Echo and the Bunnymen 2014 Us Tour
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Excesss Karaoke Master by Artist
XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not -
An N U Al R Ep O R T 2018 Annual Report
ANNUAL REPORT 2018 ANNUAL REPORT The Annual Report in English is a translation of the French Document de référence provided for information purposes. This translation is qualified in its entirety by reference to the Document de référence. The Annual Report is available on the Company’s website www.vivendi.com II –— VIVENDI –— ANNUAL REPORT 2018 –— –— VIVENDI –— ANNUAL REPORT 2018 –— 01 Content QUESTIONS FOR YANNICK BOLLORÉ AND ARNAUD DE PUYFONTAINE 02 PROFILE OF THE GROUP — STRATEGY AND VALUE CREATION — BUSINESSES, FINANCIAL COMMUNICATION, TAX POLICY AND REGULATORY ENVIRONMENT — NON-FINANCIAL PERFORMANCE 04 1. Profile of the Group 06 1 2. Strategy and Value Creation 12 3. Businesses – Financial Communication – Tax Policy and Regulatory Environment 24 4. Non-financial Performance 48 RISK FACTORS — INTERNAL CONTROL AND RISK MANAGEMENT — COMPLIANCE POLICY 96 1. Risk Factors 98 2. Internal Control and Risk Management 102 2 3. Compliance Policy 108 CORPORATE GOVERNANCE OF VIVENDI — COMPENSATION OF CORPORATE OFFICERS OF VIVENDI — GENERAL INFORMATION ABOUT THE COMPANY 112 1. Corporate Governance of Vivendi 114 2. Compensation of Corporate Officers of Vivendi 150 3 3. General Information about the Company 184 FINANCIAL REPORT — STATUTORY AUDITORS’ REPORT ON THE CONSOLIDATED FINANCIAL STATEMENTS — CONSOLIDATED FINANCIAL STATEMENTS — STATUTORY AUDITORS’ REPORT ON THE FINANCIAL STATEMENTS — STATUTORY FINANCIAL STATEMENTS 196 Key Consolidated Financial Data for the last five years 198 4 I – 2018 Financial Report 199 II – Appendix to the Financial Report 222 III – Audited Consolidated Financial Statements for the year ended December 31, 2018 223 IV – 2018 Statutory Financial Statements 319 RECENT EVENTS — OUTLOOK 358 1. Recent Events 360 5 2. Outlook 361 RESPONSIBILITY FOR AUDITING THE FINANCIAL STATEMENTS 362 1. -
65 in Important Decisions
65 Years of Campus Coverage at Its Best in important decisions By ROCHELLE DURBAN currently going on with student on all loans. After talking with news editor aid. Congressman, Bill Paxon, repre• According to Multari, one of sentative of suburban Buffalo, Joseph Multari, secretary of the topics discussed was direct Multari found that Paxon agreed legislative affairs for Student Gov• lending and its future in the US. that the banks need to clean up ernment, attended the National Direct lending is a program in their act. "Because of all this YSU Association of Students for Higher which student loans go directly to will not have as many options on Education (NASHE) conference the Department of Education, in• financial aid as before," he said. in Washington DC Oct. 13-16. stead of going to a guaranteer. Other issues discussed besides NASHE is an organization "This is beneficial, because direct lending were loans, schol• consisting of students from Ohio, the student does not have to go arships, grants and graduate-aid Texas, Arizona and California. through a bank. Instead they can programs. "The biggest cut in stu• The purpose of the organization is obtain their money up front," dent aid will be dealing with sub• for students to get involved with Multari said. sidized loans," said Multari. political issues that affect students According to Multari, al• Originally a subsidized loan directly. though direct lending is benefi• included a six-month grace period NASHE was started in Octo• cial, the program it will not come where an accumulation of interest ber of 1994 to create a national to YSU. -
Paradigm Talent Agency Announces 'Sound + Vision' Sxsw Showcase
