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Brahms Reimagined by René Spencer Saller
CONCERT PROGRAM Friday, October 28, 2016 at 10:30AM Saturday, October 29, 2016 at 8:00PM Jun Märkl, conductor Jeremy Denk, piano LISZT Prometheus (1850) (1811–1886) MOZART Piano Concerto No. 23 in A major, K. 488 (1786) (1756–1791) Allegro Adagio Allegro assai Jeremy Denk, piano INTERMISSION BRAHMS/orch. Schoenberg Piano Quartet in G minor, op. 25 (1861/1937) (1833–1897)/(1874–1951) Allegro Intermezzo: Allegro, ma non troppo Andante con moto Rondo alla zingarese: Presto 23 ACKNOWLEDGMENTS These concerts are part of the Wells Fargo Advisors Orchestral Series. Jun Märkl is the Ann and Lee Liberman Guest Artist. Jeremy Denk is the Ann and Paul Lux Guest Artist. The concert of Saturday, October 29, is underwritten in part by a generous gift from Lawrence and Cheryl Katzenstein. Pre-Concert Conversations are sponsored by Washington University Physicians. Large print program notes are available through the generosity of The Delmar Gardens Family, and are located at the Customer Service table in the foyer. 24 CONCERT CALENDAR For tickets call 314-534-1700, visit stlsymphony.org, or use the free STL Symphony mobile app available for iOS and Android. TCHAIKOVSKY 5: Fri, Nov 4, 8:00pm | Sat, Nov 5, 8:00pm Han-Na Chang, conductor; Jan Mráček, violin GLINKA Ruslan und Lyudmila Overture PROKOFIEV Violin Concerto No. 1 I M E TCHAIKOVSKY Symphony No. 5 AND OCK R HEILA S Han-Na Chang SLATKIN CONDUCTS PORGY & BESS: Fri, Nov 11, 10:30am | Sat, Nov 12, 8:00pm Sun, Nov 13, 3:00pm Leonard Slatkin, conductor; Olga Kern, piano SLATKIN Kinah BARBER Piano Concerto H S ODI C COPLAND Billy the Kid Suite YBELLE GERSHWIN/arr. -
History of Music
HISTORY OF MUSIC THE ROMANTIC ERA Created by J. Rogers (2015) 2 GOWER COLLEGE SWANSEA MUSIC Table of Contents Romantic Era Introduction (1830 – 1910) ............................................. 4 Programme Music ........................................................................................ 5 Concert Overture .............................................................................................. 5 Programme Symphony ....................................................................................... 6 Symphonic Poem ................................................................................................. 9 Romantic Piano Music ............................................................................... 11 Lieder and Song-cycles .............................................................................. 12 Opera and Music Dramas ......................................................................... 15 Italian Opera ..................................................................................................... 15 Music Dramas ................................................................................................... 16 Leitmotifs in The Ring ..................................................................................... 17 GOWER COLLEGE SWANSEA 3 MUSIC History of Music The History of Music can be broadly divided into separate periods of time, each with its own characteristics or musical styles. Musical style does not, of course, change overnight. It can often be a gradual process -
September 2019 Catalogue Issue 41 Prices Valid Until Friday 25 October 2019 Unless Stated Otherwise
September 2019 Catalogue Issue 41 Prices valid until Friday 25 October 2019 unless stated otherwise ‘The lover with the rose in his hand’ from Le Roman de la 0115 982 7500 Rose (French School, c.1480), used as the cover for The Orlando Consort’s new recording of music by Machaut, entitled ‘The single rose’ (Hyperion CDA 68277). [email protected] Your Account Number: {MM:Account Number} {MM:Postcode} {MM:Address5} {MM:Address4} {MM:Address3} {MM:Address2} {MM:Address1} {MM:Name} 1 Welcome! Dear Customer, As summer gives way to autumn (for those of us in the northern hemisphere at least), the record labels start rolling