ECHO & the BUNNYMEN Sin La Bravuconería De Su Vocalista, Ian

Total Page：16

File Type：pdf, Size：1020Kb

ECHO & THE BUNNYMEN Sin la bravuconería de su vocalista, Ian McCulloh, seguramente no habría existido luego la de Ian Brown (Stone Roses) y Liam Gallagher (Oasis). McCulloh o, lo que es lo mismo, el frontman por excelencia del post-punk (Ian Curtis al margen). Y Echo And The Bunnymen o, lo que es lo mismo, una de las bandas británicas indiscutibles de los 80 y cuyos rasgos distintivos -melancólicos, sombríos, de cielo encapotado- pueden rastrearse en multitud de formaciones posteriores, desde Interpol hasta Oasis, pasando por Arcade Fire, The Killers, The Flaming Lips, Travis... Hasta en Radiohead. Su trayectoria se inició en 1978 -al principio llamándose solo Echo, un dúo entre McCulloh y el guitarrista Will Sergeant, hasta que entró el bajista Les Pattinson- y dura hasta el presente. Tuvieron su momento de duda entre 1988 y 1997, coincidiendo con la excedencia temporal de McCulloh, quien junto a Sergeant montó entonces el fugaz proyecto Electrafixion y publicó dos de los tres discos que tiene en solitario. Parecía que los días del grupo estaban contados. Pero Ian volvió a coger su micrófono y recuperaron el brío con el digno “Evergreen” (1997), para pasar a despejar todas las dudas sobre su futuro con el soberbio “What Are You Going To Do With Your Life?” (1999). En lo que llevamos de siglo han publicado cuatro álbumes más, el último de ellos en 2014, titulado “Meteorites”, duodécimo de su trayectoria y producido por Youth, bajista de Killing Joke. Su sucesor llegará este 5 de octubre, titulado “The Stars, The Ocean & The Moon”, y contiene trece canciones seminales de su cancionero reinterpretadas y reimaginadas (“The Killing Moon”, “Nothing Last Forever”, “Rescue”, “The Cutter”, “Bring On Dancing Horses”, “Lips Like Sugar”, “Seven Seas”...), más dos temas nuevos. Nuevas perspectivas para uno de los fondos de catálogo más majestuosos surgidos en las Islas Británicas en los tiempos modernos. www.houstonpartymusic.com #HoustonPartyMusic #houstonparty20.

Copy Link

Recommended publications

65 in Important Decisions
65 Years of Campus Coverage at Its Best in important decisions By ROCHELLE DURBAN currently going on with student on all loans. After talking with news editor aid. Congressman, Bill Paxon, repre• According to Multari, one of sentative of suburban Buffalo, Joseph Multari, secretary of the topics discussed was direct Multari found that Paxon agreed legislative affairs for Student Gov• lending and its future in the US. that the banks need to clean up ernment, attended the National Direct lending is a program in their act. "Because of all this YSU Association of Students for Higher which student loans go directly to will not have as many options on Education (NASHE) conference the Department of Education, in• financial aid as before," he said. in Washington DC Oct. 13-16. stead of going to a guaranteer. Other issues discussed besides NASHE is an organization "This is beneficial, because direct lending were loans, schol• consisting of students from Ohio, the student does not have to go arships, grants and graduate-aid Texas, Arizona and California. through a bank. Instead they can programs. "The biggest cut in stu• The purpose of the organization is obtain their money up front," dent aid will be dealing with sub• for students to get involved with Multari said. sidized loans," said Multari. political issues that affect students According to Multari, al• Originally a subsidized loan directly. though direct lending is benefi• included a six-month grace period NASHE was started in Octo• cial, the program it will not come where an accumulation of interest ber of 1994 to create a national to YSU.
[Show full text]
ADAM and the ANTS Adam and the Ants Were Formed in 1977 in London, England
ADAM AND THE ANTS Adam and the Ants were formed in 1977 in London, England. They existed in two incarnations. One of which lasted from 1977 until 1982 known as The Ants. This was considered their Punk era. The second incarnation known as Adam and the Ants also featured Adam Ant on vocals, but the rest of the band changed quite frequently. This would mark their shift to new wave/post-punk. They would release ten studio albums and twenty-five singles. Their hits include Stand and Deliver, Antmusic, Antrap, Prince Charming, and Kings of the Wild Frontier. A large part of their identity was the uniform Adam Ant wore on stage that consisted of blue and gold material as well as his sophisticated and dramatic stage presence. Click the band name above. ECHO AND THE BUNNYMEN Formed in Liverpool, England in 1978 post-punk/new wave band Echo and the Bunnymen consisted of Ian McCulloch (vocals, guitar), Will Sergeant (guitar), Les Pattinson (bass), and Pete de Freitas (drums). They produced thirteen studio albums and thirty singles. Their debut album Crocodiles would make it to the top twenty list in the UK. Some of their hits include Killing Moon, Bring on the Dancing Horses, The Cutter, Rescue, Back of Love, and Lips Like Sugar. A very large part of their identity was silohuettes. Their music videos and album covers often included silohuettes of the band. They also have somewhat dark undertones to their music that are conveyed through the design. Click the band name above. THE CLASH Formed in London, England in 1976, The Clash were a punk rock group consisting of Joe Strummer (vocals, guitar), Mick Jones (vocals, guitar), Paul Simonon (bass), and Topper Headon (drums).