PARADIGM TALENT AGENCY ANNOUNCES 'SOUND + VISION’ SXSW SHOWCASE PERFORMERS AT MARCH 15 EVENT INCLUDE KELELA, CUCO, SUPERORGANISM, ANDREW W.K., LUCY DACUS, PALE WAVES, AND MORE MARCH 05, 2018 - Paradigm Talent Agency will present Sound + Vision, a concert event in Austin on Thursday, March 15, hosted by Talib Kweli and comedian Casey Jane Ellison and featuring performances by Kelela, Cuco, Superorganism, Andrew W.K., Lucy Dacus, Pale Waves, Ron Gallo, Kweku Collins, G FLIP, Jack Harlow, Flint Eastwood, and IDER. Sound + Vision will transform downtown Austin venue The Mohawk into a landscape of cultural perspective featuring live music performances, interactive art exhibits, and live illustrations by visual artist somehoodlum (whose star-studded client list includes Lil Uzi Vert, Migos, and 21 Savage). Paradigm's Sound + Vision showcase has invited the vanguard of today's most exciting and dynamic musicians to perform and join in celebrating the diversity of form, identity and practice. The event will be presented by See Tickets, one of the largest ticketing companies in the world. Owned by Vivendi SA, they serve over 5,000 promoters, festivals, performance venues and sporting events. In the United States, See Tickets maintains a reputable list of clients including Universal Music Group, Beautycon, Spring Awakening, North Coast Music Festival, Punk Rock Bowling, Rock Fest and Country Fest. Admission is free (w/ RSVP) as well as for SXSW Badgeholders. Entry for the event is granted on a first come, first serve basis. The showcase will take place at The Mohawk on Thursday, March 15th, from 12PM - 6PM. Information on the event: Paradigm Talent Agency is a full-service entertainment agency with offices in Los Angeles, New York, London, Chicago, Monterey, Nashville, San Diego, Austin, London, Berkeley and Toronto. -
View Annual Report
2016 ANNUAL REPORT CONTENT MESSAGES FROM THE SUPERVISORY BOARD AND THE MANAGEMENT BOARD 02 1 4 Profile of the Group and its Businesses | Financial Report | Statutory Auditors’ Report Financial Communication, Tax Policy on the Consolidated Financial Statements | and Regulatory Environment | Risk Factors 05 Consolidated Financial Statements | 1. Profi le of the Group and its Businesses 07 Statutory Auditors’ Report on 2. Financial Communication, Tax policy and Regulatory Environment 43 the Financial Statements | Statutory 3. Risk Factors 47 Financial Statements 183 Selected key consolidated fi nancial data 184 I - 2016 Financial Report 185 II - Appendix to the Financial Report: Unaudited supplementary fi nancial data 208 2 III - Consolidated Financial Statements for the year ended December 31, 2016 210 Societal, Social and IV - 2016 Statutory Financial Statements 300 Environmental Information 51 1. Corporate Social Responsibility (CSR) Policy 52 2. Key Messages 58 3. Societal, Social and Environmental Indicators 64 4. Verifi cation of Non-Financial Data 101 5 Recent Events | Forecasts | Statutory Auditors’ Report on EBITA forecasts 343 1. Recent Events 344 2. Forecasts 344 3 3. Statutory Auditors’ Report on EBITA forecasts 345 Information about the Company | Corporate Governance | Reports 107 1. General Information about the Company 108 2. Additional Information about the Company 109 3. Corporate Governance 125 6 4. Report by the Chairman of Vivendi’s Supervisory Board Responsibility for Auditing the Financial Statements 347 on Corporate Governance, Internal Audits and Risk 1. Responsibility for Auditing the Financial Statements 348 Management – Fiscal year 2016 172 5. Statutory Auditors’ Report, Prepared in Accordance with Article L.225-235 of the French Commercial Code, on the Report Prepared by the Chairman of the Supervisory Board of Vivendi SA 181 ANNUAL REPORT 2016 ANNUAL REPORT 2016 The Annual Report in English is a translation of the French “Document de référence” provided for information purposes. -
' Shirt W65 9L988 Friday, February 19, 1988 Raleigh, North Carolina Lditorial 77?-24Ll\.F'l
