Autumn Catalogue 2021 July - December CONTENTS
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Media Information New University of the Arts London Campus Central Saint Martins at King’S Cross
Media Information © 2011 New University of the Arts London Campus Central Saint Martins at King’s Cross Project Description October 2011 To the north of King’s Cross and St Pancras International railway stations, 67-acres of derelict land are being transformed in what is one of Europe’s largest urban regeneration projects. The result will be a vibrant mixed-use quarter, at the physical and creative heart of which will be the new University of the Arts London campus, home of Central Saint Martins College of Arts and Design. Stanton Williams’ design for the £200m new campus unites the college’s activities under one roof for the first time. It provides Central Saint Martins with a substantial new building, connected at its southern end to the Granary Building, a rugged survivor of the area’s industrial past. The result is a state-of-the-art facility that not only functions as a practical solution to the college’s needs but also aims to stimulate creativity, dialogue and student collaboration. A stage for transformation, a framework of flexible spaces that can be orchestrated and transformed over time by staff and students where new interactions and interventions, chance and experimentation can create that slip-steam between disciplines, enhancing the student experience. The coming together of all the schools of Central Saint Martins will open up that potential. The design aims to maximise the connections between departments within the building, with student and material movement being considered 3-dimensionally, as a flow diagram North to South, East to West, and up and down – similar in many ways to how the grain was distributed around the site using wagons and turntables. -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Littler, J. (2000). Creative Accounting: Consumer culture, the ‘creative economy’ and the cultural policies of New Labour’. In: Gilbert, J. and Bewes, T. (Eds.), Cultural Capitalism: Politics after New Labour. (pp. 203-222). London: Lawrence & Wishart. ISBN 9780853159179 This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/6027/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] Creative Accounting: Consumer Culture, the ‘Creative Economy’ and the Cultural Policies of New Labour Jo Littler In Tim Bewes and Jeremy Gilbert (eds) Cultural Capitalism: Politics after New Labour (L&W, 2000) In Stephen Bayley’s book Labour Camp: The Failure of Style Over Substance, the former creative director of the New Millennium Experience shares his views on New Labour’s cultural policies and practices. -
TV Preview: Tales of Television Centre at BFI Southbank / Tue 15 May / 18:10
PRESS RELEASE April 2012 12/29 TV Preview: Tales of Television Centre At BFI Southbank / Tue 15 May / 18:10 BFI Southbank is delighted to present a preview screening of Tales of Television Centre, the upcoming feature-length documentary telling the story of one of Britain’s most iconic buildings as the BBC prepares to leave it. The screening will be introduced by the programme’s producer-director Richard Marson The story is told by both staff and stars, among them Sir David Frost, Sir David Attenborough, Dame Joan Bakewell, Jeremy Paxman, Sir Terry Wogan, Esther Rantzen, Angela Rippon, Biddy Baxter, Edward Barnes, Sarah Greene, Waris Hussein, Judith Hann, Maggie Philbin, John Craven, Zoe and Johnny Ball and much loved faces from Pan’s People (Babs, Dee Dee and Ruth) and Dr Who (Katy Manning, Louise Jameson and Janet Fielding). As well as a wealth of anecdotes and revelations, there is a rich variety of memorable, rarely seen (and in some cases newly recovered) archive material, including moments from studio recordings of classic programmes like Vanity Fair, Till Death Us Do Part, Top of the Pops and Dr Who, plus a host of vintage behind-the-scenes footage offering a compelling glimpse into this wonderful and eccentric studio complex – home to so many of the most celebrated programmes in British TV history. Press Contacts: BFI Southbank: Caroline Jones Tel: 020 7957 8986 or email: [email protected] Lucy Aronica Tel: 020 7957 4833 or email: [email protected] NOTES TO EDITORS TV Preview: Tales of Television Centre Introduced by producer-director Richard Marson BBC 2012. -
65 in Important Decisions
65 Years of Campus Coverage at Its Best in important decisions By ROCHELLE DURBAN currently going on with student on all loans. After talking with news editor aid. Congressman, Bill Paxon, repre• According to Multari, one of sentative of suburban Buffalo, Joseph Multari, secretary of the topics discussed was direct Multari found that Paxon agreed legislative affairs for Student Gov• lending and its future in the US. that the banks need to clean up ernment, attended the National Direct lending is a program in their act. "Because of all this YSU Association of Students for Higher which student loans go directly to will not have as many options on Education (NASHE) conference the Department of Education, in• financial aid as before," he said. in Washington DC Oct. 13-16. stead of going to a guaranteer. Other issues discussed besides NASHE is an organization "This is beneficial, because direct lending were loans, schol• consisting of students from Ohio, the student does not have to go arships, grants and graduate-aid Texas, Arizona and California. through a bank. Instead they can programs. "The biggest cut in stu• The purpose of the organization is obtain their money up front," dent aid will be dealing with sub• for students to get involved with Multari said. sidized loans," said Multari. political issues that affect students According to Multari, al• Originally a subsidized loan directly. though direct lending is benefi• included a six-month grace period NASHE was started in Octo• cial, the program it will not come where an accumulation of interest ber of 1994 to create a national to YSU. -
Would You Understand What I Meant If I Said I Was Only Human?”