[Show full text]
Oladipo Agboluaje
EnterText 4.2 OLADIPO AGBOLUAJE Mother Courage and Her Children (Scenes 1-3 and 9-12) An adaptation of Bertolt Brecht’s Mother Courage, this drama was premiered at Nottingham Playhouse in February 2004 before touring the UK. The production, directed by Josette Bushell-Mingo, starred Carmen Monroe in the title role. 1 RADIO VOICE: Chief of Armed Forces Field Marshal Jigawa of the West Africa Union of Independent States is conscripting civilians for a counter-offensive against the rebel Dancing Hyenas Revolutionary Forces. He says they are building for a final push against rebel strongholds that will lead to regional unification. Commenting on the use of child soldiers, Field Marshal Jigawa said that in war, it is only right that children do their fair share of killing. Bola Fagburu a.k.a. MOTHER COURAGE loses one son. Bush path near a village. SERGEANT and RECRUITER stand waiting. Oladipo Agboluaje: Mother Courage 94 EnterText 4.2 RECRUITER: This sun will kill us. Why did you choose a shade-less spot? Aren’t you black enough? No wonder we can’t find anyone to recruit around here. It’s the sun that makes us Africans dishonest people, I swear. SERGEANT: Ah, ah, Oga1 Recruiter, that one is over the bar. RECRUITER: OK, how many boys have we recruited? Have we not approached at least twenty starving villagers? I turn round to get the conscription form, before I say “nail your thumbprint here,” they have dashed into the nearest undergrowth. SERGEANT: Life is too easy for our people, Recruiter. Tell them you need a Champions League war, they eye you as if you are not well.
[Show full text]
2 to Be Somebody: Ambition and the Desire to Be Different
2 To Be Somebody: Ambition and the Desire to Be Different The context for difference This chapter aims to identify some of the bands that enjoyed chart success during the late 1970s and ’80s and identify their artistic traits by means of conversations with band members and those close to the bands. This chapter does not claim to be a definitive account or an inclusive list of innovative bands but merely a viewpoint from some of the individuals who were present at the time and involved in music, creativity and youth culture. Some of these individuals were in the eye of the storm while others were more on the periphery. However, common themes emerge and testify to the Scouse resilience identified in the previous chapter. Also, identifying objective truth is a difficult task, as one band member will often have a view of his band’s history that conflicts with that of other members of the same band. As such, it is acknowledged that this chapter presents only selective viewpoints. Trying something new: In what ways were the Liverpool bands creative and different? ‘Liverpool has always made me brave, choice-wise. It was never a city that criticized anyone for taking a chance.’ David Morrissey1 In terms of creativity, the theory underpinning this book which was stated in Chapter 1 is that successful Liverpool bands in the 1980s were different from each other and did not attempt to follow the latest local or national pop music trends. None of the bands interviewed falls into the categories of punk, disco or New Romantic, which were popular trends at the time.