FEB 1 9l988 4' ft X A; Volume LXIX, Number 57 ' Shirt W65 Friday, February 19, 1988 Raleigh, North Carolina lditorial 77?-24Ll\.f‘l_\ily;grdtf:iii.i y'ilrhl Valvano institutes minority internship program By Paul Woolverton instituting a Recruuliducate-(iraduate But his department is now hiring black former The fees instead "help support a broad Assistant News Editor Traianire tRECiTHi program because there athletes as interns. After a one year in- based athletics program that has only two are few job entry opportunities for blacks in ternship. these athletes will become full-time revenue sports." he said, "If we d.d not have People at NC. State‘s athletics department athletics administration. employees of the athletics staff the million froin student fees and sold the not only train for the big game on Saturday. “We felt incumbent to provide a program to The interns will join Ray Martin. assistant tickets. we would make much more than but soon they'll also train for careers in train.“ he said. “We aren‘t hiring them just to athletics director. giving NCSU a total of that.“ administration. say. ‘We have a black here.” three black administrators in athletics. He said the student fees allow all students Jim Valvano. athletics director and head He said NCSU is now committed to train Valvano also discussed funding for the to participate in athletics. basketball coach. told student leaders Wed. interns for five years. so when athletics athletics department. He said student fees "We are at a university that provides the nesday evening that the athletics department administration jobs become available. -
ADAM and the ANTS Adam and the Ants Were Formed in 1977 in London, England
ADAM AND THE ANTS Adam and the Ants were formed in 1977 in London, England. They existed in two incarnations. One of which lasted from 1977 until 1982 known as The Ants. This was considered their Punk era. The second incarnation known as Adam and the Ants also featured Adam Ant on vocals, but the rest of the band changed quite frequently. This would mark their shift to new wave/post-punk. They would release ten studio albums and twenty-five singles. Their hits include Stand and Deliver, Antmusic, Antrap, Prince Charming, and Kings of the Wild Frontier. A large part of their identity was the uniform Adam Ant wore on stage that consisted of blue and gold material as well as his sophisticated and dramatic stage presence. Click the band name above. ECHO AND THE BUNNYMEN Formed in Liverpool, England in 1978 post-punk/new wave band Echo and the Bunnymen consisted of Ian McCulloch (vocals, guitar), Will Sergeant (guitar), Les Pattinson (bass), and Pete de Freitas (drums). They produced thirteen studio albums and thirty singles. Their debut album Crocodiles would make it to the top twenty list in the UK. Some of their hits include Killing Moon, Bring on the Dancing Horses, The Cutter, Rescue, Back of Love, and Lips Like Sugar. A very large part of their identity was silohuettes. Their music videos and album covers often included silohuettes of the band. They also have somewhat dark undertones to their music that are conveyed through the design. Click the band name above. THE CLASH Formed in London, England in 1976, The Clash were a punk rock group consisting of Joe Strummer (vocals, guitar), Mick Jones (vocals, guitar), Paul Simonon (bass), and Topper Headon (drums). -
Oladipo Agboluaje