”Would you understand what I meant if I said I was only human?” The Image of the Vampire in Stephenie Meyer’s Twilight and Charlaine Harris’s Dead Until Dark Jessica Dimming Fakulteten för humaniora och samhällsvetenskap English IV 15hp Supervisor Magnus Ullén Examiner Adrian Velicu HT 2012 Abstract In this essay I have decided to look at two very popular vampire novels today, Dead Until Dark by Charlaine Harris and Twilight by Stephenie Meyer. The focus of this essay is to look at the similarities and differences between these two novels and compare them to each other but also to the original legend of the vampire; this by using Dracula and other famous vampire stories to get an image of the vampire of pop-culture. I look at the features of the vampires, their abilities and different skills, and also sex and sexuality and how it is represented in these different stories. Even though the novels attract a wide audience they are written for a younger one and have a love story as its center. In this essay I give my opinion and view of the vampires and what I believe to be interesting with the morals and looks of the vampires as one of the different aspects. 2 Content Introduction 3 The Gothic novel 6 The legend of the vampire 7 Setting 10 Narrator 38 Features of the vampires in Twilight 43 Features of the vampires in Dead Until Dark 53 Vampires as sexual objects 67 Love and sexuality in Twilight 75 Love and sexuality in Dead Until Dark 86 Conclusion 95 Works cited 30 3 Introduction Dead Until Dark and Twilight by top selling authors Charlaine Harris and Stephenie Meyer are both novels written for young adults, somewhere between the ages of 14-24, with one major theme in common, vampires. -
Habitat Ltd, Furniture and Household Goods Manufacturer and Retailer: Records, Ca
V&A Archive of Art and Design Habitat Ltd, furniture and household goods manufacturer and retailer: records, ca. 1960 – 2000 1 Table of Contents Introduction and summary description ................................................................ Page 4 Context .......................................................................................................... Page 4 Scope and content ....................................................................................... Page 4 Provenance ................................................................................................... Page 5 Access ......................................................................................................... Page 5 Related material .......................................................................................... Page 5 Detailed catalogue ................................................................................ Page 6 Corporate records .............................................................................................. Page 6 Offer for sale by tender, 1981 ................................................................................................ Page 6 Annual Reports and Accounts, 1965-1986 ............................................................................. Page 6 Marketing and public relations records ............................................................. Page 7 Advertising records, 1966-1996 ............................................................................................ -
Translation Rights List Non-Fiction May 2019
Translation Rights List Including Non-Fiction May 2019 Contents • Rights Department p.3 • Little, Brown Imprints p.4 • General p.5 • Culture p.13 • Business & Management p.19 • History p.22 • Music p.28 • Memoirs & Biography p.34 • Sport p.39 • Travel & Nature p.41 • Health, Self-Help & Popular Psychology p.42 • Parenting p.48 • Food & Cookery p.53 • Overcoming Series p.56 • Rights Representatives p.59 Key • Rights sold displayed in parentheses indicates that we do not control the rights • An asterisk indicates a new title since previous Rights list • Titles in italics were not published by Little, Brown Book Group 2 Rights Department ANDY HINE Rights Director Brazil, Germany, Italy, Poland, Scandinavia, Latin America and the Baltic States [email protected] +44 (0) 20 3122 6545 KATE HIBBERT Rights Director USA, Spain, Portugal, Far East, the Netherlands, Flemish Belgium and the Indian Subcontinent [email protected] +44 (0) 20 3122 6619 HELENA DOREE Senior Rights Manager France, French Belgium, Turkey, Arab States, Israel, Greece, Bulgaria, Czech Republic, Slovak Republic, Hungary, Romania, Russia, Serbia and Macedonia [email protected] +44 (0) 20 3122 6598 HENA BRYAN