out their big guns in the run-up to the festive season. This year is no exception, with some notable high-profile issues: the complete Tchaikovsky Project from the Czech Philharmonic under Semyon Bychkov, and Richard Strauss tone poems from Chailly in Lucerne (both on Decca); the Beethoven Piano Concertos from Jan Lisiecki, and Mozart Piano Trios from Barenboim (both on DG). The independent labels, too, have some particularly strong releases this month, with Chandos discs including Bartók's Bluebeard’s Castle from Edward Gardner in Bergen, and the keenly awaited second volume of British tone poems under Rumon Gamba. Meanwhile Hyperion bring out another volume (no.79!) of their Romantic Piano Concerto series, more Machaut from the wonderful Orlando Consort (see our cover picture), and Brahms songs from soprano Harriet Burns. Another Hyperion Brahms release features as our 'Disc of the Month': the Violin Sonatas in a superb new recording from star team Alina Ibragimova and Cédric Tiberghien (see below). -
A Structural Analysis of the Relationship Between Programme, Harmony and Form in the Symphonic Poems of Franz Liszt Keith Thomas Johns University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 1986 A structural analysis of the relationship between programme, harmony and form in the symphonic poems of Franz Liszt Keith Thomas Johns University of Wollongong Recommended Citation Johns, Keith Thomas, A structural analysis of the relationship between programme, harmony and form in the symphonic poems of Franz Liszt, Doctor of Philosophy thesis, School of Creative Arts, University of Wollongong, 1986. http://ro.uow.edu.au/theses/1927 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] A STRUCTURAL ANALYSIS OF THE RELATIONSHIP BETWEEN PROGRAMME, HARMONY AND FORM IN THE SYMPHONIC POEMS OF FRANZ LISZT. A thesis submitted in fulfilment of the requirements for the award of the degree of DOCTOR OF PHILOSOPHY from THE UNIVERSITY OF WOLLONGONG by KEITH THOMAS JOHNS (M.Litt.,B.A.Hons.,Grad.Dip.Ed., F.L.C.M., F.T.C.L., L.T.C.L. ) SCHOOL OF CREATIVE ARTS 1986 i ABSTRACT This thesis examines the central concern in an analysis of the symphonic poems of Franz Liszt, that is, the relationship between programme,harmony and form. In order to make a thorough and clear analysis of this relationship a structural/semiotic analysis has been developed as the analysis of best fit. Historically it has been fashionable to see Liszt's symphonic poems in terms of sonata form or a form only making sense in terms of the attached programme. Both of these ideas are critically examined in this analysis. -
JEPHTHA Oratorium Von GEORG FRIEDRICH HÄNDEL Libretto Thomas Morell in Kooperation Mit Dem Symphonieorchester Vorarlberg Mit Dem Bregenzer Festspielchor
PRESSE INFOR MATION JEPHTHA Oratorium von GEORG FRIEDRICH HÄNDEL Libretto Thomas Morell In Kooperation mit dem Symphonieorchester Vorarlberg Mit dem Bregenzer Festspielchor Musikalische Leitung Heinz Ferlesch Regie Stefan Otteni Bühne und Kostüm Ayşe Gülsüm Özel Licht Arndt Rössler Dramaturgie Maren Zimmermann Assistenz der Musikalischen Leitung Michael Schneider Einstudierung Bregenzer Festspielchor Benjamin Lack Regieassistenz Angela Dockal Ausstattungsassistenz Leslie Bourgeois Inspizienz Barbara Urstadt Mit Jephtha Michael Feyfar Iphis Elisabeth Wimmer Storgè Cornelia Sonnleithner Zebul Thomas Stimmel Hamor James Hall Mirjam Maria Lisa Huber Aaron Nico Raschner Engel Veronika Vetter Soirée So 21. Februar 2021, 17.00 Uhr, ORF Landesstudio, Dornbirn PRESSEKONTAKT: ESTHER MARIA KÖB T: +43 (0)5574 42870 617 M: +43 (0) 664 88 9798 45 E-Mail: [email protected] SEITE 1/8 PRESSE INFOR MATION JEPHTHA Oratorium von GEORG FRIEDRICH HÄNDEL Libretto Thomas Morell In Kooperation mit dem Symphonieorchester Vorarlberg Mit dem Bregenzer Festspielchor Die Verzweiflung vor der Schlacht ist es, die den Feldherr Jephtha ein Gelübde vor Gott ablegen lässt: Sollte er mit seinem Heer über seinen Gegner Ammon siegen, so wolle er opfern, was ihm nach der