On Fear and Morality Relay for Life Tributes Humans Of
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Outlaw: Wilderness and Exile in Old and Middle
THE ‘BESTLI’ OUTLAW: WILDERNESS AND EXILE IN OLD AND MIDDLE ENGLISH LITERATURE A Dissertation Presented to the Faculty of the Graduate School of Cornell University In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Sarah Michelle Haughey August 2011 © 2011 Sarah Michelle Haughey THE ‘BESTLI’ OUTLAW: WILDERNESS AND EXILE IN OLD AND MIDDLE ENGLISH LITERATURE Sarah Michelle Haughey, Ph. D. Cornell University 2011 This dissertation, The ‘Bestli’ Outlaw: Wilderness and Exile in Old and Middle English Literature explores the reasons for the survival of the beast-like outlaw, a transgressive figure who highlights tensions in normative definitions of human and natural, which came to represent both the fears and the desires of a people in a state of constant negotiation with the land they inhabited. Although the outlaw’s shelter in the wilderness changed dramatically from the dense and menacing forests of Anglo-Saxon England to the bright, known, and mapped greenwood of the late outlaw romances and ballads, the outlaw remained strongly animalistic, other, and liminal, in strong contrast to premodern notions of what it meant to be human and civilized. I argue that outlaw narratives become particularly popular and poignant at moments of national political and ecological crisis—as they did during the Viking attacks of the Anglo-Saxon period, the epoch of intense natural change following the Norman Conquest, and the beginning of the market revolution at the end of the Middle Ages. Figures like the Anglo-Saxon resistance fighter Hereward, the exiled Marcher lord Fulk Fitz Waryn, and the brutal yet courtly Gamelyn and Robin Hood, represent a lost England imagined as pristine and forested. -
WEB KARAOKE EN-NL.Xlsx
ARTIEST TITEL 10CC DREADLOCK HOLIDAY 2 LIVE CREW DOO WAH DIDDY 2 UNLIMITED NO LIMIT 3 DOORS DOWN KRYPTONITE 4 NON BLONDES WHAT´S UP A HA TAKE ON ME ABBA DANCING QUEEN ABBA DOES YOUR MOTHER KNOW ABBA GIMMIE GIMMIE GIMMIE ABBA MAMMA MIA ACE OF BASE DON´T TURN AROUND ADAM & THE ANTS STAND AND DELIVER ADAM FAITH WHAT DO YOU WANT ADELE CHASING PAVEMENTS ADELE ROLLING IN THE DEEP AEROSMITH LOVE IN AN ELEVATOR AEROSMITH WALK THIS WAY ALANAH MILES BLACK VELVET ALANIS MORISSETTE HAND IN MY POCKET ALANIS MORISSETTE IRONIC ALANIS MORISSETTE YOU OUGHTA KNOW ALBERT HAMMOND FREE ELECTRIC BAND ALEXIS JORDAN HAPPINESS ALICIA BRIDGES I LOVE THE NIGHTLIFE (DISCO ROUND) ALIEN ANT FARM SMOOTH CRIMINAL ALL NIGHT LONG LIONEL RICHIE ALL RIGHT NOW FREE ALVIN STARDUST PRETEND AMERICAN PIE DON MCLEAN AMY MCDONALD MR ROCK & ROLL AMY MCDONALD THIS IS THE LIFE AMY STEWART KNOCK ON WOOD AMY WINEHOUSE VALERIE AMY WINEHOUSE YOU KNOW I´M NO GOOD ANASTACIA LEFT OUTSIDE ALONE ANIMALS DON´T LET ME BE MISUNDERSTOOD ANIMALS WE GOTTA GET OUT OF THIS PLACE ANITA WARD RING MY BELL ANOUK GIRL ANOUK GOOD GOD ANOUK NOBODY´S WIFE ANOUK ONE WORD AQUA BARBIE GIRL ARETHA FRANKLIN R-E-S-P-E-C-T ARETHA FRANKLIN THINK ARTHUR CONLEY SWEET SOUL MUSIC ASWAD DON´T TURN AROUND ATC AROUND THE WORLD (LA LA LA LA LA) ATOMIC KITTEN THE TIDE IS HIGH ARTIEST TITEL ATOMIC KITTEN WHOLE AGAIN AVRIL LAVIGNE COMPLICATED AVRIL LAVIGNE SK8TER BOY B B KING & ERIC CLAPTON RIDING WITH THE KING B-52´S LOVE SHACK BACCARA YES SIR I CAN BOOGIE BACHMAN TURNER OVERDRIVE YOU AIN´T SEEN NOTHING YET BACKSTREET BOYS -
Super Mario 64 (And Also Super Mario 64 DS) Jumpchain by Cthulhu Fartagn Intro
