Spring Catalogue 2021 January - June
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65 in Important Decisions
65 Years of Campus Coverage at Its Best in important decisions By ROCHELLE DURBAN currently going on with student on all loans. After talking with news editor aid. Congressman, Bill Paxon, repre• According to Multari, one of sentative of suburban Buffalo, Joseph Multari, secretary of the topics discussed was direct Multari found that Paxon agreed legislative affairs for Student Gov• lending and its future in the US. that the banks need to clean up ernment, attended the National Direct lending is a program in their act. "Because of all this YSU Association of Students for Higher which student loans go directly to will not have as many options on Education (NASHE) conference the Department of Education, in• financial aid as before," he said. in Washington DC Oct. 13-16. stead of going to a guaranteer. Other issues discussed besides NASHE is an organization "This is beneficial, because direct lending were loans, schol• consisting of students from Ohio, the student does not have to go arships, grants and graduate-aid Texas, Arizona and California. through a bank. Instead they can programs. "The biggest cut in stu• The purpose of the organization is obtain their money up front," dent aid will be dealing with sub• for students to get involved with Multari said. sidized loans," said Multari. political issues that affect students According to Multari, al• Originally a subsidized loan directly. though direct lending is benefi• included a six-month grace period NASHE was started in Octo• cial, the program it will not come where an accumulation of interest ber of 1994 to create a national to YSU. -
SAFER at HOME in Select Theaters, VOD & Digital on February 26, 2021
SAFER AT HOME In Select Theaters, VOD & Digital on February 26, 2021 DIRECTED BY Will Wernick WRITTEN BY Will Wernick, Lia Bozonelis PRODUCED BY Will Wernick, John Ierardi, Bo Youngblood, Lia Bozonelis (Co-Producer), Jason Phillips (Co-Producer) STARRING Jocelyn Hudon, Emma Lahana, Alisa Allapach, Adwin Brown, Dan J. Johnson, Michael Kupisk, Daniel Robaire RUN TIME: 82 mins DISTRIBUTED BY: Vertical Entertainment For additional information please contact: LA Daniel Coffey – [email protected] Emily Maroon – [email protected] NY Susan Engel – [email protected] Danielle Borelli – [email protected] ABOUT THE FILM Synopsis Two years into the pandemic, a group of friends throw an online party with a night of games, drinking and drugs. After taking an ecstasy pill, things go terribly wrong and the safety of their home becomes more terrifying than the raging chaos outside. Director’s Statement Making Safer at Home was challenging. Not just because of the technical hurdles the pandemic mandated, but because of the strange new features life had taken on in those early months of the pandemic. I found myself having unusual conversations, and realizations about myself and friends — things that only this type of stress could bring out. I noticed people making major, sometimes life changing decisions, quickly. Brake-ups, pregnancies, divorces, fights-- this instigated them all. Almost everyone I knew was caught in an indefinite cycle of every day feeling the same. And then we started working on this film. Safer at Home plays out essentially in real time, and shows what a long period of lockdown could do to a group of friends. -
Gender and Bodies in the Netflix Series "YOU" Morgan Bates Longwood University