Rückkehr zuerst aus seinem Haus entgegentrete. Er gewinnt die Schlacht, kehrt heim – und es ist seine Tochter Iphis, die ihn freudig tanzend begrüßt. Jephtha ist innerlich zerrissen durch die Frage, ob man um jeden Preis halten muss, was man Gott versprochen hat und wird eine tragische Figur in tiefstem menschlichen Konflikt, gespalten in seiner Liebe zu Gott und der zum eigenen Kind. Die ungeheure emotionale Ausdruckskraft der Händelschen Musik, die philosophische Tiefe der alttestamentarischen Geschichte, der Thomas Morells Libretto eine neue Wendung verleiht und die wir in unserer Produktion mit biblischen und klassischen Texten ergänzen, machen JEPHTHA so bewegend, kraftvoll und intensiv. -
2009–2010 Season Sponsors
2009–2010 Season Sponsors The City of Cerritos gratefully thanks our 2009–2010 Season Sponsors for their generous support of the Cerritos Center for the Performing Arts. YOUR FAVORITE ENTERTAINERS, YOUR FAVORITE THEATER If your company would like to become a Cerritos Center for the Performing Arts sponsor, please contact the CCPA Administrative Offices at (562) 916-8510. THE CERRITOS CENTER FOR THE PERFORMING ARTS (CCPA) thanks the following CCPA Associates who have contributed to the CCPA’s Endowment Fund. The Endowment Fund was established in 1994 under the visionary leadership of the Cerritos City Council to ensure that the CCPA would remain a welcoming, accessible, and affordable venue in which patrons can experience the joy of entertainment and cultural enrichment. For more information about the Endowment Fund or to make a contribution, please contact the CCPA Administrative Offices at (562) 916-8510. Benefactor Audrey and Rick Rodriguez Yvonne Cattell Renee Fallaha $50,001-$100,000 Marilynn and Art Segal Rodolfo Chacon Heather M. Ferber José Iturbi Foundation Kirsten and Craig M. Springer, Joann and George Chambers Steven Fischer Ph.D. Rodolfo Chavez The Fish Company Masaye Stafford Patron Liming Chen Elizabeth and Terry Fiskin Charles Wong $20,001-$50,000 Wanda Chen Louise Fleming and Tak Fujisaki Bryan A. Stirrat & Associates Margie and Ned Cherry Jesus Fojo The Capital Group Companies Friend Drs. Frances and Philip Chinn Anne Forman Charitable Foundation $1-$1,000 Patricia Christie Dr. Susan Fox and Frank Frimodig Richard Christy National Endowment for the Arts Maureen Ahler Sharon Frank Crista Qi and Vincent Chung Eleanor and David St. -
Itinerary for Spring 2018 Vienna FSP.Pdf
VIENNA MUSIC FSP ’18, Itinerary Guest Lectures: Dennis Russel Davis, Conductor, “Arts in Europe” and the rehearsal with Student Orchestra of Bruckner Universitäte, Linz, Austria; Miguel Kertsman, Composer, “Composition and Education”; Deridre Brenner, Pianist and Dartmouth Alum “Career in Vienna”; Dr. Morten Solvik, Musicologist, “Mahler Symphony No. 1” Orchesta/Ensembles: Berlin Philharmonics, Royal Concertgebouw Orchestra, Rotterdam Philharmonic Orchestra, Cleveland Orchestra, Philadelphia Orchestra, Budapest Festival Orchestra, Berlin State Opera Orchestra, Berlin Baroque Soloists, Vienna Philharmonics, Vienna Symphonic, Tonkunstler Orchestra, Alban Berg Ensemble, Wave Percussion Quartet, Hagen Quartet Notable Conductors and Soloists: Martha Argerich, Yujia Wang, Danilli Trifonov, Igor Levit, Maestro Daniel Barenboim, Dennis Russel Davis, Daniele Gatti, Yannick Nézet-Séguin, Ivan Fischer, Percussionist Christoph Sietzen Concert Halls, Opera Houses, Jazz Club, Small Venues, Churches: Wiener Musikverein, Konzerthaus, Staatsoper, Volksoper, Theatre an der Wien, Karlskirche, Mosaïque Wien, Porgy and Bess, Haus der Musik, Haus of Beethoven, Kunst Bedivere, Linz’s New Music Theatre, Bruckner Univierstäte, Ars Electronica Center, St. Florian Abbey, Prague’s Estates Theatre and Brno’s Basilica of the Assumption of Our Lady Composers: Haydn, Mozart, Bach, Beethoven, Schuman, Schubert, Chopin, Edgard, Brahms, Berlioz, Bruckner, Tchaikovsky, Sibelius, Debussy, Mahler, Verdi, Puccini, Richard Struss, Johann Struss, Wagner, Janáček, Dvorak, Schonberg, -