Super Mario 64 (And also Super Mario 64 DS) Jumpchain by Cthulhu Fartagn Intro Once again, Princess Peach and her kingdom are under attack by the evil King Bowser Koopa and his Koopa Troopa. This time, Bowser has decided not to drag her off to parts unknown (read as, the Bowser Kingdom) and has instead utilized some magical paint to seal away anyone and anything that would resist him inside paintings and portraits that he has created. You - or rather, Mario, though you can always help him - will need to enter these paintings to steal back the stars that empower them, and by extension, Bowser himself. If this takes you the ten years that you’ll be staying here, I’d be very surprised. Of course, you may not be here to help. You might be one of the many minor nobles or lesser rulers, one that has found aiding Bowser to be advantageous. Just keep in mind that if you do help, there will be cake. Either way, go ahead and take these. +1000 cp Origins Plumber You’ve been invited to the princesses castle, though by the time you reach it Bowser will have pulled yet another zany stunt and it’ll be time to get to work. Best put on your best overalls and cap, because it’s time to flush the turd. As a Plumber, you are a human, or possibly one of the species that are a remarkably similar lookalike to them. Helper Help Princess Peach, or help Bowser? Peach… or Bowser. That’s the choice you have to make right now. -
Making Sense of Murder: the Reality Versus the Realness of Gang Homicides in Two Contexts
social sciences $€ £ ¥ Article Making Sense of Murder: The Reality versus the Realness of Gang Homicides in Two Contexts Marta-Marika Urbanik 1,* and Robert A. Roks 2 1 Department of Sociology, University of Alberta, Edmonton, AB T6G 2H4, Canada 2 Erasmus School of Law, Erasmus University Rotterdam, 3062 PA Rotterdam, The Netherlands; [email protected] * Correspondence: [email protected] Abstract: Despite the proliferation of research examining gang violence, little is known about how gang members experience, make sense of, and respond to peer fatalities. Drawing from two ethnographies in the Netherlands and Canada, this paper interrogates how gang members experience their affiliates’ murder in different street milieus. We describe how gang members in both studies made sense of and navigated their affiliates’ murder(s) by conducting pseudo- homicide investigations, being hypervigilant, and attributing blameworthiness to the victim. We then demonstrate that while the Netherland’s milder street culture amplifies the significance of homicide, signals the authenticity of gang life, and reaffirms or tests group commitment, frequent and normalized gun violence in Canada has desensitized gang-involved men to murder, created a communal and perpetual state of insecurity, and eroded group cohesion. Lastly, we compare the ‘realness’ of gang homicide in The Hague with the ‘reality’ of lethal violence in Toronto, drawing Citation: Urbanik, Marta-Marika, attention to the importance of the ‘local’ in making sense of murder and contrasting participants’ and Robert A. Roks. 2021. Making narratives of interpretation. Sense of Murder: The Reality versus the Realness of Gang Homicides in Keywords: gang homicide; comparative research; ethnography; gang violence Two Contexts. -
Illuminating the Darkness: the Naturalistic Evolution of Gothicism in the Nineteenth-Century British Novel and Visual Art
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 8-2013 Illuminating the Darkness: The Naturalistic Evolution of Gothicism in the Nineteenth-Century British Novel and Visual Art Cameron Dodworth University of Nebraska-Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the Literature in English, British Isles Commons Dodworth, Cameron, "Illuminating the Darkness: The Naturalistic Evolution of Gothicism in the Nineteenth- Century British Novel and Visual Art" (2013). Dissertations, Theses, and Student Research: Department of English. 79. https://digitalcommons.unl.edu/englishdiss/79 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. ILLUMINATING THE DARKNESS: THE NATURALISTIC EVOLUTION OF GOTHICISM IN THE NINETEENTH- CENTURY BRITISH NOVEL AND VISUAL ART by Cameron Dodworth A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English (Nineteenth-Century Studies) Under the Supervision of Professor Laura M. White Lincoln, Nebraska August, 2013 ILLUMINATING THE DARKNESS: THE NATURALISTIC EVOLUTION OF GOTHICISM IN THE NINETEENTH- CENTURY BRITISH NOVEL AND VISUAL ART Cameron Dodworth, Ph.D. University of Nebraska, 2013 Adviser: Laura White The British Gothic novel reached a level of very high popularity in the literary market of the late 1700s and the first two decades of the 1800s, but after that point in time the popularity of these types of publications dipped significantly. -