Longwood University Digital Commons @ Longwood University Spring Showcase for Research and Creative Inquiry Research & Publications Spring 2019 From Desire to Obsession: Gender and Bodies in the Netflix Series "YOU" Morgan Bates Longwood University Follow this and additional works at: https://digitalcommons.longwood.edu/rci_spring Part of the English Language and Literature Commons Recommended Citation Bates, Morgan, "From Desire to Obsession: Gender and Bodies in the Netflix Series "YOU"" (2019). Spring Showcase for Research and Creative Inquiry. 10. https://digitalcommons.longwood.edu/rci_spring/10 This Poster is brought to you for free and open access by the Research & Publications at Digital Commons @ Longwood University. It has been accepted for inclusion in Spring Showcase for Research and Creative Inquiry by an authorized administrator of Digital Commons @ Longwood University. For more information, please contact [email protected], [email protected]. From Desire to Obsession: Gender & Bodies in the Netflix Series “YOU” Morgan Bates Longwood University Thesis Abstract The show YOU exhibits how stalking is gendered and how it The intention of this poster presentation is to display a Supporting Point 3: further exemplifies the ceaseless male necessity to control personal interpretation of the show as well as the themes, • Connection to Gender and Bodies: women particularly once romantically involved. The series issues, and a connection to gender and bodies allows for the audience to see how easy stalking can be in our throughout the series. The show exemplifies how stalking is a gendered obsession modern age and how it generally involves toxic masculinity for male control over women. Joe believes, as a male, his intertwined with femininity. -
ADAM and the ANTS Adam and the Ants Were Formed in 1977 in London, England
ADAM AND THE ANTS Adam and the Ants were formed in 1977 in London, England. They existed in two incarnations. One of which lasted from 1977 until 1982 known as The Ants. This was considered their Punk era. The second incarnation known as Adam and the Ants also featured Adam Ant on vocals, but the rest of the band changed quite frequently. This would mark their shift to new wave/post-punk. They would release ten studio albums and twenty-five singles. Their hits include Stand and Deliver, Antmusic, Antrap, Prince Charming, and Kings of the Wild Frontier. A large part of their identity was the uniform Adam Ant wore on stage that consisted of blue and gold material as well as his sophisticated and dramatic stage presence. Click the band name above. ECHO AND THE BUNNYMEN Formed in Liverpool, England in 1978 post-punk/new wave band Echo and the Bunnymen consisted of Ian McCulloch (vocals, guitar), Will Sergeant (guitar), Les Pattinson (bass), and Pete de Freitas (drums). They produced thirteen studio albums and thirty singles. Their debut album Crocodiles would make it to the top twenty list in the UK. Some of their hits include Killing Moon, Bring on the Dancing Horses, The Cutter, Rescue, Back of Love, and Lips Like Sugar. A very large part of their identity was silohuettes. Their music videos and album covers often included silohuettes of the band. They also have somewhat dark undertones to their music that are conveyed through the design. Click the band name above. THE CLASH Formed in London, England in 1976, The Clash were a punk rock group consisting of Joe Strummer (vocals, guitar), Mick Jones (vocals, guitar), Paul Simonon (bass), and Topper Headon (drums). -
Oladipo Agboluaje
EnterText 4.2 OLADIPO AGBOLUAJE Mother Courage and Her Children (Scenes 1-3 and 9-12) An adaptation of Bertolt Brecht’s Mother Courage, this drama was premiered at Nottingham Playhouse in February 2004 before touring the UK. The production, directed by Josette Bushell-Mingo, starred Carmen Monroe in the title role. 1 RADIO VOICE: Chief of Armed Forces Field Marshal Jigawa of the West Africa Union of Independent States is conscripting civilians for a counter-offensive against the rebel Dancing Hyenas Revolutionary Forces. He says they are building for a final push against rebel strongholds that will lead to regional unification. Commenting on the use of child soldiers, Field Marshal Jigawa said that in war, it is only right that children do their fair share of killing. Bola Fagburu a.k.a. MOTHER COURAGE loses one son. Bush path near a village. SERGEANT and RECRUITER stand waiting. Oladipo Agboluaje: Mother Courage 94 EnterText 4.2 RECRUITER: This sun will kill