EnterText 4.2 OLADIPO AGBOLUAJE Mother Courage and Her Children (Scenes 1-3 and 9-12) An adaptation of Bertolt Brecht’s Mother Courage, this drama was premiered at Nottingham Playhouse in February 2004 before touring the UK. The production, directed by Josette Bushell-Mingo, starred Carmen Monroe in the title role. 1 RADIO VOICE: Chief of Armed Forces Field Marshal Jigawa of the West Africa Union of Independent States is conscripting civilians for a counter-offensive against the rebel Dancing Hyenas Revolutionary Forces. He says they are building for a final push against rebel strongholds that will lead to regional unification. Commenting on the use of child soldiers, Field Marshal Jigawa said that in war, it is only right that children do their fair share of killing. Bola Fagburu a.k.a. MOTHER COURAGE loses one son. Bush path near a village. SERGEANT and RECRUITER stand waiting. Oladipo Agboluaje: Mother Courage 94 EnterText 4.2 RECRUITER: This sun will kill us. Why did you choose a shade-less spot? Aren’t you black enough? No wonder we can’t find anyone to recruit around here. It’s the sun that makes us Africans dishonest people, I swear. SERGEANT: Ah, ah, Oga1 Recruiter, that one is over the bar. RECRUITER: OK, how many boys have we recruited? Have we not approached at least twenty starving villagers? I turn round to get the conscription form, before I say “nail your thumbprint here,” they have dashed into the nearest undergrowth. SERGEANT: Life is too easy for our people, Recruiter. Tell them you need a Champions League war, they eye you as if you are not well. -
2 to Be Somebody: Ambition and the Desire to Be Different
2 To Be Somebody: Ambition and the Desire to Be Different The context for difference This chapter aims to identify some of the bands that enjoyed chart success during the late 1970s and ’80s and identify their artistic traits by means of conversations with band members and those close to the bands. This chapter does not claim to be a definitive account or an inclusive list of innovative bands but merely a viewpoint from some of the individuals who were present at the time and involved in music, creativity and youth culture. Some of these individuals were in the eye of the storm while others were more on the periphery. However, common themes emerge and testify to the Scouse resilience identified in the previous chapter. Also, identifying objective truth is a difficult task, as one band member will often have a view of his band’s history that conflicts with that of other members of the same band. As such, it is acknowledged that this chapter presents only selective viewpoints. Trying something new: In what ways were the Liverpool bands creative and different? ‘Liverpool has always made me brave, choice-wise. It was never a city that criticized anyone for taking a chance.’ David Morrissey1 In terms of creativity, the theory underpinning this book which was stated in Chapter 1 is that successful Liverpool bands in the 1980s were different from each other and did not attempt to follow the latest local or national pop music trends. None of the bands interviewed falls into the categories of punk, disco or New Romantic, which were popular trends at the time. -
Songs by Artist
73K October 2013 Songs by Artist 73K October 2013 Title Title Title +44 2 Chainz & Chris Brown 3 Doors Down When Your Heart Stops Countdown Let Me Go Beating 2 Evisa Live For Today 10 Years Oh La La La Loser Beautiful 2 Live Crew Road I'm On, The Through The Iris Do Wah Diddy Diddy When I'm Gone Wasteland Me So Horny When You're Young 10,000 Maniacs We Want Some P---Y! 3 Doors Down & Bob Seger Because The Night 2 Pac Landing In London Candy Everybody Wants California Love 3 Of A Kind Like The Weather Changes Baby Cakes More Than This Dear Mama 3 Of Hearts These Are The Days How Do You Want It Arizona Rain Trouble Me Thugz Mansion Love Is Enough 100 Proof Aged In Soul Until The End Of Time 30 Seconds To Mars Somebody's Been Sleeping 2 Pac & Eminem Closer To The Edge 10cc One Day At A Time Kill, The Donna 2 Pac & Eric Williams Kings And Queens Dreadlock Holiday Do For Love 311 I'm Mandy 2 Pac & Notorious Big All Mixed Up I'm Not In Love Runnin' Amber Rubber Bullets 2 Pistols & Ray J Beyond The Gray Sky Things