Brahmssymphony4 Gardiner
SDG705_booklet_AW:SDG118_booklet_dh3 11/6/10 15:47 Page 1 Brahms Symphony 4 Gardiner 1 SDG705_booklet_AW:SDG118_booklet_dh3 11/6/10 15:47 Page 2 Johannes Brahms 1833-1897 Ludwig van Beethoven 1770-1827 1 Overture, Coriolan Op.62 6:50 Giovanni Gabrieli c.1554/7-1612 2 Sanctus and Benedictus a 12 3:40 Heinrich Schütz 1585-1672 3 Saul, Saul, was verfolgst du mich? SWV 415 3:49 Alison Hill, Meg Bragle soprano Jeremy Budd, Nicholas Mulroy tenor, Matthew Brook, Stuart Young bass Johann Sebastian Bach 1685-1750 from Nach dir, Herr, verlanget mich BWV 150 4 Meine Augen sehen stets zu dem Herrn 2:00 5 Meine Tage in den Leiden 2:55 Charlotte Mobbs soprano, Meg Bragle alto Nicolas Robertson tenor, Tom Appleton bass Johannes Brahms 6 Geistliches Lied Op.30 5:17 for choir and organ (1865) arr. Gardiner for choir and strings (2008) 2 SDG705_booklet_AW:SDG118_booklet_dh3 11/6/10 15:47 Page 3 Fest- und Gedenksprüche Op.109 for double choir a cappella (1889) 7 1. Unsere Väter hofften auf dich 1:47 8 2. Wenn ein starker Gewappneter 2:45 9 3. Wo ist ein so herrlich Volk 4:34 Symphony No.4 in E minor Op.98 (1885) 10 I Allegro non troppo 11:18 11 II Andante moderato 10:40 12 III Allegro giocoso 5:34 13 IV Allegro energico e passionato 9:41 70:52 Orchestre Révolutionnaire et Romantique The Monteverdi Choir John Eliot Gardiner Recorded live at the Royal Festival Hall, London, on 5 October 2008, and on 6-8 October 2008 3 SDG705_booklet_AW:SDG118_booklet_dh3 11/6/10 15:47 Page 4 Brahms: Roots and memory John Eliot Gardiner To me Brahms’ large-scale music is brimful of vigour, drama and a driving passion. -
Season 2016-2017
25 Season 2016-2017 Thursday, April 6, at 8:00 Friday, April 7, at 2:00 The Philadelphia Orchestra Saturday, April 8, at 8:00 Sunday, April 9, at 2:00 Yannick Nézet-Séguin Conductor Mason Bates Electronica Daniil Trifonov Piano Beethoven Overture and Finale, from The Creatures of Prometheus, Op. 43 Bates Alternative Energy I. Ford’s Farm, 1896— II. Chicago, 2012 III. Xinjiang Province, 2112 IV. Reykjavik, 2222 First Philadelphia Orchestra performances Intermission Mozart Piano Concerto No. 9 in E-flat major, K. 271 (“Jenamy”) I. Allegro II. Andantino III. Rondeau (Presto)—Menuetto (Cantabile)— Liszt Prometheus, Symphonic Poem No. 5 This program runs approximately 2 hours, 5 minutes. LiveNote™, the Orchestra’s interactive concert guide for mobile devices, will be enabled for these performances. The April 6 concert is sponsored by American Airlines. The April 7 concert is sponsored by Sarah Miller Coulson. Philadelphia Orchestra concerts are broadcast on WRTI 90.1 FM on Sunday afternoons at 1 PM. Visit WRTI.org to listen live or for more details. 26 ™ Getting Started with LiveNote » Please silence your phone ringer. » Download the app from the Apple App Store or Google Play Store by searching for LiveNote. » Join the LiveNote Wi-Fi network from your phone. The wireless network LiveNote should appear in the list available to you. Select that network. » Welcome to LiveNote: You should see a greeting that says you are connected to the Live Stream. Helpful Hints » Tap “View Live” to follow the original content in sync with the Orchestra. » Tap home in the top left if you are in live mode and select the piece you want by tapping the piece and then tapping the movement. -
Franz Liszt Die Orchesterwerke Im Originalklang
Franz Liszt Die Orchesterwerke im Originalklang Orchester Wiener Akademie Martin Haselböck The Sound of Weimar Franz Liszt (1811–1886) The Sound of Weimar Liszts Orchesterwerke im Originalklang / The Authentic Sound of Liszt’s Orchestral Works I Eine Sinfonie nach Dantes Divina Commedia S 109 A Symphony to Dante’s Divina Commedia, S 109 1 Inferno 20:49 2 Purgatorio – 16:41 3 Magnifi cat 6:27 4 Evocation à la Chapelle Sixtine 15:09 (Violinsolo / Solo Violin: Ilia Korol) Frauen des Chorus sine nomine / Women of the Chorus sine nomine (Johannes Hiemetsberger Chorleiter / Choir Master) II Eine Faust-Symphonie in drei Charakterbildern S 108 A