us. Why did you choose a shade-less spot? Aren’t you black enough? No wonder we can’t find anyone to recruit around here. It’s the sun that makes us Africans dishonest people, I swear. SERGEANT: Ah, ah, Oga1 Recruiter, that one is over the bar. RECRUITER: OK, how many boys have we recruited? Have we not approached at least twenty starving villagers? I turn round to get the conscription form, before I say “nail your thumbprint here,” they have dashed into the nearest undergrowth. SERGEANT: Life is too easy for our people, Recruiter. Tell them you need a Champions League war, they eye you as if you are not well. -
2 to Be Somebody: Ambition and the Desire to Be Different
2 To Be Somebody: Ambition and the Desire to Be Different The context for difference This chapter aims to identify some of the bands that enjoyed chart success during the late 1970s and ’80s and identify their artistic traits by means of conversations with band members and those close to the bands. This chapter does not claim to be a definitive account or an inclusive list of innovative bands but merely a viewpoint from some of the individuals who were present at the time and involved in music, creativity and youth culture. Some of these individuals were in the eye of the storm while others were more on the periphery. However, common themes emerge and testify to the Scouse resilience identified in the previous chapter. Also, identifying objective truth is a difficult task, as one band member will often have a view of his band’s history that conflicts with that of other members of the same band. As such, it is acknowledged that this chapter presents only selective viewpoints. Trying something new: In what ways were the Liverpool bands creative and different? ‘Liverpool has always made me brave, choice-wise. It was never a city that criticized anyone for taking a chance.’ David Morrissey1 In terms of creativity, the theory underpinning this book which was stated in Chapter 1 is that successful Liverpool bands in the 1980s were different from each other and did not attempt to follow the latest local or national pop music trends. None of the bands interviewed falls into the categories of punk, disco or New Romantic, which were popular trends at the time. -
Nstitotion Vol
THE NSTITOTION VOL. XXIX. PLAHNFIELD, N. J.. THURSDAY, AUOUST 13. 1896. NO'. Support the Constitution. IWacA a the Cement ottht Union, as J*4// in Its Limitations as in Its Authorities." Madison. MANMANYY FEOFLEYOUPEOPLEYOU KNOKNOWW FINANGESJO|E!FIR|STiiPROSIRAT§JFINANCES, COME FIRST. PROSTRATED YBY HEATHEAT.. flN R-STATEINTERSTAT LINE.E LINE HEflHEAT.T KEPTMANKEPT MANYY AWAAWAY.Y ALALLL OVEROVER? THTHEE T(TOWNM SOME ARE COMING AND EOME ARE SUCCESS OF THE BICYCLE PARADE. JOSEPH HURTLIEH SUCCUMBED I* PRINCIPAL NtW JERSEY TOWNS TO SOME ARe COM'NG AND SOME ARE SUCCCS5 OF THE BICYCLE PARADE . JOSEPH HURTUEH SUCCUMBED THE BAND CONCERT WAS NOT' AS NEWS IN SHORT PARAGRAPHS THAT GOING FOR THE SUMMER. DEPENDS ON THE MONEY RAISED.[ ] JUSTICE NAJ3H-S OFRCF. BE CONNECTED BY TftOLLEY. GOING #OR THE SUMMER. DEPENDS ON THE MONEY RAISED.' JUSTICE NASHS OFFICE. LARGELY ATTENDED AS USUAL. INTEREST Ali PLAINFIELOEBS. Th. Warn -i,m NUT wv.ih.-r Drive Weretra<• r-opix.r-P-Utr IbbiiIC.ntrt- HfT,||.UeT*ikr4ni WlillWMtyy o 4mn H fell* Mirta mm* C Hot SU1I Tt*n WH m IMC CmN irtmt Bvtml—Public Polls* • MrM*r),UMftrr* to »oi™Solr*.. WhirlWSkS, ■■Uml llruttt ApiM Abodl (hIh.* TownTow«.. wawm*> clmrt ObwiAd u p"p Thl Tbk. Mornlo H*nU«i Karl Early.y |RB •»ot A.Uw Ilae a.we w lb- Detail. n._ tom wn (MM There is no doubt but. that Plain- The exireme j beat of Ibe last few Kiss Stella Shotwell. of College There is no doubt but that Plaih- The extreme( beat of the Laat few An electric road betweebetweenn NeNeww TorYorkk Even tVthe prospectsprospects ooff aa tieligbtfdelightfulu —Mr. -
Hastings Law News Vol.21 No.1 UC Hastings College of the Law