Weekly News Digest #47
INVESTGAME Nov 16 — Nov 22, 2020 Weekly News Digest #47 Hi everyone, Last week we decided to create the archive of the weekly newsletter for your convenience — click here to access it. Roblox to go public on the New York Stock Exchange CAbased video game platform Roblox has filed its S1 registration documents targeting an IPO on NYSE before the end of this year. Roblox has neither disclosed the sum it’s planning to raise, nor the valuation of the company. Founded in 2004, Roblox Corporation has raised $335.9m investments over the course of 8 rounds with the most recent Series G round closed in Feb 2020 — raising $150m at a $4B postmoney valuation. Just eight months later in Oct 2020, Roblox’s rumored potential IPO valuation was said to be $8B. Such an impressive valuation enhancement could be explained by the strong demand for entertainment content due to COVID19 and shelterinplace orders (Roblox’s DAUs increased by 90% from 19.1m in Q4’19 to 36.2m DAU in Q3’20). The company’s financial results over the last twelve months ending 30 Sep 2020 are: > $1,477m Bookings vs. $727m Revenue — Roblox gradually recognizes revenue over the average lifetime of a paying user; > ($245m) Loss from operations vs. +$301m Free cash flow. Roblox is an operationally profitable business (taking into account bookings numbers), and we consider the rumored $8B as a probable valuation at IPO. The valuation multiples in such case would be 5.4x Bookings, 11.0x Revenue, and 27x Free cash flow. -
12 Interactive Bible Studies for Small Groups Based on the Music From
12 Interactive Bible Studies for Small Groups Based on the Music From the “Promised Land” Album promised land 12 Interactive Bible Studies for Small Groups Based on the Music From the “Promised Land” Album Joe Deegan Promised Land © Reformed Youth Ministries 2019 Reformed Youth Ministries P.O. Box 697 Cookeville, Tennessee 38503 United States of America www.rym.org Lyric quotations are taken from the Promised Land album, released December 28, 2018 by © RYM Worship. Used by permission. All rights reserved. Scripture quotations are taken from The Holy Bible, English Standard Version® (ESV®), copyright © 2001 by Crossway, a publishing ministry of Good News Publishers. Used by permission. All rights reserved. All rights reserved. Except as permitted by the Copyright Act, no part of this publication may be reproduced for profit in any form or by any means without prior permission from the publisher. Download, duplication, and distribution of up to one hundred (100) copies of this material is permitted free of charge for individuals, Bible study groups, and churches. Contact ReformedYouth Ministries to receive licenses for greater numbers. 3 contents •Introduction 6 •Week One 8 On Jordan’s Stormy Banks •Week Two 12 More Than We Know •Week Three 16 My Only Comfort •Week Four 20 Jesus I My Cross Have Taken •Week Five 24 How Firm a Foundation •Week Six 28 Child of the King •Week Seven 32 Every Word •Week Eight 36 To the Brokenhearted •Week Nine 40 Isaiah 43 •Week Ten 44 Nothing But the Blood •Week Eleven 48 Where Are You God •Week Twelve 52 We Will Feast in the House of Zion introduction Colossians 3:16 says, “Let the word of Christ dwell in you richly, teaching and admonishing one another in all wisdom, singing psalms and hymns and spiritual songs, with thankfulness in your hearts to God.” Psalms and hymns and spiritual songs—these are the things God says are to flow out of the gratitude of our hearts. -
Everything In