[Show full text]
Nstitotion Vol
THE NSTITOTION VOL. XXIX. PLAHNFIELD, N. J.. THURSDAY, AUOUST 13. 1896. NO'. Support the Constitution. IWacA a the Cement ottht Union, as J*4// in Its Limitations as in Its Authorities." Madison. MANMANYY FEOFLEYOUPEOPLEYOU KNOKNOWW FINANGESJO|E!FIR|STiiPROSIRAT§JFINANCES, COME FIRST. PROSTRATED YBY HEATHEAT.. flN R-STATEINTERSTAT LINE.E LINE HEflHEAT.T KEPTMANKEPT MANYY AWAAWAY.Y ALALLL OVEROVER? THTHEE T(TOWNM SOME ARE COMING AND EOME ARE SUCCESS OF THE BICYCLE PARADE. JOSEPH HURTLIEH SUCCUMBED I* PRINCIPAL NtW JERSEY TOWNS TO SOME ARe COM'NG AND SOME ARE SUCCCS5 OF THE BICYCLE PARADE . JOSEPH HURTUEH SUCCUMBED THE BAND CONCERT WAS NOT' AS NEWS IN SHORT PARAGRAPHS THAT GOING FOR THE SUMMER. DEPENDS ON THE MONEY RAISED.[ ] JUSTICE NAJ3H-S OFRCF. BE CONNECTED BY TftOLLEY. GOING #OR THE SUMMER. DEPENDS ON THE MONEY RAISED.' JUSTICE NASHS OFFICE. LARGELY ATTENDED AS USUAL. INTEREST Ali PLAINFIELOEBS. Th. Warn -i,m NUT wv.ih.-r Drive Weretra<• r-opix.r-P-Utr IbbiiIC.ntrt- HfT,||.UeT*ikr4ni WlillWMtyy o 4mn H fell* Mirta mm* C Hot SU1I Tt*n WH m IMC CmN irtmt Bvtml—Public Polls* • MrM*r),UMftrr* to »oi™Solr*.. WhirlWSkS, ■■Uml llruttt ApiM Abodl (hIh.* TownTow«.. wawm*> clmrt ObwiAd u p"p Thl Tbk. Mornlo H*nU«i Karl Early.y |RB •»ot A.Uw Ilae a.we w lb- Detail. n._ tom wn (MM There is no doubt but. that Plain- The exireme j beat of Ibe last few Kiss Stella Shotwell. of College There is no doubt but that Plaih- The extreme( beat of the Laat few An electric road betweebetweenn NeNeww TorYorkk Even tVthe prospectsprospects ooff aa tieligbtfdelightfulu —Mr.
[Show full text]
Hastings Law News Vol.21 No.1 UC Hastings College of the Law
University of California, Hastings College of the Law UC Hastings Scholarship Repository Hastings Law News UC Hastings Archives and History 9-17-1987 Hastings Law News Vol.21 No.1 UC Hastings College of the Law Follow this and additional works at: http://repository.uchastings.edu/hln Recommended Citation UC Hastings College of the Law, "Hastings Law News Vol.21 No.1" (1987). Hastings Law News. Book 153. http://repository.uchastings.edu/hln/153 This Book is brought to you for free and open access by the UC Hastings Archives and History at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Law News by an authorized administrator of UC Hastings Scholarship Repository. For more information, please contact [email protected]. FEATURES FORUM Newdeans Echo & Bunnymen cut Anti-Bork fanatics demon- memorable album. strate hypocrisy in action. take office see page 5. see page 9. ＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱＱｉｉｉｉｉｉｉｉｉｉｉｉｉｉｉｉｉｉｉｉｉｉｉｉｉＮｾ｟ＢＢ＠ for year 1111111111111111111111111111111111111111 11111111111111111111111111111111111111111001 ___• Professors Mary Kay Kane and John Diamond have joined the adminis- tration as Acting Aca- demic Dean and Associate Academic Dean, respectively. As Acting Academic Dean for the 1987-88 year, Kane is primarily responsible for supervis- ing the College's academ- ic program, including Prunty allowed to resign faculty hiring and curric- ulum changes. According to Kane, up to four new Board fires Prunty, then rescinds acts faculty members may be hired in the coming Apparently acting rashly that Prunty could not offici- that Prunty might sue alleg- duced $15 million budget months. Since the Cali- and then regretting it, the ate at Commencement.
[Show full text]
Echo & the Bunnymengb
Echo & The Bunnymen GB Adieu Gary Cooper CH Ve 15.09 20:00 Echo & The Bunnymen © DR Alhambra Ouverture des portes à 19h Line up : 20h Adieu Gary Cooper / 21h15 Echo & The Bunnymen Concert debout Une pièce d’histoire ! Le légendaire groupe de Liverpool a remis l’ouvrage sur le métier en 2014, sans nostalgie aucune. Depuis les années 80, Echo & The Bunnymen s’est inscrit comme l’un des hérauts de la musique britan- nique indé. Soutenus par une section rythmique démente, le charismatique leader Ian McCul- loch et le guitariste Will Sergeant ont fait se convertir des milliers de kids aux préceptes post punk et new wave. Aujourd’hui, McCulloch et Sergeant n’ont pas perdu la main et perpé- tuent leur histoire. En témoignent les cri- tiques élogieuses de leur dernier album en date et leurs prestations live, qu’ils qualifient de bien plus intenses qu’avant. Autant dire que ce concert-événement est à placer du côté des must see de l’année. En ouverture, les fines gâchettes de Adieu Gary Cooper et leur « French noise pop » sauront chauffer à blanc le public de l’Alhambra ! www.bunnymen.com adieugarycooper.ch La Bâtie 2017 Dossier de presse Echo & The Bunnymen Groupe formé en 1978 à Liverpool par Ian McCulloch (chant, guitare), Will Sergeant (gui- tare) et Les Pattinson (basse), Pete de Freitas (batterie) remplaçant en 1979 la boîte à rythme nommé Echo. Les Bunnymen connurent le succès dès leur premier album, Crocodiles (1980), où ils se caractérisent par un son profond et assez inattendu de la part d’un groupe privilégiant les guitares au détriment des synthés.