University of California, Hastings College of the Law UC Hastings Scholarship Repository Hastings Law News UC Hastings Archives and History 9-17-1987 Hastings Law News Vol.21 No.1 UC Hastings College of the Law Follow this and additional works at: http://repository.uchastings.edu/hln Recommended Citation UC Hastings College of the Law, "Hastings Law News Vol.21 No.1" (1987). Hastings Law News. Book 153. http://repository.uchastings.edu/hln/153 This Book is brought to you for free and open access by the UC Hastings Archives and History at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Law News by an authorized administrator of UC Hastings Scholarship Repository. For more information, please contact [email protected]. FEATURES FORUM Newdeans Echo & Bunnymen cut Anti-Bork fanatics demon- memorable album. strate hypocrisy in action. take office see page 5. see page 9. QQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQ QQQQQQQQQQQQQQQQQQQQQQQQQQQQQQQiiiiiiiiiiiiiiiiiiiiiiiiiNセ ⦅BB@ for year 1111111111111111111111111111111111111111 11111111111111111111111111111111111111111001 ___• Professors Mary Kay Kane and John Diamond have joined the adminis- tration as Acting Aca- demic Dean and Associate Academic Dean, respectively. As Acting Academic Dean for the 1987-88 year, Kane is primarily responsible for supervis- ing the College's academ- ic program, including Prunty allowed to resign faculty hiring and curric- ulum changes. According to Kane, up to four new Board fires Prunty, then rescinds acts faculty members may be hired in the coming Apparently acting rashly that Prunty could not offici- that Prunty might sue alleg- duced $15 million budget months. Since the Cali- and then regretting it, the ate at Commencement. -
The Best Fictional Villains
Season 3, Episode 31: Deliciously Evil - The Best Fictional Villains Mon, 3/15 • 47:19 Meredith Monday Schwartz 00:10 Hey readers, welcome to the Currently Reading podcast. We are bookish best friends who spend time every week talking about the books that we've read recently. And as you know, we won't shy away from having strong opinions. So get ready. Kaytee Cobb 00:23 We are light on the chitchat, heavy on the book talk and our descriptions will always be spoiler free. We'll discuss our current reads, a bookish deep dive, and then we'll press books into your hands. Meredith Monday Schwartz 00:33 I'm Meredith Monday Schwartz, a mom of four and full time CEO living in Austin, Texas. And I'd be lying if I didn't admit that I love a good villain in my novels. Kaytee Cobb 00:43 And I'm Kaytee Cobb, a homeschooling mom of four living in New Mexico. And I'll read all the fantasy novels I want. Thank you very much. This is episode number 31 of season three. And we're so glad you're here. Meredith Monday Schwartz 00:54 It sounds like we're gonna have some big bookish opinions in this episode. I think we might from our bite size intros. Yeah, no, that's gonna be that's gonna be good. All right. So I'll let you know the top of the show that our deep dive this week is about the best fictional villains. Who are they? What makes a great villain? Do we like a villain? Do we not? Do we kind of wish that they didn't exist because they're yucky and we don't want to think about it. -
Echo & the Bunnymengb
Echo & The Bunnymen GB Adieu Gary Cooper CH Ve 15.09 20:00 Echo & The Bunnymen © DR Alhambra Ouverture des portes à 19h Line up : 20h Adieu Gary Cooper / 21h15 Echo & The Bunnymen Concert debout Une pièce d’histoire ! Le légendaire groupe de Liverpool a remis l’ouvrage sur le métier en 2014, sans nostalgie aucune. Depuis les années 80, Echo & The Bunnymen s’est inscrit comme l’un des hérauts de la musique britan- nique indé. Soutenus par une section rythmique démente, le charismatique leader Ian McCul- loch et le guitariste Will Sergeant ont fait se convertir des milliers de kids aux préceptes post punk et new wave. Aujourd’hui, McCulloch et Sergeant n’ont pas perdu la main et perpé- tuent leur histoire. En témoignent les cri- tiques élogieuses de leur dernier album en date et leurs prestations live, qu’ils qualifient de bien plus