University of Texas at El Paso ScholarWorks@UTEP Open Access Theses & Dissertations 2020-01-01 Everything In Greg Chavez University of Texas at El Paso Follow this and additional works at: https://scholarworks.utep.edu/open_etd Part of the Creative Writing Commons Recommended Citation Chavez, Greg, "Everything In" (2020). Open Access Theses & Dissertations. 3149. https://scholarworks.utep.edu/open_etd/3149 This is brought to you for free and open access by ScholarWorks@UTEP. It has been accepted for inclusion in Open Access Theses & Dissertations by an authorized administrator of ScholarWorks@UTEP. For more information, please contact [email protected]. EVERYTHING IN GREG CHAVEZ Master’s Program in Creative Writing APPROVED: Sylvia Aguilar-Zéleny, MH, MFA, Chair Jeffrey Sirkin, Ph.D. Annika Mann, Ph.D. Stephen L. Crites, Jr., Ph.D. Dean of the Graduate School Copyright © by Greg Chavez 2020 EVERYTHING IN by GREG CHAVEZ, B.A. THESIS Presented to the Faculty of the Graduate School of The University of Texas at El Paso in Partial Fulfillment of the Requirements for the Degree of MASTER OF FINE ARTS Department of Creative Writing THE UNIVERSITY OF TEXAS AT EL PASO December 2020 Acknowledgements I wish to express my sincerest gratitude for the entire creative writing community at UTEP. Your invaluable feedback and encouragement along the way has helped guide my writing into and out of spaces it had feared to tread. Special thanks to all my UTEP professors who challenged me to see writing and literature from perspectives never imagined. To my thesis committee, Professor Sylvia Aguilar-Zéleny, Dr. Jeffrey Sirkin, and Dr. -
The LEGO Group and Nintendo Build out LEGO® Super Mario™ World for Even More Customised Adventures
The LEGO Group and Nintendo build out LEGO® Super Mario™ world for even more customised adventures The two companies expand LEGO® Super Mario™ with exciting new sets including: Master Your Adventure Maker Set, which puts kids in charge of the interactive level play like never before, three new Expansion Sets, two new Power-Up Packs, and 10 new collectible Character Packs BILLUND, November 17, 2020: The LEGO Group today announced a brand new range of sets and characters, opening up even more new adventures for the LEGO® Super Mario™ experience. Fans can expand on the LEGO Super Mario products launched earlier this year with a whole new range of sets and Collectible Characters – all designed to help them build a Super Mario world that’s unique to them and comes alive exactly how they want it to. Among the new sets is the Master Your Adventure Maker Set – a creative toolbox, which enables children to completely customise LEGO Super Mario building, play time and ways to earn coins. Using the Customisation Machine included in the Maker Set, children can change how LEGO Mario reacts to three Special Bricks, offering variety in play, excitement and an element of surprise. The Maker Set also introduces a new special Start Pipe that will shuffle the known rules of the level play, in that players are challenged to reach the Goal Pole in less time, yet with increased rewards up for grabs. The Maker Set comes with 366 pieces, all selected to ensure that children can unleash their creativity and customise their own levels for themselves or other players. -
SAFER at HOME in Select Theaters, VOD & Digital on February 26, 2021
SAFER AT HOME In Select Theaters, VOD & Digital on February 26, 2021 DIRECTED BY Will Wernick WRITTEN BY Will Wernick, Lia Bozonelis PRODUCED BY Will Wernick, John Ierardi, Bo Youngblood, Lia Bozonelis (Co-Producer), Jason Phillips (Co-Producer) STARRING Jocelyn Hudon, Emma Lahana, Alisa Allapach, Adwin Brown, Dan J. Johnson, Michael Kupisk, Daniel Robaire RUN TIME: 82 mins DISTRIBUTED BY: Vertical Entertainment For additional information please contact: LA Daniel Coffey – [email protected] Emily Maroon – [email protected] NY Susan Engel – [email protected] Danielle Borelli – [email protected] ABOUT THE FILM Synopsis Two years into the pandemic, a group of friends throw an online party with a night of games, drinking and drugs. After taking an ecstasy pill, things go terribly wrong and the safety of their home becomes more terrifying than the raging chaos outside. Director’s Statement Making Safer at Home was challenging. Not just because of the technical hurdles the pandemic mandated, but