón Pascual (Vilanova i La Geltrú, 1807 - Bagnères de Luchon, 1872) 61x51.5 cm 2.250 2.250

1509 Francisco Javier Amérigo y Aparici. Valencia 1842 - Madrid 1912 Portrait of a girl. Oil on canvas Signed and dated in 1875. On the piano, the musical score of the nocturne for two voices "Au Myosotis", with lyrics by Joséphine Bely, music by Léo Marnet and dedicated Pauline de Cazenove 190x141 cm 1.500 1.500

1510 Attributed to the Spanish school from the 19th century. Portrait of a girl. Oil on board 64x47 cm 150 150

1511 Alfons Mucha. Eibenschütz 1860 - Prague 1939 Slavic girl. Charcoal and clarion on paper Signed and dated in 1926 54x44 cm 4.000 4.000

1512 Ignacio de León y Escosura. Oviedo 1834 - Toledo 1901 Portrait of Blanca León y Escosura. Oil on canvas Signed and dated in 1876. With a carved, moulded and gold-plated wood period frame 130,5x98 cm 1.500 1.500

1513 Josep de Togores. Cerdanyola del Vallés 1893 - Barcelona 1970 Portrait of a girl. Oil on canvas Signed 73,5x60 cm 3.500 3.500

1514 Francisco Miralles Galaup. Valencia 1848 - Barcelona 1901 Portrait of María Torrella de Pont. OIl on wood Done circa 1898-1899. Bibliografía: Rafael Santos Torroella, "El pintor Francisco Miralles (1848- 1901)", Barcelona, Editorial RM, 1974, p. 210, nº 239 (reproduced) 46x38 cm 2.500 2.500

1515 Félix Saurine. Toulouse 1783 - 1846 Portrait of a young man. Oil on canvas Signed: "Félix Saurine pinxit élève de M. David". Saurine was a fOilower of Jacques-Louis David between 1807 and 1809 109.5x87.2 cm 2.000 2.000

1516 Manuel Humbert Esteve. Barcelona 1890 - 1975 Young Woman. OIl on canvas Signed 55x46 cm 400 400

1517 Ricard Canals. Barcelona 1876 - 1931 Young Woman. Pastel on paper Signature rubber-stamped 54x41 cm 2.250 2.250

1518 Spanish school of the mid 19th century. Circle of Leonardo Alenza. Soldiers and 'tertulianos', probablly in the Café de Levante in Madrid. Pair of oils on canvas On the backs, inscriptions: "Villaamil Nº" "1908 M. y M. Sr. y Sr. Nº 1495 y Nª 1498". These works could be related to those by Leonardo Alenza conserved in the Museo Lázaro Galdiano, Madrid (inv. nos. 7979 and 7980) 60.5x50.8 cm and 66.2x47.4 cm 1.500 1.500

1519 Dionís Baixeras. Barcelona 1862 - 1943 Pickers. Oil on canvas Signed. On the back, the stand's manufacturer stamp, Casa Texidor and a label of the framer, La Pinacoteca, from Barcelona 44x81 cm 3.500 3.500

1520 Edmond Édouard Lapeyre. Reims 1880 - 1960 "La rentrée des gerbes (Auvergne)". OIl on canvas Signed and dated in 1914. On the back, titled, located and with an inscription: "Artistes français: Salon de 1914 Nª 1177" 73x100 cm 1.500 1.500

1521 Josep Puigdengolas. Barcelona 1906 - 1987 "Cala de Deyà (Mallorca)". Oil on canvas On the back, titled, numbered ("24") and with the stand's manufacturer stamp , Texidor, from Barcelona 59x73 cm 2.500 2.500

1522 Joan Abelló. Mollet del Vallés 1922 - Barcelona 2008 "El patio de Isidora". Oil on canvas Signed. On the back, titled, located and dated in Lillo in 1964 59,7x72,5 cm 1.800 1.800

1523 Juan Bautista Porcar. Castellón de la Plana 1888 - 1974 "Descans". Oil on canvas Signed. On the back, titled and dated in 1934 73,5x91,7 cm 2.800 2.800

1524 Dionís Baixeras. Barcelona 1862 - 1943 Beach. Oil on canvas Signed 38,2x46,2 cm 1.200 1.200

1525 Josep Serrasanta. Buenos Aires 1916 - Barcelona 1998 Coastal village. OIl on canvas Signed 38x45.7 cm 1.000 1.000

1526 Miquel Villà Bassols. Barcelona 1901 - Masnou 1988 Pobla de Segur. OIl on canvas On the back, located and dated in 1959, 1961 and 1965 50x61 cm 5.000 5.000