intenses qu’avant. Autant dire que ce concert-événement est à placer du côté des must see de l’année. En ouverture, les fines gâchettes de Adieu Gary Cooper et leur « French noise pop » sauront chauffer à blanc le public de l’Alhambra ! www.bunnymen.com adieugarycooper.ch La Bâtie 2017 Dossier de presse Echo & The Bunnymen Groupe formé en 1978 à Liverpool par Ian McCulloch (chant, guitare), Will Sergeant (gui- tare) et Les Pattinson (basse), Pete de Freitas (batterie) remplaçant en 1979 la boîte à rythme nommé Echo. Les Bunnymen connurent le succès dès leur premier album, Crocodiles (1980), où ils se caractérisent par un son profond et assez inattendu de la part d’un groupe privilégiant les guitares au détriment des synthés. -
Glide Magazine Reviews - Echo & the Bunnymen: Dancing Horses
Glide Magazine Reviews - Echo & The Bunnymen: Dancing Horses http://www.glidemagazine.com/Articles/52832/Echo-&-The-Bunnymen... Enter Email login register Movie/DVD Review Echo & The Bunnymen Dancing Horses Share Email By Tim Newby December 13, 2007 Echo & The Bunnymen rose to prominence at the end of the punk era andRate had 0 Comments a lasting impact on the New Wave movement that followed. But they always seemed a step ahead of other bands from that time because Echo and the Bunnymen were never really punk enough and always had more soul than other New Wave bands as they liberally dipped a toe into the pool of classic British blues bands. That has always been their secret, and what allows them, unlike so many of their fellow New Wave brethren, to still be a viable band whose past catalog never sounds dated. Dancing Horses features a complete show, filmed at the historic Shepherds Bush Empire in London England, of the reformed Bunnymen, with only Ian McCulloch and Will Sergeant still around from the original line-up that was formed in 1978 with a drum machine. The band got back together in 1997, after breaking up for almost a decade, and since then have been recording and touring steadily. …more Glide stuff related to this article The new DVD captures the band in all their moody glory. With a darkened stage » CD: Echo and The Bunnymen to set the mood, and simple lightning that highlights the smoke that slowly drifts » CD: Band Of Horses across it, Dancing Horses is filmed with subtle unobtrusive shots of the band at » CD: Echo & The Bunnymen work that eschews quick cuts and fancy camera work that instead allows the band and their songs to be showcased. -
New York Times Best Seller List – Week of April 25, 2021 FICTION NONFICTION TW LW WOL TW LW WOL the HILL WE CLIMB, by Amanda Gorman
New York Times Best Seller List – Week of April 25, 2021 FICTION NONFICTION TW LW WOL TW LW WOL THE HILL WE CLIMB, by Amanda Gorman. The poem read BROKEN HORSES, by Brandi Carlile. Grammy Award- O/O 1 on President Joe Biden's Inauguration Day, by the youngest 1 2 1 winning singer and songwriter recounts difficulties during -- 1 poet to write and perform an inaugural poem. her formative years and her hard-won successes. FINDING FREEDOM, by Erin French. A memoir by the THE FOUR WINDS, by Kristin Hannah. As dust storms roll 2 -- 1 2 during the Great Depression, Elsa must choose between 2 10 chef and owner of the Lost Kitchen in Freedom, Maine. saving the family and farm or heading West. O/O BROKEN, by Jenny Lawson. The humorist maps out -- 1 THE MIDNIGHT LIBRARY, by Matt Haig. Nora Seed finds a 3 her mental and physical health journey. 3 library beyond the edge of the universe that contains books 4 19 BEAUTIFUL THINGS, by Hunter Biden. The lawyer and O/O with multiple possibilities of the lives one could have lived. 4 artist, who is the son of the current president, details -- 1 GOOD COMPANY, by Cynthia D'Aprix Sweeney. The tragedies within his family and his path to sobriety. O/O THE LIGHT OF DAYS, by Judy Batalion. How Jewish 4 foundation of a marriage between actors is shaken when -- 1 O/O women in Poland turned Jewish youth groups into they reunite with an old friend who is now a TV star.