[Show full text]
Glide Magazine Reviews - Echo & the Bunnymen: Dancing Horses
Glide Magazine Reviews - Echo & The Bunnymen: Dancing Horses http://www.glidemagazine.com/Articles/52832/Echo-&-The-Bunnymen... Enter Email login register Movie/DVD Review Echo & The Bunnymen Dancing Horses Share Email By Tim Newby December 13, 2007 Echo & The Bunnymen rose to prominence at the end of the punk era andRate had 0 Comments a lasting impact on the New Wave movement that followed. But they always seemed a step ahead of other bands from that time because Echo and the Bunnymen were never really punk enough and always had more soul than other New Wave bands as they liberally dipped a toe into the pool of classic British blues bands. That has always been their secret, and what allows them, unlike so many of their fellow New Wave brethren, to still be a viable band whose past catalog never sounds dated. Dancing Horses features a complete show, filmed at the historic Shepherds Bush Empire in London England, of the reformed Bunnymen, with only Ian McCulloch and Will Sergeant still around from the original line-up that was formed in 1978 with a drum machine. The band got back together in 1997, after breaking up for almost a decade, and since then have been recording and touring steadily. …more Glide stuff related to this article The new DVD captures the band in all their moody glory. With a darkened stage » CD: Echo and The Bunnymen to set the mood, and simple lightning that highlights the smoke that slowly drifts » CD: Band Of Horses across it, Dancing Horses is filmed with subtle unobtrusive shots of the band at » CD: Echo & The Bunnymen work that eschews quick cuts and fancy camera work that instead allows the band and their songs to be showcased.
[Show full text]
Download (4Mb)
A Thesis Submitted for the Degree of PhD at the University of Warwick Permanent WRAP URL: http://wrap.warwick.ac.uk/80890 Copyright and reuse: This thesis is made available online and is protected by original copyright. Please scroll down to view the document itself. Please refer to the repository record for this item for information to help you to cite it. Our policy information is available from the repository home page. For more information, please contact the WRAP Team at: [email protected] warwick.ac.uk/lib-publications ‘Our place': class, the theatre audience and the Royal Court Liverpool Maria Barrett Submitted in partial fulfilment of the degree of Doctor of Philosophy University of Warwick, Centre for Cultural Policy Studies and Theatre Studies June 2016 Maria Barrett Page 3 PhD Thesis: June 2016 Table of Contents List of Figures ......................................................................................................................... 10 List of Tables .......................................................................................................................... 11 Abstract .................................................................................................................................. 13 Chapter 1 Prologue: an introduction to the thesis ................................................................ 14 Class ................................................................................................................................... 21 What is class? ................................................................................................................
[Show full text]
Comincia Con Echo & the Bunnymen La Rivincita
03VAR01A0308 ZALLCALL 12 20:27:31 08/02/97 LINEE eSUONI l’Unità2 9 Domenica 3 agosto 1997 Intervista con Will Sergeant, chitarrista del gruppo tornato alla ribalta con un nuovo album, «Evergreen» Bilancio positivo per il festival jazz Comincia con Echo & the Bunnymen Il fantasma di Coltrane si aggira per Ravenna la rivincita del rock inglese anni ‘80 inseguito dal sassofono Se il cantante Ian McCulloch non avesse deciso di cambiare strada, la band di Liverpool sarebbe potuta diventare popolare come gli U2. E il disco che adesso segna il suo rientro sulle scene è lirico e avvolgente, una lezione per i nuovi gruppi inglesi. di Joshua Redman ROMA. Il ritorno di questa storica lascenamusicaleinglese? RAVENNA. «Ravenna Jazz», con i ndr.), bisognerebbe drasticamente formazione del pop britannico, po- «Sono accadute delle cose sen- suoi 24 anni, è il più vecchio festival sequestrare i dischi di Coltrane ad trebbe far pensare alla solita mano- z’altro interessanti e alcune di que- jazz d’Italia, riuscendo sempre a pre- ogni giovane sassofonista che ab- vra commerciale di una casa disco- ste in un certo senso ci hanno aper- sentare un cartellone di grande inte- bia intenzione di imbastire una grafica, mabastano le prime battute to la strada. Molti dei gruppi che ora resse, con esperimenti ed incontri musica personale. Mentre vengo- di Don’t Let It Get You Down,la vanno per la maggiore apprezzano inediti. La rassegna anche quest’an- no seguiti con (anche giusta) am- canzone che apre Evergreen,il la nostra musica e questo ci aiuta a no si è svolta in tre sere consecutive, mirazione tutti i coltraniani di nuovo album di Echo & The Bun- farci conoscere o ricordare da un presentando cinque gruppi fra i più questo mondo, bisogna rilevare nymen, per ritrovare intatta la pubblico che non sa bene chi siamo importanti al mondo, ognuno rap- che per fortuna esistono giovani magia di un suono inconfondibi- o ha dimenticato i nostri dischi.