Rights Trainee [email protected] +44 (0) 20 3122 0693 Little, Brown Book Group Follow us on Twitter: Carmelite House @LBBGRights 50 Victoria Embankment London EC4Y 0DZ UNITED KINGDOM 3 Little, Brown Imprints 4 General Highlights WHEN THE CLOUDS FELL FROM THE SKY THE ADVENTURES OF AZUKI 5 THE ADVENTURES OF AZUKI THE MINIATURE HEDGEHOG Humour| Robinson | 112pp |60 colour photographs| September 2019 A full-colour collection of photographs of the adorable Azuki, the miniature hedgehog, enjoying some of his favourite adventures, from camping to baking Riding on the popularity of everyone's favourite Insta-famous miniature hedgehog (400,000 followers on Instagram and counting), this adorable illustrated book stands out as a gem of originality among the glut of dog and cat books. -
Books Added to the Collection: July 2014
Books Added to the Collection: July 2014 - August 2016 *To search for items, please press Ctrl + F and enter the title in the search box at the top right hand corner or at the bottom of the screen. LEGEND : BK - Book; AL - Adult Library; YPL - Children Library; AV - Audiobooks; FIC - Fiction; ANF - Adult Non-Fiction; Bio - Biography/Autobiography; ER - Early Reader; CFIC - Picture Books; CC - Chapter Books; TOD - Toddlers; COO - Cookbook; JFIC - Junior Fiction; JNF - Junior Non Fiction; POE -Children's Poetry; TRA - Travel Guide Type Location Collection Call No Title AV AL ANF CD 153.3 GIL Big magic : Creative living / Elizabeth Gilbert. AV AL ANF CD 153.3 GRA Originals : How non-conformists move the world / Adam Grant. Irrationally yours : On missing socks, pick up lines, and other existential puzzles / Dan AV AL ANF CD 153.4 ARI Ariely. Think like a freak : The authors of Freakonomics offer to retrain your brain /Steven D. AV AL ANF CD 153.43 LEV Levitt and Stephen J. Dubner. AV AL ANF CD 153.8 DWE Mindset : The new psychology of success / Carol S. Dweck. The geography of genius : A search for the world's most creative places, from Ancient AV AL ANF CD 153.98 WEI Athens to Silicon Valley / Eric Weiner. AV AL ANF CD 158 BRO Rising strong / Brene Brown. AV AL ANF CD 158 DUH Smarter faster better : The secrets of prodctivity in life and business / Charles Duhigg. AV AL ANF CD 158.1 URY Getting to yes with yourself and other worthy opponents / William Ury. 10% happier : How I tamed the voice in my head, reduced stress without losing my edge, AV AL ANF CD 158.12 HAR and found self-help that actually works - a true story / Dan Harris. -
Tom Perry Avid Editor
Tom Perry Avid Editor Profile Tom is an Avid editor with broadcast credits for BBC, ITV, Channel 4, Channel 5, and PBS. As an Offline editor he strives to bring visual flair and creativity to the edit with a strong passion to ‘tell the story‘ as effectively and interestingly as possible. Tom’s creative and intellectual input as offline editor rests on a comprehensive technical knowledge of all stages of the post production process and is happy to online his edit. Documentary Being Paul Gascoigne – Shiver for ITV1 (1 x 60 min) One-off documentary which reveals the real Paul Gascoigne in his own words and those of the people closest to him, in an intimate insight into the reality of his turbulent world. Robson’s Extreme Fishing Challenge – IWC Media for Channel 5 (1 x 60 min) Robson Green now faces his ultimate fishing challenge as he pitches himself against champions the world over, all the while pursuing some of the most remarkable fish in the water. Harbour Lives – ITV Productions for ITV 1 (1 x 50 min) Observational documentary looking at the people who live and work around Poole Harbour in Dorset. Dispatches: Britain on the Sick – Hard Cash for Channel 4 (1 x 48 min) Using undercover filming, reporter Jackie Long investigates the controversial processes to assess whether sickness and disability benefit claimants should be declared fit for work. Who Do You Think You Are – Wall to Wall for BBC 1 (1 x 60 min) Long running series where celebrities trace their family trees. Additional editing across several episodes of series 9. -
HANCOCK's HALF HOUR COLLECTIBLES Notes To