Faust Symphony in Three Character Sketches, S 108 1 I. Faust 26:59 2 II. Gretchen 17:36 2 3 III. Mephistopheles – IV. Chorus Mysticus 23:45 Steve Davislim Tenor / tenor Männer des Chorus sine nomine / Men of the Chorus sine nomine (Johannes Hiemetsberger Chorleiter / Choir Master) III 1 Les Préludes, S 97 15:35 Sinfonische Dichtung Nr. 3 / Symphonic Poem No. 3 2 Orpheus, S 98 10:27 Sinfonische Dichtung Nr. 4 / Symphonic Poem No. 4 3 „Ce qu’on entend sur la montagne“ (Berg-Symphonie), S 95 30:12 Sinfonische Dichtung Nr. 1 / Symphonic Poem No. 1 IV 1 Hunnenschlacht, S 105 16:25 Sinfonische Dichtung Nr. 11 / Symphonic Poem No. 11 2 Hungaria, S 103 23:07 Sinfonische Dichtung Nr. 9 / Symphonic Poem No. 9 3 Mazeppa, S 100 18:33 Sinfonische Dichtung Nr. 6 / Symphonic Poem No. 6 3 V 1 Tasso. Lamento e trionfo, S 96 20:41 Sinfonische Dichtung Nr. -
Das Wiener Konzerthaus 1930-1945
DISSERTATION Titel der Dissertation Das Wiener Konzerthaus 1930-1945 verfasst von Mag. Philipp Stein angestrebter akademischer Grad Doktor der Philosophie (Dr. phil.) Wien, 2013 Studienkennzahl lt. Studienblatt A092 316 Dissertationsgebiet lt. Studienblatt Musikwissenschaft Betreut von Univ.-Prof. Dr. Michele Calella Inhalt Inhalt 3 Vorwort 5 Vereinsgeschichte der Wiener Konzerthausgesellschaft 1930 bis 1938 8 Vorgeschichte 8 Die Konzerthausgesellschaft während der Wirtschaftskrise 10 Konzertveranstalter in den frühen dreißiger Jahren 20 Am Vorabend des Bürgerkrieges 27 Die Konzerthausgesellschaft im Bürgerkriegsjahr 1934 28 Wirtschaftliche Schwierigkeiten 1934-1937 33 Konzertveranstalter im Ständestaat 36 Das Wiener Konzerthaus in der österreichischen Kulturpolitik vor 1938 40 Probleme der ständestaatlichen Kulturpolitik 40 Organisationsstrukturen der ständestaatlichen Kulturpolitik 43 Ständestaatliche Kulturpolitik und ihr Verhältnis zum nationalsozialistischen Deutschland 46 Kulturpolitik der Vaterländischen Front 48 Die Politik des Kulturamts der Stadt Wien (MA 350) 52 Die Wiener Konzerthausgesellschaft und das Deutsche Reich vor 1938 55 Einflussnahme durch das Deutsche Reich 55 Engagement Karls Böhms 55 Verminderung der Konzertanzahl Leopold Reichweins 62 Exkurs: Das Gausymphonieorchester Niederdonau 63 Nationalsozialistische Veranstaltungen zwischen 1933 und 1938 66 Kulturelles Sofortprogramm 72 Rund um den Anschluss: Das Jahr 1938 74 Die Wiener Konzerthausgesellschaft im Jahr 1938 74 Verkündung des Ergebnisses der Volksabstimmung -
Graduate Piano Recital
Pittsburg State University Pittsburg State University Digital Commons Electronic Thesis Collection 5-2016 GRADUATE PIANO RECITAL Nan Sun Pittsburg State University Follow this and additional works at: https://digitalcommons.pittstate.edu/etd Part of the Music Commons Recommended Citation Sun, Nan, "GRADUATE PIANO RECITAL" (2016). Electronic Thesis Collection. 90. https://digitalcommons.pittstate.edu/etd/90 This Thesis is brought to you for free and open access by Pittsburg State University Digital Commons. It has been accepted for inclusion in Electronic Thesis Collection by an authorized administrator of Pittsburg State University Digital Commons. For more information, please contact [email protected]. GRADUATE RECITAL A Thesis Submitted to the Graduate School In Partial Fulfillment of the Requirements For the Degree of Master of Music Nan Sun Pittsburg State University Pittsburg, Kansas May, 2016 GRADUATE PIANO RECITAL Nan Sun APPROVED: Thesis Advisor __________________________________________________________ Reena Natenberg, Department of Music Committee Member______________________________________________________ John Ross, Department of Music Committee Member __________________________________________________________ Ray Willard, Department of Teaching and Leadership GRADUATE PIANO RECITAL An Abstract of the Thesis by Nan Sun This thesis contains information pertaining to my Graduate Piano Recital. The recital consists of the following works: Piano Sonata Op. 26 by Ludwig Van Beethoven; French Suite No. 2 by Johann Sebastian