1527 Attributed to the 19th century Cuban school. Tea and coffee pickers. Two oil on canvas 143x74 cm 8.000 8.000

1528 French school of the 19th century. Streets of Cairo. Pair of oil paintings on canvas With contemporary moulded and gilt wooden frames. With inscriptions on the stretcher: "Une rue au Cairo 1863" 44x26.5 cm 2.500 2.500

1529 Antonio Reyna. Coín 1859 - Rome 1937 "El zoco". OIl on canvas Signed and located in Rome. Bibliografía: Eduardo Dizy Caso, "Les orientalistes de l'école espagnole", Courbevoie, ACR Édition, 1997, p. 208 y 209 (reproducido) 42x33 cm 3.750 3.750

1530 John Gleich. Memel 1879 - ? Arab souk. Oil on canvas Signed 92x117,7 cm 4.500 4.500

1531 Francisco Miralles Galaup. Valencia 1848 - Barcelona 1901 Young girl dressed as a maja in front of the mirror Oil on board With moulded and gold-plated wood period frame 20,3x8,3 cm 2.500 2.500

1532 Hans Zatzka. Vienna 1859 - 1945 Fantasy scene. Oil on canvas Signed. On the back, an inscription 50.2x81.5 cm 4.000 4.000 1533 Rafael Durancamps Sabadell 1891 - 1979 Oil on tablex Signed 37,4x60,5 cm 3.500 3.500

1534 Francisco Miralles Galaup. Valencia 1848 - Barcelona 1901 Oil on board With moulded and gold- plated wood period frame 21,6x12,2 cm 2.500 2.500

1535 Attributed to Andrés Cortés y Aguilar. Seville 1812 - 1879 Landscape. Oil on canvas 75,4x108 cm 4.000 4.000

1536 Lluís Graner Arrufí. Barcelona 1863 - 1929 The Forge. OIl on canvas Signed. Done after the success he had in 1894 with "La forja" or "La ferrería" at the General Exhibition of Fine Art in Barcelona, with which he won the Queen Regent's Extraordinary Prize, now in the Víctor Balaguer Library-Museum, Vilanova i La Geltrú 38x47 cm 1.400 1.400

1537 Juan Giménez Martín. Adanero 1855 - Madrid 1901 Venice. OIl on wood Signed and located in Venice 18x65 cm 1.300 1.300

1538 Rafael Durancamps. Sabadell 1891 - Barcelona 1979 Port Lligat. OIl on canvas Signed 46x61 cm 5.000 5.000

1539 Jaume Mercadé. Valls 1889 - Barcelona 1967 Landscape. OIl on canvas Signed 50x60 cm 3.500 3.500

1540 Ramon Martí Alsina. Barcelona 1826 - 1894 Seascape. OIl on canvas Signed 35x53.9 cm 1.500 1.500

1541 Josep Martínez Lozano. Barcelona 1923 - Llançà 2006 Beach. OIl on canvas Signed 54x65 cm 1.200 1.200

1542 Jaume Mercadé. Valls 1889 - Barcelona 1967 Hills of the forest of Valls. Oil on canvas Signed and dated in 1927. Reference bibliography: E. Jardí, "Jaume Mercadé. Pintor de una tierra", Barcelona, Polígrafa, p. 36, nº 34 59,6x81,2 cm 3.500 3.500

1543 Josep Maria Mallol Suazo. Barcelona 1910 - 1986 Landscape. Oil on canvas Signed 54x73 cm 4.000 4.000

1544 Rafael Durancamps. Sabadell 1891 - 1979 Sitges view. Oil on canvas Signed 32,6x54,8 cm 5.000 5.000

1545 Josep Ventosa Domènech. Barcelona 1897 - Port d'Andratx 1982 "Paisaje de Fornalutx. Sóller. Mallorca". Oil on canvas Signed and dated in 1957. Titled on the back 73x92 cm 4.000 4.000

1546 Josep Amat Pagès. Barcelona 1901 - 1991 "Regatas". Oil on canvas Signed. On the frame, titled in a label of the Sala Parés, Barcelona 49,5x72,5 cm 4.000 4.000