because of the strange new features life had taken on in those early months of the pandemic. I found myself having unusual conversations, and realizations about myself and friends — things that only this type of stress could bring out. I noticed people making major, sometimes life changing decisions, quickly. Brake-ups, pregnancies, divorces, fights-- this instigated them all. Almost everyone I knew was caught in an indefinite cycle of every day feeling the same. And then we started working on this film. Safer at Home plays out essentially in real time, and shows what a long period of lockdown could do to a group of friends. -
Gender and Bodies in the Netflix Series "YOU" Morgan Bates Longwood University
Longwood University Digital Commons @ Longwood University Spring Showcase for Research and Creative Inquiry Research & Publications Spring 2019 From Desire to Obsession: Gender and Bodies in the Netflix Series "YOU" Morgan Bates Longwood University Follow this and additional works at: https://digitalcommons.longwood.edu/rci_spring Part of the English Language and Literature Commons Recommended Citation Bates, Morgan, "From Desire to Obsession: Gender and Bodies in the Netflix Series "YOU"" (2019). Spring Showcase for Research and Creative Inquiry. 10. https://digitalcommons.longwood.edu/rci_spring/10 This Poster is brought to you for free and open access by the Research & Publications at Digital Commons @ Longwood University. It has been accepted for inclusion in Spring Showcase for Research and Creative Inquiry by an authorized administrator of Digital Commons @ Longwood University. For more information, please contact [email protected], [email protected]. From Desire to Obsession: Gender & Bodies in the Netflix Series “YOU” Morgan Bates Longwood University Thesis Abstract The show YOU exhibits how stalking is gendered and how it The intention of this poster presentation is to display a Supporting Point 3: further exemplifies the ceaseless male necessity to control personal interpretation of the show as well as the themes, • Connection to Gender and Bodies: women particularly once romantically involved. The series issues, and a connection to gender and bodies allows for the audience to see how easy stalking can be in our throughout the series. The show exemplifies how stalking is a gendered obsession modern age and how it generally involves toxic masculinity for male control over women. Joe believes, as a male, his intertwined with femininity. -
James Brown Is Alive!
James Brown Is Alive! Matt Stauffer [=\ [=\ [=\ WRITER’S COMMENT: On the first day of class Seth asked us what kind of music we like. I’ve always been a huge James Brown fan (anyone who can list what he had for dinner and call it a song is all right by me). That he had recently died helped me decide that I would find some way to write about him. But explaining his importance to poetry and orality was difficult. It was a case of knowing James Brown is an important figure, but not knowing how to explain it. The solution was simply to listen to music, and hear James Brown’s influence, and hear what his influences were. People like Cab Calloway, Ella Fitzgerald, Wilson Pickett, Heavy D and a bunch of others came up, and from there it was just a matter of searching out the right information to help connect those dots. Also, I’m a big fan of the word “eschew.” —Matt Stauffer INSTRUCTOR’S COMMENT: My most immediate reaction to Matt Stauffer’s work in this essay was admiration for his ability to bridge disciplines, bringing together African American history, musicology, literary history, and close reading. As his instructor for English 4, I can see the way he integrates his reading in sound poetry and the theories of Walter Ong and Roland Barthes with his long-standing interest in funk, soul and hip-hop, the truly popular poetries of our era since the 1960s. His willingness to take seriously the ‘get back’-s and ‘hit me’-s of James Brown—sounds we usually hear but do not listen to—indeed enlivens our experience of the Godfather of Soul.