[Show full text]
The Ithacan, 1988-02-11
Ithaca College Digital Commons @ IC The thI acan, 1987-88 The thI acan: 1980/81 to 1989/90 2-11-1988 The thI acan, 1988-02-11 Ithaca College Follow this and additional works at: http://digitalcommons.ithaca.edu/ithacan_1987-88 Recommended Citation Ithaca College, "The thI acan, 1988-02-11" (1988). The Ithacan, 1987-88. 15. http://digitalcommons.ithaca.edu/ithacan_1987-88/15 This Newspaper is brought to you for free and open access by the The thI acan: 1980/81 to 1989/90 at Digital Commons @ IC. It has been accepted for inclusion in The thI acan, 1987-88 by an authorized administrator of Digital Commons @ IC. - ~loo/ -- ·Eating disorders ••. Valentine'-s Day ... Women's h·oop •.. page 8 page 10 page 23 THE The Newspaper For The Ithaca College Community I~ue 15 February 11, 1988 24 pag~s * Free Students dine on the floor Lunch distribution uneven EDITOR'S NOTE: Director of this olace," remarked Dave Pazos, business affairs, Anne Humphrey, Talcott Hall freshman. was interviewed two weeks ago Some students had their own (see related story page 1). theories and solutions for the pro As the clock strikes noon, an eerie blem. Junior Rich Gotlieb suggested, feeling of impending doom de.~cends "The school should install a device for over the Introduction to Business lec students to eat while standing, like ture. Students begin to nervously those in pizzerias." Others had sug fidget in their seats, their solemn faces gestions that were not suitable for wrought with tension and anxiety. publication. The overall sentiment of The concern expressed by these pro those interviewed was one of frustra spective power brokers has nothing to tion and dissatisfaction.
[Show full text]
Echo & the Bunnymen: Dancing Horses
Echo & the Bunnymen: Dancing Horses - PopMatters Music Review http://www.popmatters.com/pm/music/reviews/46040/echo-the-bunnym... Features | Columns | Blogs | News | Music | Film | TV | DVDs | Books | Comics | Multimedia | Events | PopComix | Front about contributors submissions book imprint advertising contests PopShop Media Center PopMatters Picks Echo & the Bunnymen TODAY ON POPMATTERS Dancing Horses [DVD] FEATURES | recent [Live at Shepherds Bush Empire] :. Film Fete: The Best of Short Ends & (MVD Entertainment Group) Rated: N/A Leader US release date: 26 June 2007 :. The Essential Selection: An Interview with UK release date: 23 April 2007 Beth Ditto by Adam Besenyodi PopMatters Associate Music Editor COLUMNS | recent Email Print Comments (0) NEGRITUDE 2.0: The NAACP’s Mock Burial of Its Relevance The journey of Liverpool’s other famous THE OUTRÉ OEUVRE: A ‘Head’ of Its Time musicians is a somewhat incestuous and BLOGS | recent certainly messy one. After Pete Wylie and SHORT ENDS AND LEADER: The Front Page: Star Julian Cope left Ian McColloch and their Struck Down - The Last of Lohan band the Crucial Three to form Wah! and RE:PRINT: Publisher blasts Oprah over James the Teardrop Explodes, respectively, Frey controversy McColloch hooked up with guitarist Will SOURCES SAY: The Sydney Morning Herald and Sergeant in 1978. Together, along with the cultural life of Sydney their drum machine, Echo, they formed the MEDIA CENTER: Maps: “You Don’t Know Her neo-psychedelic post-punk genius of Echo & Name” the Bunnymen. After scoring varied CRAZED BY THE MUSIC: Is print media scared of successes on the UK and US charts in their freebies? first ten years together, McColloch left the PERIPATETIC POSTCARDS: In the Shadows of band for a solo career.
[Show full text]