1547 Eliseo Meifrén. Barcelona 1857 - 1940 Landscape. OIl on canvas stuck to cardboard Signed. On the back, numbered "Nº 240" 24.6x34.9 cm 3.750 3.750 1548 Menchu Gal. Irún 1919 - San Sebastián 2008 River Inlet. OIl on wood Signed. Provenance: gift by the artist to the father of the present owners, D. Francisco Aranaz Darrás (Christmas competitions of San Sebastián). Barrio Gros, C/San Francisco and C/San Marcial, 19 29x43 cm 8.000 8.000

1549 Emili Grau Sala. Barcelona 1911 - Sitges 1975 "Sous la lampe (Le peintre Massot lisant)". OIl on canvas Signed. On the back, titled, located and dated in Paris in 1943 45.5x37.3 cm 5.000 5.000

1550 Isidre Nonell. Barcelona 1873 - 1911 Young Woman on a Bench. Charcoal and watercolour on paper Signed 36.5x27 cm 6.000 6.000

1551 Ramon Casas Carbó. Barcelona 1866 - 1932 Manola. Oil on canvas Signed. Certificate of Marçal Barrachina included. 71x57,8 cm 7.000 7.000

1552 Attributed to "Le faussaire pathétique" Old woman portrait. Oil on board Previously attributed to Lucas Cranach I. With a carved wood frame in Baroque style 26x20,3 cm 6.000 6.000

1553 Isidre Nonell. Barcelona 1873 - 1911 Young Woman. Charcoal on paper Signed and dated in 1909 30.5x21 cm 5.000 5.000

1554 Joaquim Sunyer. Sitges 1875 - 1956 Mother and Daughter OIl on canvas Signed and dated in 1946 82.5x69 cm 7.000 7.000

1555 Arcadi Mas i Fondevila. Barcelona 1852 - Sitges 1934 Girl with Geese. OIl on canvas Signed 55.4x83 cm 10.000 10.000

1556 Juan José Gárate y Clavero. Albalate del Arzobispo 1870 - Madrid 1939 Oil on cxanvas Signed. Made during the 1930 decade. Bibliography: María Pilar López Martín, "Juan José Gárate y el regeneracionismo aragonés", Teruel, Instituto de Estudios Turolenses, 2011, p. 105, 107 (reproduced) and 259 (catalogation number 252) 91x130 cm 6.000 6.000

1557 Modest Urgell. Barcelona 1839 - 1919 Landscape. Oil on canvas Signed 59x116 cm 6.500 6.500

1558 Joaquim Sunyer. Sitges 1875 - 1956 Gypsy Women. OIl on canvas Signed. On the back, label of the Sala Parés, Barcelona 41.5x58.5 cm 10.000 10.000

1559 José de Ibarra. Guadalajara 1685 - Mexico 1756 Immaculate Virgin and Saint Joseph with the Child. Pair of oil paintings on copper With original frames in carved and gilded wood 34.8x23.2 cm and 35.5x24 cm 10.000 10.000

1560 Attributed to Pieter Lisaert IV. Antwerp 1595 - 1629/1630 Angels with symbols of the Passion. A pair of oils on copper 32,2x25 cm 10.000 10.000

1561 Spanish school of the 17th century. Circle of Bartolomé Pérez. Flower paintings. Pair of oils on canvas 122.5x91 cm 8.000 8.000 1562 Spanish school, first third of the 17th century. Saint Onuphrius. OIl on canvas On the stretcher, card of the restorer Manuel Lucena ("Manuel Lucena. Restaurador de cuadros antiguos de S. M. la Reina Dª Isabel 2ª y de la Sta. Iglesia Catedral de Sevilla. Carpio, 7") 100x72.5 cm 10.000 10.000

1563 Luca Giordano. Naples 1634 -1705 Hercules dragging the cercopes. Oil on canvas Sketch to decorate the Casón del Buen Retiro. Made circa 1697. There is another sketch (oil on canvas, 44x35 cm) of the same scene, in a store of Madrid. Origin: it could be one of the works given by Philip V to Louis XIV; private collection, Vienna (?); Diego González Abreu collection, Seville; Millán Luis-Delgado collection; private collection, Barcelona. Bibliography: Bernardo de Dominici, "Vite de' pittori, scultori ed architetti napoletani", volume III, Naples, Francesco and Cristoforo Ricciardi, p. 426; Santiago Alcolea Blanch, "Ocho bocetos de Luca Giordano para frescos perdidos del Buen Retiro de Madrid", Goya, nº 172, 1983, p. 221-228; Santiago Alcolea Blanch, "Otto bozzetti di Luca Giordano per gli affreschi perduti del Casón del Buen Retiro di Madrid", in Roberto Pane (editor), "Seicento napoletano. Arte, costume e ambiente", Milan, Edizioni di Comunità, 1984, p. 273-289; Andrés Úbeda de los Cobos, "Luca Giordano y el Casón del Buen Retiro", Madrid, Museo del Prado, 2008, p. 109, 115,116 y 121 57,5x42 cm 10.000 10.000