We Do For Love, The You Know Me Creatures (For A While) Wall Street Shuffle 2 Pistols & T Pain & Tay Dizm Don't Tread On Me We Do For Love She Got It Down 112 2 Unlimited First Straw Come See Me No Limits Hey You Cupid 20 Fingers I'll Be Here Awhile Dance With Me Short Dick Man Love Song It's Over Now 21 Demands You Wouldn't Believe Only You Give Me A Minute 38 Special Peaches & Cream 21st Century Girls Back Where You Belong Right Here For You 21St Century Girls Caught Up In You U Already Know 3 Colours Red Hold On Loosely 112 & Ludacris Beautiful Day If I'd Been The One Hot & Wet 3 Days Grace Rockin' Into The Night 12 Gauge Home Second Chance Dunkie Butt Just Like You Teacher, Teacher 12 Stones 3 Doors Down Wild Eyed Southern Boys Crash Away From The Sun 3LW Far Away Be Like That I Do (Wanna Get Close To We Are One Behind Those Eyes You) 1910 Fruitgum Co. -
Fertjutksw Oct
POSTSCRIPT. the number of his well-wishers on this side the sales. .^IMEBCIAL RECORD.-| | channel. MISCELLAN UOt'K. MISCELLANEOUS. LOTTEKIISS. auction 23. Lant \ Tl MARKET, Oct. By Evening'* Xortlicrn MhII. 7y>c Uritish ' Auctioneer*. v<MNN Queen S'ecmet..An Antwerp t DUX3PAUGU & C 1 lia*« rirpioil FOR RENT. PRIZE Com , Mt;n | Bv Itot.rrl Hill Hrolhrr, brisk vestcnlav, as for a few journal states, that the British Queen will be * "DIGGER'S OFFICE, of T * another In! «»t tr.fods runM-tin:* <>l ¦y Thai situation near nucha- 13 mu! (t.irernor ,\'/ >,,./* of 150 bbls--. at Canal at S3 60 a "WARN THE COMMITTKE'S." again put up lor ami that il that it there splendid 3 desirable TWO HOUSES AM) LOTS FOR SALE. sale, English ami Frciich Cloth Coaks, Pants, Vc-i», nan's formerly occupied by Judge of the (.Iran i Consolidated I .utter v Extract of a I.,lie/ to the should nut he a bidding to the amount of the esti¬ which Spring, Drawing Will Ik? sold us, cn TUESDAY, at CI* with " Editors, mate ami fancy articles; and .*<II «»1 will be sold JMlbflLDahncy Carr, a laige ami convenient Nn. 13: by .. :s dull at Canal, cis., Wasiunoton Oct. '41. lixed the government she will the 29: h .it I P. M , two de- w .v Cjtv, 2(1, by surveyor cheap lor cash, at ihe New Clothing Store, K4, House, an>l seven acres of LauJ, all ul which are 51 72 t;i 20 c.7 U2 39 5'.; .*»;» is <; so 53. -
Nstitotion Vol
THE NSTITOTION VOL. XXIX. PLAHNFIELD, N. J.. THURSDAY, AUOUST 13. 1896. NO'. Support the Constitution. IWacA a the Cement ottht Union, as J*4// in Its Limitations as in Its Authorities." Madison. MANMANYY FEOFLEYOUPEOPLEYOU KNOKNOWW FINANGESJO|E!FIR|STiiPROSIRAT§JFINANCES, COME FIRST. PROSTRATED YBY HEATHEAT.. flN R-STATEINTERSTAT LINE.E LINE HEflHEAT.T KEPTMANKEPT MANYY AWAAWAY.Y ALALLL OVEROVER? THTHEE T(TOWNM SOME ARE COMING AND EOME ARE SUCCESS OF THE BICYCLE PARADE. JOSEPH HURTLIEH SUCCUMBED I* PRINCIPAL NtW JERSEY TOWNS TO SOME ARe COM'NG AND SOME ARE SUCCCS5 OF THE BICYCLE PARADE . JOSEPH HURTUEH SUCCUMBED THE BAND CONCERT WAS NOT' AS NEWS IN SHORT PARAGRAPHS THAT GOING FOR THE SUMMER. DEPENDS ON THE MONEY RAISED.[ ] JUSTICE NAJ3H-S OFRCF. BE CONNECTED BY TftOLLEY. GOING #OR THE SUMMER. DEPENDS ON THE MONEY RAISED.' JUSTICE NASHS OFFICE. LARGELY ATTENDED AS USUAL. INTEREST Ali PLAINFIELOEBS. Th. Warn -i,m NUT wv.ih.-r Drive Weretra<• r-opix.r-P-Utr IbbiiIC.ntrt- HfT,||.UeT*ikr4ni WlillWMtyy o 4mn H fell* Mirta mm* C Hot SU1I Tt*n WH m IMC CmN irtmt Bvtml—Public Polls* • MrM*r),UMftrr* to »oi™Solr*.. WhirlWSkS, ■■Uml llruttt ApiM Abodl (hIh.* TownTow«.. wawm*> clmrt ObwiAd u p"p Thl Tbk. Mornlo H*nU«i Karl Early.y |RB •»ot A.Uw Ilae a.we w lb- Detail. n._ tom wn (MM There is no doubt but. that Plain- The exireme j beat of Ibe last few Kiss Stella Shotwell. of College There is no doubt but that Plaih- The extreme( beat of the Laat few An electric road betweebetweenn NeNeww TorYorkk Even tVthe prospectsprospects ooff aa tieligbtfdelightfulu —Mr.