HANCOCK’S HALF HOUR COLLECTIBLES Notes to Accompany Volume 3 All photographs copyright (C) BBC (unless otherwise stated) The Tony Hancock Appreciation Society is delighted to have given its support to the production of this new and unique series concerning the lost works of Tony Hancock. Tony Hancock: BBC Publicity Shot for Hancock’s Half Hour, November 1956 The Tony Hancock Appreciation Society (THAS) Since its creation in 1976, the THAS has dedicated itself to preserving and promoting the works of Tony Hancock and, more crucially, to finding his broadcasts that were missing from the archives. Over the decades, these efforts have yielded a wealth of material, most notably lost episodes of his most beloved work on Hancock’s Half Hour for both television and radio. Many of these have now been located and returned to the BBC; some feature in this special series of Collectibles, now into 1 its third volume. However, many still remain lost at this time. In addition, our efforts have found other material – shows recorded before Hancock became a household name – from series such as Calling All Forces, Variety Bandbox and Star Bill. Again, examples of these can be found in this series. In the previous volumes, there was an extensive analysis of missing recordings from Hancock’s radio career, and, as ever, we remain hopeful that some of these recordings will emerge from private collections or, perhaps, the archives of the BBC or other institutions. In these notes, we will focus on a number of missing recordings and shows outside the ‘core’ work Hancock did on his eponymous series and those that preceded it. -
Merrell Publishers
MERRELL AUTUMN 2019 Contents New Titles AUTUMN 2019 3–6 Published Titles ARCHITECTURE 8 ArT 9 DESIGN 11 FASHION 12 GARDENS 13 GRAPHIC DESIGN & ILLUSTRATION 14 ILLUSTRATED HISTORY 14 PHOTOGRAPHY 15 COLLECTOR’s EDITION 16 INDEX 17 CONTACTS 19 FRONT COVER Etnies Skatepark, Lake Forest, California; photograph copyright © Amir Zaki (see California Concrete: A Landscape of Skateparks, p. 3) PAGE 7 The King’s Staircase at Kensington Palace, created by William Kent between 1725 and 1727; photograph copyright © Historic Royal Palaces (see The Story of Kensington Palace, p. 15) Please note that all prices, publication dates and specifications listed in this catalogue are subject to alteration without notice. NEW TITLES £35.00 UK $50.00 US Hardback ISBN 978-1-8589-4678-8 128 pages 29 x 25 cm (9¾ x 11½ in) 90 illustrations September 2019 Rights available California Concrete A Landscape of Skateparks Amir Zaki Essays by Tony Hawk and Peter Zellner California is the birthplace of skateboard culture and, even though skateparks are found worldwide today, it is where these parks continue to flourish. Amir Zaki grew up skateboarding, so he has an understanding of these spaces and, as an artist who has spent years photographing the built and natural landscape of California, he has an appreciation of the large concrete structures as both sculptural forms and significant features of the contemporary landscape, belonging to a tradition of public art and Brutalist architecture. Each remarkable photograph in this book is a composite of shots taken with a digital camera mounted on a motorized tripod head; this allows Zaki to photograph areas that would otherwise be impossible to capture. -
The Key to Stephen King's the Dark Tower
ANGLO-SAXON: THE KEY TO STEPHEN KING'S THE DARK TOWER ____________ A Thesis Presented to the Faculty of California State University, Chico ____________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in English ____________ by Jennifer Dempsey Loman 2009 Summer 2009 ANGLO-SAXON: THE KEY TO STEPHEN KING'S THE DARK TOWER A Thesis by Jennifer Dempsey Loman Summer 2009 APPROVED BY THE INTERIM DEAN OF THE SCHOOL OF GRADUATE, INTERNATIONAL, AND INTERDISCIPLINARY STUDIES: _________________________________ Mark J. Morlock, Ph.D. APPROVED BY THE GRADUATE ADVISORY COMMITTEE: _________________________________ _________________________________ Rob G. Davidson, Ph.D. Harriet Spiegel, Ph.D., Chair Graduate Coordinator _________________________________ Geoffrey Baker, Ph.D. PUBLICATION RIGHTS No portion of this thesis may be reprinted or reproduced in any manner unacceptable to the usual copyright restrictions without the written permission of the author. iii ACKNOWLEDGMENTS I am so grateful to Drs. Harriet Spiegel, Lois Bueler, Carol Burr, and Geoff Baker. Your compassion, patience, accessibility, and encouragement went far beyond mere mentorship. I feel very fortunate to have had the honor to work with you all. I am so grateful to Drs. Rob Davidson, John Traver, and Aiping Zhang for their wise counsel. Thank you to Sharon Demeyer as well for her indefatigable congeniality. I thank Connor Trebra and Jen White for their calming camaraderie. I am so grateful to my parents, Jim and Penny Evans, and my grandmother, Jean Quesnel, for teaching me the importance of coupling work with integrity. I am so grateful to my dear husband, Ed, for his unconditional support of my efforts.