1564 Josep de Togores. Cerdanyola del Vallés 1893 - Barcelona 1970 "Femme appuyée". OIl on canvas Signed. Done circa 1923. On the back, several labels, titling it: "Galerie Simon París" ; "Sala Gaspar Barcelona"; "Sala Dalmau Barcelona"; and "Barcino Art Barcelona" 53.7x65 cm 12.000 12.000

1565 Santiago Rusiñol. Barcelona 1861 - Aranjuez 1931 Landscape. OIl on canvas Signed with initials. Enclosed certificate by Marçal Barrachina, signed in Barcelona, 27 July 2011 80x99 cm 18.000 18.000

1566 Francisco Gimeno. Tortosa 1858 - Barcelona 1927 "La nena del gos". OIl on canvas Signed. Bibliografía: Joan Cortès, "Gimeno", Barcelona, Niubó, 1949, lám. 24 (reproducido) 54x73 cm 12.000 12.000

1567 Hermenegildo Anglada Camarasa Barcelona 1872 - Pollença 1959 Son March houses, Pollença. Oil on canvas Signed and dated in 1936. In the frame, a label of the Galerías Costa, Barcelona. We appreciate the collaboration of Francesc Fontbona, who has been essential in cataloguing this work 45x51,5 cm 24.000 24.000

1568 Casimir Martínez Tarrassó. Barcelona 1898 - 1980 "Expresión de colores espaciales. Mallorca", Cape Formentor. OIl on canvas On the back, signed, titled and dated in 1963. Enclosed certificate by Marçal Barrachina, signed in Barcelona on 17 June 2011 167x129 cm 16.000 16.000

1569 Hermenegildo Anglada Camarasa. Barcelona 1872 - Pollença 1959 A forest, probably the Pinaret. Oil on board Signed and dated in 1936. In the frame, a label of the Galerías Costa, Barcelona. The Pinaret was the artist's estate in Pollença. We appreciate the collaboration of Francesc Fontbona, who has been essential in cataloguing this work 52,5x42,5 cm 18.000 18.000

1570 Casimir Martínez Tarrassó. Barcelona 1898 - 1980 "Sinfonía mallorquina". OIl on canvas Signed. Enclosed certificate by Marçal Barrachina, signed in Barcelona on 23 June 2009 81x100 cm 7.000 7.000 1571 Roman school, circa 1640. Allegory of Touch or of Sculpture. OIl on canvas 121.5x171 cm 10.000 10.000

1572 Rafael Vergós and workshop. Barcelona c. 1460 - 1500 Scenes from the Life of Saint Peter, of Saints Cosmas and Damian and of Saint Sebastian. Set of two altarpiece panels with six compartments in tempera on wood Enclosed report by Antoni José i Pitarch 161x58.5 cm (with frame) 24.000 24.000

1573 Laureà Barrau.Barcelona 1864 - Santa Eulàlia del Riu 1957 "Haciendo gavillas". Oil on canvas Signed and dated in 1897. Bibliography: Isabel Coll, "Laureà Barrau", Barcelona, Lunwerg, 2003, p. 73 (reproduced) 133x177,5 cm 20.000 20.000

1574 Santiago Rusiñol. Barcelona 1861 - Aranjuez 1931 The Caves of Granada. OIl on canvas Signed. Enclosed certificate of authenticity by Marçal Barrachina, signed in Barcelona on 13 July 2011 95x70 cm 30.000 30.000

1575 Joaquín Sorolla Bastida. Valencia 1863 - Cercedilla 1923 "Retrato de D. A. Castro". Gouache on cardboard Signed and dedicated: "A mi querido discípulo A. Castro su buen amigo J. Sorolla". Dated in 1919. Origin: Manuel González Martí collection, Valencia. During some time it was displayed at the Bellas Artes San Pío V Musuem of this city. Bibliography: Rafael Benet, "Historia de la pintura moderna. Impresionismo", Barcelona, Omega, 1952 (reproduced); B. de Pantorba, “La vida y la obra de Joaquín Sorolla”, Madrid, Extensa, 1970, nº 2100 (reproduced) 74,6x52 cm 45.000 45.000